handmade tip-on sleeve, analogue remastered, 200 x black vinyl edition

handmade tip-on sleeve, analogue remastered versions: 100 x green transparent vinyl edition

180g, gatefold, black, unprinted paper inner sleeve

indie edition - tangerine vinyl

jbs sixteen biggest hits !

a collection of james brown classics on vinyl lp.

detroits 2lanes on ceramic with remix assist from m gunn dekalb works on where to now. deep immersive music, 100 copies only debut tape from coldtron aka best available technology x withdrawn x birthmark x eldon restocks from modus, ex-terrestial, 12th isle and shapednoise are also in!

a collection of 29 james brown hit songs, hidden gems, and collaborations on black 180 gram double vinyl, housed in a gatefold sleeve.

a permanent fixture in the world of rhythm and soul, james hunter follows up five critically acclaimed albums with his latest recording, whatever it takes, for new york city’s renowned label, daptone records. at the height of his famed recording career, hunter and daptone co-founder and producer bosco mann recorded an elegantly crafted collection of 10 originals that are evermore poignant and compelling than the singers previous works. the james hunter six and mann recorded whatever it takes straight to tape at daptone’s penrose studios in riverside, california.

summer release for apersonal music comes with the debut of james teej on the barcelona-based imprint. teej, a canadian fine style producer who has been gaining attention in the scene for his complex and personal productions, releasing on labels as rekids, my favorite robot, rebirth, and recently under the aka of the king arms on wolf+lamb. teej now amazes us once more with 2 high caliber bombs for the season, >fame< and >city celebrity<, long and elaborated disco-tech tracks that wont let down his fans nor the audience looking for strong and complex slowmo nudisco & tech-house music. completing the release with the remix from cisco cisco (labels usuals) to >fame< with a sound stronger and more aggressive than what we are used to the portuguese duo, but with out loosing their dreamy-disco characteristic sound

2nd strike on no fit state

french veteran dj w!ld delivers the third release on uk imprint vessel records, which features two originals plus remixes from argentinean producer franco cinelli and label founder james barnsley. plus loin is a thudding piece of robust house featuring heady toms, suspenseful drum rolls and spectral keys whilst whats up men is a more rhythmic cut containing a subtle bassline and echoing synths. on the flip, leeds producer james barnsley s version of what s up men alters the original into a peaktime-focused number with crunchy snares, until franco cinelli concludes the package with an animated rendition of plus loin.

zod is the new project from rebels boss damian lazarus and james what. debut warped production >rise before zod< is about to land on rebellion with a diverse duo of remixes from acid pauli and shadow dancer

london based james what is a well known musician treading the more left-field and creative end of the tech house spectrum. his numerous eps alongside dan berkson have become poker flat classics in recent years and so we are happy to welcome him in his first solo effort for the label. lead cut >it feels wrong< fuses classic analog bass with lively synth work and satisfyingly complex question-answer passages that whisk us away into a sweaty, late night vibe immediately. berlin based lord of the witching hour lee curtiss adds his touch on the remix side with a killer acidic treatment of >it feels wrong<. tense, soulful and teasing, this warm and super playable version will no doubt find its way to freaky dancefloors everywhere. >in the dark< slowly builds edgy, spooky elements in a deep, dark and sexy trip. combining smooth chords and keys, with trippy synths and sinister vocal snippets, whats bright and clear production works wonders in this slow-burner.

knallfetter deeper minimal techno mit detroit & techhouse einflüssen , sowie ein ganz starken tom clark remix (highgrade, berlin)

reissues

the origins double vinyl collection focusses on one the greatest guitarist of all time - jimi hendrix.

pressed on red coloured vinyl

soul classics on double vinyl.

double vinyl compilation of 26 soul classics from the queens of the genre.

the soul greatest hits is back with a new cover artwork and a new tracklist. rediscover all the great soul acts on a nice double vinyl.

double lp on black vinyl housed in an 8mm spined gatefold sleeve, black poly-lined inner sleeves, printed 4 page insert...

hans zimmer’s original motion picture soundtrack for “james bond: no time to die” on black double vinyl, housed in a gatefold sleeve.

rare and previously unreleased recordings from 5 legendary montreux concerts. remastered, pressed on 180 gram double vinyl, housed in a gatefold sleeve.

a collection of great male soul artists on double vinyl.

the best of james brown on premium picture vinyl.

jose james presents a worthy successor to his 2013 album “no beginning no end”.

deluxe triple vinyl reissue of the iconic 2008 album from jazzanova. the 3rd vinyl contains previously unreleased instrumentals.

incl. charlotte bendiks remix

2018 repress - the follow up to one/three. tip! james t cotton / tadd mullinx teams up with a wide range of mc s (wildchild, mf doom, kadence, vast aire, ag, beans, invincible. ta raach, big tone, phat kat..) and producers (waajeed, jay dee) to support his hi-tech productions. the result in this killer album with a wide variety of productions, from deep headnoddin cuts to crazy offbeat work and deep kraftwerk inspired instrumentals. where hiphop meets techno.

aus großen melodien und strapazierfähigen elektronischen teppichen gestrickt, ist -love what survives- gewissermaßen die essenz ihres bisherigen schaffens, indem verschiedene gesangsgäste und musikerpersönlichkeiten (james blake, micachu, king krule) hinzukommen, um gemeinsam zu experimentieren, formen neu zu denken, dinge auszuradieren, mit pop-Überlieferungen zu spielen, alles zusammen wachsen zu lassen. die neuen tracks enstanden größtenteils auf zwei vintage-synthesizern (korg ms-20, korg delta), die beide, so die band, diese -punkige, schloddrige qualität hätten, die an robert wyatt erinnert-, die mit ihrem industrial-einschlag und dem unverkennbar direkten sound mount kimbie zu ihrem neuesten sound-update bewegen sollten. der pulsierende motorik-beat der single -blue train lines- zum beispiel schickt king krule direkt auf die Überholspur, von wo aus er seine zerklüfteten vokalsalven abgeben kann. die offene, ausladende aura der platte ist ferner der tatsache geschuldet, dass sie zwischen london und los angeles entstanden ist, zwei standorten, zwischen denen das duo pendelte, um gemeinsame sessions zu veranstalten und ideen zu verfeinern.

the artists and inventors, along with the many other notable composers present on this 2lp compilation, are the true innovators in the sounds and science of electronic music and its production. they are the ones responsible for the dawn of a much revered genre, the originators of the musical concepts that have since developed into what we now know as electronica and dance. these are the true pioneers of electronic music.
pressing on grey coloured 180 gram vinyl.

josé james is reborn as a powerful voice in contemporary r&b on “love in a time of madness”. even for an artist as creatively restless as james, “love in a time of madness” is something new: an r&b focused foray into moody soul, electronic pop, and trap-addled beats, with the occasional influence of african folk, american gospel and minneapolitan funk. and though james’ voice is no less agile and his ear no less adventurous, this is also his most relatable, daresay sexiest work yet, detailing love’s ups and downs without holding back an ounce of emotion.

a fantastic and rare soul-jazz album recorded in adelaide (australia) in 1976. originally pressed and released on crest records and fully licensed by the hot casa team to reissue it on a deluxe 180g vinyl. . sue barker is a jazz singer from the 70s – and one who isn t afraid of picking up a bit of soul. most of the album features covers from duke ellington to marvin gaye, curtis mayfield or even james brown!

remastered edition !! 20 track hip hop clut album by the beastie boys from 1992 ! 180gr vinyl, audiophile quality / faithfully restored

night train serves both as a marvellous offering for james brown completists, and, on another level, as a brilliant on-record instrumental jukebox, full of booting saxes, guitar sounds that practically force you to get up and dance, and all propelled by a beat that’s spanned the years without ageing one little bit. so there you have it… a great album that proves what james brown and his friends were doing at the start of the ‘60s still sounds amazingly fresh.
pressing on translucent red 180 gram vinyl.

das prignitzkombinat ist zurueck mit einem neuen release ihres labels zum eigenen club, dem aggregat. nach dem sehr guten ersten release auf aggregat concept series mit dem schwerpunkt techno, rückt mit dieser veroeffentlichung house in den vordergrund. funk fetisch liefert hier mit dieser ep zwei feine tracks seiner definition von house ab. der track >gotta get down< zeigt deutlich seine einfluesse aus den verschiedenen genres des klassischen housesounds, typische skippy beats, jazzy chords und discofilter loops bilden hier das house. bei >black is beautiful< behaelt funk fetisch diesen charakter, allerdings wirkt alles insgesamt moderner. groovige beats und eine tiefe bassline bilden das bett für atmosphaerische warme pads, akzentuierte chords und verspielte melodielaeufe. james johnstons (no matter what) remix zu >gotta get down< geht direkt in die beine, straight, fokussiert und sehr kraftvoller house, der zeigt, dass der mann aus glasgow sein handwerk aeußerst gut versteht. danke james! p.s.: this ep is dedicated to all the lovely people from the diamond s kitchen in northallerton, uk

low-down and dirty jazz goes right back to the early 1900s in storyville, after the bands had played their hot tunes in the evening for dancing couples, the musicians would head off to the after-hours joints and play a less energetic but more bluesy kind of music, enabling them and their late-night audiences to get through to the early hours of the morning without suffering total exhaustion. and nobody in new orleans laid into the blues so low down and dirty as buddy bolden, whose funky butt became a staple in the repertoire of the citys early jazz bands.
jacksonville, florida, 1960. charles hungry williams mentors young clayton fillyau after he had just joined the james brown band: *i dont care where you put it on those drums, remember where 1 is and you ll never lose the time. listen to hungry on huey smiths *talk to me baby* and then listen to how clayton turns it into a relentless breakbeat on james browns *i ve got money*. earl kings *trick bag*, prefiguring the meters, is as good an example of early new orleans funk as can be found.