EFDEMIN – “Deer Code, nice one!”
ANJA SCHNEIDER – “I will play Deer Code!”
SASHA – “Loving the Esser remix!”
SEBBO – “Deer Code is the one for me, like it and will play!”
LAURENT GARNIER – “Nice mix b Darko, will try it out.”
HERNAN CATTANEO – “Love Deer Code (Both mixes), Polar good too!”
LEN FAKI – “Darko’s mix is the winner, indeed a great after summer mix!”
JEROME SYDENHAM – “I’m feeling the Darko Balan remix!”
FUNK D'VOID – “Amazing Darko mix, superb work!”
PACO OSUNA – “I like Polar, super dark nice one!”
THOMAS SCHUMACHER – “Beautiful! Deer Code.”
SASHA – “Loving the Esser mix!”
CHRIS LIEBING– “Polar, deep and dark… really nice!”
BASTI SCHWARZ – (Tiefschwarz) – “Nice and deep… cool! Polar!”
ORDE MEIKLE – (Slam) – “Polar… very memorable.”

Wolfskuil Records is happy to welcome yet another international artist to it’s growing roster. London based techno producer Tommy Four Seven is considered one of the biggest talents in the global techno scene. First appearing on vinyl as an 18-year-old on oldschool tech label Brique Rouge, Tommy Four Seven has since released on labels from Love Minus Zero to iO Music, Catwash, and of course has been a regular on Brique Rouge's nastier sister label Kill Brique. He's remixed Wink, DK7, Mike Monday and Tom Pooks.

With his own imprint Shooting Elvis he is in constant search of balance between the human and mechanical aspects of music production. He does so by always using organic elements and instruments in digital produced tracks. He received overwhelming international support for his work, but there is so much more to come.

The tracks on his first release on Wolfskuil are all bound by deepness and solidly based in the darker and moodier side of dance music. Deer Code and Polar are meant to get under your skin and do exactly that. There’s constant tension, expectation and eeriness. The tracks don’t climax, erupt or explode, but keep the listener on their toes at all times. A very special quality for any producer and very hard to achieve. Label boss Darko Esser is on remix duties on the flip. With a more classical Detroit orientated approach he takes the original to a more epic level, without losing the intimacy of the original. He takes time to gradually build up to a strings and organ dominated climax, where everything comes together. Perfect autumn music.