you’re never gonna get it ! funky 90s girl power !

haven head honcho keepsakes back on his label with a killer 4-tracker.

art funk

the 1980 debut album from french electronic experimantalist serge blenner back on vinyl via bureau b.

post punk band!

welcome back to the 80ties

25th anniversary reissue of en vogue’s second studio album, originally released in 1992.

rogue vogue has been making a name for himself as a producer worth keeping an eye on with releases on french express and remixes on deep&disco & french horn rebellion. he is finally ready to release his next original ep titled say you will on his new home at house of disco records.

strike a pose! the fruit of the first labours of the third side (marieu, steffi, lucretio) with nd_baumecker is breathtaking and bewitching. the two gems on this 12 inch are recorded live in a single and unique take on a quarter inch tape during a moist afternoon at the beginning of the spring. this is a sound of passion and devotion. >retro vogue< is a dancefloor smasher with hooks and beats from the streets, that come from the past but that have been technologically reworked with artisans skills in a glamorous phrasing. >burning< is an house anthem that discloses, beneath his shining surface, all the darkest inspiration of this crew, from chicago, to berlin, via detroit. funky percussions and seductive synthesizers merge together in a blaze of radiance

nice price deal !!! cool & fresh electronic house with break elements similar to david guetta/the egg

lift top box with 6 coloured madonna vinyls ! incl all the hits !

an introduction to zru vogue’s world. a percussive no wave, minimal and funky electro. oscillating between psychdelic rock and modern postpunk. “assembly for body movements” regroups tracks composed in 1981, 1984 and 2011. m.e.a tends to develop an interest to music that never seen light, through the most large electronica spectrum. here’s mea-0002.

picture the scene: a dark basement with flickering strip lights, sweat dripping from the ceiling & down the walls, bodies crammed moving to the thud of house & disco colliding, vogue - poppers - vogue - poppers, a time when everything was raw, experimental and energetic, this is the underground.

i was finishing up a long extended set in paris when the cleckcleckboom crew practically ran into the club to get on the decks. i had hung out with them before but tonight they had all new tracks and an incredible energy. so i stayed past the last ravers just to hear what they would play and that was when i heard “hugz” by french fries and bamabounou. this was a new sound, some nasty nasty shit sitting somewhere between juke and bass music and and i knew we had to get this sound on dirtybird no matter what. needles to say “yo vogue” is hot property and i’m really excited to release it on dirtybird. the half time drop, the chopped and screwed vocal, the stuttering bass kicks, the creepy moog on top - it’s simple and complex at the same time and it wrecks shop whenever it gets played. i did a remix on the b side giving it some db flavor and dirtybird newcomer leroy peppers lays out his own bay area skeeze with hot sauce on top. watch yer bass bins! best, vonstroke.

repress! fantastische remixe von steve bug, michael mayer, farben & freestyle man. superchic

malcolm mclaren, who is probably best known as the manager of the new york dolls and the sex pistols, has had a decisive influence on pop culture as a writer, musician and fashion designer. his 1994 album paris, produced by robin millar (sade, the style council, everything but the girl) for the french label vogue, is now available on vinyl for the first time.

madonnas ultimate collection on 4x 180gram lps !

release #6 from arketip discs with tracks by a.morgan, vil, psyk and label head makuto.

the latest by canadian composer tim hecker serves as a beacon of unease against the deluge of false positive corporate ambient currently in vogue.

red vinyl edition

live at the allphones arena, sydney

madonna’s great dance & club mix collection! including remixes by deep dish, calderone, eddie amador, honey dijon, david morales, junior vasquez, ...! black 2lp in gatefold jacket, including single covers and track-by-track info on all 16 number one singles.

reissue of the third album from japan, originally released in 1979. half-speed remastered, pressed on 180 gram vinyl, housed in a gatefold sleeve.

electronic and post punk music

incl. lady blacktronika mix

nice price deal !!! amazing rumanian styled up 4 tracker. france and spain join their sounds in this first installment of the series >eledance< of ipsum records.matthus raman, alejandro dengra, adrian bellin a.k.a zendid and dakpa take over the shows style framing this new only vinyl lovers label.

omar-s introduces detroit s newest diva on the scene, simon black with an x-rated 12- for the real freaky types. in line with some of the definitive vogue house tracks of the past, -i ll do it again- will become future ballroom staple. on the flipside, -freaky type- black slows it down and steams it up with some nasty vox over a beat produced by fit siegel. high kicks and hand snaps all around!

are you vogue enough? after contributing her mesmerizing lyrics to sinfols crystalline , barbara ford now debuts on anagram with her first solo ep titled sound of the siren. from her tense storytelling on the title track, brilliant contrasting elements on fashion week and fast paced power grooves on treason and amotan, barbara makes it very clear why she made herself a part of the anagram family with this stellar contribution to the dutch labels discography.

randommindstate is back with the second vinyl of their random edits series. the second part contains 5 bumping tracks made by 5 different talents. from an uplifting disco edit by ray kandinski and another george feely banger to a warm late-night-deep-house-tale told by ayer fijen: a record made to hit the dancefloor at any time. limited to 300 copies. don’t sleep

maribou state kündigen mit ihrem neuen album “kingdoms in colour”, das über das ninja tune-sublabel counter records erscheint, ihre erste platte seit ihrem debüt “portraits” aus 2015 an. maribou state, das 2011 als projekt von chris davids und liam ivory begann, haben eine reihe von eps und singles veröffentlicht, bevor ihr debütalbum “portraits” sie von jetzt auf gleich auf die größten bühnen dieser welt katapultierte. mit einer live-show, die sie mit herausragenden festivalauftritten bei u.a. glastonbury, bestival, der secret garden party oder mit einer 32-tägigen europatournee rund um den globus führte, spielten sich die zwei briten im handumdrehen in die herzen ihrer fans. und auch die journaille war sogleich begeistert, wie artikel im guardian, i-d magazine oder vogue zeigen. bis heute sammelte ihr album über 80 millionen streams und zog vergleiche mit acts wie the xx, james blake und mount kimbie aber auch dj koze oder bonobo nach sich. schwarzes 180 gramm vinyl plus downloadcode.

madonna-fans und schallplattenliebhaber aufgepasst: 2018 erscheint »the immaculate collection« wieder auf vinyl. »the immaculate collection« war das erste greatest-hits-album der popikone. es erschien ursprünglich am 9. november 1990 und versammelt insgesamt 15 stücke, darunter hits wie »like a virgin«, »material girl«, »papa don’t preach«, »la isla bonita« und »like a prayer«. das gesamte tracklisting finden sie im folgenden. »the immaculate collection« landete in großbritannien auf der eins, in den usa auf platz zwei der charts. das album gilt heute laut guinness-buch der rekorde als meistverkauftes best-of einer künstlerin. jetzt gibt es das erfolgreiche album erneut als doppel-lp.

one year into his music production career, whb is the startling debut release from brooklyn’s kellen303. a unique hybrid, the tracks are inspired by goth rock/industrial, footwork and vogue music. it’s perhaps a happy but unlikely accident that they also fit into keysound recording’s dark, rolling uk sound. across five tracks, four cut to vinyl, kellen303 maps out his unique but bleak vision.

with a wall-to-wall 21st century freshness, light years past any concept of vogue, or any linear genre lines, norwegian quartet rohey deliver music that bristles with energy and honesty, that grooves with the best funk, that has deep soul roots while keeping an eye on the broad expanse of a golden future. lead vocalist rohey taalah brings all the emotional complexity you would expect of a classic jazz or soul singer (and can withstand comparison with any with ease). ivan blomqvist s keys play a dual role of laying down old school sonics, while bringing a retrofuturistic hyper-urban tone (akin to british idm), while kristian b. jacobsen (bass) and henrik lødøen (drums) create a jazz-soul-funk hybrid rhythm section that ducks and weaves with supreme artfulness.
rohey have toured extensively throughout scandinavia, taking in just about every major jazz festival along the way. with the release of “a million things” on jazzland recordings in early 2017, their path can be expected to take them ever further: music this good can t be kept secret for long. “a million things” performs a balancing act that most pop artists have forgotten in these days of studio micro-editing: how to write and play a song with full and sincere conviction, while enjoying an artful expressiveness without making things unnecessarily difficult for the audience. this has been borne out by their nomination for best single at the scandinavian soul awards in 2015.

fresh back in … ‘limerence’ is not only misantrop’s debut outing, it is also the inaugurating release of his own label foul-up. the sound pops out of an industrial mindset, but the title piece reverses out of garage/classic house that nods to 90s r’n’b. on ‘nocturnal emission’ friend jon marius brogaard aeppli’s guitar solo is vogueing out on the floor, psychedelic rock meets psychotic blues by way of sheer uk sound.

laid down with authority by l/f/d/m are four no nonsense cuts blasting fresh air into that perennially en vogue phenomenon known as acid house. after stunning eps for glasgows prestigious optimo trax and clandestine traxx, an equally crushing full-length for kompakts ecstatic imprint, and two brain melting eps for diagonal with factory floors dominic butler as bronze teeth, it is an honor to have his sounds grace cgi with a release that sees him playing right for the heart of the dance floor.

mulen marks the arrival of its second vinyl with the release aloft from tish. this kiev-based lady is definitely seen as a key player in the ukrainian underground. the original mix of aloft is stripped-down vogue techno with a funky baseline and tick-tock percussion. the track is flashing out the skippy, atmospheric style one might call mulen s signature sound. under number two we have samples of silence where tish explores possibilities of rhythm and space. the track progresses through a clean path of precision drums to a warmer meditative lead. on the b-side cadenza native valentino kanzyani plugs 9 minute remix of the titled aloft. quoting a minimal running techno, kanzyani stockpile some much-needed tension while keeping the arrangement uncluttered. his hypnotic groove beneath a blunted and ponderous baseline deliver us a darker, more cosmic vibe.

brighton s black key records launches its vinyl only arm, in the form of black key limited, with a superb double a-side from german producer, ugly drums, featuring 2 excellent tracks of deep, sophisticated house music.since its launch in 2011, black key records has firmly cemented itself as a label consistently outputting quality house music from an array of highly respected artists. in just 18 months the imprint has released music from the likes of blm, flori, milton jackson & giovanni damico, with their releases picking up support from a number of top names on the scene. resident advisor recently stated: brighton s black key records may be small… but they re consistently on-point with their take on deep house. this is no small feat considering the volume of labels offering their interpretation of the in-vogue sound to an increasingly saturated market

made fresh daily follow up killer 12 inches from geddes and mikki funk with the debut solo ep from rising house producer jackmaster k. though indebted to the current vogue for the sounds of 90s house, jackmaster ks productions are filled with enough unexpected twists and turns to keep the formula fresh, *house aint givin up* switches things up with its nyc electro stabs, saxophone solo and swelling sub-bass, while *get up* takes things into deeper territory with its thick bassline and dubbed out, candy sweet rhodes melodies. on the remix, james johnston flips *get up* inside out, giving it some classic new jersey bump and flex, and busying up the arrangement with added organs, while rosenhafts take on *house aint givin up* is much more expansive, allowing the bassline to breathe in a spacious composition of pitched vocals and drawn out chords.

his album debut - timez are weird these days was one the most exciting releases of 2011, shortly after, the trinidad born us rapper and producer appeared on the biggest music- and lifestyle magazines including spin, the nme, rolling stone, billboard, vogue, maxim, village voice, gq

french fries delivers two originals on the cutting edge of modern bass. “space alarm” is right up in your face but artfully holds back right when you think it will go over the top. the inside “smoke wine” is more in the vein of last years smash “yo vogue,” yet more understated and deep which is rare for the genre. when i play these at the right time they always solicit an audible “ooooh” from the crowd at thedrops. remix #1 is by justin martin who really blows it up dirtybird style with almost a breakbeat old school electro beat. remix #2 is by dirtybird newcomers goldffinch via belgium who also deliver a really funk laden club version. both remixes are ace and the full release brings a very fresh sound to the label.

uk house music and disco superhero rob mello has been instrumental in shaping the evolution of the uk sound since way back when. through labels like classic, luxury service and the way ahead of its time disco elements series on azuli in the 90s, not to mention countless innovative remixes and collaborations, his production output has shone out like a supernova for well over a decade. this is a return to songwriting, to tracks with longevity and a timelessness which transcends forgettable vogues. butterfly is the debut release from this dynamic quattro known as beulah heights - three producers/writers and one singer. a dream team collaboration between royal college of music and child prodigy lyn goddard, dj/producer and film scorer rob mello, producer/dj nathan boddy aka the illustrious office gossip and the amazing vocal talent of singer katie beadle. so here we have it, the majestic first release on beulah heights. a slowly pulsating monster of a cut, shot through with a futuristically executed homage to early 80s productions and more than enough girth to guarantee a powerful response from the floor. already road tested to rapturous response, this is an absolute beauty.

cevin fisher switches his more recent minimal tribal grooves for something a little funkier supplying the vocal himself he turns out a tune of real quality that replaces the current vogue for hard electronic beats with washes of uplifting melody though his dub mix supplies something a little tougher in the rhythm department paul harris and julian peake aka superbass are handed remix duties