founded in 2006, yakuza recordings has quickly established a solid place in underground house circles and attracted fans in the form of mark farina, miguel migs and dj heather. the two djs and producers behind the label, soydan tuc and murad l, have helped the label make its mark with the fresh, funky and deep sounds yakuza has speedily become renowned for.

remixes by inflagranti, the glass & thugfucker!! vampy, a fucked-up anthem for venitians after-parties, in between an electroclash splendour and a z-movie dancefloor. >antipop took control of the subversive asia argentos hidden shadow in his psycho electronic spider web. < (blast, june 2007) thugfucker (desire mix) makes it beautifully dark and acid. the glass (white money mix) goes on like ireland was in love on a new years day. inflagranti (no jeans mix) dances the night away like billy without a jean

harder freakin electro stuff by michael forshaw vs spider !!

andreas kremer with new track between techno and hard techno !!

big metallic spider-man printed shirt ... he is the good one :)

ltd backstock.. 7 zeitlose spielereien aus den jahren 96 - 98

the black >e< sind cristian vogel & ben mallot. the black >e< ist eine jackende jam session. the black >e< benutzt rz1 drumcomputer, dx11fm sounds und kopfhörer als mikrofone. the black >e< wünscht viel spass

crazy electro breaks, raw synths, metal and industrial sounds from one of belguim’s finest electro producers. huge praise from lee combs, laurent garnier and adam freeland

strong electronic minimal tech / techno...phreakin stuff

nice price

first official reissue on cd of this electronic milestone! music for plants and people who love plants!

welcome back to the movielike resonating sound world of the 23s. already in 2008 the mysterious one-man band proofed with the album ÒboliviaÓ that they are trying to do another kind of music Ð something that isnÕt entertainment, something that isnÕt show, something that goes gently straight to your soul. now the producer from nord-rhine-westphalia did it again and tuned in the longplayer ÒflamingoÓ. anew he delivers a special kind of cinematic journey music that grooves opposite to his other, more rhythm based hypnotic dance productions. also as the 23s he produces pattern-based music, but it pursues a different intention: each listener should dive into a hallucinatory world of seen and unseen films that his inner eye creates unprejudiced. all ten tracks are romantic smooth operators. they put themselves in service of an artistic vision, in which the listener should get lost in music. the album can be seen as a love-letter to the movie scores of the french 70s cinema or the impressionistic sound arrangements you can hear in the early cinema of peter greenaway. with double bass heat, discreet piano melodies, levitating guitar chords, some gentle horns here and there and beats that recollect the warm jazz influenced soul of oldschool hip-hop the 23s generate a sublime get-down-deep instrumental journey. you can listen to it attentive. or you can just play it in the back while doing whatever you like to do. it is recommended to play ÒflamingoÓ in a decent amount of volume as all loungey tracks begin to live bigger and brighter with sound intensity. if you play it flashy you will experience an atmospheric sometimes light-flooded, sometimes foggy 40-minute electronic journey that offers open-minded souls to fill the room between the notes with their very own milky fancy. soon the album will be accompanied by a bunch of remixes tuned in and twisted by producers like giegling and white artists edward, christian s of the c—meme tribe, canadian producer the mole and the german post rock and electronic music band to rococo rot.

on moving to canada from his original home of haiti, pianist and singer/songwriter henri-pierre noel brought with him much of the tropical island s influences. the kompa funk sounds of his homeland, along side contemporary north american jazz and disco, ran throughout henri s 1979 album piano, re-released by wah wah 45s in 2012, and now its time for a second helping with the re-issue of 1980s dance floor friendly one more step, both albums having been originally released on very limited private presses and since become holy grails of the back music scene.

by the age of 15, david rodigan was djing at school dances and youth clubs. the infectious, crazy back beat of jamaican ska first captivated him as a teenager in the mid 60 s, it was a driving, energetic sound which he found impossible to resist. when the pace cooled down and condensed into rock steady david was equally enamoured because the sweet, aching vocal style of jamaica s young stars could be heard to full effect.

burger/voigt, klimek, sylvain chauveau, mint, popnoname, jŸrgen paape, marsen jules, tim hecker, andrew thomas und the fun years servieren uns ambient von atemberaubender schšnheit fŸr die neunte ausgabe von pop ambient