following another sensational season of sold out shows in ibiza that saw the biggest stars in house & techno >all gone future sounds< sees pete join forces with cadenza favourite reboot to compile a 2 cd mix representing the groundbreaking sounds at the forefront of cutting edge dance music!

black ark singles and dub plates 1972 - 1978!

valentin offers his interpretation of classic indie rock, influenced by british shoegazer and 90Õs american noise rock, mixed with his fondness of the melodic and refrain orientated rock hit. the culminations heard on the single beyond or below. a heavy bass line serves as the foundation of a dreamy yet explosive rock hit, on which cascades of expressive guitar noise and musical know-how reaches a higher purpose. on the contrary, abstraction best defines the concept of before f after c.

anstam ist hier ein ausdrucksstarker und fesselnder hybrid aus experimenteller elektronik und eingaengigem, futuristischem indie-pop gelungen.

layo & bushwacka! gehšren seit mehr als einer dekade zu den besten uk produzententeams und liefern mit ihrem vierten album eine erfrischende tech-house-produktion ab, featuring house-legende cevin fisher und kim ann foxman (von hercules & love affair).rising and falling folgt ihren beiden eps fźr richie hatwins plus 8 label aus 2010/2011, sowie natuerlich zahlreichen releases auf xl und ihrem eigenen olmeto label. ihre partyreihe skake it! bleibt weiterhin legendaer.

essential reggae dubs by the godfather of reggae + band

next comeme album by daniel mloso

circlesquare aka jeremy shaw is back with his long-awaited second album >songs about dancing and drugs<.

mixed by ricardo villalobos !!

>needle and thread< praesentiert mit seinen zwoelf tracks eine imaginaere reise durch die musikalische erlebniswelt ihrer protagonisten..

featuring 23 braqnd new drum & bass smashers from serum & heist, level 2, capone, critical impact, ray keith, afro kid and many more. 2 cd complation with unmixed tracks and disc 2 mixed by jumpin jack frost

fźr die 13. saison auf ibiza und die dazugehšrige warum-up summer mix-cd sind fźr euch dies mal cassy und joris voorn am start!

huge remixes by morgan geist & justus keohncke

where the river turns black, is the first international album by copenhagenresident and musician katrine ottosen aka call me kat. call me kat are adorably intense and mesmerizing songs, an enchanting melancholic, almost translucent drift into this sonic world best described as alternative pop, music that gives spoken word of the ever expanding danish music scene of now. songs that adapt a fine line between organic instrumentation and that very specific sound of her voice, which although completely its own tends to remind at times on other playful ladies in music like bj¿rk, feist oder lykke li.earlier works with reknown producers valgeir sigurdsson (bj¿rk, mum, sigur r—s etc.) or joe magistro (prophet omega) on the current album have certainly had their share on this.

big 3s three-disc set buddy holly & the rock n roll giants devotes two of its discs to buddy s classic recordings and gives the last disc over to the rock n roll giants - a collection of sides from the likes of fats domino, elvis presley, jerry lee lewis, gene vincent, little richard, carl perkins, eddie cochran, bill haley, roy orbison, and the everly brothers that also finds space for bobby charles, johnny burnette, big joe turner, lloyd price, the robins, and tommy scott, among others. not every song selection here is spot-on, either for buddy or for the giants...

please allow us the pleasure of introducing axel willner s loops of your heart. hailing from sweden, the man behind this record alone needs no introduction, as he is already well known in the electronic music scene for his project the field. loops of your heart reflects axel¼s experience in germany, where during his lengthy stays, his mantra-like arpeggiators contributed to the first manifestation of the sound of cologne tape, a group that formed while he was staying there. you can also hear this on the much sought after debut render, which came out on magazine last year. only a foreshadow for what was to about to come, willner has been living in berlin and letting his creativity go crazy. with an arsenal of special synthesizers and guitars he has put together and never ending nights . after touring worldwide with the field for the last 10 years, and never ending nights is like coming home again. you can hear german children speaking outside his studio in berlin (on the track neukšlln ) and it is not only the track titles which tell of things that have come to an end and or are about to happen. the old german musical tradition of letting yourself go (holger czukay, you, anima, cluster, you name it) is in the air, and willner breathes it. his highly personal approach to music and composition leads to nothing less then a matchless album that embodies beginning anew

from the golden beach of bali, goa and the balearics. this is beachclubbing,a heady, organic soundtrack of the very finest house music for a decidedly different clubbing experience. the alfresco party is nothing new. back when acid house was just a glint in the smiley faces eye, there was outdoor clubbing, a new and exciting expression of our primal urge to dance to a drum under the heavens. for centuries and even millennia, of course, tribal cultures around the world had been spinning wildly around fire, idol and one another without roof or shelter. in terms of pure, hedonistic, feel-good partying, there is nothing that quite compares to dancing with friends with the sun on your face and the sand between your toes. from the golden beaches of bali, goa or the balearics, this is beach clubbing, a heady, organic soundtrack of the very finest house music for a dedicatedly different outdoor clubbing experience.

every summer, a migration takes place that puts mecca to shame. a small island, just of the coast of spain, is the destination of a frenzied crowd of party pilgrims from all over the world. the balearic sounds of ibiza have set the tone for the worldwide dance community for decades and its sizzling club-scene knows no equal. this popular party island isn t just the breeding ground for global summer hits, it also sets the trends for the european clubbin season. after a soothing warm up with one of the warmest springs in recorded history, it s time for the big league. big & dirty house sounds ibiza 2011 is the perfect soundtrack for the hottest season of the year. get yourself a hammock, a tropical cocktail and close your eyes and imagine the perfect ibiza beach club. sun, sea, beaches, blue skies and more images of summer will pass you by while listening to this joyful double album, expertly mixed by mell tierra & essential grooves, two of holland s fastest rising stars in house.

sixteen brief and inconsequential images..glimpses of scenes flickering byÉ heres mickey moonlights debut album! full of discrete and subtle details this lp is definitely aimed for home-listening and not for the club (even if close to everything is receiving massive support from our dj friends..) although mm has assembled a large and stellar cast of musicians the album still remains his singular and unique vision.

tiga and zombie nation have joined forces to create the most potent dance record of the year. apocalyptic tension. panic-fueled fundowns. 2012 is approaching. the heat is now - partys over earth! having both rocked remarkably long and prolific careers, the members of zzt possess uncanny staying power in an industry where hype ends faster than it begins. zombie nations production credentials are impeccable, and his reputation as a live performer has made him a permanent fixture on europes main stages.

a brand new compilation featuring the a- and b-sides of all the bands chiswick singles. includes four tracks new to cd. when we recently came to re-press our long-standing the best of the damned, the pressing plant told us that, unfortunately, the films had been lost. rather than simply make a new set of films, we decided to make a completely new cd and so present you with the damned: the chiswick singles - and another thing... overseen by the producer of the bands chiswick releases, roger armstrong, the package comes with brand new high-end transfers from the original master tapes - the damned have never sounded better. an extensive trawl through box after box of saved material from that era means that the booklet features a lavishly illustrated package including rare photographs and tons of memorabilia.

long-awaited sophomore lp defies expectation executive produced by boys noize, guests include big freedia and santigold

cocker kicks off a collectable series of bargain-priced finders keepers compilations made to support the label in light of the recent warehouse fire at pias north london depot. a long time fan of the label and their doings, he was granted full access to rifle their catalogue and hes picked some absolute treats for ya, including, if were not mistaken, some which have never appeared on cd before. to start theres the perspicacious poetics of carol battens beeing, besides the legendary pseudo j-pop of yamasuki (made by none other than thomas -daft punk- bangalters dad!), besides a first cd appearance for jacky chalards super man, super cool from the cache cache 12-. youll also find a nugget from the stone soundtrack, one of the labels finest moments from amrals trinidad cavaliers steel drum orchestra, the glam prog of gongs rational anthem, balearic prog from fusioon, tender folk from jane weaver with wendy flower, and a bonus moment in jean claude vanniers au desepoir des singles. top picks, well recommended!

wretch 32, real name jermaine scott, is one of the uks most loved mcs - from the underground up. from his early years in londons flourishing grime scene back in the early 00s, the tottenham-raised lyricist has always stood out from the crowd. his conscious and reflective bars, along with an extremely relaxed flow, made him a firm favourite on the uk hip hop circuit. much like tinie tempah, wretch 32 has proved that british mcs can reach the mainstream without selling their soul to pop. the first fruits of this crossover success were tasted in january 2011, when his single traktor broke into the domestic top five following an appearance on the bbc sound ofÉ list. and his second official single, unorthodox, fared even better, peaking at number two in april. so its clear that much has changed since his debut lp of 2008, wretchrospective - but has public recognition come at the expense of what marked wretch 32 out as such a talent in the first place? not at all - on the opening title-track, the rapper lets the listener know that its the same old wretch at work. over a drum-heavy hip hop beat he sets up the rest of the album well, advising everyone to fasten their seatbelts as he prepares to take them on a ride that they wont forget in a hurry. never be me finds wretch delving into his past, opening up about making certain decisions in life that got him to where he is today. featuring rnb newcomer angel on the hook, the track has an inspirational feel to it - all over another impressive, but this time more grime-influenced, beat. a true standout is anniversary, with alex mills on singing duties - its a love song, minus any cheese. then the album lurches into the electro-infused sanes the new mad - a glimpse into wretchs party lifestyle, with ladies and alcohol at the forefront of his attentions. and closer dont go just might be one of the tracks of the year.

digitally remastered edition of this 1975 album from gil scott-heron and his musical partner in crime, brian jackson. from south africa to south carolina includes the single -johannesburg- which brought to our attention the resistance to the apartheid regime in south africa. this album consolidated gil scott-heron and bran jackson as major label artists and gave them an r&b chart single and a wider audience.

die erfolgreiche dubstep compilation von ministry of sound >adventures in dubstep & beyond< geht in die 2. runde!34 tracks und remixes auf 2 cds u.a. von joker, zed bias, el-b, afrika hitech, lv, quarta 330, evol intent, kromestar, jazzsteppa u. v.m.!

in the context of electronic music, 12 years is damn near eternity, and though those who have lived it may not remember all the stops along the way, the ones who have kept on top of scott monteiths deadbeat music project will tell you he has been no slouch. through 6 critically acclaimed albums for scape and wagon repair, as well as countless singles, remixes, compilation appearances, and last years radio rothko dj mix, monteith has explored the art of dub in a staggering array of contexts, and staked his claim as one of it s strongest champions. and while the last few years have seen him concentrate on the more dance floor oriented side of things, his latest album and first release on his new blkrtz imprint sees monteith returning to his roots in the headiest and heaviest of dub business.

leicht und luftig, filmisch und doch intim kommt das vierte arctic monkeys-album >suck it and see< daher. aufgenommen hat es die band in den sound city studios in los angeles mit ihrem langjŠhrigen produzenten und mitstreiter james ford. das album verbreitet ein sommerliches pop-feeling und den typischen feelgood-sound kalifornischer wintersonne und vitamin d au§erhalb der saison, was daran liegen mag, dass der grš§te teil der stźcke im januar an der westkźste der usa aufgenommen wurde. passend zu seiner pop-ausrichtung ist >suck it and see< sorgfŠltiger arrangiert als sein vorgŠnger >humbug< und steckt voller songs, die die irrungen und wirrungen von sex und liebe mit elementarer bildersprache, scharfsinnigen texten und gro§artigen pop-kultur-metaphern ausloten. das album steckt voller bezźge zu Šlteren rock n roll-klassikern (you look like youve been for breakfast at the heartbreak hotel), diversen softdrinks (dandelion & burdock, postmix-limonade) und freizeitbeschŠftigungen des 21. jahrhunderts (laserquest

christian prommer und alex barck brechen zu neuen ufern auf. auf dem eigenen label derwin prŠsentiert das berlin-mźnchener produzentenduo ein album, das trotz der vielzahl von einflźssen - rave, jazz, krautrock, garage, detroit, house, hip-hop, disco, folk, dubstep, electronica, funk, punk, wave, chicago house, pop und soul - eine ganz eigene handschrift trŠgt und in die zukunft weist. die macher selbst beschreiben ihre eigene musik nicht ganz ernsthaft als deep kraut music oder earthboogie dance. nachdem alex barck bei jazanova all die jahre nur der studiotźftler im hiintergrund war, gibt er auf >alex & the grizzly< nun sein rundum gelungenes debźt als sŠnger. unter den musikalischen gŠsten sind u.a. dollkraut, kim sanders, james teej und eva milner (hundreds)

incl. tracks from j dilla, dj jazzy jeff, larry gold, dj spinna and will.i.am and from legends such as pete rock and marley marl. in addition there were albums leftfield heavyweights king britt and madlib. last but not least the set included a session of unreleased poetry from american literary giants - allen ginsberg, peter orlovsky and greg corso whose well documented movement lent its name to the series.

3 cd deluxe edition

boys and diamonds is unmistakably a pop album but also one that comfortably fits in with kompakts long-standing lineage of genre-refracting releases. you will be hard up find another record that cohesively brings to mind siouxsie rubbing elbows with shabba ranks, giorgio moroder sipping daiquiris in bali, desmond dekker envisioned through skittering footwork, tom tom club sitting in with congotronics, even early madonna produced by chris and cosey. unlikely as all of that sounds, rainbow arabia makes it sound easy. mostly recorded at their home studio in echo park, muppet palace, boys and diamonds was written and produced by the couple with help from their friends in los angeles and beyond. drummer/producer extraordinaire butchy fuego (pit er pat, boredoms, mia) contributes arrangements and beats in places, and icy demons dylan ryan plays on the percussion-heavy island shuffle nothin gonna be undone . the album was mixed at the wonderful hobby shop studios in la by mudrock, who also adds some final production touches on the record. the 11 new songs on the album, were also made possible by the encouragement of peers/heroes in la like former ghosts, fool s gold, secret circuit, abe vigoda, and part time punks dj crew. outside of their hometown, they also found support and inspiration from kindred spirits like pictureplane, spoek mathambo, as well as their new home, the ever-illustrious kompakt

20 brand new tracks from flying lotus, siriusmo, skream, mr oizo, cassius....+ download card to get the track by track album! incl. free download code!

in february 2010, gil scott-heron released >i m new here<, his first album in thirteen years. produced by xl recordings head richard russell during various studio sessions in new york, the album was enthusiastically received by fans andcritics alike. meanwhile, the last eighteen months have been meteoric for jamie xx. his band the xxs debut album (which jamie produced) received huge acclaim, picking up 2010s prestigious mercury music prize, while jamie garnered respectfor his remixes (in particular florence & the machines >you ve got the love<) and solo productions (forthcoming single >far nearer< on numbers).
so what happens when one of the most exciting young producers around reworks one of the most acclaimed albums from a true legend? the result is gil scott-heron and jamie xxs >we re new here< which sees jamie xx remixing thirteen tracks from the original >i m new here< album sessions.

4th studio album by booka shade with great 11 tunes