incl joton remix, spooky delightful 5 track vinyl

nowadays we live in an era of minimally processed products, an age where electronic music is no longer a meticulous and painstaking craft but instead becomes a dish of fast-food, an easy-to-digest and cheap product. luckily, there are still musicians who refuse to enter this business circle and continue exploring, investigating all angles of this clubbing culture. joton has been following this way since the beginning of his career. he has been learning, experimenting, looking for the roots sound, and shaping its complexity until reaching a techno style full of energy and depth.

the label from the infamous spanish new rhythmic store has build a solid reputation and prooves it status. fresh techno for those who like their techno deep yet slamming!

superb dark techno from the spanish new rhythmic records. joton managed to compile 4 straight up floor bangers for his 15th release. limited edition on crystal clear transparent vinyl.

after his great track >micro 03< for newrhythmic 04, joton comes here with his solo 4 track ep on newrhythmic 05. contains axis influenced detroitish peaktime techno tunes, special rerelease

new rhythmic comes on the third output with techno from japan by kazu kimura and techno from spain by joton !!

insanely good new album from london modular alliance 2x12inch, 300 copies only.

your new shit. four new faces, four new sounds. artists from edinburgh, glasgow, dundee and london on one record. basically, it s a quadruple a side bbz. j wax provides a classy african vocal laced rhythmic work out, a bold statement in loopy hip movement. ted jasper follows with a beautiful instrumental double bass led playful house experience. think house meets mpc meets nu-jazz (*tip*). on the flip gavinco comes powering through with a deep guitar riff over some strong drums. this has made it into a few sets recently around town and really turns heads. finally, swayed drops a tune that is as exciting as having your bday at wimpy. a new york paradise garage vocal laced with fine horns and a baseline made to shake. these tunes make people not want to go for a fag break.

creme organization welcome a new producer to the ranks for their next ep: that man is rhythmic theory, a mysterious artist from bristol who has years of experience of djing, producing and running labels behind him.

the fifth record on new york trax is by løt.te, the turkish-born, brooklyn-based dj, producer and designer affiliated with the bunker new york by virtue of two well-received vinyl releases. this politically charged ep titled ‘state of exception’ is løt.te’s personal reflection on the current social and political climate in turkey. with rhythmic synths brought to the foreground, løt.te committed a masterpiece that only a skilled and thoughtful artist like himself can. the opening ‘ultra vires’ is a relentless synth-driven warehouse track mercilessly rolling at the speed of 140bpm. the deeper ausnahmezustand follows, it is a reflective and rhythmical piece perfect for both home listening and the dance floor. 15.07.2016 opens the b side with its tense yet playful atmosphere and numerous constantly evolving layers of sound. finally, graft is a shockingly intense introspective piece. crafted with japanese taiko drums and digital synthesizers pushed to their limits, it is a lesson in perfect sound design

the record opens up with the poisonous title-track “two scorpios”, where sharp analogue leads lean on a relentless disco-funk groove, thrusting us out straight against the sweaty walls of the chicago’s muzic box. the airy and enchanting spirals of “solenoid” create a detachment for a sonic trip through circling arpeggios and sparkles. on the flip side, we reconnect abyssy to the “young soulomon” of early 90’s by a warm and robotics dusty house. the mood turns definitely more freaky with “slomo kid”: sampling divertissement with a punkish flavour and emphatic rhythmics, it is the perfect tune to shake down the whole ball of wax.

torrential results from the orderly geometric spatial arrangement of sounds and pulses within the internal structure of these new tracks. the rhythmic structure is based on regular internal tonal or sonic arrangements that are often expressed in the sub-geometric frame of club tracks. even when the audible grains are too small to hear, or are irregularly spaced, the underlying sonic structure is always effective - and can be determined by meticulous diffraction.

in the 1970s the american composer henry flynt started a series of pieces under the title >new american ethnic music<. in so doing he worked together native styles of music such as blues, country or hillbilly with electronic production methods to make something altogether new. so far in germany it has never been attempted to rework folklore electronically for a compilation. however, this picture changes if one redefines the idea of who the population is. incomers have brought new >national anthems< to germany, which means - even the portuguese fado, the african gnawa, the croatian klapa or the vietnamese quan ho are these days at home in germany. with the cultural project >heimatlieder aus deutschland< (native songs from germany) founded by former spex editor mark terkessidis and label manager jochen kühling all the various styles of traditional folk music now found in germany has been collected. thirteen of the songs recorded for the project have now been transformed by contemporary electronic producers to present a >new german ethnic music<. but why remixes? for one thing electronic music has recently focused a lot on the past (ghost music, hypnagogic pop etc.) – electronic editing is well suited to follow the effects of the immigrant music which the >imaginary national anthems< has created. furthermore the projects instigators were curious how >electronic musicians< would handle folk music and folk songs which is a hugely difficult task. to this end artists were sought out who could get along with the idea of each music style and who are known to already have experimented with the human voice. the results are as varied as the music styles and djs involved. some melodies remain completely intact while others are abstracted beyond recognition. margaret dygas associative approach ensured that she presents a polish song about a girls arranged marriage with a claustrophobic feeling. with his remix of the marrabenta of mozambique mark ernestus has continued the rhythmic experiments he is known for with jeri jeri. thomas mahmoud translated gnawa into dub and finaly ulrich schnauss turned the song of the italian chorus of >donni so< into a hymn for the horizon-expanding power of migration.hopefully this compilation will also expand some horizons.

third in the series of 12 inches dedicated to house and techno emanating from bristol. following on from october & borai and outboxx we present the debut 12 inch from bristol newcomer rhythmic theory.

art-nr2 is the third release in art records remaster series following on from carl craigs >psyche/bfc< and kirk degiorgios >nairobi ep<. promenade eleven lives up to the billing of those illustrious predecessors, being a reverse-engineered remake of >night on the promenade< which originally appeared in limited quantities on the new religion label in 2006 under the name >super-a-loof<.
labelled at the time as a successor to classic techno tracks such as derrick mays >the beginning< and rolandos >knights of the jaguar<, this re-make will finally bring it to the wider audience it deserves via the art label.
promenade eleven (original mix) adheres faithfully to the original arrangement but has been re-recorded and totally remixed from the ground-up for a modern club sound.

new chain is the debut long-player from new york s small black. richly coloured and thickly layered, it is an absorbing, eclectic and obsessive body of work. the brooklyn group have succeeded in melting together locked and popped drum-shudder, gauzy spirographic synths and subtly contagious, half-remembered melody into ebullient bursts of evocative, subliminal and thoroughly modern pop. the songs are equally informed by the rhythmic bounce and stylistic swagger of more left-leaning contemporary radio rap and r n b as it is the submerged kaleidoscopic swirl of the early 4ad dream factory.
digital download-code included.

already tipped to be one of the biggest club tracks of 2010, from berlin to ibiza to detroit - >exodus earth< continues arts new dance division series in style. hear this one bounce off the walls everywhere this summer & beyond.

kenny dope signs the massive new ep from aaron ross & neil pierce!! set to do some seriously big damage in the uk for all the defected & soul heaven djs. this ep could be one of the biggest underground hits at the miami wmc. if you like big crunchy house in a masters at work style, you are going to love this!

art (applied rhythmic technology) finally returns! after collaborating with the now defunct new religion label for most of the past decade, art productions once again have their own imprint. art 8 sees label founder and owner kirk degiorgio with a nice 3-tracker covering peak-time club material all the way to his trademark, deep emotional electronica. art records returns when we need it most!

official release for molto records of one of the most appreciated tunes ( said by main underground intl djs). vocal inserts & essential involving rhythmic!!!!

at the time of its original release in 1993, detroit techno producer carl craig was known mostly to a small circle of collectors in europe. his early releases on transmat and fragile had become cult classics on the techno underground. these were followed by a series of stunning releases on his co-owned retroactive label. 1993 saw carl launch his planet e label and he released an ep by 69 followed by an ep of material by art owner kirk degiorgio (future/past) and ed handley of the black dog (balil). it return it was agreed carl would record an ep for art - which became art 3. the new recordings included a dance floor stomper - >chicken noodle soup< and typically moody down-tempo grower >how the west was won< and an ambient end-piece >sleep<...

the rose island is back with a stunning new ep, teaming up with the acclaimed artist not a headliner, known for his distinctive style and imaginative flair. powerful and rhythmic techno influenced by the detroit sound.

season by season, we raise a toast to our artists and guests by creating a new collection of sounds. cafe soda selects volume one captures all the memories of the past year. the a-side starts with crymes <sun synchro>. the track captures the essence of summer with its vibrant dub rhythms and sultry 90s vibes, featuring irresistibly sexy vocals that embody pure feel-good energy. a2 sets the stage for ben balances <you got this energy>, a vibrant track that seizes the eclectic energies of people, weaving together dynamic rhythms and the deep essence of souls. it is a musical journey that celebrates the unique spirit and rhythmic soulfulness inherent in us all. on the flip, check out the two originals from fmn, the latest project by frag maddin and najeh. <for you> is a catchy groove that easily grabs every dancer with its rolling bassline. the song has no breaks, allowing ravers to stay in trance. with <rave>, b2 celebrates a raw house anthem with a memorable theme, thick kick, banging clap, and a wild hi-hat swing. an homage to the 90s powerhouse era.

this vinyl goes beyond conventional music creating a profound exploration of electronic artistry. introducing -real good- by trik, the fourth vinyl release from this seasoned artist. it s a rhythmic blend of house and techno, with each track crafted for the dance floor. the sounds are simple yet impactful, and expressive vocals create a unique atmosphere. -real good- also features a remix by dragomir, offering a fresh perspective on trik s tracks with pulsating beats and mesmerizing melodies, elevating the ep to new sonic heights.

black vinyl. this vinyl goes beyond conventional music creating a profound exploration of electronic artistry. introducing -real good- by trik, the fourth vinyl release from this seasoned artist. it s a rhythmic blend of house and techno, with each track crafted for the dance floor. the sounds are simple yet impactful, and expressive vocals create a unique atmosphere. -real good- also features a remix by dragomir, offering a fresh perspective on trik s tracks with pulsating beats and mesmerizing melodies, elevating the ep to new sonic heights.

pushing the boundaries of intelligent dance music higher into experimental-adjacent analogue territories, where abstract serenity and complex analogue developments entangle in an organic symbiosis of sorts, noordens newest puzzle in sound comes courtesy of two label habitues, orion moustache and panta rex. staying true to their genre-unbound dna and innovative vision, both artists each contribute a trio of oblique sound equations, conjuring up both identifiable rhythmic patterns and off-piste downtempo digressions to shape a grammar truly their own - not quite your usual function-oriented dj tool, but not floor-opposed either. hybrid and agile, this co-op between orion moustache and panta rex oozes inspirational spaciousness and ascetic sophistication thru and thru.

the legend continues. the pioneer cult band esplendor geométrico offers us their new album, strepitus rhythmicus, of machine-like and futuristic post-industrial music.

love makes the world go around. ÒtwoÓ, the second album by the soul session, is full of love. ralph kiefer, multi-instrumentalist, composer, arranger and producer from south germany embarks on a stylistically diverse journey into soul, jazz, funk and world music. being a highly respected session musician in the jazz as well as the crossover scene, kiefer made a serious impact in 2011 with ÒoneÓ, the first soul session album. ÒoneÓ was built on a solid backbeat of soul, hip hop and funk, while ÒtwoÓ now takes a step further into a spiritual and eclectic dimension. ÒquantraversaÓ featuring the voice of las vegas based neo-soul queen georgia anne muldrow is the mind- blowing opener of this album, a truly deep and intense rhythmic statement. quantraversa is a word which you will not find in any dictionary, but that is not the point, says ralph kiefer. Òthis album is a journey to the inner self. the recording process was like meditation. i often started with a loop, or an idea for a melody. it evolved from there and i simply let it happen. when i involved the lyricists and vocalists, my drafts sometimes took a completely different paths and ended in something unexpected and beautifully new.Ó

statiqbloom’s new album “kain” is embodying the true essence of industrial music, going beyond just a particular sound and encapsulating an outlook on the world. the fusion of forward-thinking, dystopian sounds, pulsating basslines, and mid-tempo rhythmic beats, all of which contribute to a masterfully crafted industrial techno experience.

ltd repress , chaos in the cbd s ben & louis helliker-hales team up with long-time friend and collaborator jon sable to present their new imprint ‘in dust we trust.’ in dust we trust is an ode to a collection of friends who share a certain understanding, who live by a love and respect for the people around them. that friend who saves that last puff for you, that friend who will share their drink with you when you can t afford your own, that friend who will learn how to drive a car on the spot because you re too drunk to make it home. kicking things off with a release from chaos in the cbd, ‘accidental meetings’ is a record that celebrates this way of living. the four cuts effortlessly move you through a journey of delicate textures and atmospheres. it begins with the late night basement sounds of the title track, then sends you through the spacious and meditative ‘north pole cafe.’ the wild rhythms of ‘united identities’ hypnotise you, until you find yourself spat out by the energetic grooves of ‘distorted fields.’ play it in the club, play it in the hotbox, or play it for your mum, this record is filled with soulful, rhythmically complex, melancholic music that is unmistakably dusty.

for its 303rd release, tresor records is glad to present a commissioned work by donato dozzy. rome based production maestro and dj extraordinaire donato dozzy is unanimously considered as an illustrious leading light in all techno artforms. along his long career and extensive discography, dozzy has proven to use his instruments most interesting ways, always re-inventing his music, always presenting new approaches to both the deeper and the more rhythmic forms of electronic music. it was self-evident to tresor records to enroll donato dozzy’s talents for this assignment, a nod to the seminal roland tb-303 bass synthesizer. the result is a relentless collection of radical, propulsive and bleeding-heart acid tracks. donato dozzy wishes to dedicate this work to his lifelong friend filo.

new ep

cover not mint - vinyl unaffected. another clr release is due and this time it consists of a powerful remix package for bryan black s new project >black asteroid<. the highly recommendable originals by this unconventional techno innovator have been released as clr 049 and have been sounding frequently on dance-floors all over the planet ever since. two of the three perfectly balanced remixes have been crafted by clr s mastering wizard, renowned live act and busy producer brian sanhaji. his widely known warm and organic trademark sound characterizes both of the versions, giving you the choice between two rhythmically and sonically diverse options for different occasions. dave clarke, who already played an early demo of the engine ep long before it came out, contributed a highly energetic remix for the peak time moments of the night. his take on engine 1 is called >unsubscribe remix< and was produced by himself and mr. jones. the remix takes the essence of the original track and adds clarke s punk attitude in its purest form. though there has been a long studio absence, we are pleased that he took this remix duty. clr is more than happy with this combination of high quality remixes and hopes that you enjoy this memorable release.

cover not mint - vinyl unaffected. hand written label! another clr release is due and this time it consists of a powerful remix package for bryan black s new project >black asteroid<. the highly recommendable originals by this unconventional techno innovator have been released as clr 049 and have been sounding frequently on dance-floors all over the planet ever since. two of the three perfectly balanced remixes have been crafted by clr s mastering wizard, renowned live act and busy producer brian sanhaji. his widely known warm and organic trademark sound characterizes both of the versions, giving you the choice between two rhythmically and sonically diverse options for different occasions. dave clarke, who already played an early demo of the engine ep long before it came out, contributed a highly energetic remix for the peak time moments of the night. his take on engine 1 is called >unsubscribe remix< and was produced by himself and mr. jones. the remix takes the essence of the original track and adds clarke s punk attitude in its purest form. though there has been a long studio absence, we are pleased that he took this remix duty. clr is more than happy with this combination of high quality remixes and hopes that you enjoy this memorable release.

small great tunes vol.1 is varied and offers a traveling dj multiple vibes to choose from. the energy on this new record takes off within the few first bars. the opening track >sport casino< by kid simius introduces a lighthearted mood and 80s synthesizers. peter lcs >sogni dinfanzia< is very likely to become the next lofi-house classic on disco dancefloors around the world. dreamy and melancholic but groovy nevertheless. the b1 track >kamal<, a collab between david silver & luca olivotto is a tasty house mood. the tune features a powerful and groovy bassline and sparkling synth leads all accompanied by rhythmic piano chords. b2 is similar to a2 in the way that its also a lofi-house track with nostalgic moods and careful sound design. with each side of the record featuring both a sunnier and a moodier track, the ep is a perfect fit for summer sets in a heated club or leisurely listening sessions on late afternoons enticing the listener to let go and bringing back memories that have yet to be created.

(black vinyl 2021 repress) this new set of four highly concentrated cuts shows how effective planetary assault systems can be at fueling the imagination by fusing together rhythmic and incidental elements into a unified, animated meshwork, without even a prominent melody to help out. deep heet vol. 4 also showcases slater?s aptitude for choosing just the right moments to deviate from a steady groove.

after a short break, vibes and grooves is back in its usual jazzy manner with a new ep from shaka. the title track from distance to common builds up with a beautiful and calm piano solo and merges into a firework of hypnotic rhythmic piano chords and leads for the dance floor. answer to destructive forces is a multi-layered and complex secret house weapon filled with piano solos and lead riffs. green zone creates a groovy gospel atmosphere with its driving bass line and the gripping hammond sound.

”topics” is a new album by ljudverket co-founder tuomo väänänen. it explores the styles of dub and dub techno on six tracks, which range from droning soundscapes to more rhythmic affairs which could even work on a dance floor. true to label’s ethos, the production is understated and pays attention to fine details.

creativity lies in various artistic factors based mainly on commitment and maturity that is acquired with it, each project is a decision that is forged with a cold mind and requires to be conceived at the right time, a waiting time between projection and execution, this is what presents us with dorhg on his new label atroc records, where he opens a catalog with the remixes of kalter ende & sarf, a 180g and twelve inches ltd vinyl, entitled “fixing process“. the path taken by dorhg with fixing process reveals his experience and vocation for dynamic, rhythmic, deep and syncopated structures, through icy and mental sequences, without leaving aside the physical and direct in his message. melting is the track that opens the release, it is bent to a deep bass sequence that reiterates its presence without variation, and although it acts as the central axis of the track, it is the percussive elements that are annexed in the background that give a certain energetic charge. indistinctly to the original version, kalter ende refuses to maintain this bass line and leads us to another character more dense and textured in his adaptation, but preserving the rhythmic nerve. coalescence occupies the b-side. with the original, dorhg repeats the formula in terms of intensity, this time it is different components that alternate protagonism in a linear work loaded with particles that go from maximum excitement to calm. on the other hand, sarf creates with his remix a solid, direct techno piece with several ingredients operating in a loop and a deep textured mattress that gradually varies in intensity.

jeff parker combines rhythmic flow and soulful swing on his new album “suite for max brown”.

welcome to release number six, first one of the new chemical cicle. featuring two originals and two minimalistic locked grooves by the label boss destrict. a1 is a trippy groove where synths alternate in rhythmic patterns. b1 is a more sophisticated treat, live percussions and kits over minimalistic electronic grooves alternate themselves to create emotions. as per usual on every side you will also find a locked groove to spice your next djset.

synergising their respective studio prowesses and harnessing their accomplished hardware artistry has helped establish neon chambers as a modern symbiosis of atmospheric, contemporary club sounds, and multi-rhythmic machine-driven sonics, the two producers have set out on the beginning of a new era of electrifying, astute sound design, and breathtaking modern electronic music

limited to 200 copies, the handmade vinyl cover is painted by sasha sime, thus making each copy unique. hot on the heels of paul ritch s >s.c.u.d< ep, quartz rec welcomes joton for a slamming ep >the fourth d<. the spanish producer and new rhythmic label owner delivers highly effective techno grooves on >the fourth d< and >dark sculptures<, while distant sounds on >different faces< and mystic chants on >diatomic< give this ep a shamanic dimension.

limited 2019 repress - today we are pleased to deliver a new jensen interceptor’s ep recorded together with his friend assembler code.
jensen interceptor has provided his versatile brand of techno to clubs and warehouses around the world. with his selection ranging from detroit electro & miami bass to rolling italo, thunderous 90’s breaks and driving ebm, jensen’s audiences are promised a sonic journey like no other. going further than simply an entertainer, his remixes and productions have been released on some of the most influential labels in electronic music like boys noize records, cultivated electronics, bromance and central processing unit. these releases have been supported and played out by djs such as dave clarke, helena hauff, dubfire, maceo plex, trevor jackson and radio slave. bringing a unique and powerful performance to every dance floor - jensen interceptor: engage clutch, shift into top gear.
the signature sound of assembler code has started gain momentum over the last few years. gritty, rhythmic, raw and pulsing, yet always executed with style. having offered up remixes on raar, mille feuilles, and controlled violence as well as original works on mmodemm, and boysnoize records, assembler seems to just be getting started.

x/oz is proud to announce our newest addition to the family: waage. waage exploded onto the scene in 2017 with his debut release w which was critically acclaimed and sat on top of the juno techno charts for two months before selling out. the ep was also selected as one of juno s techno releases of the year. now he s back with w2, a continuation of the w series. a rhythmic, haunting, yet danceable piece and a worthy continuation to his celebrated debut.

after releasing three powerful edits of fly free in november 2017, jon dixon is back with a new sampa ep. inspired by the strong culture and rhythmic grooves of sao paulo brazil, dixon delivers 4 tracks sure to be a tool for any dj. with the title track paulista avenue already in the rotation of derrick may, radio slave, and gilles peterson.

re-release: released in 199, the sound of electro / techno came to a point where it had to evolve into a new and more grounded entity, keyed into funk / space & rooted origins that reflected an ever-changing landscape throughout detroit and the aux-quadrant. the bouncy bass line soul of posatronix project emerges in silence among several platforms without hint of a proper biography or introduction. later on the guard would be let down that an original lineup member from aux88 (william bj smith) either produced or inducted a spin-off group over seen by aux. no video, photos, or interviews accompanied the music. now in 2018, we re-introduce these dance floor/ dj crate mainstays that have continued to be cherished classics from the very men that not only too rhythmically-funky electro by storm, but raised the bar and took matters into their own hands. 100% mechanical electronic funk.

attention: cover is slighlty damaged. cosmonection returns with his 3rd ep 10 feet before the horizon, after the release of his maxis evasion in 2014 and altura in 2015. this new ep explores a more mature musical and sound approach of the parisian producer since his last maxi while remaining in his rhythmic and aerial vein.