g-edits is back! more disco flavours, with a funked-up stomper on power and a straight-up no-frills edit on ichiban. dj support: disclosure, midland, black loops, jacques renault, richy ahmed, peter kruder, fred everything, mark farina, melon, bill brewster, moodymanc, terry farley, sacha robotti, roger sanchez, mj cole, speaking minds, james curd, doctor dru, death of the balcony, severino, terrence pearce, thris tian, boris dlugosch, lara behrenroth, slothboogie, krywald & farrer, tom trago, karizma, soul clap, jkriv, jozif, auntie flo, the pushamann, joyce muniz, till von sein, moon boots, charles webster, walker & royce, danny tenaglia, blonde ambition, mj cole, gideön, roger sanchez, aroop roy, kraak & smaak, rob da bank, eagles & butterflies, kiko navarro, the mekanism, eton messy

acid fourniture is a journey into the darker recesses of ceephax s acidic mind. simple 303 lines pulsate alongside sinister chords and detuned synths. berlin trip is a classic acid 4 to the floor track along the lines of flow coma by 808 state. alligatored is a tight 808/303 groove made for the dancefloor. the zone is a slower more introspective acid, conjuring up lost warehouses and derelict minds. alien beacon takes a more electro acid slant, inspired by sinister lights in the sky and paranoia.

dusk & dawn is private agenda s most conceptual work to date. sat at a grand piano, the pair composed two nocturnes over the course of twelve moonlit hours, chronicling the allure and mystique of the night. building on an emotive pop foundation, developed over releases on international feel and their own nightshift imprint, dusk & dawn is a deeper sonic exploration that pays closer attention to ambience and sound design. dusk is an enchanting take on new wave pop, referencing talk talk and early simple minds. a drum machine beats a half-time groove while a dusty but characterful synthesizer pulls the track towards it s cathartic dream-pop apex. dawn draws on contemporaries like imaginary softwoods and croatian amor, bringing the listener down to earth into lucidity. beautiful arpeggios soar over reverse guitars, wistful lyricism is coupled with detailed ambience. a blissful meditation to ease you into the day. remixes come from faze action, ron basejam and ian blevins who all add their deft to touch to dawn and offer up flavors from different corners of the dance floor to this adriatic / balearic influenced piece of music.

five different moods from five different minds. the first various artist compilation features five gems that will provide pleasure infinitely!
pressing on clear & solid purple mixed vinyl.

the second instalment of kc’s finger printz ep’s has finally been repressed! that’s right, you know how it goes down by now, this is that high-grade, underground, boomin’, house music! every track is a dancefloor shaker, kerri style. if you don’t know what that means it’s simple - swinging, tough drums, killer samples, those basslines and a whole lot of new jersey swagger! this one came out in 1998 and features 4 storming cuts that cover a variety of styles, such is the versatility of kerri’s sound. it’s all here, vocal cuts, dubwise deepness, jazzed out late night jams for the hardcore dancers.... you got it all. absolutely essential business here. one for the hardened kc acolytes and one that will undoubtedly blow the minds of those tuning in for the first time. timeless music.
this is one of a series of official madhouse / kerri chandler reissues for 2017. every title has been remastered by kerri chandler himself, from all original sources and each reissue has been legitimately released in full conjunction with kerri and madhouse records. and, as if that wasn’t enough, all the reissues will be coming in the classic madhouse records house bag. snoozing not advised!

nice price deal !!! now dushis unique synergy of styles has earned her a release on allsorts. a label with a reputation for putting out the most sophisticated liquid dnb, dushi joins the likes of netsky, hybrid minds and fred v & grafix who have all had releases on the forward thinking imprint.
support from brookes brothers, s.p.y, john b, luke ukf, dj ss, nicky blackmarket, rene lavice and many more.

unreleased archival tracks from the on-u vaults! serving the same purpose as the recent return of the crocodile set did for african head charge, this lp illuminates the early development of one of the flagship acts on the label, allowing some truly magnificent versions to be heard for the first time. mostly stripped-back raw takes, they highlight the rock solid rhythm foundation laid down by such incredible players as style scott and charlie eskimo fox, as well as three vital soul-in-the-echo-chamber interjections from the late, great bim sherman. essential early-80s dub damage.

rezz s involvement in the toronto scene helped grow her gritty style. events like bassmentality and older shows at the legendary guverment helped shape not only rezz, but an era of electronic music producers who became inspired from early dj college tours. mass manipulation is a commentary on how easily our minds can become manipulated by the things we consume in society. we consume heavily through the media, which, in turn, tries to curate our thoughts and dictate how we as humans are supposed to live and behave. this album plays off this idea and invites people to become hypnotized, allowing their brains to be manipulated by my music in the hope they might see things through a new perspective (perhaps an outer world viewpoint). one where everyone is free from the unrealistic expectations planet earth has drawn for them. a world of acceptance and hypnosis.

more strictly rhythm gold right here. an all-time, hands down, unstoppable classic record from way back - 1995 to be precise. if you don t know this record it s possible you ve been in a coma, living in a cave with no electricity or have literally just arrived here on planet earth. either way, once you hear higher state of consciousness you certainly won t forget it. produced by philly s legendary josh wink and released by the forward thinking a&r team at strictly. at the time there was very little to nothing that even came close to this release. the tweekin acid funk mix being the highlight and the version that caught everyone s ears and captured minds worldwide across radio-waves with endless rewinds on mtv and in the clubs. foreseeing the impending breaks boom that came around in the mid to late 90 s higher state... was one of those rare moments where a record truly transcends genre boundaries and found it s way into dj s boxes and bags on every scene. a mighty, evergreen slab of wigged out, acidic, breakbeat chaos. essential. this one s a tasty 2017 reissue and remaster, featuring all 3 mixes, unedited, as per the original release way back when. do not sleep.

for the fourth release on 6dimensions, steve bicknell has delved into the catalogue of the lost recordings series on his previous imprint, cosmic. originally released in 1996, why? and for whom? has been named one of the best uk techno records of all time with bicknell being billed as a criminally underrated producer.

two of the best tracks off the brasileira lp get an updated dancefloor treatment by selvagem, carrot green and joakim. those who experienced listening to the original maria rita version of cantico brasileiro nº3 (kamaiura) on the dancefloor know it s such a thrilling experience that could only be better if the song was a bit longer. at the same time, it didnt make much sense to mess with the original. having these thoughts on their minds, the selvagem boys augusto olivani and millos kaiser (the minds behind selva discos) had an insight while discussing the reissue of the brasileira material with singer maria rita stumpf: why not hit the studio and remake the track? also, why not ask someone like joakim, known for his exquisite taste and brilliant production skills, to remix lamento africano/rictus? it would be the perfect package.

arapus eccentric visions on the music some of us shallowly label as techno seem like a match made in an utopic electronic heaven as they crossed paths with the eclectic minds behind understand.
2 straight to the point tracks, bearing the same hypnotic groove entrenched deep into the bassline, twined with electro stems and looped around some schizoid voices.
whatever your perspective is on electronic music, wasted ego won’t fall under any category. a perfect addition to the understand’s series.

leroy burgess - one of the pioneers of boogie, a legendary figure in the nyc disco scene and all-out originator is well known by dance music aficionados across the globe for his output. his logg project from the early 80’s especially has acquired a cult status amongst diggers, released on salsoul in 1981 and boasting mixes from larry levan the lp became an instant club classic that still commands the dancefloor in 2017. salsoul is a label that isn’t afraid to bridge the gap between their hugely groundbreaking catalogue and contemporary dance music. they understand the impact and influence their music has had on dj culture and embrace it wholly. step up uk underground producer marquis hawkes who originally approached salsoul with this set of killer reworkings that had long been private versions that featured in his sets. having dropped ep’s for labels such as dixon avenue basement jams, aus music, houndstooth and many more his name is firmly planted in the minds of record fiends across the nation. adopting a classic us style of production, using analog gear, dope loops and chops and finessing it all with his own grittiness, hawkes seemed a good fit to remix 2 stellar joints from logg s catalogue. something else and i know you will both get cut up, re-edited and laced with rock solid drum programming by hawkes on this sublime 12’’. lovingly tweaked with just the right amount of rawness for the dance this one won t leave your bag anytime soon! pure peak-time sounds here, another example of salsoul embracing the sounds of now and breathing freshness into their untouchable catalogue. essential.

modulhertz strikes back with the traveler ep, 4 tracks crafted by the minds of chich & temudo, with a remix from the one and only - the advent. both artists teams up defining the label’s identity, sharing a common aesthetic vision and taking their sound to another level.

for this introduction release from orange woodmachine, keon sakari drops three techno cuts that make no compromise whatsoever. ranging from the more dubby, driving and hypnotizing fused and alter ego to the spooky disrupt , this ep will make minds and bodies melt on the dancefloors. supported by grrove armada, joyce muniz, monty luke, ashworth, alkalino, acid pauli, john digweed, chris fortier, carlos valdes, kevin mc kay, rui da silva, john osborn, carlo, asa808, iron curtis, paco osuna, marco carola

the following three-tracker release is one of those that are about to take you on a very clear ride. we will start with some tensioning and rising loops and will keep you up while the swiftly vibes are getting to you. with the first composition on a side, alex won’t give you a break - it’s a one breath composition where you don’t have any time for a second thought. when it looks like both chunky bass and kicks are going away - a very sharp-shaped and acidy synth will remain on the watch and will ensure the continuously driving thrill. getting to the second part of this side, what can we say, straight from the beginning a thick bass line makes it’s introduction in order to lead you into some awakeness on a early morning on the dancefloor. stepping into the game, diferit on the remix for b side is bringing you a blend of both tracks you’ve heard before. very rich in vibrations of different spectres and proveniences - from very clear and clean kicks to a bouncy bass line to the very zippy and zappy sounds of his unique style. the pleasure of having these two minds behind the second release of aforisme is ours.

the cryovac machine operates independently to service the world with an original strain of techno. our people are pioneers of their own sound and seasoned veterans of its cause. this cause is the basis for our action and the motivation for our vinyl. cryovac believes the vinyl format is the truest way to take in our music, and this is why we take great care to personally craft our own plates and photograph our own art. the cryovac approach and stance make it a true oddity in a world of commodities, and we hope you realize, feel, and respect our work. andy vaz is a rebel from the city of cologne. he is a creator of techno labels that follow their own path and challenge the standard dogma. his version of the techno sound has gone from stark and funky minimalism to synth cascades and housey feels. andy vaz is the perfect choice to collaborate with andy garcia. garcia s brand crunchy soul tech mixed with vocal nonsense is the yin to vazs yang. these like minds share a name, a spirit, and a drive to keep moving forward no matter the cost.

two fresh jams from the meeting of two minds that is genius of time!

following their appearance on dimensions recordings’ debut release, the three part compilation ‘an introduction’, with the twisted ‘crosstalk’, london modular alliance step up to the plate with their first full ep for the label. the ‘hands & brains ep’ further demonstrates the skills that the london based trio are becoming renowned for. as the minds behind the fantastic london modular store in london specialising in modular equipment, often supplied to a host of well known musicians, it’s unsurprising to hear that the guys are serious gear heads, what is surprising is the quality and consistency of their growing output! across four tracks the london modular alliance team demonstrate their complete mastery of the electro form with four varied cuts. from the breaky, bubbling, modern acid of lead track, ‘hands & brains’ to the drexciyan underwater inspirations of the closing track, ‘forbidden’ and the brooding machine drone of ‘i settled for her leftovers’, it’s clear that the future of the genre belongs to london modular alliance and it’s in very safe hands… london modular alliance are taking their impressive live set up to dimensions festival this year to unleash their mastery at the croatian fortress

big riddim salespack incl. 021 / 020 / 014. 3x12” hard hitting drum n bass packed together in a new sleeve.

brahe opens with the romanian duo known as alsi delivering their signature punch with a 3 track ep. beautiful romanian music only found within the minds of the ubiqutious souls of this country.
support from rhadoo, cristi cons, vlad caia & raresh

“soldier” is iggy pop’s fourth solo studio album, released in 1980. for the album iggy collaborated with ex-sex pistols bassist glen matlock. david bowie and simple minds provide backing vocals on “play it safe”. videos were made for the songs “loco mosquito”, “knocking em down (in the city)” and “dog food”.
first pressing of 1000 numbered copies on clear green/black mixed 180 gram vinyl.

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exclusive title so what is it exactly that has locked me into this? which one is that magnetic hook? how many grooves are in this? simple questions, but those always lurk on our minds when we are alone with these four bombs on this ep. thousands of noises, peeps, beats, strums do also make us delirious. and think the mind behind this music tries to imagine a world before house and techno, while being actually well informed about those nasty styles. these exceptional works come from jimmy winkles slater, a guy running our favourite radio-show on this side of milky way greta cottage workshop with onlyz world is much happier place now.

after the success of monocline’s latest digital imprints, we’re super happy to present to you our first vinyl release with selected tracks from ten album by re:axis, featuring two beautiful remixes of abstract division and twr72. a magical and passionate nifty piece of work which can free our minds to embrace the senses, rising the frequency once again through the energetic vibration of love.

joe armon-jones & maxwell owinare forces to be reckoned with. both integral parts of the burgeoning south london jazz scene, these young musicians contribute to numerous outfits including ata kak, jamie isaac, mc pinty, moses boyd exodusand ezra collective, as well as pushing their own solo projects.this is their first combined effort. idiom is the result of multiple collaborations under the direction of joe and maxwell. featuring nubya garcia, oscar jeromeand jake long, it is heavily influenced by the hardcore continuum and covers everything from 2-step, broken-beat and house to jazz and dub.having been compared to artists like 4hero, floating points, harvey sutherlandand moodymannall in the same breath, joe & maxwell arealready garnering support from radio 6 musics gillespeterson, jazz fm/musica macondas tim garciaand jazz fms chris philips.this is an accomplished body of work by some of the most exciting young talent in london right now.

20 american anthems on 180 gram double vinyl, housed in a gatefold sleeve.

transmitting crucial beats from burlington, the vermont-based producers es-k and loupo have crafted a smooth, introspective long-player for the cold busted label titled symbiosis. holland-born es-k (essential knowledge) is known for his monthly spontaneous grooves series (where a collection of tracks are created in one sitting) and his vital 2016 album passages. fellow vt rhythm- wrangler loupo is also on the rise, with a recent album on the melody soul label named good company. this new collaborative release, symbiosis, is a brilliant meeting-of-the-minds, blending the styles of these two talents over the course of ten tracks. the result is deep and meaningful as well as groovy and headz approved, showcasing the duos penchant for envelope pushing in terms of atmosphere, melody, and rhythm.

los angeles based natan h and malta based artist owen jay return as gauss with their first ep of 2017. entitled resonator it offers more deep music with an electronic soul and is their fifth ep for their cultured label gauss ltd. the title track opens things up with a crunchy and impactful mix of weighty dub drums and spangled techno chords. it s a heavy track that builds in momentum and is sure to mangle minds with its skewed stabs and wiry electronics. shifted is a more fierce techno track with urgency in the kicks and a sense of anger in the coarse little snare explosions. more gurgling synths add weight and this one is a real stomper as a result. cutting ever more loose, odyssey is a mix of idm sound design, soulful synth smears and percolating electro tinged drums that are slick and futuristic. least squares completes this techno picture with spitting hits and claps, underwater chords and acidic sonar pulses that soothe the mind. this is an expansive ep that marks an exciting evolution in gauss s sound.

hot on the heels of mays ambivert tools volume one lone aka matt cutler delivers the second instalment of breezy atmospheric house, stacked with floor ready trax, inspired by his red hot magic wire imprint. first up is the tropical percussion and telescoping arpeggios of a minds eye melody, displaying cutlers talent for a nagging melody it comes on like tangerine dream remixed by 808 state pulsating drums, hymnal chords and gooey sub bass. looking glass calls to mind a mood ii swing dub - truncated stabs and jacking rhythms overlaid with shimmering resampled piano chords that give way to a slashing fm riff that contrasts sweetly. in the b2 slot cutler unfurls a hushed, 6 minute balearic reprise of the a minds eye melody, heartstopping emulator ii chords and harp glissandi wash over a wistful flute figure pedal to sweetly memorable effect. ambivert tools finds cutler a true master, at the top of his game - taking all he’s learned over his many years of beat exploration and condensing it down into rugged house stacked full of nagging melody / harmony that feels fresh and vital to 21st dance floors.

30 no 1 hits , + bonus track * a little less conversation*

schwefelgelb return to fleisch with den umgekehrten atem. this 4 track document offers sid and eddy s latest gems in the pursuit of the perfect beat. propulsive and heady, den umgekehrten atem renders the glass and dust of early digital and wavetable synthesis with narcotic definition. fragments of rgb split conga and drone swarm around this body hybrid of techno and ebm, created with the sole purpose of stirring neural cocktails in the minds of listeners from detroit to berlin. currently one of the best live electronic acts on the planet, extensive touring across the globe in support of an unfaltering stream of releases has made 2017 an incredible time for schwefelgelb so far. with a record of such energy and clarity of vision as this, it doesn t seem like stopping any time soon. / incl mp3 code

swedish wonder-producer dj different debuts on mood of the era with an emotional yet gritty four tracker. the undisputed ep features 4, raw and heavy jams, soaked in emotion. the mesmerisingly different moods are captured and enclosed on a luscious translucent 12” magenta vinyl. full sleeve artwork by helsinki-based illustrator and artist milena huhta.

perfect toy proudly welcomes new signing to its family: korpifunk! originating from southern finland, korpifunk is made of a bunch of musician friends who have fun making music. whenever they spend time together to work on new tunes their approach is simple: to create organic music with a contemporary feel, using live instruments mixed with programmed sounds. on their debut ep you are going to discover the outcome of a fruitful collaboration of a handful of creative minds. toni lamberg acts as the producer but he also plays guitar, bass and synthesizer. on vocals and harmonica we have toni koskipuro, on trumpet jarko manninen and on keyboards viljami viippola. tommi veneskari on saxophone completes the line up. none of them is a beginner in the music field as each and everyone has worked in different bands and production teams since the mid 1990s.

2017 rsd edition on pink vinyl, limited to 5000 copies.

when two creative minds join and bring an all-out modern disco track, this is the result. natasha kitty katt & twisted soul collective have aligned forces to bring you an array of ideas, thoughts, sounds and feelings. if you like your tracks, upbeat and funky, then this is a golden ticket. definitely for the disco dancers, you can visualise grooving to this number under a mirror ball. on the b side cosmic bitch with beautiful background orchestration and a contemporary groove can integrate perfectly into either a disco or house set. from big clubs, to sunshine surroundings, this track has already received stellar feedback.

>lost in love< is the first single to be taken from l-vis 1990s forthcoming debut album, neon dreams. continuing a collaborative partnership which began on last years >forever you< single, breakthrough bristol-based vocalist javeon mccarthy once again takes centre stage here. through its melodious analogue synths, infectious vocal hooks and sub-4 minute running length, >lost in love< in many ways serves as the ideal entrée to neon dreams. this is the sound of l-vis 1990 revisiting the routes of his dance music love affair. picking up his own theme from the original—the classic french bassline—l-vis 1990s neon dreams club mix pushes the low-end triumphantly to the fore. club is certainly the operative word here, feel the remixs bangalter-esque bassline drop and your minds eye fixes instinctively upon an undulating dancefloor. the night slugs allstars — l-vis 1990, bok bok, jam city — also take the floor on their version, albeit via the neon-tinged scenic route. much like the label itself, their remix is replete with colour, difficult to define and relentlessly innovative.

fresh drum and bass anthems

jad & the sends off the ladyboy (fka jad & the ladyboy) and has a going away party to celebrate. the party starts off with some sad cries (it’s always sad saying goodbye), then the yeah band starts playing to take peoples minds off their sadness, after their afrocentric set the guy who always has the discogs window open and 7 inch adapters in his pockets jumps up and plays a disco dancefloor tool designed to tease but please. now that everyone s warmed up and ready for it, the next dj drops some underground real shit which even gets a nod from the high brow dj squad in the corner. the twelve people there lose their shit. great night had by all.

bomb after bomb! a new my rules records original coming straight from label boss justin van der volgen. fresh off the back of his latest ep which featured peak-time versions of shit robot s lose control and felix dickinson s burning flame , this one sees him on a whole other but no less floor-filling trip. coming in regular and dub mixes, no vacancy sounds like a lost brooklyn dub-soca-reggae-house classic. the a side charges with warped machine percussion, chanting vocals, a militant rhythm section and a seriously heavy bass line. flip to the b side and check justin s impressive dub skills. stripping the track back, he maintains complete propulsive energy, all the while adding plenty of psychedelic twists sure to melt minds. expect to hear your favourite leftfield, deep-digging, big room selector dj ripping the dance all year with this.

primitive trust is the coming together of two experienced musical minds. in one corner is will saul of the influential aus music empire, and in the other is tom mangan, aka tee mango, the producer who started millionhands record and clothing label. the pair met many moons ago and reconnected recently at a festival in morocco. they bonded over music, lunch and shared family travails - and as they both now live in somerset decided a little local studio collaboration seemed all but essential. between them, these consumate country gentlemen have seen plenty a musical styles come and go, so decided their best route forward would be to make music to please themselves. to that end, they holed themselves up in tee mangos woodshed studio with the following ground rules: they would make music only with the gear they had (mpc 2000, ableton, roland 101, juno, fender rhodes, various fx pedals) they would trust their instincts and go with first feelings they would embrace the joy of randomness if in doubt they would ask what would carl do? with that, you have the simple but effective mo of primitive trust. these sessions have resulted in a series of three eps to be released over the course of four months. each ep will feature 2 or 3 original tracks and one fresh remix, with unique artwork and an illustration by all-around visual auteur geoff mcfetridge. using the building blocks of house, and classic techno primitive trust can do zoned out and romantic, as much as driving and heady, but with an ease that comes from experience, years in the making. while tipping their proverbial hats to the past they also look to the future with their sound, mixing samples, wigged out synthwork and propulsive rhythms to create something honest and heartfelt that will stand the test of time

sex. sorrow. synthesizers. digital romance are a french duo cast in the mould of vintage electro pop. their sound echoes those halcyon days but is firmly set with an eye on the future. vocals, from marie de berlin, are deep, inviting and rich. tracks tell of lost loves, forlorn figures hoping to find solace in the cold and calculated world we inhabit. sparkling synthwork, care of forgotten illusions, perfectly matches those breathy lyrics, catchy hooks ensnaring hearts and minds as they spiral through the dancefloor of their lives.

dystopian dreams are often used by our minds to try out new, scary scenarios. they are the perfect playgrounds because they combine elements of our real world with speculative elements that do not exist in real life. viers gets to work on his own visions of dystopia, with this menacing 12” tripped with hidden spooks and monster pummel lines.

london star alexis raphael returns to hot creations with the dance floor killer it’s kinda jazzy, with fine french exports dan ghenacia and chris carrier teaming up to deliver the remix with electrifying results. title track it’s kinda jazzy is an ultimate peak time weapon. alexis explains how its a real melting pot of different musical influences that have inspired me over the years. there s everything from hip-hop to 90 s uk house and garage, jungle/drum and bass, upfront house and techno and, of course, jazz. on the flip dan ghenacia and chris carrier deliver a solid remix that keeps the pace, changing gear through trippy turns. last up, second original track strip off lays down the swing with sultry vocal slices. an influential player on the london scene, alexis raphael earned his stripes across the pirate radio stations of north and east london during the late 90s and early 00s and went on to hold residencies at legendary london clubs the cross and bagley’s. his first release spaceship was picked up by hot creations sub-label hot waves in 2011. since then, he’s had numerous releases and remixes on labels including jackathon jams, of unsound mind, avotre and get physical and not forgetting his anthem, i know. dan ghenacia is the undisputed kingpin of the paris underground scene, having founded and ran freak n’chic for seven years and now one of the three creative minds behind new label and b2b2b dj outfit apollonia. chris carrier is another heavy-weight from the french underground scene. together they have delivered some recent killer ep’s on appolonia, music for freaks and adult only.

much has happened since stereofysh released their debut album - the race , which has been received very positively by music critics. groove magazin described the album - fresh as a daisy , and - simply congenial , faze magazine as - made with love and - excellent result , freshguide found that the album - held the spirits high and set the bar even higher . features in intro and missy followed. dasfilter wrote: - stereofysh lets the elements melt into dreamy poppy house, that unfolds is magic as much on the dance floor than it does when hanging out at the next river bank. two years later, the latest output of the family band is available in the stores. their second album is a very personal one. the sound of the album is not only inspired by their life in berlin, but also their tour through the united states and hawaii, where they introduced the album to an international audience. important to know that the name of their new album, ohana, is an essential part of the hawaiian culture representing the importance of family and friendship connections, the company and coherence over generations. stereofysh themselves describe that the album has lead them to their musical and familial roots in a very special way. being on tour together, the shared experiences onstage and backstage have brought them closer together. this also shows in the music and lyrics of the ohana album: towards more closure, even intimacy. so the songs have gotten both, more exuberant and more melancholic. little daily life stories have their spot, so do the bigger puzzles that keep the band s minds busy. the optimistic and hopeful message, that the band radiates in spite of it, is, again, truly refreshing.

neon finger strikes back! release number four starring midnight runners is here! a full time ultra delicate piece of disco-funk and boogie where the indonesian band, headlined by munir, will take our minds away. a mandatory release for all weird funk lovers.

** !! ltd backstock !! / one copy per customer.... **
while following a normal catalog order, the live series is a parallel line of releases that will bring to fruition more acoustic-electronic crossbreeds as well as other sonic experiments, each release will also benefit from an one-of -a-kind type of artwork.
blending light is the first in the series and is s also amorf s debut album, a collaborative project connecting three musical minds and exploring the converging areas between acoustics and electronics, neoclassicism & techno.

back at the counter... same faces, new stories. comberti opens up with a tale from a journey to some far away psyche truths. zk bucket butts in with a more rugged sound... tinny synths, shooting tambourines that cause you to hide under the ground. the faster b-side comes with mattlack and a closed arrangement for high fidelity freaks... layers on layers. sode closes with a track for the simple minds – like me and you... ready to spin?