limited orange marbled double vinyl edition.

regular natural clear double vinyl edition.

deep house various artists ep

demos 1989-1991

180 gram double vinyl in gatefold sleeve with cd included.

dream theater live in japan, 2017 - available on vinyl for the first time! comes on 180 gram double vinyl, housed in a gatefold sleeve with cd-copy of the album included.

the historic final show of the flo & eddie line-up of the mothers, remastered and pressed on triple 180 gram vinyl, housed in a tri-fold sleeve.

limited 180 gram triple vinyl plus double cd in a gatefold sleeve.

dark loops is the third instance of carbon theater

subtiler sirenenalarm & abgedrehtes trip-theater machen auch den zweiten bukaddor & fishbeck release auf mbf zur pflicht

eine sammlung von musik für verschiedene filme und theaterstücke von mirko krsticevic, kroatischer und jugoslawischer komponist und musiker, der seit den 1970er jahren aktiv ist.

nile rodgers & chic live at paradiso theater, amsterdam 2004.

limited pressing on translucent coloured double vinyl (1x purple / 1x yellow) in gatefold sleeve.

decks tipp, ltd - onyl 1 per customer

** 2019 reissue ** lcd + pcp is a massive collaboration for this release: carl craigs label planet e is set and ready to rerelease one of the tunes produced as paperclip people, throw. the a-side on this 12 vinyl features a cover of the song by james murphy and his merry band of music makers, better known as lcd soundsystem. lcd soundsystem has been using its cover of throw in live sets for some time. guest of the 2005 lcd live performance at the el rey theater received a shocking surprise. while the band was closing out the night with an extended version of yeah. somewhere around the eight or nine minute mark, bassist tyler pope began jammin on the famous groove from throw. the crowd watched in shock and awe as the band slowly, one-by-one, joined in, morphing yeah into throw seamlessly. by the time james murphy grabbed the mic and declared in full falsetto i wanna see your haaaaaaaaaaand! everyone basically unloaded on themselves. truly a classic act for a classic track! this release will be the first time the lcd studio rendition has ever been made available on wax

disco stomper with diva vocals another extremely rare underground record on p&p. this time however and quite shockingly not a patrick adams or a greg carmichael production. nonetheless ôainÆt it timeö is a massive disco cut written, arranged and produced by arthur manning and p. j. wyatt paired with great vocals by soul, disco and gospel vocalist gwendolyn dennison better known for her stage name as queen yahna. queen yahna s career has seen her perform on broadway as maria in the hit musical, -porgy & bess- and the national company of -the wiz- as -evillene-. based in berlin, germany, queen yahna has had a successful career outside theater as well, cutting a few dance records over the year

theatre records was founded with the idea of concentrating the major genres of electronic music on a single stage. many centuries of theatral art have taught that the tragedy and the comedy are strictly linked in spite of their differences. with this pillar theatre records contains various genres that at the same time are separated in two different sub-labels. theatre white – the mask of the comedy includes the strenght and musicality of electro-house and progressive-house. theatre black – the mask of tragedy keeps inside the soul of genres as deep-house and tech-house.

deluxe triple vinyl edition, half-speed mastered at abbey road studios, pressed on 180 gram vinyl, download code included. six panel gatefold with three inner picture bags.
live at the apollo, volume ii by james brown and the famous flames was originally released in august 1968. a follow-up to the original 1963 album live at the apollo it too was recorded in new york at the apollo theater in harlem. this deluxe edition features a more expanded live set including 19 minute version of “it’s a man’s man’s man’s world”.

recorded at the famed paradiso theater in the netherlands, there is no compromise here, no concession. this set is what it is: a hard rocking, straight-up set of hart’s best-known tunes from her studio offerings. this live album is now available on vinyl for the first time!
limited edition of 1.000 numbered copies on turquoise 180 gram vinyl.

with their first two daptone albums – get an understanding, and as featured singers on como now – the como mamas established themselves as three of the strongest voices in gospel music today.
in december of 2015, they cemented that reputation by taking their first trip from their home in como, ms up to harlem, ny to crush the apollo theater as part of the daptone super soul revue. taking full advantage of their presence in town, the daptone crew brought ester mae wilbourn, della daniels, and angelia taylor into the house of soul the week after the show to join forces for the first time with the musicians and studio that has defined their label’s sound. jimmy hill, thomas brenneck, homer steinweiss, and bosco mann, all stalwarts of the daptone stable, came together as “the glorifiers band,” to put down a churning musical foundation for these amazing singers. the results are some of the heaviest tracks that daptone has cut to date. if you don’t like raw, soulful gospel music, you’re really gonna hate this one. move upstairs is a real mother!

with his third release of the bella avgvsta series, daniel bortz shows that augsburg offers more then its famous puppet theater. the opener don’t forget your sword provides crystal clear techno, discreetly interrupted by accented fades of an exotic theme. with rolling dub sequences, decent recurring swishes and a peacefull breaks jump in the water describes the impression to dive into the humid element. lonely soldier then provides more power again. the basic theme which is dominated by a minor tone displays an inner unrest created by the unknown that is daily lurking out there for us. the beautiful deep dub-track hide from the sun finally plays with the change of shimmering heat and chilly shadow. who does not know the feeling on a hot open-air-afternoon to take an occasional time-out from the merciless burning sun. overall this is the most personal and deeply emotional release and as we think a worthy highlight and conclusion for the bella avgvsta series.

upwellings is vincent raude, a professor of modern art at the academy of brest who has been releasing dub and reggae music since 1996 and has written music for contemporary dance and theater. he created his dub project lower groundz in 2004 where he experimented with reggae and in 2008 started his dub techno project upwellings under which he realized several 1s. his music was supported and charted by people like cio d or, laurent garnier, alexkid and more. upwellings music shows a great deal of recording knowledge and love for the details of electronic music. his a-side track zu zurich has a classic dub techno surface but we believe the skillful complexity on many levels will have us listen to this track many many times. there are things to discoverin >zurich< one might say. so it is no surprise that the flip side track >lower ground< shows more reggae influences which he uses in more abstract ways, employing vocal splinters he masterfully embeds in his recording.

in june 2013, above & beyond performed some of their best-loved songs acoustically with a 12-piece band, across three sold out shows at londons legendary porchester hall. the response from fans was overwhelming and led to two sold-out nights at the greek theater in los angeles in october, described by billboard magazine as one of the finest and more memorable shows in dance music history.
on this special and limited press double vinyl edition, *acoustic* is available on high quality 150 gram vinyl and comes presented in beautiful full colour artwork - including gatefold packaging and printed inner sleeves.

over the course of a year, keith fullerton whitman performed a piece of live electronic music a few dozen times entitled >generator<. the debut was given in san francisco at root stratas on land festival at cafe du nord on september 19th, 2009 … over the months that followed stagings took place in venues ranging from flooded basements to festival stages in baltimore, boston, brooklyn, chicago, easthampton, iowa city, jamaica plain, northampton, raleigh, saint louis, san francisco, somerville, & washington d.c.
this lp covers the final two performances of the piece over two consecutive evenings , the opening solo set from the final night of high zero festival in baltimore at the theater project, september 26th, 2010, then the performance during the for eliane night of the propensity of sound festival dedicated to eliane radigues work at issue project room, brooklyn, september 27th, 2010. these recordings show the piece in two different iterations, taking two different trajectories entirely. they are considered as the definitive versions of the piece.

massive support by josh wink, laurent garnier, funk d void, oxia, carl craig, audiofly, djinxx… after the massive djs support , inc air play and worldwide reviews of the first release, be as one is back to put the highlights on another producer coming out of israel, the freshest new talent to be signed by shlomi aber to his imprint: itamar sagi. itamar debuts on be as one with two cuts of tech-house at its best, two big room anthems with an underground feel that perfectly match what all the djs need in their bags these days. both sides going to stay on top playlists for long time and spend the upcoming summer with