my man by the american dj aakmael house mixx right here for you, sure thing. support by scott groove detroit. peace. on the recommendation of mr larry heard, george kagais sun of the suns mother land. one of his first track let you know that he made this track the year of 2000 his track methaphysical vibe played by danny tenaglia. futurisms cd on tommy boy. a dj since 92. the beginning for bugnology3 steve bug ? you know. check also the b side. massive. laidback porny usual jazzy hipster drumbeat-jazzy thing with on his third wax track of the season mannmademusic, the slow motion early or totally late night, or whenever you want baby, oh yeah. england north east place called sunderland near newcastle. and you know what? paradice is closing those marvelous, without a kick drum, shaking heads all around on the snare thing. how delighted could we do more, than getting this record played all around the world for the greatness of life. lets celebrate, the second welcome back to the underground release. the vinyl cover is hand stamped with the a logo designed by street art painter: william thelineau.

the 4th installment maybe the hottest one yet! hard to top such previous quality but when there is a will there is a way. >gonna make it now< is a super-rare disco joint only released on a white label in the 70s and played by chicago s superstar dj ron hardy. re-edited and released here for your dancing pleasure. on the flip is some classic last poets agitprop >niggers are scared of revolution but niggers shouldn t be scared of revolution because revolution is nothing but change, and all niggers do is change. niggers come in from work and change into pimping clothes to hit the street and make some quick change<. a stone cold killer

london s midnight riot are back from the land of the rising sun with round two of the most obscure japanese boogie and disco jams. they have brought together the finest dj s and collectors for another installment of unique productions and edits. a must have for all the dj muro, joey negro and dj harvey fans out there, these guaranteed grooves are completely impossible to find in this day and age. highlights include shit hot soundsystem, who not only win award for best name of the year, but hammer out a wicked edit of the giorgio moroder influenced -kannushi-. label staples yam who? go with a lo-slung boogie funk excursion courtesy of their edit -mono drive-.

this is volume one of a two volume set from edit master gay marvine aptly called dance floor favorites these are some of his most sought after unreleased edits that are known for their strong reaction on the dance floor. they cause an instant heat. includes his own rude jacking acid jam banji girl realness, using lines from paris is burning conjuring the energy of the dance floor battles that would ensue during a ken collier set at heaven. keepyourbodyworkin delivers that filth your dance floor needs, while street life simply elevates your floor, walking on air. and nothing shines the light stronger than weekend, always a peak moment at a party.

for the past few years, young denmark vessey has been releasing a series of albums, both as a leader of carious groups and as a sideman in various others, which definitely mark him as one of the most exciting young players in music. vessey’s last album prior to this (2013’s cult classic) employed scud one for the rhythm section. vessey, in his own playing suggest that he may be forging a link between the new mainstream and prior innovations. it is to vessey’s credit that this album achieves a surprising degree of unity. there is little of the haphazard feeling that too often arrends blowing sessions by pick-up bands. it would be easier to mistake this for a group which works regularly. part of that is simply because vessey is a part of the new mainstream, the part that is seeking beyond the accepted common language to find ways of extending it. the rest is because of vessey’s unusual talent.

the gift is a series dj house shoes started to spotlight under the radar producers. pressed in a limited edition of 300 copies on 180 gram vinyl. raj mahal was a colleague of house shoes in the detroit hip-hop scene in the 1990s, a scene he joined just about the time fantastic volume one was recorded (1996). when he moved to chicago and refined his style, there was widespread talk that raj would follow in the footseps of other detroit alumni by releasing a proper album. that album has finally come.

big zis and the nation music crew seem to enjoy the trip into electronic music to the fullest. on volume 3 they one more time deliver high-class remixes of agnÉs (sthlm, geneva), wandler (motoguzzi, zurich) und m.a. (gs, zurich). the unique trilogy comes along with the beautiful, detailed artwork of zurich based street artist tika!

wiederauflage des chinese man labelsamplers the groove sessions volume 2 aus dem jahr 2009.

volume 2 in the stag-o-lees series with more blues & rhythm, popcorn, exotica & tittyshakers on limited clear 10 inch vinyl.

2018 repress , with the debut release selling out in a matter of days and a repress already flying off the shelves, rhythm section international present their second offering in the form of a remix ep, with reworks of al dobson jr. by polish rising stars ptaki and manchester mainstay ruf dug. eschewing the typical notions of a remix package, rhythm section international offers up 2 new tracks that didn’t appear on rye lane volume one, accompanied by 2 strikingly imaginative remixes. on the a side the polish duo of jaromir kami&#324,ski & bartosz kruczynski take al dobson jr’s tribal tom-tom rhythm and extend it into a sprawling disco epic, adding catchy keys and sensuous vocals that aim to tease the most reluctant of movers onto the dance-floor. ruf dug’s rework, named “ ruffy’s 3am canavan’s special” takes inspiration from one of many hazy late night sessions at the infamous peckham pool hall that is home to rhythm section. ruf dug, a rhythm section favourite and huge admirer of dobson’s beats, takes the gentle guitar strokes of the original and morphs them into metallic stabs, layered over an aggressive squelchy bass sound and sharp phasing hi-hats. this mantra is built upon in an effortless style typical of the mancunian producer and is as catchy as it is hypnotic.

the chisa years: 1965–1975 (rare and unreleased) is a compilation album by south african jazz trumpeter hugh masekela. the album consists of 14 rare or forgotten tracks recorded by stewart levine and hugh masekela from 1965 to 1975 when they ran their own chisa records label. thom jurek of allmusic wrote “in sum, there isn’t a weak moment on this entire collection. it’s appeal is wide and deep and one can only hope this is the first of many volumes of this material to appear. bbe records has done a stellar job in making this slab available.” dan nishimoto of the prefix magazine stated “the compilation focuses on masekela’s original idea of “african american music.” from the early experiments of the zulus (a group featuring m’bulu) in mixing doo-wop, rhythm & blues and south african gospel and the mbaqanga/”grazing in the grass”-style work of the generically named johannesburg street band to the clearly fela-influenced ojah (masekela’s band in the mid-’70s, consisting of players from ghana and nigeria) and the readyfor-primetime belting of m’bulu, each track reveals a multi-pronged effort to find and challenge the notion(s) of how african and american cultural forms could interact.”

2x12 inch lp+mp3!too slow to disco volume 3 - this is bottled sunshine! die meisten songs auf dieser äusserst erfolgreichen compilation reihe mögen die charts verpasst haben, können aber problemlos herzen brechen. killer-tunes, geschrieben und gespielt von völlig übertalentierten musikern, die später in ihrem leben oftmals den einen oder anderen welthit für andere musiker schrieben und sich etliche grammys in die tasche stecken konnten. alle zutaten, die den too slow to disco volumes 1, 2 und der the ladies edition so viele fans von berlin bis new york, von barcelona bis bottrop beschert haben, sind wieder am start für eine weitere runde fast tanzbarer opulenz. dj supermarkt schüttet auch auf tstd3 wieder ein füllhorn von vergessenen obskuritäten und kostbaren schätzen aus, die dem erfolgreichen konzept folgen: all killer, no filler. mit dabei sind u.a. cornelius bumpus (ex-steely dan), larry carlton (ebenso ex-steely dan), dwight druick (mit dem ersten französische track), billy mernit (der erste brite auf der compilation) sowie grateful dead (!!!), bob welch und lee ritenour. der sommer kann kommen!

almost 10 years have passed since onra arrived with the charmingly eccentric chinoiseries lp. 32 hip-hop beats formed the sample-based project - dusty chinese vinyl hissing and crackling throughout – resulting in an intriguing and spontaneous mix of the producers interest in exploring a newly-discovered style of music with his love for classic hip-hop production.
using the style of analogue mpc production combined with the somewhat restrictive record sampling of strictly chinese music records, he has been able to be creative over three volumes, an amount of 100 instrumentals, despite the challenge of finding more obviously standout samples in chinese music.
the chinoiseries projects are the type of albums that invites the listener to play it from beginning to end, in order to really enjoy the trip and appreciate the variety of rhythms and textures spread over those 32 short instrumentals. in that way, “pt.3” is no different to its predecessors, but the originality of the samples, the curious harmonies and the odd-drum patterns still makes the album sounds as fresh as the first one.
onra finishes this epic trilogy with class as a result of extended record digging across the far east and the producer s own development over the preceding 10 years.
as a producer who has released records inspired by 80’s funk, 90’s hip-hop and r’n’b, electronic and even a spiritual jazz project, “pt. 3” brings this stylised set to a close.

almost 10 years have passed since onra arrived with the charmingly eccentric chinoiseries lp. 32 hip-hop beats formed the sample-based project dusty chinese vinyl hissing and crackling throughout resulting in an intriguing and spontaneous mix of the producers interest in exploring a newly-discovered style of music with his love for classic hip-hop production. using the style of analogue mpc production combined with the somewhat restrictive record sampling of strictly chinese music records, he has been able to be creative over three volumes, an amount of 100 instrumentals, despite the challenge of finding more obviously standout samples in chinese music. the chinoiseries projects are the type of albums that invites the listener to play it from beginning to end, in order to really enjoy the trip and appreciate the variety of rhythms and textures spread over those 32 short instrumentals. in that way, pt.3 is no different to its predecessors, but the originality of the samples, the curious harmonies and the odd-drum patterns still makes the album sounds as fresh as the first one. onra finishes this epic trilogy with class as a result of extended record digging across the far east and the producer s own development over the preceding 10 years.

vinyl only release, 180 gram pressing.
warm tapes adjustment returns with the second volume once again performed by scm a gari romalis. on the a side two raw and dusty live sample sessions from scm. on the b side two lo-fi disco styled house tracks from one of detroit s finest underground producers four house tracks fused in a combination that makes this record unique!

5 years ago back in february 2003 in montmartre (paris, france) pedro winter aka busy p created the ed banger record label. most of the artists have been discovered by pedro, and often live near the labels office. over the past 2 years the rise of the label has been something like a phenomenon, with all artists being on a worldwide tour (dj and/or live) at sold out venues, each appearance always long awaited and celebrated like a the coming of the messiah by thousands of raging kids from each and every part of the world. drawing on the street energy of hip hop, rocks explosion and hypnotic compression of techno music, but remaining open to all other influences, the sound of the label, mostly electronic and saturated, has become a trademark, registered worldwide. justice, busy p, uffie, feadz, mehdi, dsl, oizo, vicarious bliss, mr flash, krazy baldhead, sebastian and so: mes post cartoon imaging are practically pop culture icons, especially within the new web media (myspace, blogs, forums) where ed banger remain one of the unbeatable masters of its use. this third volume of the labels own compilation features 12 new tracks and mixes.