home recorded above a lawyers office and next door to a brothel, the retrospective is lead by the earth shattering digi stepper rock steady. originally intended for an abandoned dub album, rock steady and fantasy dub were saved from the cutting room floor by australian cd-only compilations on creative vibes and vital collective clan analogue, while green river was never released. now demanding wider appreciation, the dubs finally find union with green man’s new york hip hop/dancehall style, lifted from his second solo album the blue hour vol. 3: deep blue. humbly excelling in all electronic forms, rantzen helped guide techno-rave duo itch-e & scratch-e through the 90s with paul mac. winning the inaugural best dance release category at the 1995 aria awards, mac thanked all of sydneys ecstasy dealers, without whom this award would not be possible, while rantzen stayed at home. the two would also operate incognito as boo boo & mace and screensaver, often collaborating on looney dubs with sheriff lindo - the master of seismic shocks down under. rantzens earliest work stretches back to pelican daughters, an ensemble who proliferated industrial-leaning ambient and tape loop experiments

ptwiggs brings the surrealist violence for brand spanking sydney imprint deep seeded. taking an erratic hairpin turn after dsr001s off-piste techno, purge comes off like a tragicomic thriller, swerving between saccharine sensitivity and brutal ultra-violence in the blink of an eye. shit is rough in ptwiggs towers, dishing out relentless tyson jabs to the head on day of wrath with holly herndons inverted poltergeist drifting about between the blows, while lara dies seems to execute your favourite video game character a trillion times per second just for laffs. but it s not all blood and guts rendered in vivid hd. coil-axis twinning of demonic and angelic energies course through yyyy and drift below the surface of the more berserk pieces. not for the faint of heart but life s probs beaten the feeling out of you at this point anyway.

to celebrate argot s fifth year of releases, we re launching a series of compilations boldly entitled american dance music. argot s first ever various artists compilation continues its mission of showcasing homegrown talents, assembling a cast of familiar faces and welcome compatriots for the inaugural edition. american dance music vol. 1 features the long anticipated return of the black madonna, who debuts her new collaborative project with rupert murray, throwing shapes. you ll recognize argot stalwarts savile, olin, todd osborn, maxine & cleo, and hippie priest on the tracklist. we ve also invited friends noncompliant and alex falk to the fold. with future volumes we aspire to look even further afield and cast the spotlight on many diverse talents who make up american dance music. much of american dance music vol 1. is aimed squarely at the dance floor, whether it s todd osborn s smooth and playful romp, 80s are here (part 2), or noncompliant s acid tweaked ode to girls everywhere, femslash. throwing shapes comes bursting from the gates with the raving stomp of heatstroke, channeling midwest raves as much as the thomas bangalter tunes inspired by them. savile offers the growling stepper, reality is a sound (share power mix), while alex falks vines provides an effervescent vocal moment. olin and maxine & cleo double down on hypnotic motifs: the former s 2d rhythm whips snare riffs off the walls of a late night jam, the latters imagine yrself catches dancers in a lockstep house groove with stimulating vocals as its key. the compilation concludes on hippie priests dream machine, whose melancholic melodies and cinematic scale twiddle heartstrings with a deft hand.

the new wax brings the originals from the english artists, senzala and known for having references in pod and mr. ks label, contribute his vision of the house with 2 tracks in which the atmospheres create a state of unconsciousness and do not carry of the hand a place very close to the dance floor.

hand numbered vinyl only! frits wentink s next release on his own bobby donny label finds him editing some tracks he has been playing on his radio show for a while. they are originally by vertiqua, a german lo-fi hip hop producer that remains unknown. the vinyl only record is limited to 500 copies. all four of these tracks have been edited to make them more suited to the dance floor. the a side comes as an edit that is all about woozy chords and loose, bumpy drums with a rapped vocal stitched deep into the arrangement. it s warm and intake for cosy dance floors. the b1 has organic boom bap drums and kicks, more tape delayed chords and a nice analogue feel all finished with a wordless but beautifully soul-infused vocal. last of all, the louche drums of on b2 are coated in vinyl crackle and laced up with more intoxicating and imperfect chords. this is a perfectly aged combination of hip hop and house that will get any floor bouncing.

as a contrasting follow-up to our first single from rooteo & mahura’s metta album, the second single on made in green records keeps the format intact with entirely different results. deadbeat’s remix on part one was both respectful and subtly transformative, on part two, new york’s upcoming max mcferren, whose busy 2015 included eps on ultimate hits, allergy season, and 1080p, brings us a startling reinterpretation of album closer harmal very much in keeping with the vein of raw, aggressive house coming from brooklyn since that scene’s resurgence. the original version of harmal finishes the album in fine style, blending tablas, celestial electronics, and short melodica phrases that gradually swell with layers of vocal samples and orchestal pads before reaching a climax and slowly dying away in gradually receding layers of ambient electronics. mcferren’s remix leads off with only a bare framework of techno percussion. the entry of a sampled section of melody from the original signals a rapid transition to more abrasive territory, with sheets of metallic noise slashing through the high end, short vocal syllables stuttering, and an insistent bass pulse building up and breaking down with at least one element constantly in motion.

vinyl only!
echoes_ is welcoming the young and talented akatana for their second release. the berlin-based french artist his taking us on a tripping 14min long journey of extended pad textures and strings with just the right amount of grooving basslines.
on the b-side we hear hubble decomposing and re-arranging the original track in a way only he could do it. changing it into a dramatic adventure through acoustic drums and percussions.

sebastian mullaert, swedens long standing techno, experimental and ambient producer, is back on mule musiq with three deep tunes that shake your emotions profoundly. on the a-side the epic track mirror seduces with discreet claps, a kind of drunken groove, deeply meditative tones and a twisted melody that arrests your emotions inwardly. on the b-side you find two tracks by the same name: broken mirror. b1 is a sensible layered grower that delivers unhasty grooving minimal techno for those who love to dance slow. the second broken mirror tune comes as a wa wu we reflection, is even more slow, but still deeply groovy and packed with mesmerizing sound particles that stretch your mind and soul endlessly. electronic music straight from the heart. full of human sensitivity delivered with sebastian mullaerts very own signature feeling for rhythmical journeys full of musicality and details in melody, chords and tones.

s-file is back with his second record in this year. broken and shelter is his new double a side record. shelter is a monster tune with a catchy old skool vox hook, that guaranteed work on the dance floor. ben sims played them early in his nts live show and also the baron of techno, dave clarke played the track as opener in his tomorrowland 2017 set. he sayed also in his white noise show: this is a weapon for all festivals. the second track on the record is a catchy broken beats tune with a catchy chord hook. we hope that you are as much excited as we are about his new record!

no cover, b-ware! vinyl only!
echoes_ is welcoming the young and talented akatana for their second release. the berlin-based french artist his taking us on a tripping 14min long journey of extended pad textures and strings with just the right amount of grooving basslines.
on the b-side we hear hubble decomposing and re-arranging the original track in a way only he could do it. changing it into a dramatic adventure through acoustic drums and percussions.

after almost two years it s the time for the boss asymmetrical to drop his second ep -for muthafucka use only- merging his hip hop influences with raw culture s poetry. the release features some guest appearances by with his partner in crime alter d, boss of marguerite records, rapper blue and last but not least a fine remix by florian kupfer!

mark seven returns to world building with another 100% guaranteed club crusher!

rhythm section are back with a sizzling eight-tracker from melbourne s hottest ensemble 30/70. melbourne has a lot to answer for. for anyone admiring the citys music scene from afar it would seem fair to wonder if there might be something in the water. 30/70 are the latest collective to emerge from this buzzing scene. elevate is a sublime statement, at once a cry for help and a call to arms, it balances delicate poetry and potent aggression with ease - all of this done with a beguiling pop sensibility. this collection of songs, their second studio effort after their debut lp, ‘cold radish coma , is set to elevate them to the international stage. under the management of wondercore island (hiatus kaiyote, oscar key sung, daniel merriweather) and with the release set to drop on bradley zeros rhythm section intl. (al dobson jr, silent jay x jace xl, henry wu), 30/70 are ready to take their message from northcote to the world.

for anma’s fifth release, reekee aka italy’s riccardo masi has produced a classic cut of uplifting house, quintessentially jamming a thunderous rolling groove with soft jazz piano. ecstatic synths unleash their primal screams throughout before the hammond steps up and raises the bar! remixer ricardo miranda cooks up a veritably frantic electronic jungle of idiosyncratic pulsing square waves and marimba voodoo soup, before vick lavender takes over the b-side with nigh on ten minutes of organically blissful jazz and groove experimentation. vick’s mix comes rooted with percussive breaks and a solid evolving rhythm section and is brim-filled with sleazy vibes, tender electric licks and rapturous synth pads swelling us into elation! lovingly pressed on 180g vinyl, hand stamped and labelled.

electronic pop act penelope is the second release on fellow swede pjotr’s label. backed up by remixes from roger 23 and physical therapy, the band offers three dystopian pop songs spanning from futuristic, villainous r&b to trance filled breakbeat ending with a guitar based ballad - all songs being infected by penelope’s machiavellian lusting vocals.
roger 23 delivers two versions of the title track, the first a forceful chi-town beat adventure with raw outer space chords (including full original vox), the second a reduced effective piercing dub straight from the outer sphere. physical therapy closes with a psychedelic version of “rattlesnake” built around hard-hitting tribal drums.

dana ruh’s brouqade has long been renowned for its many eclectic and unpredictable sounds. in that essence, the label’s latest signing is a fitting fit. kamran sadeghi is an nyc based electronic music producer who is well versed in unconventional soundscapes. as likely to release an electronic music ep as he is turn his hand to film scores or more ambient textures, sadeghi has collaborated with everyone from patti smith to berlin club, berghain. a live artist of considerable depth and panache, his signing to brouqade marks another high point in the label’s story.

applause, applause! your hands are in chains but you still enjoyed the show. drowned records is bringing you a qnete jam that can be described as nothing else but a psycho banger . included is also a second version of the track, milkshaking the original for a more fruity fun affair. finally, leibniz dark remix is slowing things down a little hitting all drumheads with every extremity and other strange things. clap clap!

nobody knows where tugboat edits continues to unearth these producers. they continue to break new names into the scene…it’s a new name but is it a new face? more of sample based tracks & loops, put together perfect for sophisticated dance floors, lounges & ‘real head’ sets. hand-stamped ep.

sumerian fleet is a trio formed by dutch producers alden tyrell and mr pauli, joined by zarkoff after their 2010 debut ep. their second ep came out in 2012 followed by their debut album ‘just pressure’ on dark entries in 2014. sumerian fleet have returned to release their sophomore lp ‘pendulum’ of all new material as well as a remixed version of “this game has no name” from zarkoff’s other band, fffc.

rekids celebrates 10 years of radio slave’s ‘grindhouse’ with remixes from len faki, slam, obscure shape & shdw, vatican shadow, markus suckut, lady starlight and special request. first appearing on a release as part of radio slave’s iconic ‘no sleep’ series, ‘grindhouse’ spawned multiple remixes from the likes of dubfire, danton eeprom, terrance fixmer and nic fanciulli to become one of the biggest techno records since its original release. to commemorate this fact, len faki has produced two different reinterpretations in the first of four heavyweight remix packages.
“i didn’t plan to go back to grindhouse. it’s a monster of a record and undoubtedly the biggest release we’ve had on the label, but after 10 years it seems right to revisit the track and also add some new versions from some of my favourite techno producers.- – radio slave with danton eeprom’s vocal resonating throughout, faki’s first remix features crunchy snares, ominous chords and shuffling effects before piercing synths come into effect in the latter half. meanwhile, the second version rumbles forward with its undulating bassline, soaring atmospherics and echoing elements to round up two solid productions exemplary of the figure founder’s seasoned abilities in the studio.

crackazat is back on local talk! this fall he s about to release his second album on local talk, -rainbow fantasia- and as a little taster we re proud to present this 12-... proton blue and called my name got the crackazat signature house sound, melodic, jazzy and of course very catchy. but it wouldn t be crackazat unless he did his own little spin on those tracks either, right? these two remixes shows why ben is a wizard when it comes to soulful chords on a blaze tip. this is for each and everyone out there that enjoys real music.

giant records 10th release is from new york born adam collins and limited to 150 hand stamped and numbered copies. adam is widely known for his work as one half of production duo omni am, along with marky star and counts derrick carter and evil eddie richards and a whole host of others, amongst their fans. adam’s release for giant is titled - day2day and has all the trademark’s of adam’s wonky, left of field, slightly off kilter grooves - day2day builds and snakes itself into a bottom bass heavy house jam - chicago style keys mould the snare and hats into an infectious work out - with an alien like hook that keeps it all slightly wobbly. the next cut is from the super talented carl finlow under carl’s random factor guise, a beauty in its own right ! super tight drums and a punchy random factor bassline take’s this mix on a journey through many shades of electronica - as the track swells nicely with warm atmospheric pads and sprinkles of emotive keys, with an electro style hook that keep’s it all swinging in carl’s trademark sound. the next mix is from la based producer mieka du franx. mieka’s mix strips the original down to the bare essentials and gives it a tuff minimal feel. the last mix is from echo of glory, which see’s echo take the track on a acid tinged work out - adding dubbed out vocals and super subbed out bass.

for their 12th label anniversary, jazz & milk have decided to launch a new series called “twelve inch jams” in order to celebrate vinyl culture and the legendary 12&#8243,,, format! jams002 sounds the bell for the second round of the series including a 10 years re-issue of the classic sam irl cut “you don’t feel enough”. originally released as a b1 tune on his “african dance ep” debut on pulver records in 2007, this jazzy house gem found its way into the record bags of many influential djs over the years. from session victim, glenn astro, max graef to hodini… the record never disappeared in club sets but certainly from discogs a good while ago. so it was about time to give the tune a second life and finally press it on the format it deserves - a whole 12&#8243,,, side. the german production duo session victim are well-known fans of the track describing it as their secret weapon playing it in quite many dj sets for years, including their 2015 appearance for mixmag’s dj lab. hence, it is a great pleasure that session victim contributed a remix to the new release. their absolutely elegant and groove-driven version with a charming 90’s touch to it makes a brillant counterpart to the original with its jazzy piano-, drum- and double bass samples leading to an epic synth break that regularly causes ecstatic moments on the dancefloor.

4 melodic & dub inlfuenced techno gems. 200 copies limited edition blue ink hand stamped white label 12. this third disc introduces amsterdam local 543ff, the second contribution from taupe who brings another very warm detroit techno groover.label owners jasper wolff & maarten mittendorff show their love for dub techno and the talented duo d&s strike again with a broken, melodic techno trip.

braindance records, giving the morning calm a second chance.
after spending years venturing between ocean and land, i.m.j.u.s has found solitude back in his hometown, seoul. upon returning he has dedicated himself to delivering the paganist delusion e.p. five recordings of melting rythmics derived from hypnotic minimal to pace driving tracks. i.m.j.u.s break codes up and this output shows his unique and unconventional sound interpretation. with inspiration peculiarly drawn from industrial sounds through his experiences, we are left with a convergence of experimental and uniquely imaginative techno.

diverse stamps on off-set discosleeves, limited run due to heavy stamp work, typography and drawings by stefan marx
live slow is the result of 2 young fellows teaming up after a drunken night in berlin to dive into the hazy beats. after solo releases on labels like unknown to the unknown, lobster theremin, shall not fade, mörk (trp) or rhythm nation and hotflush (ron blanco), down by the lake is very happy to present the results of their first sessions. drawing and typography by stefan marx, hand-stamped with love. the record is dedicated to emmy the cat and her tree:

from dive bar to record label, paradise palms’ fifth release is a follow up instalment to its debut compilation lp, ‘bonnie tropical’. featuring music primarily made in edinburgh and glasgow, the collection shines a light on some of the most exciting music being in scotland today. with contributions from 10 acts, this compilation is a charismatic journey into a new generation of modern electronic and experimental dance music.
the vinyl release includes a download code.

ambient shoegaze duo aris kindt launch the new kingdoms imprint with their second album, swann and odette. picking up where their first record (2015Æs floods) leaves off, swann and odette is an evolutionary leap forward for the duo. the sonic palette is deeper, the grooves more sparse and the melodies are given more room to seep deep within a mix so expansive it feels almost tactile. this is heady, opulent stuff. the album is immaculately produced and cunningly arranged to sidestep easy classification while not sacrificing accessibility and authentic feeling. aris kindt is the collaborative project of gabe hedrick and francis harris (scissor and thread). harris has previously released the albums leland (2012) and minutes of sleep (2014), both of which have been lauded ôfor (their) extensive use of live instruments, a contrasting feature to his work done beforeö (last.fm, 2016). building on this approach, hedrick adds his own sonic signature in effects-laden layers of electric guitar and modular synthesizer. collectively, the album swells and reverberates to create a seamless interplay of synths and instrumentation cast loose from their origins and awash in oceanic delay.

having given us a taster of things to come back in september 2016, with the pressing matters single, the cyclist returns to hypercolour with a brand new, full length album. and as the title suggests, sapa inca delirium leans heavily on south american mysticism, not just musically, but in the visual imagery that the eleven-track album paints so well across its various tempos and rhythms. from the tropical burst of mood setting opener, go back to the steamy and pacey percussive flow of inhale/exhale which features regular collaborator tanaya harper on vocals, the cyclist’s fourth long player is crammed full of intriguing atmospheres and soundscapes. antiexist, with its down-tempo rolling snare fills and ethereal gregorian chanting segues effortlessly into a blind girl drinks ayawaska, a suitably discordant and hallucinogenic skit that ensures the album flows into the more rhythmic cuts like skateboarding in the jungle and mirrors (the second album cut to feature harper on vocals). even the traditional jazzier vibes of when we all break down featuring joni are kept rugged and boisterous, with heavyweight bending bass, choppy breakbeats and fx’d ambience amongst the smooth jazzy chords and sweet vocal delivery. sapa inca delirium is one of those albums that will reward on repeat listen, such is the diversity of style on show here, and the detailed and wide eyed curiosity offered up across the long players fifty three minutes.

electronic music label sheik ‘n’ beik announces snbv012 the ‘vaadhoo’ ep from mr. dello. this ep is the second release in series aimed at celebrating the diversity and history of new york and its boroughs. as sheik ‘n’ beik’s hometown and source of constant inspiration. the label focuses the spotlight to pay homage to the five boroughs of new york including manhattan, queens, brooklyn, staten island and the bronx. each boroughs flag is given a modern and colorful twist via the cover art and design of each outer jacket. the first release in the series, manhattan, featured local nyc heroe and co-founder of voodoo down records, n’conduit.

mehmet aslan and miajica represent some of the finest operators in basel, and their fleeting wax label is on hand to represent what s good in the swiss scene and beyond. on this latest release they turn to eva geist, who has previously been spotted on macadam mambo and elestial sound with her beautiful mix of synths and vocals, striking a chord between noirish synth pop and heads down club music. -blumareciano- is a wonderfully seductive, slightly spooky stew of a track which san proper then injects with his usual freaky energy to make for a more uptempo party version. then geists begum stretches over the b-side in a bubbling blend of delayed voices, tribal percussion and general outernational surrealism.

disco fruit s sublabel continues to turn out smooth and slick deep, funky house, and this time around tonbe is on hand with the goods to get the people grooving. broken heart features rachel on vocals and some sweet saxophone, hitting the spot just right for universally appealing house music. street groove is a more forthright, clubby affair where the drums take the lead and the keys lock into a loopy late night roll. feel so good features some more choice vocal turns with urgent melodic hooks, and then something jazzy swoops in at the end with some proper new jersey heat to get your body popping.

the third instalment of our versus series sees the return of two previously featured artists plus some super fresh blood. croydon s king of darkness paragon comes with more seriously dark vibes with “dominions”. acid lab makes his second versus appearance with the beautiful “can’t run”. the don of haunted science amsterdam chapter transient bring some dark techno atmospheres with his epic “scripture” and label owner soul intent finishes the volume three off with a straight up dancefloor roller called “just words”.

andrey zenkov is back with second release of basic7! vinyl only.

takef heads the second release of young toulouse-based collective shawarma records, with a club-smashing tape. strong beats throb through a melt of acid lines and trance-inspired fxs, this one is a deathfloor killing machine.

xixa balance ep (apa002) abstract places audio elusive producer xixa delivers the second abstract places audio release. balance is a three-track ep where the co-founder of the label packs a solid techno sound drowned in complex and evolving atmospheres. as first label’s release (clip - gebre, 2016), this is not a 100% club record, we can hear ambient and idm influences, but a1 and b1 are perfect tracks to keep a techno set full of rhythm and tension, and will get its place on any dj record bag. a1 balance is built around a distorted but controlled techno beat. patiently, a wide palette of drones and other-worldly artefacts are growing next to carefully crafted percussive sounds. 1984 opens the b side of the 12”, with a 4 to the floor overdriven bass drum and a reverse reverb announcing its main synth sequence, accompanied by organic hi-hats and clap sounds. a collection of ethereal drones and noises is also used, giving the track a sense of cohesion and gluing its different parts. life inside a snow ball is xixa s personal take on ambient. some of the drones and artefacts from a1 are now mixed with new quasi- harmonic emotional textures and subtle noises emerging from a deep unknown space and forming a complete new sonic experience. balance ep is a very solid second release by abstract places audio that confirms the label sound and philosophy.

second various artists for hangover. this time on board we have the legend alexkid with a minimal tool for the dancefloor. with him on the a side marcelo cura & origins of time with whisper, killer tune!
<br b side is totally italian: rasna luji with his trip between melody and beat, and the newcomer massimiliano iannitti with sur, the perfect track for all the hangovers.

late september will see ceri release her truth ep via decay records, backed with remixes from julien sandre (blind box, these days, rawax) and och (trelik, bass culture, all inn). london based producer and dj ceri has been steadily on the rise over the past decade. she shaped her distinctive dj style playing nine hour sets in the second room of corsica studios as one of jaded s official residents.

this 12-, out on the limited-run livejam limited imprint, wants to propose three club-oriented cuts exctracted from john swing s debut album assorted moods , on a more dj friendly format. the 4th track on the ep, -bonus track-, is a previously unreleased raw house groover in typical john swing s style. 350 hand numbered copies.

sometimes a year becomes 20, and this is the case with jesper bellfrog rydbergs second coming on borft records since his debut in 1997. as dj jespha galore, he is a super solid dj arranger and inspiration on the swedish electronic scene since mid 90s. and hailing from borft records friendtown helsingborg this record differs a bit from the traditional karlskrona sound and goes into softer territory with classic acidhouse sounds and friendly melodic funky electronic disco, at times almost bordering to italian pouch pouch vibes with shiny cars and prosecco. buy doubles and you got a cool little set bordering between acidhouse and electronic disco. / joakim cosmo

boniface second release on his imprint with two groovy tracks. mastered by vincen (yystudio)

fashion flesh is the solo-output moniker of john talaga, based in bay city, usa, whose music first came to our attention back in 2016 with the release of an excellent 7-inch on detroit s est. 83 records. he should have been in the radiophonic workshop, but he was in the wrong place, wrong decade. instead, withdrawn comes as his first full-length album and makes up for the perfect introduction to talaga s synthesis of original and plasticized melodic collages, birthed from the guts of hand built exotic electronics and various audio devices — built from one s own design and heavily modified beyond audible recognition or return. from torn memories of pleasant dreams to plasticine free jazz sculptures, wavey electro cuts squealing like rubber tyres and pop hallucinations, fashion flesh highlights the beauty of confusion and anxiety throughout the breathing and illusive meanderings of his tape manipulations and hard copy cut-ups.

the mindblowing second album from george clinton’s warped band of brothers.

keysound recordings are proud to announce the second album from uk don sully. while the double vinyl features grime legends jamakabi (roll deep) and jendor (essentials/ogs), it showcases sully’s peerless status across uk bass-driven music, moving though epic soundcscapes, twisted next ragga jams, dark 2step, grime and into chopped up jungle. “with music one of the big motivations for me,” explains sully, “...is its potential to push the crap into the background - to create moments where problems go out the window for a while. that s the drive behind

4 melodic killer techno gems. 200 copies limited edition purple ink hand stamped white label 12inch. 200 copies, no repress. purple ink hand stamped white label 12inch. the second ep on the new Æx imprint includes 4 tracks from mistress alumnus daniel jacques, production duos d&s and farah, and the dutch talented denote.main focus for Æx is to create a place for exploration and experimentation in the genre of analogue classic sounding techno music

the lights, the eps title track is a profound and complex story, never forcing itself upon the listener but gently picking him up in real sophisticated (production) manner. the second original track, -blckout-, is based upon a more repetitive structure. a deep male vocal, intertwining with a mystical synth-line and driving percussions gives this track its compelling energy. the b-side of the release consists of two remixes by myny and echonomist giving it both clubby structure and a beautiful-warm atmosphere.

next up for dixon avenue basement jams they celebrate 5 years of bangin the drums by welcoming i love acid s posthuman to the fold! in preach and temptation we have two deep, dance floor bombs with a darker acid vibe featuring the sensual vocal talents of josh caffe. exit drums on the other hand is straight up 8amwarehouse burner. big!

khotin continues with his second release under the waterpark alias. side a goes fully epic with just under 12-min running time. lush pads, bleepy fx and breaks building up to an explosive high pitched acid sequence. the flipside keeps rolling with aquatic grooves, zappy snares, and a drifting piano line. all generously extracted for a bonus ambient version to round off side b.

we are back, we are licentious, we are rough and ready with studio 89 s second release... ready to spread into a clubhouse near you. a sizzling charge of hot and heady lust. sexy beats for you fancy freaks. we are your ship master, cruise with us into the depths of your dreams.