8 search results
WHAT GOES AROUND COMES AROUND / DUB (7 INCH)
7 Inch
25.02.19
limited edition of 500 numbered copies on 7 inch vinyl.
REMINISCENCE
12 Inch
19.10.17
limited edition of 500 numbered copies.
DREAMS (7 INCH)
7 Inch
12.10.18
OSAKA STEPPAS VOL.3
12 Inch
11.09.18
steppas records presents osaka steppas vol. 3, the third in a series of releases showcasing the japanese underground dub movement. this edition features osaka producers hiroshi and roots masashi in collaboration with spanish producer ojah and well-respected uk singer rudey lee. the osaka steppas raw and unrelenting sound developed in the subterranean clubs of osaka, a port city famous for its counterculture night life. inspired not only by the sounds of jamaica, but also drawing inspiration from uk and european soundsystem culture with enough bassweight to test even the toughest of soundsystems. presented in a beautifully designed full colour sleeve inspired by the works of the legendary ukiyo-e woodblock artist, hokusai. this release is not to be missed. side a features an earth rocker riddim from ojah & hiroshi, with conscious lyrics sung by the legendary rudey lee. side b features a much sought after dubplate from osaka producer roots masashi, a deep, dark & mystical steppa.
FREEDOM FIGHTERS (OJAH REMIX) (7 INCH)
7 Inch
14.06.18
CYCLES (7 INCH)
7 Inch
29.03.18
tripping, current digital dub reggae steppers.
Zam Zam 061
Zam Zam Sounds
LIFE IS BETTER WHEN YOU SMILE (7 INCH)
7 Inch
20.03.18
PRESENTS THE CHISA YEARS 1965 - 1975 (2LP)
2x12 Inch
23.05.18
the chisa years: 19651975 (rare and unreleased) is a compilation album by south african jazz trumpeter hugh masekela. the album consists of 14 rare or forgotten tracks recorded by stewart levine and hugh masekela from 1965 to 1975 when they ran their own chisa records label. thom jurek of allmusic wrote in sum, there isnt a weak moment on this entire collection. its appeal is wide and deep and one can only hope this is the first of many volumes of this material to appear. bbe records has done a stellar job in making this slab available. dan nishimoto of the prefix magazine stated the compilation focuses on masekelas original idea of african american music. from the early experiments of the zulus (a group featuring mbulu) in mixing doo-wop, rhythm & blues and south african gospel and the mbaqanga/grazing in the grass-style work of the generically named johannesburg street band to the clearly fela-influenced ojah (masekelas band in the mid-70s, consisting of players from ghana and nigeria) and the readyfor-primetime belting of mbulu, each track reveals a multi-pronged effort to find and challenge the notion(s) of how african and american cultural forms could interact.
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