the ep kicks off with the title track >we rock non-stop<. tight kick drums layered with pitched 808 subs set the basis of the track. chopped up machine and voice samples are then layered with smooth pads and delays to complete the track. the second track of the ep >solvent abuse< sees sync 24 sticking to his dark roots. distorted vocals, haunting pads, trippy sequences and dirty bass combined with rolling beats and subs!
the reverse side of the 12 inch is slightly deeper, techy affair. >chosen module< is a spacious wash of delays and pads mixed with robotic bass and crisp round beats. the final track >marios mushroom< carries on the spaced out trippy theme of the side with more spooky pads, bubbly bass lines and hypnotic rhythms.

another bosconi anthem for the winter... sex baby please!
we are so happy to finally release this song by chronic flakes aka alex picone & kay sand already on mixworks and cadenza.. this track really represents our philosophy of dance music: extremely forward thinking boogie tech house with strong and powerful 909 drum machine sounds, sensual, jokey and funny vocals, an essential dry feeling filled up of chicagoish memories, so complete and rich of elements that makes it more than a common track, it is really for the girls, no music for techno machos, for us, just innovative and properly coooool stuff... and, being not selfish, we dropped also two other gems by our chronic mates... >easy cure< is a stunning, ethereal and bouncey oldschool/newyorkish deephouse track with a solid groove in the vein of kenny dope and early strictly rhythm, while >output< is a trippy technoid bomb for the likes of hardwax fans and dimbimans >vibration of v< addicts... what more were you looking for? have a listen baby ...

the second in a series on theory featuring solid dancefloor friendly cuts that have been a staple of ben sims sets for a while on cdr, that are now getting a full vinyl (a little later on) and digital release.
tried and tested around the globe, these 4 uptempo tracks from established and up n coming artists have been doing damage at many a club and festival over the summer, with a pauls >satori< and the crackerjack remix of bens recent smoke machine release especially, getting some seriously frenzied reactions from lovers of the tough techno groove.
straight up no nonsense toys for your box. enjoy!

highly praised by dubfire, alan fitzpatrick, stephan bodzin, daniel steinberg, oliver huntemann, oxia, luetzenkirchen, pan pot, and many, many more.. andreas henneberg, the man of the hundred projects is back on voltage musique records and comes with a mind blowing single release. the well known bass line machine ramon tapia and the austrian globetrotter florian meindl are chipping in two monster remixes. lets get into 2010!

top notch remix package for erik xvis unionens sista dagar, a super slow mo machine funk of electro tinged techno inspired equally by drexciya, basic channel and legowelt.

liquid blasted, russias most famous hardcore producer, delivers a bad ass industrial tekno ep sure to twist your head and crash your speakers. these 4 tracks deliver great production and fierce beats to mix into hardcore & tekno so dont miss out on this underground gem.

first pressing extremely limited to 300 copies worldwide!
jeff mills communicates through only a classic roland tr-808 drum machine, exclusively made for the purpose maker/axis. each track dedicated for the masters of the art form of drumming like: neil peart, billy cobham, buddy rich and others, mills explores how drum patterns and rhythms remain communicative on a higher level that has endured through evolution of humanity.

played by: dj vibe, 2000 and one, bushwacka, slam, michel de hey, axwell, funk d void ...
mauro picotto returns to spread more of his own brand of italian-alchemy amour! after the fantastic success of >diamond<, picotto returns with his end of summer anthem >love message<. with the success of his meganite ibiza parties still fresh, mauro drops his latest dancefloor gem. the don of melodic techno takes a softer, yet no less powerful route on >love message<. housey beats, and euphoric synth line make the original a sure fire, hands in the air number.
on remix duty and in keeping with his trend of mighty mix packages, the label head has drafted two of the hottest talents of today. first up is belgium producer and great stuff artist ramon tapia, who turns in not one, but two takes on the original. his >first message< is a low-slung tech groove machine, that chops the originals synths and stabs them throughout. his >second message<ups the pace with its rolling bassline and white noise breaks, again the cut-up synth stabs feature.

cityfox moves on and winds up its first label year with a pretty crazy ep by zurichs hottest new talent andri. dive into his funky, weird, psychedelic worldwhile listening to the seven tracks. they all feature andris unique groove, sound and vocal signature. and still, each one of them has its own character: be it the straight forwardness in the change, the cool groove of feel in love with uuu, the catchy funky vox in housers revenge or the hit machine tschege.

a new mostiko vinyl hits the shelves!! armin van buurens new single finally available on vinyl! kurd & rud deliver their best record to date a remake of the most answering machine lyrics to date... dj rebels & ftws follow up is a hit and already high into the top 15 of the belgian single sales chart and than theres perfect moment which is in fact always a perfect moment when dropped on your floors! massive support on this one from all the big players

the 2nd ep from colognes trio lemon popsicle on yellowtail .for sure we have something special here, two very forward moving tracks from this up & coming act. brilliantly completed by berlin based artist jaxson.

supported by renato cohen, danny tenaglia, sian, patrick pulsinger, axel bartsch, bukaddor & fishbeck, orde meikle, kiko... let us introduce the new trapez artist deepchild with his brand new 2 track ep on vinyl. deepchild writes bass-heavy machine-music for broken people, disjointed booty-bass for backroomdreamers, fuelled with sweat, jackin funk and tears. >backroom< is such a track, a warm, raw, urgent and sensual. techno at its finest, highlighting deepchilds voice stronger and more delicately than in the other track. his misch-masch of deep detroit futurism, southern-crunk and forgotten space-disco cut with a rusting razor-blade of german tech-minimalism and filtered through a personal collection of odd analogue equipment is a secretformula that has >backroom< come to life! the b-side >death panel my ass< is a masterpiece of a recording with a hell of a tricky production, cool vocal snippets, cool effects over dubs... well a busy track but at the same time at ease and deep.
deepchild is based in australia and has recorded for resopal in the past. he is playing worldwide and on trapez parties in 2010 !

after the well received all creation 12s delsin records drops yotokos >wet ink<. yotoko are shifty & domu (jcr, 2000black, archive). yotoko stands for a perfect fusion between broken beat, techno and soul.
their album is not about breaking barriers, but it is their own little twisted version of what they call techno. for yotoko techno can be heard in everything, so as such it is all techno. domu and shifty are influenced by lots of different stuff, soul, jazz, disco, hip hop, techno, some old break beat, new broken stuff.. as well 20 pence mad charity shop finds.. the album is about yotoko making music they think is cool and realizing that all this music is the same no matter what the bpm or groove.
domu started as sonar circle for 4 heros reinforced label. later on active as domu for labels as archive and 2000 black and together with archive label boss volcov for the jcr-label with their album as rima. shifty is domus longtime comrade, making his first musical public appearance as yotoko. the albums artwork will be done by amsterdams machine, who already took care of the kindred spirits releases.

slowly but surely, a constellation of young artists have expanded around ali, basti, philipp santé. in the night, they share the same decks thanks to the newly created souvenir booking entity. during the day, they swap beats and samples in the studio of tiefschwarz located in prenzlauer berg, building up a new creative energy, which is giving birth to the 23rd release of souvenir on vinyl.adam port, re.you and rampa, already had their own shines this year on souvenir. now, its the turn of &me (front room, keinmusik) and fischer & kleber to release a new must-have record permeated with the best groove coming from the german capital city. on the a-side, &me brilliantly hurts with bleed. he punches on the left with an unstoppable drum, weaves on the right with an hypnotic loop, that stirs mental alertness up, barks his anger with a digital whouah going fast and forward and compelling any dancer to incredible footwork. knocked out! robert fischer & niklas kleber had in common an electronic liveact discokonzentrat (high nrising records) and a band spurv laerke before bringing in their new project, fischer & kleber. they set with berki on the flipside the singular but no less enjoyable soundscape of a cathedral under construction. lightening up with deeply felt and almost religious whispers, the shrilling noises of computer-generated machine-tool, the mechanical and cold precision of a pitched down digital rock-drill, the duo turns >berki< into a canticle of the new millennium

this 12 inch sampler includes three exclusive tracks taken from the cd compilation >if this is house i want my money back< (permvac 046-2). first we have hunee, one of berlins finest, a top man and dj, and now also producer. his first 12 inch release, just out on feel music, is a burner, and >standin high< is no exception. walter jones track >i am loved< starts the uptempo part of the compilation with a monster modulated bass line and some blissful dreamy vocals. also worth checking is his fantastic recent release on dfa records. side b features a fantastic groove machine from one of the biggest acts in the disco/house sector in uk at the moment - 6th borough project, the project from craig smith and remix man of the moment the revenge

baddies are an indie rock band from southend, essex, who released their debut single battleships in october 2008. identical twins michael and jim webster are joined in baddies by danny rowton and simon bellamy. it has been said that they make hi octane alt pop that recalls the likes of klaxons and queens of the stone age. big, ballsy bass heavy hooks delivered at breakneck speed (bbc)!!

the machine has been kick-started! industrial movement returns from the dark with a fierce 4-tracker under strict guidance by deathmachine. get your fix with both mid and up-tempo uk hardcore beats! solid productions showcasing the enhanced mechanics of one of britains next-level producers. theres nothing unlucky about the thirteenth release at im when this audio hits your decks!

limited edition 2 x 12 inch double album vinyl!
nu electro vol. 2 features 12 specially mixed full length versions of the freshest, biggest and latest electro tracks, of which many are exclusive to the album and not available to buy anywhere else at this time. the double-vinyl also feature 2 incredible and exclusive bonus mastermixes.
nu electro vol.1 vinyl sold out in a matter of weeks - so get your copy quick!

sound sources include field recordings of airport announcements, hammering on metal plates at the former kabelwerk oberspree, berlin, several sounds captured inside the large radio antenna dome at teufelsberg, berlin, dripping water at the botanical garden florence, air condition systems and turbines in las vegas, frankfurt and tokyo, walking on rocks in joshua tree national park, wind from the grand canyon, a friends answering machine, a printer, conversations via mobile phones, typing on an old macintosh keyboard and recordings from tunnel works in switzerland.

following hot on the heels of ben s smoke machine ep, is this firing 4 tracker featuring the latest output from the sims studio.

absolutely superb debut release from paul bennett on the new modernista label. he shares his love for raw machine music as exemplified by mid to late eighties labels like trax, dj international, dance mania & hotmix5 across these four tracks of expertly constructed retro deep house, acid and emotive electronic disco timeless music, which totally redefined the clubbing soundtrack, revisited and rendered in glorious modern production technicolour homage, yes... but with enough noughties nouse to win over a whole new generation.

ryo murakami whos recent releases include dessous and moriss audio and is known for leading the younger generation artists announces his newest release on his very own label panrecords. the promo is already being heavily played on the jus-ed radio show. the tunes of the analog drum machine coming from the bottom of the deep seas along with our friend amrs quiet yet crazy voice sampling echoes on a1s lost it and a deep arrangement is added to the coupling track dive a elevate. the fat analog synthesizer by dublins lerosal that resembles chicago and detroit sounds are remixed with the rhythm machines low range sounds. the sense of flow from beginning to end is at 90.5. the complete 4 songs are sent from tokyo out to the world scene

drums have been discovered in almost every part of the world. drums first appeared, however, in excavation from the neolithic era. the oldest recorded drum is from 6000 bc. mesopotamian ruins contain small cylindrical drums that are as old as 3000 bc. egyptian tombs have yielded small drums used for ceremonies. several caves in peru contain wall markings depicting drums in various aspects of societal life. it is strongly suspected that indian drums from the middle east are as old as 5000 bc. the american indians used a series of wood and gourd drums for their celebrations and some of these drums are still used in ceremonies today. drums were not always used for music. in africa, where music is simply an interpretation of everyday life in sound, drums were used as speech. simply a pattern of beats played in a certain way could communicate vast amounts of information. jeff mills creates the drummer (pm-022). 6 track 12 vinyl ep. mills communicates through only a classic roland tr-808 drum machine, exclusively made for the purpose maker/axis. each track dedicated for the masters of the art form of drumming like: neil peart, billy cobham, buddy rich and others, mills explores how drum patterns and rhythms remain communicative on a higher level that has endured through evolution of humanity.

after three smashing va samplers, dutch based aftertaste recordings launches its first full ep in a series of limited gold vinyl releases. steven fallows aka >casual violence<, also appearing on latest aftertaste 12inch (ctrl del alt ep) has the honor to kick off. with >why so few ep< a dark and sinister story is told, consisting of five individual chapters. for those who thought proper pounding and industrial techno wasnt made anymore, do not fear, britain delivers something massive again..

mike minds only previous release, >acid machine<, has been tigas most played record since it was made. a full-time turbo employee, he has spent the past few years getting his brain around making techno, and continues to impress us with his output. his debut ep, >resonate<, is something of a departure for our label, and one we are very proud of.
its amazing to have this kind of music coming directly out of turbo hq, it nails a sound that we have always tried to cultivate. minimal without being boring, trippy without being predictable, unafraid of melody, and with just enough analog imperfection and warmth to it.
both of the remixers we chose represent different sounds in techno that have influenced mikes sound.
1: sophisticated italian groove*
giorgio gigli is an italian minimal-trance maestro, an incredibly modern renaissance man who is also a trained sommelier.** he is rising in the ranks and catching up in profile to his occasional production partner, donato dozzy. hopefully we will have more of his tracks on turbo soon.
2: m¦n¦m¦l
hobo is a fellow canadian best known for his excellent work on m¦nus. rumor has it, he borrowed richies quad-macro template file to finish the final version of this remix... whatever he did, his second effort came up huge, this mix is excellent.
enjoy!
thomas von party
* i have to include the word groove in every turbo onesheet i write, its either that or washing my hands constantly.
** true! go to turborecordings.com/sommelier to see giorgios chart pairing ten tracks
also: check out part 1 with a stunning kebacid (jesper dahlback & jori hulkkonen) remix

mike minds only previous release, >acid machine<, has been tigas most played record since it was made. a full-time turbo employee, he has spent the past few years getting his brain around making techno, and continues to impress us with his output. his debut ep, >resonate<, is something of a departure for our label, and one we are very proud of.
its amazing to have this kind of music coming directly out of turbo hq, it nails a sound that we have always tried to cultivate. minimal without being boring, trippy without being predictable, unafraid of melody, and with just enough analog imperfection and warmth to it.
kebacid is the production alias for turbo all-stars jesper dahlbäck and jori hulkkonen. their previous releases on jespers defunct blank ltd are some of the best acid tracks of the decade. this is a monster that ought to keep all the die-hard turbo fans happy.
enjoy!
thomas von party

also: check out part 2 with remixes by giorgio gigli & hobo (minus)

check the a side for a wicked carl craig alike track. three more house tracks from this underground glaswegian label. we usually only get a couple of these and they always sell out fast. tracks have already been played by claude young and gary martin.

wonderful 1970s p.c.p inspired 20 track. compilation featuring a highly charged mix of psych funk, prog, afro, glam, cosmic, rock and disco. some very rare pieces on here such as the cosmic reggae inspired 360 degrees, the groovy psych prog of the creative craniums and the raw prototype psych funk of kid rock (not that one). others will be better known to lovers of a more progressive dancefloor such as soundforce and diabolic man which has long been a big spin for dj harvey and lovefingers alike.

our jazzy multi instrumentalist, dewalta a.k.a. david koch, returns to vakant with another popping fresh release, as earnestly house as house can get. since his first vakant release in 2008 (va021 salgaro/farina) davids music has taken him around the world in black largely covering our earths northern and southern hemispheres. side a is graced by move yo sitting as close to late 1990s baby ford as one can get without a time machine and personal guide to londons underground. david somehow owns this genre while still making it distinctly his. b1 night shade keeps the housey goose bumps going with a drier and more direct approach. cheeky bleeps and chunky bass balance dark spacey vocals to land the track somewhere between night and day. >angels trumpet< at the b2 position closes this stellar ep out with a track that again borrows from the genre, but continues way beyond its standards with melodic elements that push and pull you in multiple directions resulting in no less than dance floor catharsis.

a 12inch ep called here we come is filled with funky, groove and latin techno ryhmes from well known and respected artists in today s techno scene. a side contains american express techno machine bryant baker cooperating with croatian dj and producer miche. their track just deserves to be on the pole position spot a1. funky, groove and unique are just 3 words describing their work as a team. a2 spot represented by upcoming spanish star rantan.
da ghetto party is one track among the others which is really special and exclusively done for >beat forming< this lp. nice and smooth, groove and driving techno.
b side has been reserved for a latino dancefloor kicker done by josh love. the track is called sexiest rasta. jamaican rasta voice, nice groove beat and overrated control over everything. josh did a good work by making this happen. great track to jump on!
the last but not the least is a track done by kai aka vortechtral on b2. nice, smooth, groove and melodic techno track to dance on. great one for filling the 3rd deck with >the badman< voice thru the track.
beatformers are sure that this is an ep to keep an eye on. here we come ep is one of the newest on the market. a new era of techno on the 12inch!

full artwork custom sleeves. n types label is on a roll right now and 003 sees a massive release from budapest based dj/producer matt u who is nothing less than a tune making machine. armed with a seriously heavy deep and techy based sound, matyas szalai has made a name for himself releasing hard and heavy drum & bass for labels as renowned as the legendary moving shadow, timeless and cylon. with over 34 releases to his name since 2004, this is one producer you should be keeping an eye on. his music encapsulates many genres of music, from drum & bass to dubstep, but all with that matt u sound running throughout. recently his dubstep tracks have been getting plenty of attention from djs such as n type, trg, luke envoy, tes la rok and many more. look out for his releases forthcoming on subway, boka and true tiger.

*special white vinyl pressing for the first 500 copies only* part man / part machine hizatron takes berkane sol in a new acidic direction with the outstanding tune that is von glooperstein. atmospheric, refined, techy, funky and deranged are all accurate descriptions of this ever evolving masterclass in gloop. beautiful digi bells, crisp clicks and clacks and a monster lead line all combine to work even the most demanding dancefloor. this tune will mix with uk funky just as well as it does with techno and house. it features on the recent geiom fact magazine mix.

the soul train has come back, and the funk machine of los charlys orchestra is pumping the engine to full power with this new ep entitled nuevo disco.

synth mistress lakaband launches her label mekalaka with the electronic goodness of >i have to dance<. after years spent honing her craft at her base in east london surrounded by analogue gear lakaband is now ready to deliver her own unique take on electronic dance. starting things in fine style, the title track blends raw drum machine rhythms with bubbling 303, off kilter synths and understated vocals to create a paean to the call to dance. on remix duties is elusive dissident recording artist gweilo, turning in a pulsing, synthetic disco dub. rolling bassline and a tough linn drum groove underpin the chopped up fx drenched vocals. with plenty of future releases lined up there is much, much more to come from lakaband. stay tuned

nice price deal !!! they came from the stars/i saw thems rabbit seal monkey has been picked by stuart maconie on radio 2 for the track of the week competition. exciting stuff!!

ricardo jefferson is a producer and dj based in manchester, england. the four tracks on this ep demonstrate a distinctive style. the roots of his sound are in funk, disco, space rock, prog rock, but he has melded them into a sound that is more than just the sum of these elements. this is funky, bass-heavy, trippy techno for the dance floor. a1 a brutal truth. this is a big tune that builds relentlessly. the track has an inclusive, celebrational, feel which simply invites everyone to lose it on the dance floor. 124bpm. a2 persons unknown. this tune doesn t have the relentless build of a brutal truth. instead, this is a tune to drop when everyone on the dancefloor is in the zone and locked into the groove. a finely crafted trip created with multiple delays skittering around the sound field, anchored by the funky bass heavy groove. 123 bpm. b1 the egg part one. a track employing a tight kick drum of differing weights to propel the groove, overlayed with a circular keyboard motif. on the off-beat, add the processed sound of someone hitting a metal sheet, and viola! - one aggressively funky dance floor bomb! 123 bpm. b2 god of the machine. this track has a simple 4x4 kick and handclap pattern pinning down a delicious oscillating bass line, under a classic descending four chord circular chord progression. off kilter ride cymbals give the track its backbone, and fluidity. ricocheting handclap delays add dimension. sly stone would be proud of this groove. now get on the dance floor and strut your stuff! 119 bpm. the cover shows a still image from the music video a brutal truth directed by ricardo jefferson and laura lee.

seth troxlers panic, stop. repeat! ep brings together all facets of the young berlin-via-detroit producers notoriously brilliant/bizarre persona, offering two new tracks (and one house-y remix) of sweaty, ecstatic dance music with a dirty mind and a heart of gold. >panic, stop. repeat!< uses its titular command as a guiding principle, eroding its own immaculate facade through a series of anxious freakouts. the track rolls along like a freight train with aloose screw-designed for precision and speed, but with mechanical parts that constantly jiggle free and whiz off into the stratosphere. as a leathery kick drum and a wickedly simple two-note bassline keep the pace, >panic, stop. repeat!< takes a series of surreal detours involving an ekg machine, a ladys feverish coos, and one particularly old-school sci-fi synth. next up, troxler melds minds with matthew dear on the collaborative >hurt<, a sexy beast of a track featuring bone-dry drum machines, a huge lead tom-tom, and dears terrifyingly deep spoken-word musings. paco osunas remix of >panic, stop. repeat!< rounds out the ep with an exhilarating take on troxlers original, building a subversive house creeper around panics heavy-breathing leading lady.

passion sound (inner beauty) is designed to exemplify the inner passion of an individual, while maintaining the outer crust of a chicago sound. it is well true that tevo howard found it necessary for this artistic track to make it to vinyl. he has said that the tracks elegance is the perfect potion for a bgr vinyl release. while inter tribal is slower paced, and somewhat crosses bands of what one would expect to hear from the machine drums used to create it, inter tribal as a track is also meant to even out the energy of this conceptual vinyl piece as a whole. dreamers reason is simply the title track to tevo howards first full scale album, which will be released in coming months. on this particular vinyl selection, bgr 7, a bonus mix titled, (deep reason mix), is included, whereas it will not be included on the full scale album.

beep beep beep. remix remix remix!
on the a-side, the loco dice dub is a perfect set-builder, one of his best remixes to date. purist loco fans might also be happy to hear that tigas vocal has been 99% extracted from this version, leaving behind only the echo of disco-pop in a solid, dj-friendly groove.
kaines mix keeps things closer to the original, emphasizing the pop punch-lines with staccato beeps and a chunky beat. positive vibes here from a bright young uk producer.
finally, space-disco maestros emperor machine turn in another epic roller complete with a brilliant analog synth jam finale.
great job!

orlando riva sound (commonly abbreviated as o.r.s.) was a german group founded in 1977 by anthony monn and rainer pietsch. they released this seminal and hard to come by disco album body to body in 1978, which gets a timely reissue. the a side contains 2 of the best disco boogie tracks ever made in the shape of body to body boogie and moon boots. these versions differ from those compiled on the original ariola pressing, as they have been mixed and extended by disco legends bobby dj guttadaro and tom moulton respectively. the flipside contains another rolling deep soulful nugget sweet release (again mixed by bobby dj guttadaro), the heavy driving funk bomb disc mussorgsky, plus the sci fi freak out of dream machine. all killer no filler.

redux hit their 9th release with the second offering from the very talented musician/ songwriter known simply as fernando. first appearing on the label with his solid cover of kick in the eye by legendary goth rockers bauhaus. fernando gained instant support from many djs and tastemakers, showing the world that he got the full package when it comes to being a talented recording artist .now hes back again to unleash the first of his original solo material from his forthcoming debut album, guaranteed to be a firm favourite with disco stallions , pump rockers and bearded ladies. scarecrows kicks the e.p off , setting the tone immediately with a rock steady bass groove , crisp synth stabs and catchy vocal snippets (from another famous goth influence) sprinkled on top that will stick in your head for days .bladerunner ups the energy a notch with some lively drums and a beefy bassline sure to shake any waistline (one size fits all). weird trippy textures and surging synth sounds keep it moving and occupy your brain whilst the groove kidnaps your feet and hips on the dancefloor.on remix duty is croatia s leading light and all round nice guy ilija rudiman. taking a slightly different approach for scarecrows, giving the track a deeper, moody feeling but still keeping the essence of the original. subtle pads and acid lines weave in and out as the groove pushes on and draws you closer in, dropping in to the break down and sending you off singing doop doop doop do do. this 12inch clearly showcases some of the freshest talent thats coming through the ranks and will instantly appeal to fans of reverso 68, tensnake and emperor machine to name a few strong examples. if youre feeling this then be sure to keep an eye/ear out for fernandos debut album coming soon on reduxà. this is just a taster

the first daft punk remix in 6 years !!! reworking the latest product of the u.k. hype machine. fusing virtually every indie rock trend of recent years… limited repress !!

stroboscopic artefacts 1st vinyl release is an incendiary 2 track ep. label founder lucy gives us a visionary blueprint for the future stroboscopic artefacts releases, etching out the soundtrack for an apocalyptic club scenario. out of the a-sides dark, pulsing beats and itchy baselines, a granular voice rises up. krishnamurtis rasping vocal cuts through, creating a colossal techno track. the result is a hybrid of the physical need to dance fusing with the cerebral. amid resonant piano samples and utopian 60s strings, a crystalline question emerges: why dont you change? in the middle of a hazy, overcrowded dance floor this peak-time guerrilla track hints at a moment of epiphany. on the b-side dub man walking, lucys dub-roots background collides with his techno identity. the heavy drum machine structure is injected with obsessive dubby baselines and intersected by high frequency distortion. the track floats, the elements never fully solidify, instead they surge forward becoming ever more urgent. lucy mixed and arranged dub man walking live using his faithful mackie ms 1202 to keep the texture warm in an old skool way

lost for 30 years - unreleased masterpieces by disco legend patrick cowley and indoor life singer jorge socarras - remixed by morgan geist (metro area) & kink (rush hour)! first single from the forthcoming album “catholic” by patrick cowley & jorge socarras. “soon” is a dark proto-techno track with hypnotic lyrics and warped synths, while “robot children” builds on a rigid sequencer bassline and futuristic sounddesign. these masterpieces were lost for 30 years and get released for the very first time! the first remix comes from no one less than metro area’s morgan geist - and it’s arguably one of his best mixes to date. responsible for environ’s unclassics series, he certainly was the first call for the job. his rework transforms cowley’s trademark production sound into 2009, respectful for authenticity and forward thinking at the same time. rush hour’s kink has turned heads with his incredible production skills and live appearances. his remix of “soon , derived from the original’s drum machine sounds, catapults the track to the future. bass heavy with a rugged beat, this is one to cross boundaries from techno to dubstep to experimental!

cosmic metal mother strikes again, this time on argentos very own label, panacustica. here comes >twice,< a brilliant new 12inch inch with remixes from professor genius (italians do it better, u.s.a) and baby ford (ifac, u.k.). on the first cut, the mother explores deeper grooves in a more organic fashion, letting an ethereal, trippy, melodic piano line unfold on a solid, spaced-out disco groove. the remixes of this hypnotic monster are just as strong as the original. professor geniuss >ragazza mix< elaborates on the melody, delivering a layered synth stomper right to the floor, while baby fords remix deconstructs the track into pumping, minimal, machine funk, typical of his incredible trademark sound. panacusticas first 12 inch delivers pure soulful psychedelia.

absolute madness from immerse here, as october is released from his minimal techno day centre to wreak havoc amongst the dubsteppers. elephants is a pretty appropriate name for the a, as bongo loops and ominuous machine noises are summarily flattened by the phasing bass crunch and trumpeting midrange. add a dash of running breakbeat to the mix and you have a strange yet effective dancefloor worrier. flipside, medium opts for broken techno stylings, simmering pads and clattering percussion setting the scene for the tense main event. 8/10 recommended review by diccon c/o idjmagazine

popstar jan delay mit neuem groove-monster!
handgespielter disco-sound a la prince, curtis mayfield oder the temptations. jan delay rollt sich wieder durch die funky musikgeschichte. ein grosses album, dass seinen nummer 1 chart vorgänger mercedes dance in sachen aufmerksamkeit noch toppen dürfte.

thanks to the blinding fabric live mix and a series of highly entertaining interviews the demand for new omar-s product is now at an all time high. hes on top form here with three fresh cuts representing his sound to the fullest. opening track flying blind is a must have for fans of the deeper omar s tracks like psychotic photosynthesis. following that up is still serious nic which is probably my favourite track on the record, its got that heavily monged out raw omar-s machine vibe to it. things straighten out a bit on the b-side thanks to the smoothed out vocal house of left him up. then it finishes off with the deep house of flying gorgars. once again omar-s proves hes too steps ahead of the deep house pack. essential