Listeners ease into proceedings with “Sound Space", dappled by hand drum loops and engulfed in warm bass notes that help piano stabs and cooed vocals hit pleasure centers with accuracy and glee. “Full Mood” continues in this vein but is even more pointed, firing off Prescription-strength stabs and expert level hi-hat work into gooey melodies. The A side closes with the weightless ambience of “Space Jam", shimmering like sun cracking the horizon. Side B offers two versions of floor-filler “Summit", which epitomize David and Rowe’s aesthetic and production methods. The “Smoov Mix” pairs twitchy, relentless drum programming and a brisk, walking bass line with triumphant synth lines for a propulsive but lighthearted tune. The “Smashed Mix” has harder edges and more quirks, like squirrelly synth squiggles and an ascending synth line that could part the darkest clouds.[info from wa]