2x12inch in a gatefold cover

limitiertes notfallkit bundle mit doppel-lp im gatefoldcover, downloadcode, album-cd + instrumental-cd, transparente 7 inch mit bonus-song & instrumental, handsigniertes notfall-poster din a2, ypsilon notfall-stickerpack + notfall-plan + notfall-feuer.

180 gramm doppel-vinyl.

die herrengedecke vinyl edition enthält: zwei herrengedeck, bitte. (gatefold 2lp mit bedruckten sleeves) nochmal zwei herrengedeck, bitte. (gatefold 2lp mit bedruckten sleeves) das gleiche wie immer, bitte. (remix-album auf cd) + posterbooklet mit intimen fotos und liner notes + downloadcode für alle 3 alben + die herrengedecke (insgesamt 49 tracks) kommen im stilvollen hardcover vinyl-schuber.

in acht songs bündelt “halleluja”, was sich seit dem letzten album an material zur veröffentlichungsreife entwickelt hat, und ist damit auch ein druck auf reset, der den weg für neue musikalische und thematische wege freimacht.

fünf jahre ist es her, dass audio88 & yassin mit ihrem lofi-debüt zwei herrengedeck, bitte in einer szene aufschlugen, die nicht unbedingt auf sie gewartet hatte und die sie sich nie ausgesucht hatten. den übrigen deutschen hip hop finden die beiden in berlin lebenden rapper überwiegend wack und darum dreht sich auch ein nicht zu unterschätzender teil ihrer musik. das doppel-vinyl erscheint inklusive cd im klappcover.

inc cassy remix (perlon, panoramabar), first up is the more jackin minimal tune of the lot.… the second tune of the a-side takes on a more trancey and bleepy approach as string-like pads are brought in to mellow out the feeling of the track and support the crunchy and vibrant bass line. the major elements of b1 are comprised of an acidlike bass line and a staccato house piano. for the fourth and final track of the ep, cassy is brought in on remix duty and does a makeover of bleepy creep (a1) that introduces new elements and new energies. the remix is based on minimal references and stays low and repetitive

enoq ist ein mc aus berlins süden. früher war er produzent, mochte es aber nicht, wenn die mcs über seine beats rappten. also fing er selber an reime über beats zu packen und das mit ende zwanzig. spaetzuender. zwischen dem traum eines hartz4ers und features für audio88 & yassin hat er die letzten jahre an seinem eigenen output gearbeitet. nach einer free ep 2016 steht anfang 2017 sein debütalbum auf dem plan bei jakarta records.

some notorious electronic music talents have started their careers as percussionists. and so did yaya, but his tale is different to all the rest. his new release for desolat takes a unique, upbeat approach to 4/4 beats: combining heartfelt benin influences - samples from dialogue and traditional ballads - with the stretched-out tension and release of balearic and the bubbling pops and stutters of tech house, plus the occasional kickback to a commodore64 high score melody. raised in turin, italy, rhythm was his lifeblood for yassin legali, also known as yaya, from an early age. his father was the lead vocalist and percussionist for mbamina, a band consisting of musicians from benin, zaire, italy and cameroon. mbamina released eight albums, collaborated with artists like manu dibango and salif keita, were sponsored by paco rabanne and played all over africa, including a show for the presidents of senegal and france. their final show was with james brown in paris in 1985 - the year yaya was born. well-versed in his fathers legacy, yaya grew up playing drums and djembe, and at the age of 15, began performing as a percussionist in turin clubs. just one year later, he was already djing, playing funk, soul, afrobeat, house and garage. manu dibango and fela kuti found a spot in his crate next to records by masters at work and dimitri from paris: contrasts of rhythm and structure that pervade his music to this very day.

after the release of the second single by solee, here comes the next top tune out of the parquet recordings camp. it s dejonka, who already released on labels like klang gymnastik, hammarskjoeld, karate musik and bikini tracks with –memento-. this track is a pure high-energy dancefloor burner. the kicking beat, the funky bassline and the dirty electro sounds create a groove that nobody can resist on the floor. a true sure-shot for the peaktime! ryan davis & lanny may use the strongest elements of the original adding some minimal beats and sounds to create a new underground flavour. yassin & arne create a true minimal-techno masterpiece creating a nice bubbling synthie melody out of the original harmonies. again a great package with remixes for every flavour and occasion!

new electro-tech-house label founded by norm (king kong records). parquet recordings starts with an electro-tech-house peaktime track from the label-leader himself with his new project solee. next to the original mix there are 2 stunning minimal-techno mixes... the first remix comes from yassin & arne, one of the hottest newcomers in the minimal techno, scene at the moment. they already released on 3rd floor records next to trentemøller and duplex 100. 2nd rmx by schatz & wickinger (releases on elektro komfort & traum schallplatten), who work closer to the original but adding some new flavour. great start for this new high-quality label. don t miss it! full dj support by: satoshi tomiie, martin landsky (pokerflat rec.), joachim garraud, dms (great stuff rec.), joe t. vanelli, mijk van dijk, flash brothers, monoroom and others…

enoq ist ein mc aus berlins sŸden. frŸher war er produzent, mochte es aber nicht, wenn die mcs Ÿber seine beats rappten. also fing er selber an reime Ÿber beats zu packen und das mit ende zwanzig. spaetzuender. zwischen dem traum eines hartz4ers und features fŸr audio88 & yassin hat er die letzten jahre an seinem eigenen output gearbeitet. nach einer free ep 2016 steht anfang 2017 sein debŸtalbum auf dem plan bei jakarta records.