in a time of peace and prosperity on phantom planet, three unwanted heroes arrive home to seek justice where there is none to be sought. shunned by modern society, forsh gets a job at the electricity board, red defender snoozes through work at the local news and booze, and bin man finally finds his dream job. as a postman. with no evil to lay waste to, they put their dinner money together to create the worlds greatest record label, boss tracks. using broken dustpans and dance ejay 98, they create what will go down in history as the most seminal and brilliant piece of musical forgery known to merseyside. 4 tracks packed full of pure dance floor steroids for your love-pump, this is interstellar muscle music at its finest, let it reach out grab you by the tenderloins! thank you phantom planet outlaws. once again the world has been changed forever, for the better.

the 3rd release completes a series by tapirus aka charlton featuring a remix by mark forshaw, part of the phantom planet outlaws.

computer controlled records is a new vinyl only label from belfast, northern ireland encompassing the raw analogue sounds of chicago & detroit style techno, house and electro keeping a diy ethos with screen printed sleeves. get the first 2 releases from mark forshaw and chris moss acid for a special price!

a industrial callous, caustic and fervently cruel ep. contort yourself has once again gathered the best and boldest from past and present for its fourth ep. to begin with we have the grimacing visage of volition immanent, an intense live act made up of parrish smith and mark van de maat (knekelhuis). behind rawkish distortion, splintered beats and acrid bars screams a boiled anger, a track spitting on the divides of punk and electronics. nastiness is taken up a notch as noise ne er-do-wells zombies under stress take over. static is bent and doubled across thick chords and collapsed clap in the 1986 -maan zal zijn before the raw and raging battery of in onze tijd. l.i.e.s. regular svengalisghost grapples with maan zal zijn, channelling the originals rage into a mechanical monster. the 12inch is bookended with bite as mark forshaw (tabernacle/berceuse heroique) closes with the tortured and torrential thump of submission.

the peer pressure ep from the under-rated mark forshaw finds scenery records once again highlighting the rich strain of local production talent in the liverpool area. involved in the merseyside scene since the 90s, forshaw has released on labels like mathematics, tabernacle and apartment and is also a member of phantom planet outlaws with john heckle and binny. if you ve checked forshaw s prior output you will be happy with peer pressure as soon as the grubby, jacked up house of the title track hits its groove, with his four other cuts heading down a similarly unpredictable path. kudos to scenery for seeking out swedish producer daniel andreasson to remix the title track too! this is another no nonsense ep from scenery that is lovably rugged and unpredictably creative

computer controlled records is a new vinyl only label from belfast, northern ireland encompassing the raw analogue sounds of chicago & detroit style techno, house and electro keeping a diy ethos with screen printed sleeves. the first release comes from mark forshaw who has previously released on tabernacle, mathematics, iii rivers and apartment and is one third of phantom planet outlaws alongside binny & john heckle. this ep delivers 4 tracks of raw analouge acid and detroit techno funk.

iii rivers bringen zee ruckus eins more time! mark forshaw providing the subterranean transmissions on this latest space nugget. with shulgin gone, secret tales of him dosing up the clientele at bohemian grove have surfaced, with this record surely soundtracking the ensuing all night discotheque?! the north-west uk based artist provides 3 tracks of smoky, hardware-based techno infused with narcosis throughout.

totally slammin mini-comp from lukes anger imprint ! features stable >wonksters< along side current >darling of the scene< al tourettes....

another brutal speaker assault from the coinop camp!!! voted the worlds greatest label ever again..... coin operated return showcasing the uks mutant bass scene. on offer here is a plethora of rave soaked heavy bass bangers from kanji kinetic, micheal forshaw, mr.sly and >off me nut records< rising talent dankle

another brutal speaker assault from the coinop camp! voted the worlds greatest label ever (repeatedly) by channel 4 viewers. nan-bangin says it all really - yet again the coinop massive (led by general mustard gunn) freak our minds and bootys with this, a very london affair....other than that theres not a lot to say for a label that has everyone hooked but our office highlight has to be the brilliant kanjis brand new vip remix of his own previously huge coinop track >drive you crazy<

master of disaster michael forshaw returns to the worlds greatest label ever - coin operated. a real return to form from the blackpool mentalist. four tracks of certified >nan bangin< wrongness!

repress of the 2001 release!!

2003 electro release by michael forshaw!

weird kickin phreak techno - re-issue!

harder freakin electro stuff by michael forshaw vs spider !!

brilliant electro four tracker. nice re issue comes in limited blue vinyl. a must have

massive hard electro with gabba influences !! its really crazy

more punishing harder electro tunes !!

yes.. it took more than a while.. but finally.. here is chan n mikes no.10 and beside 3 rocking tunes by mr. forshaw himself you'll get remixes by tsr, bob brown & je:5 ,i mean, you cant ask for more� and theres now way well write our arses off, as you definitly know what to expect!!

fat wired noisy techno..

mr. 'wurlitzer' forshaw with his lovely fucked up, agressive, damn sub bassed electro & techno massacre. nonsense makes sense

michael forshaws label - wicked techno & electro with a serious unserious twist

strong weired techno / brighton style !!! mit lustigen cheerleader vocals :-) / remixes by si begg, dj urban, mark hawkins / bill youngman !!!

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5 years since midnight shift�s first release in 2012, the label assembles a collective of artists, most of them are in advance of their full eps releasing later. representing the sounds of the label is this manual of secret moves, up in the sleeves. the mystic motley crew also comprises the alternate sides of familiar faces � amato (the hacker), terry lamborgini (marco bernardi), innyster (seixlack), hodge in a new formation with gramrcy, and an electro moniker from an undisclosed artist: thermocline. from abstract acrobatics to the abrasive and the ultimate gob smack to the floor � the midnight manual.

a tribute to andreas gehm (1972 - 2016), german producer, king of acid and inspiration to many including the artists in this compilation. all proceeds will go towards funding andreas gehm s post-mortem affairs, managed by his best friend, joe kurta. long live the king. vital sales points: tribute album to acid king, andreas gehm, who took his own life in 2016. andreas released one of his last few eps with midnight shift. all artists in this compilation have been influenced by and are deeply saddened by his passing. all proceeds will go towards funding andreas gehms post-mortem affairs, managed by his best friend joe kurta

belfast born imprint computer controlled records follow up on their acid rich debut explorer ep from mark forshaw with a five tracker from chris moss acid on a release that also features a jacking collaboration with breakin records owner and all time don dmx krew. it marks the third in a run of original eps from chris moss acid who has been enjoying something of a renaissance in his productivity, releasing with a host of top grade labels from to jerome hills revered and uncompromising techno imprint dont and dutch electronic hub shipwrec.

scott marshall is a london-based dj and producer. his debut 4-track ep, titled scott marshall demonstrates a distinctive uk booty sound. early supporters include dj deeon, john heckle, mark forshaw and jamie russell. born and raised in south london through the 80s, scott started buying records when he was 16 amassing a large collection of house, techno, disco and funk.

one electronica returns with a blinding 12 inch from samaan, featuring knock-out remixes from the exaltics & phantom planet outlaws (feat. john heckle & mark forshaw).

played by patrick luca (saft/pulp), mark forshaw, owain kimber (owain k), dnart (shift ltd), james ornate, alkalino, fred p aka black jazz consortium, anaxander

lopasura again delves into picturesque soundscapes drenched in emotion and melancholy, illustrating a typically dystopian setting for its latest offering.

the end is near, the apocalypse is knocking on your door. time to freak out for a very last time. leveltrauma bringsyou the perfect soundtrack for the end of the world. on side a escalate with minupren and stormtrooper, who bringyou the bass, that rocks your panties. on the b-side your very own..

slidebar arrives at number 9 and brings out rocking tunes from the famous switzerland-crew. this time they have a special guest. michael forshaw the uk legend from blackpool and owner of channmikes.

a1 � flufftronix featuring 215 the freshest kidz � bassface (kanji kinetic remix) � kanji kinetic works his magic on flufftronix, transforming the original track into a drumstep monster with his trademark mutant bass sound. previously released digitally on play me 2, tthis has been causing some serious damage.

2010 repress! mark hawkins is in the vanguard of the new wave of new wave uk techno. beginning his career in 1999 with a split ep with michael forshaw on the latters much loved chan n mikes label, hawkins was soon noticed by saskia slegers (aka miss djax) for whom he has now recorded 6 eps on her well known djax up beats imprint. he has also released on, amongst others, pro-jex, mosquito and hörspielmusik.. and now, here comes the next release by mark hawkins to the lablestart from kitty corner !!

lukes angers big set opening tune gets a release ! limited 10 inch format... after receiving huge feedback as an opener for lukes recent livesets, warble tone finally makes it onto wax! promos of warble tone have since been picked up and rinsed by across the board djs such as kanji kinetic, kid606, warlock, billy nasty, jerome hill, michael forshaw to name but a few. quaint samples of a english gentleman telling you how to set up your hi-fi equipment, juxtapose over a driving bassline, a tongue-in-cheek reference to the wobble bass so prolific in todays dance music. flip for the b-side and flooglebinder for some serious dirty bass-driven techno, anger-style! this one is for the big soundsystems, tried and tested!

michael forshaw, subhead, kanji kinetic and fedka the irritant welcome you to the horrordome. this is bloody ... bloody genius on transparent green vinyl!

bonusround #5 is made by labelhead lukes anger himself, extra madness added by michael forshaw, paul birken and dzaxy. electro-breaks-dubstep-fusion to the max! ltd 2011 re-press

lukes anger back with a brand new 10 track lp !! killer tracks feat. full colour sleeve art !! keeping true to his techno sensibilities (or non-sensibilities?), live wrong and prosper is a full- length-album sized collection of lukes finest recent work along with some massive exclusive tracks, including an extra special 2010 vip re-mash of his 2 biggest tracks to date! (see: >working on the floor<). expect ultra-heavy bass juggernauts in >gross negligence> and >bruce wobbelaar<. sexy acid swing-time in >nice car< and >tombstone trax< and all out wonk-factor-10 with >worried sid< and >beebop drop< and many more percolating slammers to be discovered! fans of the trademark >lukes anger charm< will have a field day with this release, with every track dripping in fat, tasty analogue lushness! lukes previous releases have always been picked up by a plethora of across-the- board dj�s, receiving support from the likes of laurent garnier, detroit grand pubahs, kid606, jerome hill, dj warlock, dj zinc and michael forshaw to name but a few.

supported by: lukes anger, mark hawkins, michael forshaw, jerome hill, mustard gunn, dj ze mig l, dj drosan, trevor wilkes, andrez bergen, ...

back in 1998 this was probably just about the wrongest record you had ever heard � and it has to be said that not much has changed. forshaw has a knack of turning out ridiculously hard and mangled electro and techno tracks � but still managing to make them sound >poppy<. sometimes, as in the case of rockford for example, it is because he uses well recognisable (but unexpected) samples. but more often it is just because he manages to make tunes (no matter how hard) that make you stop gurning and start smiling.

originally released in 2008!!

flint kids are london based electronic music duo dave smith & daniel nolan. they began writing together in 2000 on an akai mpc 2000, s600, korg trinity and 303. years later, after having brought laptops, logic, ableton and other electronic goodies, it became clear that the sounds they were hearing in their heads were possible to recreate. their passion for so many different styles of music saved them from ever being pigeonholed, glitches & bleeps fuse with organic matter fired from a techno blunderbuss to create a pool of binary sputum that finds no home in any one genre. what may begin as a well earned candlelit soak in the tub of ambiance can quickly drain away as they pull the plug, leaving the listener cascading down a dank, jagged hole with only a rung less ladder made of plasticine.... not for the faint hearted!

kracktronik from birmingham present the 5% nation of casiotone, who will be our tourguides for todays trip through the mayhem of electro-breakbeat-country. prepare for a wild ride!

finest mixture of chiptune, techno, speed garage

incl tracks by dave tarrida, michael forshaw, cynthia stern, tobias schmidt and tobias von hofsten

back in 1998 this was probably just about the wrongest record you had ever heard�and it has to be said that not much has changed. forshaw has a knack of turning out ridiculously hard and mangled electro and techno tracks � but still managing to make them sound >poppy<. sometimes, as in the case of rockford for example, it is because he uses well recognisable (but unexpected) samples. but more often it is just because he manages to make tunes (no matter how hard) that make you stop gurning and start smiling