metal

rock

alexa feser eröffnet mit ihrem neuen album „kino“ einen auditiven filmpalast mit zwölf sälen, wirft mit jedem song einen neuen musikalischen kurzfilm auf die große leinwand, lässt uns ihr innerstes von außen betrachten. seit ihrer ersten albumveröffentlichung -gold von morgen- im jahr 2014 hat alexa feser einen festen platz im deutschen musik-kosmos und befindet sich seither in stetiger transformation, so wie es für eine echte künstlerin wichtig ist. nach dem top-3-album -zwischen den sekunden- (2017) und den top10 alben -a!- (2019) und -liebe 404- (2022) arbeitet sie intensiv an ihrem neuen album. -kino- wird im märz 2024 veröffentlicht.

black vinyl. a sonic journey through time. kronert, a name synonymous with high production standards and innovative sound aesthetics in the electronic music scene, lends his distinctive sonic signature to this 4-tracker. he weaves together fast-paced rhythms with nostalgic soundscapes, creating a symbiosis of past and future. this ep not only invites you to dance but also to reflect on the temporal nature of music. characterized by deep basslines and complex rhythmic structures, this tracks proves to be an essential component of any sophisticated dj session. embark on a musical journey that challenges the boundaries of time and space, offering a forward-looking perspective on the house and techno genre.

a sonic journey through time. kronert, a name synonymous with high production standards and innovative sound aesthetics in the electronic music scene, lends his distinctive sonic signature to this 4-tracker. he weaves together fast-paced rhythms with nostalgic soundscapes, creating a symbiosis of past and future. this ep not only invites you to dance but also to reflect on the temporal nature of music. characterized by deep basslines and complex rhythmic structures, this tracks proves to be an essential component of any sophisticated dj session. embark on a musical journey that challenges the boundaries of time and space, offering a forward-looking perspective on the house and techno genre.

heavy support by radio slave, sam divine, acid pauli, green velvet and maceo plex to name a few, while also being played on radio stations world wide. the album <axen> marks the beginning of a new chapter for the glitz as they embark on a journey beyond the world of electronic music. after a wide range of beautiful, inspiring, provoking and uplifting the glitz-singles, we are now approaching the full album in all its might. the singles have shown us the diverse soundscapes you can find in andreas and daniels musical multiverse, with the genres ranging from the classic house and techno genres, to also introducing their take on trip hop, neo rnb, hip hop, ballad and electronica. this journey into their musical realm has resonated with fans and colleagues alike the last months, putting the first single on position 1 in the german club charts for four weeks straight (it is still in the beatport top100 after 7 months). born out of a desire to create a space to explore and expand their unique sound, their new album <axen> is a bold extension of the glitz vision and purpose. it has been a long time coming and is the result of four intense years in the studio together with the unique and talented singer and songwriter mulay. and now it is time to present the full album to the world. <axen> is the mesmerising product of one of their many jam sessions in the studio. it carries the unique the glitz fingerprints all over it while also letting them shine in a new context. the slow flowing hip hop beat paired with mulays raw vocals and incredibly poetical and personal lyrics is a must hear for old and new the glitz-fans alike.

bxl003 is the third release of the artist-run brussels based label bxl. this third release by simon halsberghe features a collaboration with sagat (real name wiet lengeler), who previously released on the brussels’ label vlek and had his music included in the fabric mixes of both ben klock and joris voorn. the track is called the set-up and is a relentless sawtooth rave tune that finds it’s balance between the heydays of belgian techno and more contemporary ‘hi-fi’ attitudes towards functional yet idiosyncratic dance tracks. on the b-side space tom sounds is a deeper and more hypnotic trip with lush broad pads that provide a space for the mind as well as sonic pressure on the body. the last track, snared, takes things into breakbeat territory. with razor sharp snares and a pulsating baseline this track lives somewhere in the venn diagram overlap between rave, front 242 and an air raid siren going off.

rock

urban/soul/blues/r&b/gospel

metal