vinyl reissue of the 19997 album by colin newman.

what’s in a name? oakland, ca’s mwahaha answers that question with a smirk, but the sounds that emanate from their forthcoming debut album are no joke. psychedelic ebb & flows, electronic undercurrents, and elated pop flourishes bring into focus an attention to detail that’s staggering.

hand stamped, numbered and embossed, limited to 255 copies.

the debut album from frenship on vinyl.

a year from its inception, artesian sounds proudly presents ars002: a debut ep from emre can swim introducing his unique brand of dubby, atmospheric low-bpm house music.
envisioned as a visit to a distant island, the ep opens with ‘another shake’, greeting you as you come ashore with a warm and tranquil mood. with ‘golfclap’, you venture deeper into the mainland, the rainforest thickens and tribal dance ensues. flip the record and things wind back down with hazy after-hours groover ‘slide in deep’. finally, aleksandir makes it a family affair and joins the expedition with a remix, packed with juno melodies and and rhodes-tinged broken beats.

delivered from its celestial womb to the human world for inevitable elevation, tactile galactics is the new album by secret circuit and first full-length release from beats in space records.
comes as limited double 12 inch vinyl in gatefold sleeve, mp3 downloadcode included.

smooth electronics on this great v/a !!

elvin estela, aka nobody, and singer niki randa are blank blue. >western water music vol. ii< dives deep into psychedelic and folktronic music.

shanti celeste & hodge team up again for peach discs

new album from david gray on double vinyl, housed in a gatefold sleeve.

by now, we ve come accustomed to tabernacle records exploring the outer reaches of detroit-influenced techno, electro and ambient. even so, their latest outing from regular contributor jeremiah r is something special. beginning with the floatation tank-in-space ambience of chorus, calisto sees the producer laying down a whopping eight cuts that variously touch in drexciyan electro, artificial intelligence-era idm, and hard-to-define hybrids that confirm the intergalactic potential of electronic music. interestingly, the music is roughly equally split between horizontally inclined, beat-less explorations, surging dancefloor workouts, and the kind of mid 90s home listening fodder that sits somewhere in between.

supported by onur Özer, mathias kaden, 2000 and one, tobi neumann, anja schneider, gregor tresher, karotte, alex attias, style of eye, lauhaus, sebo k