Supported by Caribou, Bill Brewster, Gilles Peterson
Sales Information:
"The Chapel” starts as a glimmer on the horizon, yet develops to a war cry, a clarion call of grace and impact. Cosmic synth gurgles fill the initially sparse atmosphere, before being subsumed by overlapping sax lines; by the end, only a ghostly imprint of squall lingers in the air.
On the flip, “Full Circle” brings us down from the sky to the earth. Busy, clipped drums are encircled by synthetic flurries, culminating in a climatic release. As a whole, the release keeps these two divergent approaches to jazzwise electronica rotating in tandem. It’s an approach that is due to be explored with more collaborators on later instalments.