orange marbled triple vinyl in printed sleeve.

tech trance tracks

young brazilian talent on maceo plex well known label, check... 3 massive melodic dj friendly stuff

• raw , groovy and dirty techno / acid madness
• marbled vinyl looks great

limited 600 handnumbered copies

the follow up to shawns timespan album for pittsburgh tracks is the next planet over an ep featuring four new tracks from pittsburghs synth maestro. the ep opens with works on paper, which is like a cross section of shawns acclaimed improvised live techno sets. the collection continues with last light on and switching rails two deep, driving synth numbers that are the product of shawns interaction with the beautiful surroundings of pittsburgh and its midwestern grit. finishing the ep is one more sometime a rare downtempo excursion propelled by synth bass and lush atmospherics. the follow up to shawns timespan album for pittsburgh tracks is the next planet over an ep featuring four new tracks from pittsburghs synth maestro. the ep opens with works on paper, which is like a cross section of shawns acclaimed improvised live techno sets. the collection continues with last light on and switching rails two deep, driving synth numbers that are the product of shawns interaction with the beautiful surroundings of pittsburgh and its midwestern grit. finishing the ep is one more sometime a rare downtempo excursion propelled by synth bass and lush atmospherics.

lowfreq77 is taking no prisoners as he steps up to deliver the second release on summa cum laude. the italian producer has only emerged in the past few years, despite having dedicated a great deal of his life to producing music. it was clearly worth the wait 1804 is the kind of fist thumping techno that leaves no body motionless as it rips its way through the dance in a hail of relentless claps and nagging synth hooks. rails meanwhile amps up the robert hood style twitchy loops, making this a techno record for those who like their beats pure and unrelenting.

i was gone for a while. but now i am back. times have changed but the focus is the same. primal, stripped down cuts. jeremy p caulfield

the third release on ascorbites own corseque records is not for the faint-hearted. advance the flight and inadequate demeanor are clearly twins, delivered from the darkest corners of ascorbite’s mind. the bold, pounding quality of the ep brings adam x or grovskopa to mind but ascorbite has a dystopian touch that’s entirely his own. advance the flight is like a battle track for an intergalactic armada being attacked by an infinite horde of swarming space ants. inadequate demeanor, on the other hand, is a grim steampunk fantasy of a black, shining locomotive plainly out of control, raging on red hot rails towards the end of the line. however, while both tracks are rough and unforgiving, ascorbite manages to invigorate them by the use of subtle melancholic atmospheres – like rainy skies over a concrete desert. a balance between brutalism and vitality. a trademark of ascorbite and corseque records.

deep, dark and instinctive techno/ rhythmic/ industrial/ drone music from manchester uk, are the words that can be found to describe the music of casual violence.. its safe to say that they picture the painting discovered in this new ep. expression unrelated is made up of four tracks as good as they are varied.. on the a side theres burn it all down , pure quality techno 4/4, dark and fleshy, the perfect bullet to hypnotise the dance floor in a few seconds.. youth horde, an interlude/break, deep aquifer on a down tempo beat, which rails in this a side beautifully. on the b side, the track who gave his name to the ep, expression unrelated is a track as dark as it is rhythmic. a broken devasted beat, over 9 minutes of insanity.. sensitive souls beware. we finish off with an outro/intro, where long and hypnotic strings interlace.. as already stated, pure drone music from manchester.

named in homage to the series of collectable football cards from the 1970s, the rothmans label follows the inaugural mario kempes release with another long-haired icon being given his dues in the form of the harald toni schumacher release, complete with another four tracks of chugging techno-disco. emotional responses timothy j fairplay kicks things off with *off the rails*, an expectedly dark and tense piece of carpenter-esque synth, while lwe writer per bojsen-moller delivers the atmospheric techno of *staying late*, whose rippling analogue bassline gives way to an unexpectedly funky breakdown. on the flip, steve cooks *noahs arp* takes things a balearic house direction with its thick, filtered analogue textures adding some psychedelic colour to its mid-tempo grooves, while emile strunzs *magnetic* adds some acid flavour to its low-swung, vocoder saturated italo swagger.

with the first single release of beijing rock, paul brcic (paul brtschitsch) brings a driving yet emotional production into the world of electronic sounds. an unmistakable, pulsating beat reminiscent of detroit-techno, smooth percussion, and a catchy bass line make up the songs foundation, immediately casting a bewitching spell and leaving no room for detours. carefully arranged samples from the 40s mould the centrepiece of the club bangers and move in perfect harmony with the full synth and fx sounds. without a doubt, paul brcic sets off a multifaceted sound explosion with a first look at the album beijing rock, scheduled for release in autumn 2012, always keeping one eye on production-technical details and the other on organic sound. beijing rock immediately invades the senses from the first measure, taking you along a journey outside of the clubs of this world and catapulting you just as quickly back to the sweat-inducing, wild nights. absolutely magnificent - paul brcic in his purest form. the b-side acid & camambert clatters as if on rails through the fields of sound and sets off one adrenaline rush after another with its clear basslines and consistently rising networks of beats. exquisite superstructures and effect dramaturgy breathe life into acid & camambert with an unbelievable energy and nearly acidic characteristics.

>sustain< is a landmark album in the ambient dub genre. to date, no other dub album has been able to capture the sounds and emotions of a faraway place quite like this one. an album that will leave you in complete awe. we are very excited that >sustain< will be released on vinyl in limited copies as well as on cd and digital.

new album

purple marbled double vinyl in gatefold sleeve.

blue coloured double vinyl in gatefold sleeve.

new solo album from andy cooper (of ugly duckling fame).

introduced by a mutual friend, a/t/o/s started creating music together. their first creation, a taste of struggle was quickly picked up by dubstep pioneer mala, who signed them to his label deep medi. their debut release received an early spin by bbc 6 music s mary anne hobbs and impressive remixes by skream and commodo.

bawrut has had an amazing couple of years. since kicking our label off back in 2015 with the modern acid classic ciquita (12inches of which will now set you back silly money on discogs), the madrid-based producer has gone from strength to strength. last year saw him tear down sets at sonar and farr festivals, drop a feted new ep on hard fist records, and have his music soundtrack numerous adverts for fabric events. other djs have been quick to show their appreciation, and bawrut’s unique appeal can be seen in how far and wide across the spectrum his music has featured. optimo, avalon emerson, patrick topping, jackmaster, artwork, andrew weatherall and many more have all supported heavily. were proud to kickstart bawrut’s 2018 with 4x4, a brand new ep of typically leftfield bangers. these four tracks come on like a whirlwind journey through a bawrut dj set, with something for every time of the night. ghettoscar fuses african chants with burbling acid, building the kind of goodtime dancefloor warmth bawrut is famed for. more cowbell does exactly what you’d expect, giving djs a glorious, cowbell-powered disco bomb that fuses the spirit of incredible bongo band with classic nyc house. i hear voices is a crazy ride, with an expertly cut up vocal sample repurposed into a weird, descending riff that’s quite unlike anything else out there. throw in bawrut’s trademark kitbag of carnival whistles, rattling latin percussion and a creeping acid line that works itself up into a soul-salving joy and youve got a modern classic on your hands. finally, lead track three sounds is probably bawruts biggest moment to date, a peak time jacking techno monster built from the most minimal of elements - drums, claps, a one note bass squelch and a tom drum gone wild. bawrut takes this tom sound and treats it like a 303, pushing far off the rails, working it up and up, twisting it through pitch and frequency like a man possessed, raising its pressure til it tears off the roof. theres no one else making techno quite like it - and you can expect dancefloors to be going crazy to the mania of three sounds throughout 2018 so there you have it - four more missives from the wizard of madrid. play em loud.

my rules storms into 2018 with the raw machine music project happy family from eric duncan and justin van der volgen. a side downtown wedgeee kicks off with twisted acid lines and drunken arpeggios which build and build until completely going off the rails, then finishing with ethereal pads and metallic percussion. b side bad monks ups the tempo and goes even further into woozy psychedelic territory with thick dizzying drones and a smeared pounding analogue rhythm.

ambiente reise in den winter hinein

nach ihrem famosen debütalbum vor zwei jahren tourten die banditos eifrig durch die usa und erspielten sich eine loyale fanbase. mitte juni erscheint nun endlich das langerwartete zweite studioalbum der sechsköpfigen band aus birmingham/nashville. aufgenommen in den legendären plum creek sound studios in austin, texas klingt ihr neues werk wie eine moderne -southern-born- version zwischen the band, janis joplin und den stooges. musikalisch bewegt sich -visionland- zwischen dreckigem punk-garagen-soul bis hin zu surf- und psychedelischen southern-rock songs. fans von zz top oder den stooges und janis joplin sollten -visionland- unbedingt auschecken. - “it’s a roller coaster, alright, but one running off the rails. banditos hop on for the ride, with a few psychedelics in their back pockets to help ensure a more vibrant trip.” - rolling ston

field records continues to focus on its first run of solo artists eps with four tracks from uk pair szare. before now this frozen border and horizontal ground duo has excelled in crafting cavernous bass chambers and off beat rhythms with ease - just as they do here. riding up and down, skipping left and right and swelling with a sense of post apocalyptic optimism as it goes. this ep is full of fresh ideas, fulsome production and a dark energy that makes it fit perfectly on the most recent end of the hardcore continuum.

white asega co-­owner jack dixon wrote new curtains after a friend who was coming wildly off the rails told him he was a good producer but his tunes were boring. the original version was really sparse and about 300bpm. when jack moved to new york the parts got lost, so he remade the track a dozen times. this was the version we all liked best, although jack never wants to hear it again in his life. it sounds tough and tropical. our friend troy gunner remixed it, and turned it into something so loud and slamming it will knock your teeth out. after telling jack to stop making boring music, mark kodiak spent two horrendous years working with jamie kodiak on a song they ve called taargus. it nearly destroyed their friendship forever but we think it was worth it. it has brutal weapon sounds, nasty snares and an incessant “yo” that has been described as “annoying and unnecessary”. the artist tom pounder has created a blinding video for it that contains brand new colours. french born bass genius bambounou stepped up to remix the track, taming the wild stems into a hypnotic early­morning house stepper. it took us approximately 2000 exhausting facebook group chats, four cross­atlantic flights and one divorce to get to this point. we hope you will enjoy this record for the rest of your lives. rip ken tulley.

veteran uk producer/dj paul macs debut release for art shows his remarkable versatility and meticulous production skills. odd things amount to nothing is very much a modern techno wall-shaker. it’s incessant drones and wails ride upon a wave of relentless beats. the track pauses to catch its breath after a tremendous build before once again going clattering down the rails. the flipside is the track that original caught label-owner and a&r kirk degiorgios ear - a modern take on the classic chicago/detroit hybrid sound of the late-eighties, brought up-to-date with a crisp sound

described by bbc radio 1 dj and experimental music maven, mary-anne hobbs as >one of the most inspired and agile lyricists in the world today<, ben sharpa has created an epic work that takes the listener on a journey into the tortured mind of an artist who has remained fiercely dedicated to his art ... think roots manuva, dj mujava, beans ...

big with someone else, falko brocksieper and morgan page

greatest spacin minimal tracks !! plays by angel molina, brocksieper, someone else

two more cuts on our summery piano riddim featuring the vocal talents of roll deep mc riko and our very own rubi dan. warrior queens voicing, things change, was released by soul jazz records and also featured on our compilation an england story. riko - a reformed character after spending time in jail earlier this decade - addresses himself to wayward youths with a warning about the badman lifestyle, while rubi dan rails against violence and corruption in london and the uk.

somebody went to detroit and all i got!

nach ihrem famosen debŸtalbum vor zwei jahren tourten die banditos eifrig durch die usa und erspielten sich eine loyale fanbase. mitte juni erscheint nun endlich das langerwartete zweite studioalbum der sechskšpfigen band aus birmingham/nashville. aufgenommen in den legendŠren plum creek sound studios in austin, texas klingt ihr neues werk wie eine moderne southern-born version zwischen the band, janis joplin und den stooges. musikalisch bewegt sich visionland zwischen dreckigem punk-garagen-soul bis hin zu surf- und psychedelischen southern-rock-songs. fans von zz top oder den stooges und janis joplin sollten visionland- unbedingt auschecken. its a roller coaster, alright, but one running off the rails. banditos hop on for the ride, with a few psychedelics in their back pockets to help ensure a more vibrant trip. rolling stone

3 cds incl. soul clap, audion, moff & tarkin, terrence parker, guti, kings of tomorrow and more

deluxe limited edition reissue! neon golden + bonus dvd! on/off the record - a documentary featuring the notwist by joerg adolph!