live at mudd club, nyc, may 8, 1980

tom mudd follows up brass cultures with another collection of genre pushing electronic music. sitting between the hermetic focus of bill orcutts solo guitar recordings and autechre at their most abstract.

hot ron trent remixes

the 2007 debut album from smith & mudd available on vinyl for the first time. limited edition of 500 numbered copies on double vinyl, housed in a gatefold sleeve.

the crate-digging credentials of psychemagik’s danny mclewin are well established. even so, he’s excelled himself with the first release on spacetalk, a joint venture with leng records’ simon purnell and paul murphy.
the trio have successfully worked together a lot over the last five years, with purnell and murphy releasing a string of superb collections, compiled by mclewin and psychemagik partner tom coveney. all three men were keen to continue this partnership, and have founded spacetalk to re-release long forgotten, little-known or overlooked music, as well as previously unheard archive material from some of the artists involved.
the label’s first release is as obscure as they come. morrison kincannon’s to see one eagle fly is stupidly rare, having initially been released by its’ creators as a private press record during the early 1970s.

old europe in turmoil. muddy waters and broken bones. two sonic comments on a moral crisis, straight from the heart of belgrade. raum.null, belgrade dubs 02, black vinyl, 180g.

since their highly anticipated and widely acclaimed 2008 debut album >silent movie<, quiet village, aka matt edwards and joel martin have been exploring other music avenues under their maxxi & zeus moniker. now they are back, with >too high to move< a compilation of their most inspiring and sought after remixes to date, stitched together with love by maxxi & zeus. quiet village is the infamous duo comprising of matt edwards aka radio slave and joel martin (velvet season & the hearts of gold). their debut album on !k7 was a balearic masterpiece proving one of the quintessential albums of 2008. this new compilation comprises of a selection of their finest and most sought after remixes to date. both tracks on this sampler are unreleased remixes which will only ever be available on this exclusive vinyl!

claremont 56 goes back to its balearic roots with a 12 inch that fills you with wonderful summertime feelings. >mudd & pollard - vincent< is a lush rhodes driven groover with a bass that sounds like its been played bernard edwards of chic fame. on top of that is a multitude of analog synths that bathe this beauty in warmth & loveliness. mark e continues his rise to the king of all things midtempo with one of his best remixes to date. what a great way to kick off the summer...

another excellent release by mudd known for his releases on rong, bear entertainment and idjut boys’s noid label. two sweet tracks that goes out in a limited vinyl run on his own claremont 56 label. scaffold is an athmospheric piece of nu-disco that make you float away on the dance floor when the sun is rising above the sea. flip side is a slow paced disco funk track that sounds warm and gentle. perfect tracks to start/end the day with! limited copies as usual

side a sees another balearic sunshine adventure from smith & mudd. floating acoustic guitar melodies ride along the head nodding groove and take you to a place far better than the english summer. side b sees one of the best idjut boy remixes ever heard. an epic 22 minute journey that pulls you in and out of your cosmic consciousness. a blissful gem of a track. this is sure to become a classic.

reissue of the 1992 ghost album on clear blue vinyl.

ltd to 3000 numbered red coloured vinyl

lp, artwork with obi tag, vinyl made of biovinyl

the origins double vinyl collection focusses on one the greatest guitarist of all time - jimi hendrix.

urban/soul/blues/r&b/gospel

the fifth album from detlef weinrich under the moniker tolouse low trax. limited pressing on clear vinyl.

deine freunde auf doppelvinyl.

black vinyl

coloured vinyl

live at the checkerboard lounge, chicago / 1981

180gr

paul mudd murphy collaborates with david harks on “susta”, featuring vocals from jaanika leino aka janely. backed up with an epic dub-disco rework from emperor machine.

the athens-based quartet are rising stars in their home country, with listeners warming to their distinctive blend of atmospheric guitars, retro-pop synths and head-in-the-clouds grooves.

incl. ron basejam remix

personally endorsed and officially licensed remix of ned doheny. a first for anyone, we were granted full access to the separate tracks of a ned doheny masterpiece. accordingly, claremont 56 maestro paul -mudd- murphy was selected to preside over the full stems for ned’s classic -think like a lover- and asked to deliver one of his famed remixes. his gentle disco rework blew us all away. an extended triumph of strung out balearic bliss, it is presented here on vinyl as a limited edition of 500 copies, complete with the dub on the flip. with mastering handled by the wonderful simon francis - engineer for both claremont 56 and be with - you know this sounds every bit as good as it feels. housed in a beautifully produced disco sleeve, designed by mudd himself, these will not be around for long. just in time for spring/summer parties and festivals, ensure your set is flavoured with this slow-motion, string-drenched gift.

the best of blues icon muddy waters on 180 gram vinyl

180g audiophiles vinyl inkl. 4-seitigem einleger mit lyrics + credits zum ersten mal ?berhaupt auf vinyl! -come clean- ist das hüchst erfolgreiche major label deb?t von puddle of mudd.
es erschien urspr?nglich 2001 und zeichnete sich ma?geblich daf?r verantwortlich, puddle of muss in den kommerziellen mainstream zu ?berf?hren. das album erreichte platz 9 in den billboard charts, hat sich bisher ?ber 5 millionen mal verkauft und wurde drei mal mit platin ausgezeichnet. -blurry-, die zweite single des album erreichte als erfolgreichste single der band platz 5 der billboard hot 100, platz 8 der britischen single charts und gewann ebenfalls im gleichen jahr den ascap ,song of the year- award. 2001 ging die band als opener mit godsmack und den deftones auf tour und war teil der family values tour mit linkin park, den stone temple pilots und staind.

it was the spring of 2007 when paul ‘mudd’ murphy and kevin pollard announced the arrival of the former’s claremont 56 label with “villa stavros”, a magical first collaborative 12”. it seems somewhat fitting, then, that claremont 56’s final release of its’ first decade will be “n7 odyssey”, the first collaborative album from mudd & pollard.

henry wu (aka kamaal williams of yussef kamaal) returns to eglo records following on from his joint ep with k15. deep in the mudd is a heavy weight 6 track ep which journeys through broken beat, house, hip hop and jazz. the previously released negotiate ft. simeon jones, which originally came out on eglo sister label hotep, gets a 2017 remix courtesy of the legendary kaidi tatham and uk funky og hardhouse banton joins wu on title track deep in the mudd and century. essential business, no messing about!

six years ago, claremont 56 boss paul ‘mudd’ murphy tried to track down via his dj network, former freeez band-members john rocca and andy stennett to license pink rhythm’s “melodies of love”, for one of the originals compilations. they didn’t show up on the radar.
earlier this year, however, out of the blue, stennett got in touch with murphy. for much of the last two decades, he’d been living on a remote island off orkney, but was now pursuing music again.

as claremont 56 speeds towards its’ ten-year anniversary, label founder paul murphy continues to champion little known producers and previously unheard artists.
over the past 12 months, the label has showcased material from rising talents such as bella figura, simon peter, paraiso and oma & amberflame. now, claremont 56 is adding another new name to the roster: statues.

20th anniversary re-issue of the 1996 nirvana album. pressing on heavyweight 180 gram double vinyl

some believe that the environment in which you make music – from the studio space, to the location itself – has a profound effect on the creative process. immerse yourself in the world around you, the theory goes, and it will shape the music you make. listen to gorthleck, the third album from veteran downtempo alchemists benjamin smith and paul ‘mudd’ murphy, and you can almost visualize the craggy, windswept and breathtakingly beautiful environment in which it was made.

two favourites from the psychemagik magic sunset compilation gets the dj friendly extension treatment from body & soul’s andi hanley and claremont’s mudd. essential!

gonno is the brightest hope of the underground house and techno scene in japan.we are very happy to announce the first single cut from the long awaited new album of gonno. gonno is brightest hope of japanese underground house&techno scene. he has released on international feel and beats in space to name a few and his track >acdise 2< has been supported by laurent garnier, james holden, francois kevorkian and todd terje.a side, stop is killer melodic acid house sound. its like theo parrish & dj pierre meets tangerine dream and b side,across the sadness is euphpric balearic tune.

low-down and dirty jazz goes right back to the early 1900s in storyville, after the bands had played their hot tunes in the evening for dancing couples, the musicians would head off to the after-hours joints and play a less energetic but more bluesy kind of music, enabling them and their late-night audiences to get through to the early hours of the morning without suffering total exhaustion. and nobody in new orleans laid into the blues so low down and dirty as buddy bolden, whose funky butt became a staple in the repertoire of the citys early jazz bands.
jacksonville, florida, 1960. charles hungry williams mentors young clayton fillyau after he had just joined the james brown band: *i dont care where you put it on those drums, remember where 1 is and you ll never lose the time. listen to hungry on huey smiths *talk to me baby* and then listen to how clayton turns it into a relentless breakbeat on james browns *i ve got money*. earl kings *trick bag*, prefiguring the meters, is as good an example of early new orleans funk as can be found.

second release from uber records is jesus luvs u baby. los porcos drop a tripped out dreamy piece of indie balearic soft rock. reverbed guitars and chugging bassline and a blissed out vocal. on the remix claremont 56 boss paul mudd murphy delivers a stripped back atmospheric dub groove whilst the second remix from is it balearic..? boys coyote step on the delay pedal and and hit the percussion. the lazy hammock dub is exactly that ... uno dos tres quatro.

the heart melting, floor obliterating grooving beast when the mud falls is held with high regard in the gc stables. solidly built on a foundation of fat tuned kicks, curly sub and an uncompromising tour de force piano spiral. effervescently ethereal, bringing on vague recollections of 80s high-end synth led kosmische production

beautiful one-sided release by mudd & pollard for claremont 56, limited to 500 copies only.