long awaited restoration release! incl fettburger remix

the history of female punk, compiled by vivien goldman.

limited 30th anniversary edition on transparent orange vinyl.

90s infected ny house / techno

dancefloor anthems from tafkamp.

ltd 2020 repress - vu label second release , sees us resurrect this until recently unknown producer - its josh brent (schatrax) - recording from around 1998 - came out as supa 12&#8243,,,,,, around 2000 .we found a white label in the basement here and all loved it and started to track down the original tapes for this re-mastered 12&#8243,,,,,,, simple pure underground house with the right influences - has been causing underground waves in recent years - b2 cut particularly, big with many digging djs including rhadoo.

b-stock! cover with bent corner. vinyl uneffected, mint! cover mit geknickter ecke. vinyl ungespielt, mint!

roy of the ravers are back !

robert james presents his revenge of the wasp ep, pressed on 140 g vinyl

third compilation in the dreamville series “revenge of the dreamers” on limited double vinyl.

vinyl 12inch with limited full sleeve

ltd nice price deal - culprit favourite and nyc wonder m a n i k returns with his second release for the label with >she watches me<, featuring a choice remix from the revenge.
few producers in underground dance music have had as prolifically dense an output as chris manik (m a n i k) over the last two years. he joins the-likes-of maya jane coles, maceo plex and subb-an, as an artist who seem to have unnerving quality control, making every one of their tracks count. no wonder then, that culprit was delighted for m a n i k to return for his second record on the label, and his first full original release since the acclaimed lp for ovum earlier this year. culprit scored another coup when m a n i k, who prefers for his original music to stand alone, agreed to have >she watches me< be remixed. the legendary graeme clark aka the revenge was a fitting choice for this rare occasion.

b-stock! this is: the revenge of the bass

this is: the revenge of the bass

we present you the third release in our very successful collaboration series with roar groove and the revenge. straight after his new brilliant album when the thrill comes that was release in may this year graeme clark is back on dirt crew with four new gems. the opening, funky and twisting, times get tough is a deep rolling down tempo disco/ house stomper that builds into this ecstatic groove we got to love so much from his previous outings. pure good times and hands in the air action promised on this one! subconcious is that darker and meaner side of house track with a slammin chicago beat he delivers this old school jackin feel. big bass lines and soulful vocal samples tied together by on the fly drum patterns. the b-side of this new ep opens with an hypnotic jam that builds and builds till those sweet synths start soaring in. all carried by this ultra phat bass line, we can only imagine how this one will sound on a massive sound system! searchlight is def a highlight of this release. can we go even deeper and darker? oh yes! with come down we get a proper come down to close this ep. deep sub basses with floating tops and again that classic jack house beat. certainly a late night track made for those sweaty and long dj sets. summer is here and the revenge has the perfect soundtrack for hot and steamy nights, inside or on the open field!

radio slave’s colossal ‘the revenge’ track now gets expert remix treatment from klasse wrecks label head luca lozano. luca has also released on the likes of optimo, sex tags ufo and unknown to the unknown and brings a raw, acid tinged sound to his beats. as a performer lozano’s versatile dj sets span between raw house, cosmic disco and dynamic breakbeat selections, which is why he’s become a regular at key clubs across europe and tasteful festivals like houghton. his ‘how bow dis’ remix’ is solid and features wild old school flavours in its huge drum breaks, a monstrous bassline and dark filtered vocals. it bangs for seven superbly heavy minutes with plenty of twists and turns along the way, and will transform any club or warehouse into a writhing, sweaty mass in seconds. on the flip, his ‘how bow dah’’ version is based around elastic drums and rumbling bass while a loose synth line darts about up top. some distant synths bring a sense of serenity to the madness and so despite the physical impact of this one, it also has real emotion to it.

scottish producer & dj graeme clark aka the revenge releases his second album ‘when the thrill comes’ on his own roar groove imprint on 11th may 2018. ‘when the thrill comes’ is a demonstration of a producer achieving a point of maturity in their work, able to exercise a sense of restraint, to allow for their sound to have space. it is also the opportunity for the revenge to explore his own electronic music roots with a deeper pared-back sound more in touch with his earliest production experiences in house and techno.

the revenge is back at the controls for home taping!!! the scottish dj and producer kicked things off on the imprint back in 2009 with his forever in their debt release, which grabbed the attention of house djs around the globe. now he drops another timeless ep of killer house music on the imprint lost grooves part one demonstrating his musical depth and amazing production skills as he drifts effortlessly between jackin dancefloor trax, deep house grooves and looped up disco business. the result is a totally authentic and raw sounding homage to house music delivered by someone who has lived and breathed it over the last decade or so. home taping all night long!

never one to rest, our pal the revenge has been busy as always. his latest lp as 6th borough project find your rhythm recently dropped on roar groove, he created a beautifully delicate remix of auntie flos waiting for a (woman), had a change of scenery relocating from scotland to denmark and his collab ep with dirt crew, flush with nachtbraker remixes was one of our biggest records of 2016! amongst the action he’s taken the time and a more in yer face approach to write us his latest ep, a four-tracker of proper club tracks. every night brims with raucous disco energy. the french filter house reminiscent gems strings shimmer and funk horns hit heavy, a jam destined to wear holes in shoes. grit attends to the easy-going disco grooves we love so much from the revenge, plenty of shake and soul its overflowing with good-mood energy. b-side opener never learn gives us a glimpse of the darker end of the revenge’s spectrum. subby toms rumble, tweaked out synths bleep and slide and delayed key stabs shift the party into smoke hazed, underground rave mode. the closing track krokodille brings that bass n electro gritty booming sound! the acidic lead wraps around sturdy drums. straight forward with plenty of kick, what an ending to a high quality ep!

! ltd 50% deal!! the revenge continues to release forward thinking music on his very own roar groove label with the announcement of intimate connection – a double ep featuring all new tracks plus special ‘live dub’ recordings from title winning ‘love that will not die’.

most excellent unlimited is back with a homage to the primal roots of the dance floor, the disco break. this six-track, 12-inch ep gathers secret weapons from a diverse group of master re-editors who ve each provided their take on the venerable dj tool in the form of loops and grooves that will be welcome additions to the palettes of creative disc jocks everywhere. ranging from the minimal drum machine beats of daniel wang and alex from tokyo to the dramatic orchestration of tom noble s -samuel- and the whistle-laced afro disco of jacques renault (and a battle-ready acapella loop from danny krivit), most excellent breaks, beats & loops lives up to its name with a collection that pays respect to the lineage of the classic new york city edited break compilation.

we are proud to announce our first ever collab release with another label and above all, from one of our all time fave producers out there, the revenge. his label roar groove has become a household name for excellent deep dance floor excursions into dubbed out and disco fuelled house music and is the perfect fit for our vision of dance music.

2016 repress.. these reworks by the revenge (soul heaven, jisco music) & greymatter (mr bongo, unique uncut) present two unique interpretations of the original, the revenge strips the track down into one of his trademark slamming mid tempo grooves, whilst greymatter keeps it closer to the original but adds a new level of drama for the dance floor. side b introduces a new talent to the scene – krl. playing on samples and influences from the soul scene and restructuring and resurrecting them as modern dance floor bangers, krls tracks are already creating a big buzz. the massive recession beat has been in constant demand since its first initial promo airings and the storming remember (greymatter rework) is also set to do big things.

the spirit of us house genres raises its head once again, fuelled by a raw, scorched-earth production aesthetic coming from the deepest lair of the italian producer. expect hyper-filtered acid techno, crunching drum-work and heaving, bleeping beatdowns.

limited nice price action
2009 represents a decade in of making music for independent label five20east. to celebrate, they are bringing all of their artists together for a series of special releases. death on the highway is the first chapter in the story, showcasing their love for that pitched down house sound. death on the highway is a limited 12inch release featuring four original tracks from highly original producers including dj harri & the revenge, cronk family enterprises, andy ash and deep space orchestra.

after taking a short break house of disco records are back with a purpose. not content with the adding to the plethora of disco edit labels representing the genre they have opted to walk a more distinct path, determined to lean on originals or clever sampling as opposed to outright re-rubs. in this their twelfth release they recruit previous label-mate harry wolfman and compadre skinny love to provide three stunning dancefloor ready originals. the duo have certainly delivered on the brief and turned in three diverse and clever takes on what a modern disco track with a house soul can represent. on remix duties they have recruited a promising young producer kickflip mike, who has released on box aus holz as joschka seibt and paired him with experienced disco merchant the revenge who is responsible for some of the best remixes we know of, and he doesnt disappoint here with either remix.

with a bountiful career of singles and ep releases, alongside a host of collaborative and solo monikers spanning a staggering fifteen years, the revenge announces news of his long awaited full length debut album, love that will not die, scheduled for release in march 2015. the first release from the full length lp is three tracker incredible shellsuit

unreleased tracks by the chicago master ...
ron maney also known as dj skull lived in the southside of chicago (il, usa). his musical career started during the summer of 1986, while recovering from a broken bone. during the following years he homed his craft, djing first at basement parties, building his reputation to go on to larger events such as, loft and hotel parties, and eventually the infamous music box and power plant clubs. at the age of fifteen ron shopped his first demo at trax records. there he first met chicago s legendary dj ron hardy, working as a&r for trax records. two years, and a new alias later (dj skull) later while at the power plant, chicago s own steve poindexter heard a dj playing one of rons tracks, and met ron. steve was now a&r at saber records and invited ron to release some tracks. so in october of 1991 dj skull s first record -n.r.g. music- was released. in 1993, he released the ep -the stomping grounds- on djax-up-beats, which was more noted than the first one. over the years that followed dj skull released lots of ep s on several labels. he has become well-respected producer and dj in the techno industry

for those who have been following macadam mambo from the beginning, you must have noticed that eclecticism and craziness are definitively the main lines of the label. well, this new release will prove it once again. we are honoured and have great pleasure of welcoming two new artists to the label. first we have the head of nation himself, hailing from chicago: traxx! and on top of that npnk , his agent, best friend and head of we like booking. a real family affair… they have prepared 4 stunning edits especially for us. exploring industrial, minimal synth pop, ebm, post punk. these are four raw, loud, insane, absolute must-haves. cut short: just sik!

roar groove follows on from the exceptionally eagerly awaited inaugural body fusion ep, with the bugles of truth ep that continues the revenges sterling association with quality productions.

the revenge is at the helm for the first release of his new label roar groove. the body fusion ep continues to pair discos groove with the deeply contemplative musical roots that have earned him worldwide respect. the 4 featuring tracks fit between the lines of live electronics and more endearing deep slow burning club jams bringing inspiration from graemes pre-revenge band project.

jack fell down do it different. happy to be anonymous, they focus on the purity of their sound and the quality of their productions. stripped down and moody their house music really speaks for itself, especially on the dance floor. home taping maestro the revenge gets fully involved and delivers a truly astonishing piece of deep and driving underground house music. you need this in your collection!

the catalog of pink stallone & joey washington singles continues with the arguable gem of their collaborative sessions, mine. the second daniele b & eddie mars co-production, mine exhibits the steady progression of the stallone sludge-funk thump, again fueled by gushing maturity and composure from washington vocals. eddie mars even delivers his own stunningly-authentic production of the stallone/washington sound, marking the first official mars rendition of pink stallone since his inception as a producer and member of the live group. with this comes two workouts by master of the deep the revenge who provides a stripped back timeless dub. one of those tracks that will still sound great in twenty years time. simple and effective with a hint of grandeur. finally wrapping things up are s.a.s (subb-an & adam shelton). following the bumping foot & mouth release earlier this summer we had to ask the boys to give there twist and they sure delivered. acid base and full throttle beats transform >mine< into a jacking dancefloor destroyer, be warned!

vinyl sampler part three, with four party shaking house slammer

the revenge has quickly reached dizzying heights in recent years, conquering a style that escapes labeling and crowned the king of the edit

the revenge has quickly reached dizzying heights in recent years, conquering a style that escapes labeling and crowned the king of the edit.
this four track vinyl ep features tracks taken from his debut artist album titled >reekin structions< and each illustrates his talent for reinvention and reaffirms why he has become a spearhead for a new musical trend.

great audiophile pressing of 2 sought after cosmic disco tracks on this re-issue pressing. >the violence wont stop< is pressed for the first time on a full 12 inch side. the original albatros release was only pressed on a 7 inch. the rare and obscure space art track on the b side goes for around $200 on the bay. limited edition of 300. dont sleep!

glaswegian producer, label owner and globe trotting dj graeme clark, aka the revenge, takes on holy ghost!s >say my name< – a song from the duos ep static on the wire that, in its original incarnation, is a lovely, smooth slice of electronic pop. the revenge re-models the single three times over, into a trio of distinct remixes all bearing his unmistakable signature. first up on the vinyl 12inch is the revenge remix, which starts out like a hollowed-out, hall-of-echoes version of its predecessor and then grows – bit by bit and synth by syth – into a gorgeous swirl. on the revenge instrumental, clark ups the disco ante, removing the vocal melody and replacing it with elements equally as compelling: a classic beat, synthesized strings, double handclaps, and an essential electric bassline

ltd 2010 repress !!! the second new jisco after a two year hiatus is the split between the revenge and 6th burough project. on the a-side >cadillac< is a stellar re-edit of hot chocolates >heaven is in the back seat of my cadillac< done in the usual jisco-slo-mo style. on the flip 6th burough project push things up a notch tempo-wise with a super-funky workout that just keeps building ending up in theo/moodymann territory. excellent stuff

on the prowl brings us two outstanding remixes for runaways >the fire below<, canadian duo extraordinaire azari & iii, and scotlands new phenom the revenge. hot off the heels of >hungry for the power< and >reckless for your love<, azari & iii flex their remix muscle with a heavy dose of synth stabbing and percussive angst, reworking runaways original >the fire below< into a peak time burner. the revenges take shows that you dont have to bang it out to fill dancefloors. fortunate for us, graeme clark aka the revenge took time off his own super busy imprint (instruments of rapture) to give us one of his best remixes to date.

red music head honcho delivers another eclectic disco track in the form of call me tonight, vol 2 with remixes from greg wilson and the revenge.

the future disco series has quickly gained a reputation as being a compilation, where you are sure to find a cutting edge collection of the best in modern day disco. the series is now on its third outing >city heat< to be released on 31st may on cd as well as digital download. the very best of this album are transferred onto vinyl for an exclusive three track vinyl sampler. each track has never been released on vinyl before as well as featuring on the album itself.