the second release on fina white is a four tracker from rising barcelona producer and former rbma attendee clip! diverse releases on discomaths, classicworks, sweat taste and jd records, coupled with his signature hardware only live shows have really put clip! on the map locally and throughout europe. key to his sound is a shifting style and impressive knowledge of sound design, displayed on this brotherhood ep though four pure and unadulterated peak time cuts. there s a real menace to the bassline, low end throb and razor hats of the title track, whilst r36 showcases the fusion of sounds clip! can attain in his productions. on the flip side, forward is, surprise, a no messing, relentlessly percussive banger whilst dissonance s technique heads down an equally straight-up, rough n ready path.

the geezer got you by the balls!

secretsundaze 017 comes from london based producer endian. releasing just 2 eps in a few years on nonplus and electric minds, endian has nevertheless managed to to turn the heads of the likes of steffi who used one of his tracks for her panorama bar compilation and boddika who also licensed a track for a various artists ep. sounding like a producer far more experienced than the two releases would indicate, it came as no surprise that this is far from the the output of a novice but the seasoned veteran george levings aka commix (metalheadz).

from the lands that time forgot birdie is proud to bring you an ep of the highest quality from the artist currently know as causa. hailing somewhere from up in the hills on the border between deepest darkest east lancashire and west yorkshire (thats up north to you lot) causa joe is a long time friend of trevino marcus. joe is underground and a lover of proper house music and has never been interested in music trends (he is a fisherman for christ sakes). he has been making music under various guises for 15 years with an apparent 6 year gap to go fishing. he has had releases with 202/20 vision tusk wax and paper recordings to name but a few. as marcus and joe still meet regularly for a pie and a pint its no real surprise then that this ep of some of marcuss favourite music of joes has come to pass. enjoy.

its release time for house is ok! frankfurt based label waited a bit longer than usual for its co-owner marko pelaic aka homeboy to come up with new sounds so it doesnt really surprise theyve decided to let him take over this, one man reign ep, first of that sort for this etiquette. kaprije is not only news for the label but homeboy himself in a way he defined it as writing a new chapter, stepping away from traditional house music, exploring more of the experimental and modern sounds a direction hes interested in continuing.

yoruba records is happy to welcome back label veterans kiko navarro and dj fudge with this tribal leaning surprise release.

dartriix is a sporadic but permanent collaborative project between two of op.discs label heads, fumiya tanaka and yoshihiro hanno aka radiq. after 6 years of absence, dartriix finally makes their return with this intensive double pack lp flying one hand, which is a good surprise to us.

the a1 was never a big surprise. mattias fridell s consumed for profit was one of the tracks of the year, and surely fridell s personal best track, and was played by anyone who at least plays a bit of techno in their sets. the usual fridell quality of standard and a tight synth line! a2 sees french artist electric rescue s quarries in the a. mochi remix. a peak-time banger, slapping the synth stabs right into your face. this one always gets the floor jumping. the b-side kicks off with label-head advance human s pure , stripping things down to some essential moody but slamming techno, right up there amongst his best productions. b2 has +platform s mosses closing things off, and as we came to know and love from +platform, it s out there, dubby and dreamy techno, born for those deeper berghainesque floors.

master londons joseph russel signs for funkdriven quirky chicago techno but a 1, drums of lagos, stands out of many. what starts like a sturdy minimalist drum and snare pattern monotrack turns inti a discotech monster all at once and seemingly oout of almost nowhere. and once the surprise swingbreak of the track gets you hooked there no stopping.

only one listen to the crystal clear rapture in the sound of bodhi shows the funk influenced take on dance music this young duo have to offer. olly howells and luke welsby started producing together 2 years ago but ever since they kept on capturing the right attention. therefore it is no surprise that exploited picked them up to release three uplifting, warm and modern dance tracks.

turquoise blue recordings was founded with a simple aim: releasing house music that is deep, sometimes dark but always groovy and underground. it is therefore no surprise the label is now releasing an ep by finnish born producer, phonogenic. with previous releases on 20:20 vision, turbo, moodmusic and others, tuomas salmela aka phonogenic has spent most of his recent time in the studio where he is preparing his forthcoming album. despite this, he did find time to capture the true essence of turquoise blue with this brand new ep, bringing us three originals and a collaborative remix from canadian producers the mole and hreno. the ep will be released as a limited edition180g baby blue coloured vinyl with a full colour sleeve on reverse board

double 12 inch vinyl in gatefold sleeve, download code included.

following the huge success of dlm 004 and the massive appeal of roman flugels remix of idle eyes (as charted by all from dixon to michael mayer, dan avery to maceo plex), here is a little surprise from our camp. glockd is c.a.rs trademark washed out sarcasm, bleached cynicism, the track forages paths through chloes dark mind. it was one of the first tracks she wrote on her own, and was recorded down the bunker with timothy j fairplay. a favourite of andrew weatherall (who nominated my friend, the c.a.r album, as one of the best releases of 2014), it is now coming full-circle, being given a stomping shuffle air guitar dance-floor rework by the asphodells … if you liked our lord sabres remix of fuck buttons this is for you. electronics looking at the floor & air guitar. following it is manfredas (the protégé of les disques de la mort) vocal version of angelina, a request from many after the instrumental being released earlier this year. the northern wulf is biting again. and he bites hard.

the second vinyl release to be taken from thema’s strength in numbers compilation finds the brooklyn label drawing on four master craftsmen of subliminal house music with equal amounts of soul and surprise in their arsenal. stealthy operator earl stine delivers get the curb, which balances the perfect amount of percussive energy and dreamlike synths, impeccably demonstrating the considerable body of work he has turned out under a more familiar name for smallville records, mule musiq and pampa in the past. pressing on transparent vinyl.

out of rome, sofatalk soars high on this ep, feeling out the difference between a lifetime on earth or one really cool moment above it. the title track breathes and evolves via a series of flourishes on the playful side of things - this one is no beard stroker. cloudy soul keeps the optimism and front foot action rolling with an excursion slightly to the deeper end without ever fully taking the plunge. wrapping it up, on reflection is a tight little rhythm-box-driven number that takes you by surprise, transplanting you from the floor to the lower middle stratosphere without you realising. japanese producer 9dw then turns it into a hot stepper of its own, keeping the energy up there but differentiating the bounce.

>i played with your diaries< is the second release on monya own label corresponding positions. after outstanding tracks from monya, perc and bas mooy on the frst cp, she surprise us again with remixes from jeroen search and unc – diverse, extraordinary resonance.

limited edition of 100 copies in leather sleeve / bag!
art department, one of electronic musics most recognizable dance outfits announce the release of their eagerly awaited second studio album.

art department, one of electronic musics most recognizable dance outfits announce the release of their eagerly awaited second studio album.

a loose companion project to michael mayer s iconic mix series, the immer vinyl releases never fail to surprise: its here that the kompakt label head opens up the vaults of his record collection and shares some of his secret favorites – to put a spotlight on those great tunes that never got the recognition that they should have in the first place. following the re-release of lost gems from such diverse artists as benjamin diamond, losoul or psychonauts, the fifth instalment in the immer 12inch series presents two sublime cuts from scsi 9 and rebotini – each one of them a prime example for michael mayers unique ability to sense and unlock the hidden potential of a track

following on from the sublime debut ep from all is well, luca bacchetti is proud to present eduardo de la calles >sanskrit veda< ep as the madrid-born artists drops a scintillating four-track ep of hypnotic techno on the endless imprint. the artist who has issued music on cadenza, mule and his own label analog solutions, created the >sanskrit veda< ep while producing from his ashram home set among the mountainous area of malaga. little surprise the tracks should take on a particular transcendental vibe, as eduardo spins gloriously otherworldly techno across four timeless creations.

people must jam have an undisputed three for three on the score board, and it comes as no surprise that this serious second innings in the floor jammers va series is heading straight for the outfield too ! it s a truly international affair, as chicago disco don rahaan takes the lead with an irresistible uptempo jazz-funk rewire while uk producer andy ash is next up to the plate, rearranging and amping up a teddy p classic on the b, tokyo s beaten space probe takes on millie jackson s incendiary we got to hit it off (as recently hacked up by tom trago) bsp leaves in the best bits here as the powerhouse groove gets a respectful renovation. finally out in the sticks wrap it all up eighties fashion, as a slamming bassline led drum machine jam powers us to fourth base. strictly limited to 300 copies.

for a long time, vidal benjamin has been getting up early at the weekends. whether alone or in company, he digs his hands into various crates at record fairs, flea markets or in empty attics, to uncover records that have long been forgotten, ignored or even despised. among the small circle of parisian diggers, his reputation precedes him: it is he who finds and it is he who shares. it is not unusual that in his wake, one finds a certain record long lost, left behind as a special gift from vidal. he likes to share so that others may discover. and it is for that same reason that he regularly sleeps late, playing records in clubs at night, where he follows a similar path: altruistic, educational and festive. it’s no surprise, then, that his first compilation goes by the fitting title of disco sympathie.

*eat my pussy* is the delightfully nasty debut solo release from latvian artist anet k., coming out on pomelo november 24th. the title track, featuring anets vocals and production, functions as both a demand and endearing request, fusing her encyclopaedic knowledge of electro with a cunning lyrical twist. with such a explicit title, it should come as no surprise that the inspiration for *eat my pussy* comes from firsthand experience. anet k. is no stranger to the scene – as a long-term resident of berlin she has contributed vocals to several recent releases, including barkers *like an animal* on leisure system. for the remixes, dj stingray presents the vocals as an even more aggressive command, while the legendary egyptian lover raps some addictive verses and completely revamps the arrangement, presenting his personal ode to cunnilingus in an earworm chorus. on the dance floor or between the sheets: you wont forget *eat my pussy* anytime ...

mark e presents a late-year surprise with avion ep. featuring two new tracks from the producer plus remixes.

waifs & strays make their debut appearance on skream s new imprint of unsound mind. having had previous releases on leftroom, madtech, futureboogie, resonance and hot creations amongst others, waifs & strays have slowly but surely become a respected purveyor of quality house music, and its no surprise that skream has snapped up these two tracks for the second release on his new label. free your soul and just don t know have both been featuring heavily in skream s sets over the summer months of 2014 and doing damage across the globe from ibiza to la.

following and expanding upon the line of thought put forward in her 2013 album syzygy, lucrecia dalt ends in a place familiar, yet noticeably different on her new ep. its two tracks, esotro and veta, continually defy expectation, haunting vocal ballads that trickle into clouds of white noise, but for an acquainted listener that wont surprise.

tip! after a wonderful & successful first edition on his own nurum, dubfound returns with his creative partner to surprise you by another masterpiece of electronic music. amazing cover artwork, shrinked, 180 gram vinyl, anti static sleeve and no digital.

limited 2018 repress
stop…press…an extraordinary radio slave donation for running back! the man like matt edwards took care of a matter near to his and our heart: an ep dedicated to the crafty dj duke, his infamous power music label empire and those massive sounds dat ruled di sound factory nation. one side holds a modern track in an old fashioned style of lovin (quote freely adapted from courtney melody): think rs >tantakatan< straightened out. >thats all the record do? yeah, bitch, thats all the record do.< special thanks go to omar-s for clarifying these matters once and for all. already huge with big room boys Âme, natty dread josh wink and a few others. surprise, surprise! flip for a portrait of a young and restless todd terry circa 92 slipping on his bathroom rug while listening to some x-102. dirt mcgirt! those 3 people out there who still buy audio plastic might be delighted to find out that they get a special bunch of bonus tracks: super heavy efx sirens, street noise and soothing rain sounds. can you dig it?

a true surprise best seller in our 2014 release schedule, vermonts eponymous full-length debut also introduced the public to an astonishingly different musical side of the projects founders marcus worgull and danilo plessow (of motor city drum ensemble fame). an album worth of adventurous jam sessions and sleek synth soundscapes, it rather drew from sonic curiosity and the spirit of informal collaboration than the laser like focus of the club tunes both producers have become known for

national geordie treasure richy ahmed is undoubtedly an original brother and integral cog in the hot creations machine and since his emergence alongside the crew and subsequent blowing up of the scene, richy has become one of the most sought after and hard-working djs on the circuit. now honing his production skills to a fine point, its no surprise hes been showcasing on the label, with last years ‘the drums smashing through on all fronts. richy is now bestowed with the honour of helming the pinnacle 50th release for the ever-ubiquitous label

stunningly beautiful double-pack from och for autoreply music s 20th release. following on from output on renowned labels like pal sl, trelik, bass culture he returns to autoreply with seven tracks of playable perfection. by focusing on stripped-back percussive grooves, sparse 909 drum-programming and ultra fine-tuned dynamics he certainly proves with tracks -samarkand sulci- and -snarecrow- that the original jackin house/techno sound will always have plenty of life and soul. -don t fight it- is an 8.5 minute acid builder featuring haunting vocals and crisp synths whilst the bass driven dub of -enceladus- wouldn t be complete without live delays and distorted pianos. check out -morning glory- for a surprise contender for this years balearic soundtrack or -c ring- for ultimate warmth. tracks for every situation and not to be missed!

screaming eye records big vinyl debut! the new label from england is kickin some nice and fresh tracks for you, ideal for playing it big like in ibiza or any fresh club all over the world. on the b-side is a surprise remix from the labels friend chris flowers from germany. early support by jay lumen

a huge supporter of hypercolour over the years, and perhaps an embracing of the british labels dedication to the uk sound (considering the frenchmans early deployment to manchesters legendary hacienda club in the late 80s as resident dj), its of little surprise then that the latest garnier project lands on hypercolour this august.

no artificial colours have been busy. the south east london duo lewis wright and ryan ellis have been name checked by everyone from maya jane coles and jamie jones to cyril hahn and paul woolford and legends such as kerri chandler. following their recent smash for pmr *reach for me* (feat. alex mills) no artificial colours are back with a late night ep for kerri chandlers madtech records.
the menace ep sums up everything that is exciting about the no artificial colours sound: raw, soulful, rooted in classic garage and house, big room party vibes with underground cool, it is no surprise to see the pair have been highly lauded by the likes of pitchfork, vice, i-d and fact of late.

it s been a busy 2014 so far for label head dubfire. whilst nothing unusual for the persian-born producer, with the revival of deep dish (alongside sharam), the release of their new single quincy, the continuation of the sci+tec radio show, the release of his much vaunted remix of come featuring asia argento and his relentless global touring schedule, it would be a surprise to find even a slither of studio time for original dubfire productions.

for our second release on wavereform, we continue our explorations into sophisticated sounds from mostly-unexplored areas with the production debut from juras lietus, a 25 year-old latvian producer from riga whose mysterious origins in this out-of-the-way locale may surprise listeners, but whose sound fits very well into the label’s mission to reform the sound sphere with simple and elegant tracks that demand attention and bring unknown talent deserved notice. lietus wastes no time in showing off his developed dub techno style on >dark frank< as the bold, well-defined contours of the bottom end are contrasted with gentler ambient textures in the opening, it acquires more force as it moves along as he adds harder percussion patterns to the framework while the dense atmospherics progress barely in the background. >direct< is the more subtle and atmospheric of the pair, as crisp, delicate drums develop slowly while also suggesting melody. it too gains strength as it goes though, with ricocheting percussion and a barely-controlled feedback wail leading into a dramatic breakdown before he slowly winds things down in the detail-rich final section. j&#363,,,,,,,ras lietus and latvian techno may be mostly unknown, but this strong showing for wavereform 002 reveals much still to be uncovered in these eastern lands.

london based producer io sounds has been making big shapes in the underground over the past few years, the rising artist dropped an exciting collaborative ep with lakosa via kerri chandlers madtech imprint last year, as well as a remix for chandlers long-running madhouse label. weve also heard outstanding guest mixes for cameo on bbcs 1xtra and coco coles capital fm show. with this in mind its no surprise to see the enigmatic producer snapped up for a series of releases on 2020vision, a label that has a knack for finding talent in the early stages of their career

lee burton – busy days for fools lake people remixes when one of the most brilliant remixers gets his hands on four tracks from a unique and highly reviewed album, the result is lee burtons busy days for fools, lake people remixes and in one word: amazing. deepness in all its forms, hypnotic vocals, a surprise in every second, the lake people way. breath already been charted by a great number of legends out there. cant miss with something like this

max 1 copy per customer / account!
the trilogy tapes, sound signature and palace skateboards team up to bring you this mighty release by theo parrish.... repress

repress from suf 59.000 mg (2001) and suf 15.000 mg from 1995.... would it be a surprise if i tell you this is bloody efficient acid techno from hackney?

scottish born and currently berlin based dj/producer danny berman (aka red rack em/hot coins) has had a pretty hectic last few years and show no signs of slowing down. following the anthemic releases on wolf music & city fly red. he is now ready for his telefonplan debut.
*i got something* and *make your mind up* are both dark tracks with punchy basslines that hit deeeeep, pitched-down vocals and plenty of bounce to move any crowd. the surprise is *jan 11 hip hop*. get ready for carefully constructed next-level effective drum programming from mr berman, and a perfectly balanced third course!

zyx italo disco collection als 3er-vinyl: ja, ist denn schon wieder 80er jahre? wann gab es zuletzt eine solche sammlung von italo-top-hits auf vinyl? lang ists her. wir präsentieren original-italo-disco-hits in ihren maxi-versionen von radiorama, ken laszlo, duke lake, joe yellow, brian ice, hypnosis, lee marrow, grant miller und vielen mehr! zyx italo disco collection als 3er-vinyl: ein unbedingtes sammlerstück!

constantly searching, not wishing an end, prefer a surprise, not everything planned, so you will always be in the new age of earth

upwellings is vincent raude, a professor of modern art at the academy of brest who has been releasing dub and reggae music since 1996 and has written music for contemporary dance and theater. he created his dub project lower groundz in 2004 where he experimented with reggae and in 2008 started his dub techno project upwellings under which he realized several 1s. his music was supported and charted by people like cio d or, laurent garnier, alexkid and more. upwellings music shows a great deal of recording knowledge and love for the details of electronic music. his a-side track zu zurich has a classic dub techno surface but we believe the skillful complexity on many levels will have us listen to this track many many times. there are things to discoverin >zurich< one might say. so it is no surprise that the flip side track >lower ground< shows more reggae influences which he uses in more abstract ways, employing vocal splinters he masterfully embeds in his recording.

hommage this is already the third release for our little baby s p i e l and as we are on a constant search for the more leftfield and not so deep house esque dance music it was a very happy surprise to find an amazing demo in our mail box by the swiss indie dance/ electronic duo mercury. the bern based act already made a name for themselves by releasing on the great gomma label and by doing remix work and collaborations with people like robert owens, byron stingily, tom trago,munk and two door cinema club. these three new tracks are a well crafted mix of electro, disco, house and deep techno.

back for more so soon? yeah! baby is back! wilson records has fabio unleashing house legend gene hunt and not so newbie chiwax and lobster theremin veteran, stevie murphy for the fourth edition of the not a trilogy anymore split grooves series. its the perfect mix to brew an appetite for some dance floor destruction. we have mr. gene hunt taking on the a side with his twisted tracks get down and s and s. over to the b side, our cherished friend, steve murphys groove is anything but relaxed! crank up the volume and dont expect to stay glued to your seat. this one is special. no surprise when its laid out on a 180 gram vinyl. for the lovers!

anomaly, fred ps techno alter ego drops a hot bomb. as a producer renowned for melodic, ultra-deep house, its no surprise that his techno is as deep as a well.3 tracks.

ep in sleeve with 3mm spine, with silver area to be scratched to reveal a surprise + download card

long time waited, mzkbxs debut album is almost ready. from chicago house to acid, from new wave to deep house, downtempo to experimental bassline… macadam mambos boss label delivers us 50min of great atmospheric tracks, not in the same way as usual karat records, he summons the spirit of early chicago house music, british summer of love or detroit techno breathes in its corpse again.