limited pressing on blue smoke vinyl.

the new album from lindstrøm on limited clear vinyl.

the new album from lindstrøm on black vinyl.

up next on scubas hotflush recordings is the stunning debut ep >forever for now< from 20 year-old duo shelter point. through the use of field recordings, upright pianos, their own chopped and screwed vocals and a varied palette of synths, the pair have created a lush and elegant four track love letter that is bound to make their contemporaries stand up and take note. >braille< sets the scene, its wistful, haunting vocals delicately slinking along to emotive and complex analogue synths, only slightly changing course on the vibrating and discordant 80s inspired >hold on me<. on the flip is the title track, a compelling and experimental piano ballad, rich with vinyl crackle and a bittersweet lyrical flow (forever burned your picture in my mind) followed by the pop-inspired >sleep easy<, a sweetly composed bedroom soul production kitted out with filtered synths and dubbed out atmospherics. a unique and memorable debut from a very bright new talent, shelter point is here to stay.

the crucials first single love me forever is a faithful cover of the studio one classic originally recorded by carlton and the shoes in the late sixties. recorded at strongroom studios in london and produced by the landlord (ranking records), this is a sweet slice of classic reggae to ease you into the festive period

1997 classic by michael mayer, tobias thomas & reinhard voigt aka forever sweet!

black vinyl

red vinyl, gatefold-2lp (transparent rotes vinyl) mit cover inkl. uv-spotlack und roter heißfolienprägung, gefütterten innenhüllen und schutzhülle

gold vinyl, gatefold-2lp (goldenes vinyl) mit cover inkl. uv-spotlack und schwarzer heißfolienprägung, gefütterten innenhüllen und schutzhülle

cassette

4fach lp incl rare stuff and live versions !

the sunflower & surf’s up sessions 1969 - 1971 - two landmark beach boys albums plus 8 previously tracks on double vinyl, housed in a gatefold sleeve.

the third black sabbath album back on black 180 gram vinyl.

beats in space presents the debut album from andras. the vinyl release includes a download code.

massive feedback by : markus fix, dj sneak, doc martin, ray okpara, nick holder, jimpster, m.in, dj wild, andre crom, inland knight, mark farina !
it has been a while since fries & bridges have released anything but that was never going to last forever and the aptly title forever this was certainly worth the wait. the boys use old school skippy beats with a filtered bassline accompanied by the sweetest of vocals which is perfect last tune of the night material. theres also an instrumental for those who prefer a heads down mix...

repressed, 8 brill tracks by reinhard voigt, tobias thomas & michael mayer…

lila vinyl, gatefold-2lp (lila vinyl) mit cover inkl. uv-spotlack und lila heißfolienprägung, gefütterten innenhüllen und schutzhülle

the 16 greatest hits from whitesnake - revisited, remixed and remastered. double vinyl release, housed in a gatefold sleeve.

limited re-issue on clear double vinyl.

limited reissue of the 1979 motörhead album on silver coloured vinyl.

23 of neil diamond’s greatest hits on black double vinyl, housed in a gatefold sleeve

soul classics is the latest exclusive to vinyl release on demon records. 4 sides of vinyl containing 30 tracks of sensational soul music, housed in a gatefold sleeve with original artwork featuring the biggest soul legends.

the pendletons return with their latest ep, funk forever, a jazz flavored boogie affair with soul inspired song-writing that evokes old school vibes while still staying fresh and current. horn lines, yamaha dx7 keys and snapping hip hop inspired drum programming topped by sweet singing with heartfelt themes, the group carves out a bold new sound on these 5 solid tracks. featuring elive, potatohead people and ishtar. the pendletons are a long-standing boogie-funk and modern soul project of e da boss (of myron and e on stone s throw) and trailer limon. the group emerged with their very first release in 2010, a 7inch inch of coming down/waiting on you on the slept on record label, which set the tone for the group to emerge it instantly became a cult classic receiving constant play at nights like sweater funk and funkmosphere, and fetching for serious sums among collectors. most recently, in 2016, they released the ep gotta get out. the title track caught the ear of renowned dj gilles peterson, who liked it enough to release it on his brownswood bubbler compilation. in 2018 the group is hitting the ground running with a brand new ep out this spring, and a full-length album to follow later later in the year on the renowned bastard jazz label. now armed with a horn section, a vast array of accomplished jazz and funk contributors, and a knack for quality song-writing, the pendletons sound has shaped into something fresh and unique, setting it apart from the legions of imitators.

als einer von kompakts mitbegründern und –besitzern zeichnet reinhard voigt für ein gesamtwerk verantwortlich, das unsere musikalische historie von anfang an entscheidend geprägt hat - sei es als ambient-tanz-projekt sturm, techno-raufbold s.r.i., experimenteller profan-mitstreiter pentax, ein drittel von kölns legendärer house-boyband forever sweet oder einfach unterm eigenen klarnamen, mit unentbehrlichen releases wie etwa der frühe speicher-hit “supertiel” (kom ex 2) oder die jüngsten solo-eps “kontraste” (kom 351) und “reisen & speisen” (kom 338). voigts produktionen fanden eine heimat auf kultlabels mille plateaux oder harvest, helfen aber auch beim anschieben jüngerer plattformen wie kompakt-nachwuchs kx. zurück auf dem mutterschiff, präsentiert er die neue 12” apokalypse mau, deren zwei tracks für rohen, brutzelnden, zielstrebigen techno plädieren – die sorte techno, die unerwartete dynamik aus reduziertesten synthie-motiven sowie scheinbar willkürlichen bleeps herausschält und in selbstbewusste schieber für gierige tanzflure verwandelt.

after his banging ep 1 on aus, tee mangos back for the 5th installment in his tribute project, inspired by the much referenced theo parrish quote: love of the music should be the driving force of any producer, performer or dj. everything else stems from that core, that love. with that love, sampling can become a tribute, an expansion on ideas long forgotten, reconstruction, collage. time is now time is now comes off like adamski era seal rerub for the small hours. replete with hypnotic looped piano and drums sounding like they were lifted from vaughan mason s raze house archive. simply sweet sweet electronic music. make it last forever the b side is tee mango on home turf, with a selection of choice samples under his cap (from a record you might recognise), some simple loose sampled drums and a smattering of dub delay. love for this series coming from: axel boman, benji b, artwork, fred p, and a heap of others. these tribute releases sell out pretty quick, my hunch is that these will not hang about.

segun bucknor fell in love with american soul music as a student at new york’s columbia university. otis redding, wilson pickett, sam cooke and ray charles hadn’t made much of a splash in africa at the time and when bucknor returned to nigeria in 1968, he was determined to bring the sound to a wider audience.
the result was brand of afro-soul that in turn became a proto-type of afrobeat. with his bands, the assembly and the revolution, he released a few politically charged tracks, but even with his energetic dance trio, the sweet things, turning up the heat, bucknor couldn’t compete with fela kuti.

rhodes island. bathed in sun, the aegeans sun, a spring of life and inspiration. surrounded by its waters. a wall and a path at the same moment. where the west meets the east. where worlds become one and civilizations blend. an island that acts like a witch, that captures your soul forever, that makes you always look for it, crave for it, always want to go back. beauty, history, culture. rhodes journey to the light. a compilation inspired by rhodes island and its nomination for european culture capital city 2021

channeling the spirit of moodymann, rick wilhite and other such detroit house greats, guilhem monin follows up on the promise of his debut for colors last year with this sizzling slice of rough hewn deep house gold where the samples stay locked in the groove and the atmosphere of the room is captured forever on the record. -social music- would surely not sound out of place on kdj, while -i plan to stay a believer- calls upon the warming tones of rick wade et al amidst an irresistible 909 house bump. -vlg- gets a little more sassy with its choppy edit style, and then -people- brings in a fist-pumping riff to hit the sweet spot later in the night.

cafe lanai is a duo in paradise. friendship and music at once led vocalists/producers michael brock and forever to adventure together to pahoa, hawaii. originating with the absorption of tropical sounds and antiquated island imagery, the project made a sweet, sweet double espresso debut with their deep first single lanai. on their debut paradise ep, cafe lanai enlists the spirit of humid rainforests and black sand beaches, imploring you to close your eyes and throw your body to the beat.

since the release of his previous album paradise for all, the profile of guts has grown a lot to become one of the main french producer and a recognized name on the european scene. his hit brand new revolution was played by many radios worldwide and even synchronized in grand theft auto v. his compilation series beach diggin is now a reference for summer and quality music.

kink - bitter sweet
kink has built up quite a reputation recently with some amazing work on rush hour alongside neville watson, and two slamming old-school-vibed remixes on liebe*detail. now we present his debut original track for the label, and >bitter sweet< really shows off his tender, heartfelt approach to house. raw, beautiful, melancholic and spine-tingling, this is modern house with a harmonious nod to the pioneers, connecting with us on deeper levels and remaining within us forever.
tom demac - draw me in
wales tom demac has already proved prolific as a producer constantly putting out genre defying, funky and ingenious hybrid house. also his debut for liebe*detail, >draw me in< takes on a strong and bass-heavy approach, with tight drums and freaky vocal-snippets melting together into a mutant jam of seismic proportions. reduced, casual and yet deadly cool, its a welcome additions to toms excellent production catalogue!

stroming electro disco with a typical french touch sounding, sure to fire all clubs everywhere

nice price deal !!! groovy vocal house number with a sweet and sexy female vocal 3 great mixes to choose from

90s trance / trance classix on 2cd

fifteen modern soul room gems on double vinyl.

limited edition of 1500 numbered copies on transparent pink 180 gram vinyl.

triple 180 gram vinyl in triple gatefold sleeve with download code included.

the first full artist ep of 2018 is one by a new artist for heist, but a familiar name for any modern day house aficionado: adryiano. after taking 2016 off, he came back guns blazing in 2017, releasing 5 solo eps in 1 year on labels like shall not fade and baka gaijin. his me and you and her ep for heist showcases his contemporary view on classic house and acid, and is an experiment into how much distortion a track can actually handle when youve got a killer sample hook. me and you and her is about as classic as a house track can be and moves in similar fashion as his post-2013 hit ‘on my side. its got a sweet and repetitive vocal loop, some semi-grainy but definitely groovy percussion and a deceptively simple piano hook. add some filtering and youve got a lovely warm house song that can go on forever. the a2 move it, move it moves straight into old-school chicago territory, with a raw af acid bassline. chicago bred jamie 3:26, now residing in its dutch counterpart rotterdam, gives the track a nice old school twist. hes going full 707 on the percussion and has casually added an amazing synth hook to give the remix a true vibe of its own. the ep closes off with fashion country girl: adryianos dystopian view of a world where dolly parton gets mangled through an overdrive, then gets distorted, crushed, mangled, deleted, re-added in 8 bit and then crushed some more. the result is an uptempo roller with more than enough grit, and just enough tongue-in-cheek to make everyone smile a little bit more. yours sincerely, maarten & lars.