Regarded as one of the most sought-after yet elusive albums from a pivotal era in Japanese jazz, Earth Mother was originally issued in 1978 on ALM, a private label home to some of the most innovative jazz, contemporary classical and free improvisational music released in Japan during the late 70s and early 80s. It was here that Earth Mother found a natural home among the experimental and transgressive, destined to remain in obscurity for decades until the album’s muscular, bass-driven title track was included as the opening cut on BBE’s acclaimed compilation J Jazz: Deep Modern Jazz From Japan 1969-1984. It was a fitting way to start such a landmark collection and the track quickly became a favourite among DJs and jazz fans.
Earth Mother sees saxophonist Matsukaze team up once again with legendary drummer and band leader Furusawa Ryojiro; joined by Tamio Kawabata on bass to form the core trio which is augmented by Daitoku Toshiyuki on acoustic piano and Fender Rhodes.
This is a mythic album, seen and heard by very few; often among the top wants for even the most hardcore jazz collectors. The album ranges from heavyweight spiritual jazz and post-bop burners, to Dolphy-esque experimentation (Don't Worry About Tenor Saxophone) and a singular take on the classic, Round Midnight.
To optimise the sound of the music Earth Mother will be issued as a 180g vinyl double album, with exact reproduction artwork, obi strip, insert and labels plus translated notes.
The BBE J Jazz Masterclass Series is curated by Tony Higgins and Mike Peden and is dedicated to presenting the very finest in Japanese jazz. The series will feature fully licensed and authorised deluxe reissues of rare, long-lost and unreleased material from the golden era of Japanese jazz.