mungolian jetset returns with a new 12 inch. this is a limited edition 12 inch, edition of 500 copies. the 12&#8243,,, will not be available on cd or digital, only on the good old vinyl that we all love so much. the 12 inch contains two tracks, moon jocks n prog rock and moonstruck. the 12 inch is a taster of the upcoming mungolian jetset album that is being completed now and will be released spring 2011.

city limits vol 1.6-1.8 completes a hat trick of releases from silkie on deep medi musik and last before his highly anticipated and long overdue new album city limits vol. 2. this heavyweight four track ep sees silkie deliver a diverse helping of his unique style. >its late< with its catchy vocal hook, driving drums and surging synth owes as much to silkies early garage influences as it does to the sound of detroit techno, >float< and >murky< are all about the weighty dub influenced bass lines and keys alongside the super deep melodies and groove, finally the bumpin >techfunk< with its piercing synth, frenetic drums and g-funk style bass rounds off the ep perfectly keeping you wanting more and hungry for the next installment. radio support: benji b (radio 1), dva scratcha (rinse), gilles peterson (radio 1), mistajam (1xtra & radio 1), sinden (kiss fm), j 5ive (antisocial) (rinse). dj support: mala (dmz), skream, benga, toddla t, joe nice (dub war).

the first solo ep by diego morales is a colourful result of all his influences and experiences and a true reflection of his great dancefloor knowledge. it is dirty and rough, heavily rhythmical, extremely musical, playful and full of the locura (crazyness) technotracks need and we nowadays miss so much. this dark adventure, full of magic, groove and imagination is another comeme production beyond thwe cliches of what is supposed to be latin.

we introduce 3 talented international newcomers as the start of a new series on wolfskuil ltd. the amount of fantastic demos we get in at the office is overwhelming sometimes. so it made sense to us to make a best of series out of all these wonderfull tracks. three can sometimes be to much for an intimate conversation, but definitely not in this case.

the most eagerly anticipated dance album release of the year is finally here!

with its intriguing melodies, strings and piano orchestration, >silk city< has got modern classic written all over it. nathalie is a jazz singer and the tone of her voice reminds of telepopmusiks >love can damage your health<. fred everything once again steps up to the remixes with a straight forward modern house production and a dub that brings back early influences of mauritzio and mood 2 swing. hope you enjoy the release as much as we do.

blackest ever black returns for 2011 with a new ep of crushing, sensuous darkwave pop from tropic of cancer follow up to the two much-loved 10inchs on downwards, >the dull age< and >be brave< tropic of cancer is the la-based duo of camella lobo and juan mendez. mendez is best known as silent servant, venerable techno producer, former cytrax boss and core member of the sandwell district collective. with lobo he makes raw, visceral music in the loose tradition of minimal synth, post-punk, industrial and goth, produced with authority and a supremely evolved grasp of spatial arrangement.

toyfriend music brings you the real gem! bac 1-11 from j-t kyrke (naked lunch, impact mechanics) is an epic dancefloor bomb as you can expect from toyfriend. the remixes are strong as much as the original mix is. while bas mooy (audio assault, planet rhythm) leads the tune in more purist techno direction, mattias fridell (tonal path) rebuilds the track into dirty underground dub stuff. support comes from tom hades, eric sneo, d.a.v.e. the drummer, audio injection, hertz, gayle san, john karagiannis, dj hi-shock, lars klein.

special clear vinyl edition, fantastic dub techno tracks ... so much space .. we like it! as always highest semantica quality, limited quantity.

fantastic dub techno tracks ... so much space .. we like it! as always highest semantica quality, limited quantity.

al kent was once described as scotlands walter gibbons, and on >fantasy< he pays tribute to his hero with an alternative take on a track walter made his own. with beautiful rhodes piano, sweet strings and heavenly jazz guitar, file under >lush<. flip over for some disco madness… >check out the sounds of nyc< may once have been a loft classic, but in this incarnation may have proved too much for that particular musical journey. tough as old boots. wrapping up we have >gimme some loving< – built around a cool piano hook and an instantly recognisable voice and featuring some proper hands in the air string sections. million dollar disco is loved by dimitri from paris, pat les stache, solid state, cosmic boogie, greg wilson, peter adarkwah, the dead rose music company, horse meat disco, nik weston, chris harris and many many more..

two tracks that spit in the face of all those harmless, flat and cheesy >we want to be played by everybody< productions and its of course alex who takes the risk. supersonic flattens down everything with an incredible bassy basis which even almost sucks the bassdrum. classic techno and a sure shot on every technoset. centerangle on the flip is kind of slowed down and much more adventurious compared to supersonic. the breaks and the startup after them are causing riots in alexs sets right now the crispy, powerful production of this tune is nothing else as another example of alex trademark: techno in its basic sense!

the three tracks for this release go through a wide range of our sound. >cyclone< by samuel dan and feygin is a throwback to the way dirtybird records sounded back in 2006, raw and fun with big drums. but >cyclone< sounds amazing compared to the sound quality of some of those old records we all love, a definite update to the old db vibe. b-jus >babbel net< is his follow-up appearance to last years bomb track >my sneakers< that all of us played 1000 times. this is more in the smooth 808 style of dirtybird while still giving you some punch and melody. this record works really well for me and this groove crossover into a house set no problem. last but not least is maelstroms >you play<. this is a real monster, not so much for the house heads but instead for those of you who like to cross genres and explore the bass regions during your sets. definitely not your friendly deep house record this one is a real db banger in the tradition of big dirty bass we love here in san francisco.

kicking off 2011 with a killer e.p. is our favourite artist art bleek featuring a number of remixes from the new art supplies album released on loungin this month plus some fresh cuts exclusive to this release. starting the e.p. is a floor filling remix of clap your hands by our own trevor loveys. the original has been out for a few months in the blogosphere and has been picking up some heavy props. next up is hold it (a little longer) where art shows off his true talent of the master of the musical groove with a rolling bass and a choppup vocal lick to keep the party rocking. flip over to side b and you would be excused if you thought someone had swapped the record out for a disco classic. with vox by noelle scaggs and a harmony that nile rodgers would be proud of arthur creates a boogie classic that is very much flavour of the moment. following on is an exclusive remix of the hunt dance featuring the unmistakable voice of ursula rucker. the original on art supplies has had such amazing reactions that we all thought it would be hard to better it, but again arthur has done it delivering a groover for the heads. finally is right on featuring l.as finest charlie sputnik. art delivers a more techy grove to this classic which is a sound he is becoming more recognised for which contrasts so will with charlies trademark smooth vocals.

the winter saga continues… this being the second release on art of vengeance, aril takes yet another turn in style, or rather back to the sound of the winter ep that was released on kompakt in 2007. the title track is is a journy in melodies built in layers, trying to fit as much melodies in one track without going over the line. maybe it is over the line? tundra is a bit more on the rough side but with arps and chords coming in and out while glacär/for minou strips things down a bit to a more bassier and warmer sound with string/chords, less melodies and more groove

coefficient is an english artist with so much experience now, thanks to releases on labrynth and beyond. in this record he shows 2 original tracks and a remix of his strong friend michaelangelo. he shows his skill in creating the techno cleanly, hypnotic and with no compromise.its a journey straight on his way. you can hear a lot of the influences of detroit (see robert hood and jeff mills), but his style is certainly unique. the remix of michaelangelo completes all the release with an even more dark and hypnotic style - but mostly clean. welcome to another trip high quality signed mrec ltd!

its been a long wait, but its about to feel very worthwhile. little barrie are back, and they have brought the much-missed spirit of real rock n roll with them.
the single features the track >surf hell< alongside the album title track and is available as limited edition 7 inch pressed on heavyweight vinyl.

nice cat brings to your probably lavish sound system two beautifully strange dance cuts: side a is called >throw water into the lake< , a deep and earthy track sculpted by ricardo villalobos , los updates and anthony collins. on the flip side you can listen to the collaboration of villalobos and los updates. the track >i miss you so much< creates a really celebratory mood. this nice record is a collectable item. thats for sure.

here at bearfunk hq we firmly believe in perseverance. we keep asking questions until we get the right answer and with 6ft bear by our side the answer is usually yes. we kept asking ilija rudman to get in the studio and write us a killer lp but being the busy bee that he is it was hard for him to take the time out. we kept asking until he eventually caved in and went underground to record his first lp, >the reveal<. ilija is a devoted and passionate man when it comes to music. one of his prerequisites for recording an lp was that the recordings had to be made with the same techniques and equipment that inspired him to make music in the first place. so ilija hooked up with one of his studio mentors and got his dream line-up of synthesizers, roland jupiter 4 & 8, minimoog, roland sh2, juno 60 and his dream drum machines linn and oberheim dmx. these analogue machines fire up to create a warm and authentic vibe across the whole lp. we are reminded here that machines do have soul if used properly. we start proceedings with the wigged out boogie of >inspectors drive< which might be a little nod in the direction of wally badarous classic chief in< have all the ingredients of dj friendly hits. the lp reveals all the influences that ilija has experienced and it shows the talent that runs inside him as he is able to make such an amazingly retro lp sound like something from the future. we are sure in years to come this lp could become as important as the influences that inspired mr. rudman to make it.

adam shelton & subb-an have single handedly made birmingham cool over the last few years with their infamous below gigs at the rainbow. >feel so real< reflects the duos work at its height. it is a classic sounding house record with familiar vocal hooks, warm chords and throbbing drums. it stands out from the crowd in much the same way fcls >lets go< did last year. is it old or is it new? old school sensibilities brought right up to date with cutting edge production skills. so it was with this thought in mind that we approached new 2020 signings fcl to remix. they have added their own vocals and developed the hook into a synth heavy workout. the pack comes complete with another track >inside my head< which features a line many will remember from nights spent at warehouse raves, one for the spotters.

gobble gobble is a majestic and pulsating force drawing as much from the visceral and poetic indie rock of pixies as the electronic production of dan deacon or crystal castles, while remaining entirely unclassifiable. these canadians have created a grass-roots movement with their mobile rave infinitour 2010 which lasted from june to november and saw them playing suburban gardens, private homes, small indie venues, as well as pop montreal and cmj. hundreds of blog posts by the likes of stereogum and nme, a series of amazing singles, an appearance on debontons 2nd compilation, and a nomination by pitchfork as best new hope of 2011 have secured their position as poster children for the brave new pop scene. with boring horror they give their listeners not just the single by the same name, but also a b-side (eat sun, son) and two other original bonus tracks (seizure to the metronome, as well as two remixes commissioned by debonton to spice up the package. generous, emotional, exciting, and completely avant-garde, gobble gobble is a hurricane of freshness for the audience and the listener. limited edition of 500 units worldwide.

>now about how< is an album that fuses diverse styles, tipping its cap to a world of sounds absorbed over the course of a lifetime. it is the sound of fudges childhood spent learning from his record loving family about the many wonders of 20th century recorded music, filtered through the classic house and techno template which was the soundtrack to his formative years. fudge fingas is a man very much immersed in his music. as well as producing he manages edinburghs best dance music record shop >underground solu shn< whilst also lending his musicianship to tracks by other artists on prime numbers such as linkwood & trus me.

phonicas seventh release comes from paul woolford as he delivers a double dose of quality crossbreed dancefloor music taking his sound to new depths and illustrating hes an artist who never stops evolving. fresh from a tour with, and in advance of a release on planet e, paul woolford continues his rise to becoming one of the most important electronic music artists of the decade with his first release for phonica, a label who have unleashed some unrivalled quality cuts on their catalogue. opening this special double a-side 12 inch is >cant do without<, a bone-shaking record that is laced in originality. building up slowly from a tape-hiss-laden break, a low-slung bassline and a deep yearning vocal, >i cant do without you< is sublime dancefloor material. engaging from the outset with clever broken beats that build playfully into an emotive, psychedelic breakdown to get lost in, woolford demonstrates why he has achieved so much success in his game. on the flip >bareback< treads into dark acid territory that is a hybrid of techno and dubstep in a similar vein to actress and recent material from instra:mental / boddika

proving an extraordinary outlet for pure soulful house and unadulterated dance music, foliage records continue their remarkable start to the year with their sophomore release of 2011, we can’,t loose. >we can’,t loose< is the striking culmination of bandy’,s continual progression and evolvement as an artist and producer. in an era of mechanized and synthetic sounds bandy’,s pure and wholesome incorporation of live instrumentation not only provides a much needed breath of fresh air into the world of house, but an authentic, refined and compelling exploration of his intensifying harmonious growth. seamlessly interweaving passion, originality and innovative dedication bandy’,s creative output is unmatched, deceivingly imaginative whilst remaining fundamentally coherent.
support from culoe de song, rocco, claude monnet, yass, jamie thinnes, tedd patterson, atjazz, greg gauthier, distant people, jask, master kev, dj christos ...

the much anticipated follow up to last years balearic opus >panorama suite< by max essa. >heartache (original 86 club mix)< - this funky early nineties inspired house groove seems to be channeling all the best bits of fpi project yet manages to still sound brand new and wholeheartedly relevant. this track is heading for the dancefloor - unashamedly uplifting and funky - a real breath of fresh air. sample free and featuring max on vocals. i challenge you to not move to this. >feel it in your body< is a more chuggy, dubby affair featuring a vocal chant not dissimilar to e-man grooving. funky guitars groove the track along until the synths lift it up to the next level. trancey balearic synth slo-mo goodness.

lnas third release comes from the godfather of the underground all the way from brookyln, new york: namely the legendary jovonn. first tune >a definition of a track< makes use of driving beats combined with ethereal and jazz-like melodies that work together to create a hypnotic atmosphere. second track >space atmosphere< has a more infectious styling, with an ever-progressive melody against a firm groove that grabs the listener and the dance floor. also featuring remixes from the much revered two armadillos, giles smith of secretsundaze and martin dawson (king roc) have turned out a modern classic to nail any peak time dance floor. the second remix comes from the newly formed mankind project. expect more from them this year with two other eps in the pipeline. this ep is something rather special!

chilean born dinky is a long standing resident at panorama bar. her warm, technical house sound, underpinned by intricate rhythmic and harmonic elements is a much loved staple of the scene. >take me< is a wonderful meeting of thuggish house and soul-infused, feel-good energy. a surprise break leads to unexpected vibes and a brief encounter with some rhodes keys action. >polvo< is a psychedelic ride through more cerebral moments, possessing the power to truly lock you in. the extended passages of this breezy, garage-house hybrid just highlight dinkys instincts for dramatic timing.

chicago legend paul johnson is back with a limited edition picture disc with added label stickers included.

nice price deal !!! zebra zebra is a new label born out of the neccessaty to release real timemusic with not to much of an arrangement and editing. it will feature just two tracks, but trying to correlate with each other. this is a bit of a gamble but zebra zebra says. go for it! wo zebra zebra starts with an unreleased and brand new track by remerc and a remix by analog lover sananomat.

nice price deal !!! dj support – sub focus, skream, brodinski, sinden, tim sweeney, joy orbison, kissy sell out, and more.
>at home< is the latest single to be taken from crystal fighters much lauded debut album >star of love<. it demonstrates once again the musical diversity and sheer talent of this band. an album highlight and featuring the bewitching and enigmatic laure on lead vocals this time, it showcases a much more gentle and romantic side of crystal fighters. set against a musical soundbed of the bands trademark traditional basque folk instruments its beautifully euphoric and uplifting in equal measure. a perfect soundtrack for the blooming of spring, >at home< is the bands biggest single to date and the one that will catapult them into the mainstream

scb is a house/techno project by paul rose, better known as uk bass pioneer and hotflush recordings owner scuba. scb was born in 2008 with a now-seminal rework of >hard boiled< from the first scuba album, a mutual antipathy, and has since developed with two full 12inches and remixes of mount kimbie and phil kieran amongst others. >loss / futureunknown<, on will sauls aus music imprint, is the first original scb material to surface outside of roses own circle of labels. >loss<, with its space melodies and repeating vocal slices, builds and builds into a slice of pure unadulterated dancefloor joy, very much in keeping with the musical territory occupied by aus at the moment. on the flip side, >future unknown<, fills out the atmospherics with dark stabs and driving rhythms which eventually give way to an almost scuba-esque brand of floating euphoria

affectionate house grooves ranging from deep to high energy upbeat on this double 12 inch from cosmic trg!
a year after cosmin trgs debut release for rush hour, he drops his third release for the label, this time a 4-track ep, >a universal crush<. crushing it indeed is, as cosmin really delivers the goods here! as much as we like all of his previous productions, this easily is his best material to date.
first record pressed on black vinyl, second on white.

the legendary skatalites, alongside the later studio one in-house bands - the soul vendors, sound dimension, soul defenders and brentford road all stars ? were as much a part of the classic studio one sound as were the singers that they accompanied such as alton ellis, horace andy, marcia griffiths and bob marley and the wailers. this album features many of the musicians involved with studio one who literally defined reggae music. from the skatalites members tommy mccook, roland alphonso, jackie mittoo to killer sidemen such as trombonist vin gordon (a/k/a don drummond jnr), saxophonist cedric im brooks, keyboardist and twelve tribes of israel member pablove black. many of the rhythms that these musicians created became the back-bone of the jamaican musical world and their songs have been replayed and re-versioned by 1000s of reggae producers ever-since. the album features classic and super-rare tracks all recorded under clement ?sir coxsoneÊ doddÊs supervision at the legendary recording studio and record label. as well as sixteen killer tracks the album comes with new sleevenotes and photography by dennis morris and adrian boot making this another essential studio one reggae release for connoisseurs of reggae and newcomers alike.

new single from ben watts buzzin fly. debut solo single from sam willis of much-heralded kompakt two-piece walls, who scored electronica album of the year with mojo last year, plus 9/10 ratings from nme, dj and idj. 12 inch includes a rare remix from chicago house dons boo williams and glenn underground using their sju muzic (strictly jaz unit) moniker, famous for their work on cajual, guidance and rush hour. collectors artwork. 12 inch strictly limited to 500 copies.

initial support comes in from pig & dan, paco osuna, tim xavier, richie hawtin, m.a.n.d.y, nic fanciulli, mauro picotto, slam, john digweed, chris fortier and omid/16b! the title to this ep >reminisce< gives us some idea as to feeling of these three tracks, as j alexander pays tribute to some of the late 80s and early 90s sounds that influenced him in his early days. however that said, his talents at blending the old and new together make this much more than a retro sounding ep!

sexy tropical dance nuyorican style blending house, funk, and latin elements with los amigos versatility is worth its weight in vinyl. this is a musical match that will be met with much hype & press.

the fruhstucks sophomore release with racecar is a 180 degree turn from hats & cats. this is a far more refined yet purposely less polished release, still rife with emotion yet embodying a certain grace and maturation. much of this could be due to instrumentation. the fruhstucks have added strings to their vision with the addition of guitars by miguel boxerinlove and subsequently sutja gutierrez also plucking strings himself.

a long overdue rude 66 retrospective, that compiles acid, techno, idm and ambient tracks from his legendary acidplanet and djax days, with several unreleased gems from the same period. this release reveals the missing link between rudes iconic early acid sewer sound and the evil dragster electro-trance he has become known for in recent years. all tracks have been remastered and re-edited to appear now as youve never heard them before! no more eastern european carboard pressings, but spacious and thrilling sounds that finally really you immerse in the death race! very limited edtion on clear vinyl double album with free download and postersleeve.

one sided 12 inch featuring an epic sascha dive remix, on melons ratio? imprint.. melons original version of >money< has been saved for his forthcoming debut album. in the meantime sascha dive (deep vibes recordings) already delivered a 15 minutes long rework, that is a pure trip into deepness and cant be kept a secret for the world much longer

for is 3rd release on musique risquee, after the well acclaimed dirty lipreading single and is first full lenght foe destroyer, stephen beaupre is back with a really solid record. thats all there is to say. gl’amour as the distinctive signature of stephen beaupré, his subtle use of vocals, strings colored with warm echos layered on a big and chunky drum beat. you can easilly acknowledge is natural sens of storytelling unfold in a brillant way. on the flipside, when you have it, would be an excellent way to summarise stephen electrifying live sets: funky, melodic hypnotic and sexy. we are very proud of this last one, hope you enjoy as much as we do.

following the massive 12inch on traveller last year comes the debut release on under the shade from hotly tipped alphabet city. remixes come from eskimos due downtown party network and disco stalwart toby tobias. expect to see much more from this act in 2011 with remixes on international feel and a handful of choice edits all being released.

akiko kiyamas latest release features four tracks of intricate drum programming, bringing her characteristic warmth to the groove with their ghostly whispered vocal samples and the clicking and clanking poly-rhythmic sound made famous by the legendary berlin imprint, perlon. the first track, carnival, brings all the fun of the fair, a swirl of coloured lights barely glimpsed amongst the heaving throngs of somewhere like bar 25, followed on by an abstract slow burner which sneaks up on you with its sneezed vocal snippets and jangling bassline. talon, a real dancefloor creeper, clips along insistently and the final track, with its bass-guitar and pulsing synth line rounds of the record in perfect ethereal fashion. as akiko puts it herself, >deepness, depression, beauty, irony, fun - these are keywords for my music also my life itself<. you can definitely feel that there is much more thought put into these productions than just purely the need to move people on the dancefloor.

supported by luciano, timo maas, pig & dan, anthony collins, woody, dustin zahn. rifraf is rafael gimelstein, recently relocated from sydney to berlin, born in lithuania, raised in israel, flowered in sydney. classically trained violinist, deep as fu*k party organiser and creator of sydneys earthdance festival, rifraf is now full time producer making his distinctive sound in electronic music world. philosophy started as a casual recording of his granny klara telling stories about her time in a concentration camp in germany, and singing the yiddish song tumbalalaika and ended as a very intelligent moving sound collage. the whole peace is a trip, which feeds you constantly with changing noises and visions. although philosophy is transferring a lot of aural information, it is never telling to much and still works perfectly on the dance floor. its just an intoxicating musical tale which drives you on a wild journey. with the both remixes, one of alexkid with his deep as fu*k remix and phillip baders off runner the release get its pretentious dance floor alternatives. fifteen seconds close this fine ep, which rafael did in coop with the young israeli producer omer from tel aviv.

prins thomas spreads proper, earthy dub house vibes in a good old bobby konders tradition with >lang tung ting<. a hard driving jacker with dry, punching drums and grumbling, low-frequency acidic sounds not modulated by an 808 synth but from warped cello and bassoon lines. an ode to the timeless magic of beats and bass. much less sparse >ny maskin< on the flip is a dizzying disco/ rock jam backed by african derived beats and a gyranting, buoyant guitar lick . prins thomas brilliantly proves himself a jack of many trades again

niconé is back on stil vor talent with his very much loved project that has already brought us an absolute scorcher on stil vor talent before. again he features the wonderful vocal of narra on this hypnotically happy percussive house affair >caje<. the original track grooves on some free swinging percussions and a softly moving house loop making this a very subtle killer for any afterhour. while narras vocals carry the track as light as a feather it is after the breakdown that things get really musical! for the remixes stil vor talent has aligned a high-quality and diverse array of current top-notch producers. things go dark, minimal and very technological with pan-pots take on >caje< that still keeps a very soulful element in its approach. then, berlins coolest kid on the block adam port knows that every track gets better with a lot of claps-and he sure is right in his interpretation of >caje<. this is one of these tracks that sucks the listener in so deep that there is simply no escape: repetitive yet constantly changing and constantly grooving while remaining very pure! for his very soulful groove dirty doering adds some wonderfully melodic synths and guitars to his track that turn >caje< into an even more summery house affair. this release is filled with tracks that will long echo on the dancefloor!

limited to 200 copies! in the past, new york city hasnt been considered much of a haven for forward-thinking techno and tech-house — but it is now, thanks in no small part to the resolute crew. queen of mars is a gleaming slice of timeless techno soul, its tough, throbbing rhythm overlaid with shimmering, detroit-tinged chords!

anyone who advertises on their facebook site that they create music for dogs while working under the name dachshund must have a sense of humor. and indeed, it seems the swiss dj, producer and label boss doesnt think much of sterile production and is prepared to use his sence of passion and fun to create rhythms of every kind in his work. perhaps this is a legacy of dashshunds musical roots: in the 90s he played in various reggae bands, which eventually took him to jamaica. from the sunny islands he brought back a dub influence which can still be heard in his music today. he has already proven, with his highgrade debut on the >group of connected heads compilation, his feeling for up-beat, bouncy rhythms. nothing has changed with his first solo release on highgrade. groovy, original and funky, it booms from the speakers. that the first track is called >stand firm<, must be due to the humor of dachshund: the beats immediately encourage you to do the exact opposite… shake your booty!

phoreski, who was the first ever remixer for iib returns to remix >electric sunburst< from the harlyn bay lp, creating a heads down dirty balearic slo-mo basement monster as only he can. next up is tony watson from adult contempory / la who remixes >pacific breeze< adding a touch of west coast b-boy flair. peter visti takes on the not-yet-released track >childhood melody< creating an epic balearic journey starting fairly uptempo before changing gear to groove along at a more leisurely slomo speed. top quality as always. finally, and proving the boys have the jump on tomorrows stars early, the amazing & much sought after aeroplane rework of >too hard<, originally released in 2007. another all round top package.

right on cue and sticking to his promise of a release every 3 months, seiji – the much-lauded and respected producer from west london – returns with the third part of his 2010-launched seiji series – the strictly dancefloor-focused project that will be continuing with a release every 3 months throughout 2011.