janko bartelink better known as hadamard and for his works at transient force, bunker records, mighty robot recordings or last known trajectory brings us his dope mixture of experimental hip-hop sound, robotic electro funk and bumpin bass music. hadamards - ass in bass ep is the 3rd part on solaronemusics elektronische werke series, after dynarec and q-chip. dont sleep on this uncompromising badass ep, limited to 250 copies!!!

next maddisco output! tip!

rick wilhite delivers this super strong collection of tracks made by producers coming from either new york, chicago or detroit. this is part 1 of 2... tip!

bedlam isrc – asylum limbo, psychotic sock draw and raving halfway-house ... some truths – man as samovar, staunch somnambulist, man as memory…aural yves klein seas sluiced from a flotilla of ohm-loan bugbrand & electro-harmonix vessels ... a sound accrued by loitering long at skipjack tables & tape duplicating plants ... the joyous melancholy seeping from this lps patched folk o ertones has been a reassuring cloak for me since its porous ones & twos dripped into the mm inbox. an album you can wear whose universal backstory is told deftly via these gilt-edged electronic daubs without sugar-coating – there is none of this soundtrack to a film yet to be made clotting up the ear canals…a basking shark of an album that gently filters the ill from the krill. some truths are bigger than others.

the talented new artist q-chip, known for his split 12inch debut with cestrian (ali renault) on bunker records, delivers his first full ep release for solar one musics elektronische werke series. dark, intense tracks brew all over the two sides, demonstrating the q-chip vision of pure, futuristic electro music.

already declared by backdrop as one of the best drum & bass releases you are likely to hear in 2014, ivy labs missing persons ep is nothing short of sublime, a collection of work from sabre, stray and halogenix that will simply take your breath away. featuring their mainstay vocal collaborator frank carter iii on the title track, ivy lab carry us from sumptuous, warm liquid through to acid tinged tech with emperors input and finish with some west coast, lo-riding electro crunk. essential is an understatement..

jimmy edgars blossoming ultramajic imprint gets off to a typically brazen start in 2014 with an ep of fiercely visceral club music from us born, berlin-based producer danny daze. a self-confessed lover of classic electro, the 3 tracks present contain the mechanical aesthetics and skewed sonics of the labels he holds close to heart, whilst packing an undeniable punch that will see these drawn for time and time again. daze is the first in a whole slew of acts to be welcomed onto the roster over the course of the year, and marks another exciting chapter for the burgeoning label.

with millimetric the catalog number 018 presents an analog synth lover who released his electro influenced tracks already on goodlife, the label of oxia & the hacker.
on *slogan* featuring riot miloos vocals he creates gloomy soundscapes being surpassed in its hardness and coolness just in david carettas remix. (gigolo / spacefactory)
the flipside *neuer morgen* is a different journey: melancholy synth-melodies facing with strong snare fill ins. last but not least at the end of this record toureau (parquet) shakes the whole track on his nacht-version-remix in an oldschool ebm-style.

killer electro and techno tracks! dynarec needs no further introduction. after big releases on labels like delsin, kondi, nature records, southern outpost.

after his debut album on stilleben, komarken electronics drops his first vinyl release on solar one music. deep and unique electro featuring an exaltics.

touching upon dance musiculatory milestones like detroit techno and electro, nsyde007 sees tyon, a well-known but besides this moniker for now anonymous traveller, summoning up atmospheres totally his own. this is space music. but not in the ra sense. take the a-side flaw 11, for instance. this is space music in the way it catapults you out, like the most terrible mistake made by man-machine, into the farthest reaches of an ever faster expanding universe, dark energy tearing at your nipples until they rip off, resemblances of melody orchestrating the drama/bliss of event horizon passage. its dark yet beautiful, like the smile on a dying persons face, and a heavily psychedelic trip at that – but fear not! you won’t be subjected to any despicable noodleage here, just to weird, intensely warped sounds you want to dance your ass off to. make it fat on the other side is the sci-fi equivalent to hänsel und gretel: a perpetuating feeding of the child-to-be-eaten. the finest in andromeda’s hyper-fattening molecular cuisine gets crammed into the gagging brat as doom is looming over its forehead. and with every spoon thats being recklessly punched into the poor little demon’s face it is getting closer to its, as well as the dancers ultimate goal: total nirvana. pressed on black vinyl.

hayat zor is a beautiful blend of rave-nostalgia, 80s electro-pop and italo, all shot through with a melancholic, wistful air. working with analog synths, vintage drum machines, live instrumentation, and the help of a few friends and collaborators along the way. encompassing four original productions, hayat zor is a collection on which emotional resonance and technical expertise sit side by side. the vinyl comes with download code for the full ep, including 2 remixes by gavin russom and petrels.

crucial electro 4 is a ground-breaking album as the tracks featured include classics featured on the original electro albums and also other monster electro tracks that we did not include on the original electro albums. as well as including the full length original versions, we have included re-edits of key tracks which are exclusive only on crucial electro 4! many of the tracks on crucial electro 4 have not been available for more than 2 decades and can only be bought from discogs or similar sites on scratched or worn vinyl for sometimes silly money! we have got hold of many of the original master tapes and have re-mastered each track to the highest quality, an audiophiles dream. add to this the exclusive street sounds re-edits and you have an album that is an essential buy for any street sounds and electro fan. the double vinyl lp will include the full length original versions except where there are exclusive street sounds versions, in which case these will be used. only 500 limited edition double album vinyls (180gm heavyweight) will ever be pressed!

i-robots is an alias of opilec music boss gianluca pandullo, a long time dj and producer with a penchant for classic techno and electro cosmic disco. for his next project in the esteemed i-robots reconstructions concept series the italian re-edits some classic material, all with the permission of the original artists. the tracks in question are derrick mays hugely influential *emanon* cut, recorded under his rhythim is rhythim alias and originally released in the 1990s on his own seminal transmat records label – one of the most important imprints in the early days of techno alongside kms and metroplex. the second track – which was first released on metroplex, the label juan atkins founded in 1985 and then re-released and reworked on sound vision - is *game one* produced by the legendary juan atkins and orlando voorn as infiniti. the latter of these pair has already released a number of times on the opilec music label.

80s inspired synth / disco - electro - space anthem

greg wilson proudly presents a 4 track ep paying homage to the days of electro. comes with electro inspired label artwork: pressed on 180g vinyl.

attacke? schon beim vorgaenger psycho haben lexy & k-paul bewiesen, wie leichtfueßig ihnen der spagat zwischen clubbigen hammerbuden, smartem electro-pop und hochanspruchsvoller 4/4-elektronik gelingt. mit dem neuen album >attacke< veredeln sie diese rezeptur nachhaltig

music is dead is the new solo project by french producer olaf hund. juggling absurdity, cynicism and intimacy, hund wakes the dead, singing a post-punk score for guitar and electronic instruments bringing a new breath to electro-pop music. with the memories of a boy from the old school who saw the end of the golden age, olaf hund defines himself as a post-electronic artist.

the efunk effect continues to echo across the universe as soul claps mantra everybodys freaky under natures kingdom summons the egyptian lover himself, who revisits the alezby inn to deliver his own spin on the soul clap cover of his classic electro funk jam.

orbits is the latest thrilling installment in starkeys street bass odyssey. the philly producer draws on grime, hip-hop, electro, bass music and beyond to blast off with his most accomplished and fully realized album yet. starkeys intricately crafted, sci-fi inspired tracks escape the intro-drop-breakdown-drop formula of most dance music thanks to a more expansive, ambitious approach.
code for free mp3 download of the full album included.

if you thought pittsburgh track authoritys production prowess stopped with techno and house, you were wrong. here the trio dives into luminous, pulse quickening 2-step on the title track and booty bumping, aquamarine electro.

muhk are proud to present their debut ep as a small label specializing in hardware made electronic music. the elokuu ep produced by finlands matti turunen, one half of the morphology electro duo, is mattis 2nd solo ep and within these 3 hypnotic techno/house/electro analogue jams, matti shows us the beauty of producing electronic music the old skool way with glowing synths and clattering drum machines. this is electronic music showing its real roots.

electro rapide is a collection of rare and unreleased archive material from the studio archives of legendary french orchestral pop composer jean-claude vannier. taken from the period before and during his revered creative relationship with serge gainsbourg (reaching their halcyon with 1971s histoire de melody nelson) these tracks reveal a rare glimpse of vannier’s self-initiated instrumental projects that were crowbarred between an airtight studio diary as one of frances most in demand arrangers and composers of the post mai-68 generation...

hotly anticipated does not really do justice to the level of excitement the release of reptile youths debut album is generating among fans and critics alike. those in the know are expecting the danish duo to deliver a defining moment of 2012 - injecting their off kilter brand of highly-charged electro-punk-pop into the worlds consciousness - and reptile youth aren’t in the business of disappointing. reptile youth was formed by mads damsgaard kristiansen and esben valløe in 2009. it was their intense period of gigging through asia and europe that earned reptile youth their radically evangelical fan base, while also prompting a string of superlative-laden reviews hailing the youth as the saviors of rock n roll. hype aside, the incredible energy generated by kristiansen and valløe and their extended live line up have made the arrival of this debut album a red letter day for their clued up followers

2400 operator are daniel and troels, a danish house duo who kick out deeply affecting, motor city-inspired jams for the body, the mind and the soul. this is house music in its purest form, but then again not really. theres always an element of surprise.

the ep of housewife includes two new versions signed by the originators. miss kittin turned the track into a electro vintage delight, equally uplifting and freaky.supported by dubfire, ewan pearson, agoria, quentin harris, justin roberston, solomun, reboot, max cooper, the hacker, monika kruse, lee burridge, chloe

limited warehouse found nice price action !!! excellent 12 selected tracks from electro - techno - acid ....selected by luke slater

classic detroit electro from the submerge camp.

killer vocal-led detroit-inspired electro 3-tracker from miotek on his new seven sisters imprint. hailing from the small latvian town of ogre, where after post soviet union regime time, djing traditions became strong very fast. raised by local djs on chicago and detroit sounds of mid 90s, miotek been involded in to the electronic music and started to develope his djing and producing skills aswell as promote first illegal raves in town with his crew of like minded people.there wasnt anything impossible for young boy of 16, full of energy,inspiration and desire to play & make music, everything went forward very quickly: acceptance on latvian dj scene, uncountable events, club residences and radio shows. after 11 successful years on the local latvian fields in 2010 he deside to move to the next level and moving to uk where started to work on his record label seven sisters records,

a good feeling starts if the first drumsounds of >feel so good< find your way from the boxes in the space. the head own style drawers belonging open in the half dozen and argue about the most correspondent blueprint. house? in any case. disco? unfailable to hear influence. electro? also not to dismiss this. dub? the father of the whole atmosphere. cosmic? also this is a part of the authoritative ingredients in the here available circle of the sounds. and the dance floor suction strengthening cow bells are anyway a tight of a track element of all last music generations! quintessence is, here two artists have poured your wide motley collection in influence in the form of a single track, have condensed and with it have interlocked at least 40 years of dancefloor history in fresh kind with each other.

strictly limited white marbled vinyl release.

strictly limted electro release from sweden on yellow marbled vinyl.

second sampler from the stilleben camp, representing electro city gothenburg, sweden.

psyche are a canadian dark synth pop act centered around singer darrin huss, who has made his homebase in germany. since their debut album >insomnia theatre< in the early 80s, psyche have continued to record, and perform globally nearly 30 years to date. their indie electro-pop hits such as >unveiling the secret<, >prisoner to desire<, >sanctuary<, >gods and monsters<, and >15 minutes< are enjoyed throughout the world. psyches version of >goodbye horses<, originally made famous by q lazzarus (as heard in that pivotal buffalo bill moment in the movie >silence of the lambs<) has maintained and continued their renown as it has been played, and performed throughout europe, and as far away as mexico, south africa, and australia. optimo offers a re-aquaintance with not only the exclusive re-workings of two favorite club songs >goodbye horses< and >prisoner to desire>, but also with two of psyches pioneering instrumental tracks that inspired djs and electronic fans alike.

stripped down mmm killer cut b/w psychedelic dubbed out oa trip - tip!

demdike stare & hype williams meets honest jones

limited reissue of this highly sought-after and extremely heavy electro-boogie cut from serena. originally released on tiny nyc label tnt unlimited in 1983, this super-rare gem was produced by the great james terry who was also responsible for other top boogie classics of the era such as >boogieland< by ike strong and true images >keep me dancing<. the instrumental gets all the attention here with super-funky basslines, cool vocoder chorus and ultra-crisp percussion and synths but the vocal is pretty damn strong too. top priority for all boogie fans - dont miss this!

solar one music with a highly limited 200 copies, full artwork release in their new >the exaltics meets …< series! its gosub that has the honour to kick this off. 2 pure electro funk killer tracks from the veteran from miami who cant do no worng! the exaltics return to their homebase som with deep melodic tracks with dark basses and the typical exaltics mood. like said earlier the record comes with full printed cover artwork designed by duncanmattocks a great oil paint artist from australia.

two dazzling, out-there contributions from the inimitable actress: an immersive, slashing thumper, ecstatic and convulsive, multi-layered and head-nodding, just about getting mars on the radio, and a kind of unhinged marimba and thumb-piano variation, grubbing around manically in half-memories of african polyrhythm

organs of love are the power-sleaze duo of james mckinven (organs, love) and alicia matthews (vocals, love). james mckinvens musical odyssey started with playing synth in (kraftwerk, suicide-inspired) electro band berlin blondes. he then moved on to altered images. after that he worked in genetic studios learning from the modern day genius that was producer martin rushent (human league, the stranglers, the buzzcocks). then went on to form one dove and worked with maverick genius andy weatherall. after that he drifted back to where it all started, analog electro, and miss alicia matthews. alicia matthews has quite a different background – one from fine art and performance. through working together at the same bar and having many intoxicating late night chats, they decided to try to get back to a 70s theatrical, musical performance: where live music and art combine for something beyond the rock gig vibe. and luckily enough, miss matthews has quite the pair of pipes – a true vocal delight. the result is organs of love … who frequently perform live around glasgow and have quite the reputation of thee band to see. videos can be provided, but they are not for the faint-hearted! not that optimo music ever provide a dull moment …

absolutely lethal, classic footwork from these three originators — body-rocking, invigorating and startling, hybrid without compromise. the a is route-one dancefloor murder, honed and nasty, vintage chicago and detroit gone clear across the border, the flip is a fiercely dazzling juke vocal collage, bare and hard as nails

the second release by berlin based knuggles recordings will be coming out in december. it features the previously unreleased original 12inch mix of 7107 music by netto houz. this hybrid of chicago deep house and oldschool electro caused some dancefloor action back in 1998, when it was originally released on ladomat 2000. on the flipside, knuggles recordings presents a new exciting producer: dj nikolaos aka moire patterns spins his track the roots anthems 001 (co-produced by dj kriton) into a modern and spherical growing deep house bomb. enjoy!

justice, the french duo formed by gaspard auge and xavier de rosnay, is the band of a whole generation. when the two friends were still bright students in graphic design, in 2003 they made justice a place to experiment a hybrid genre between music and image, which blends pop and electronic borders, and showcases the talents of 2 fascinating passionate pop culture craftsmen, bored with hierarchy. they met pedro winter who had just founded his label ed banger records, he immediately signs them after listening to >we are your friends< which, with its joyful and vitamin-enriched electro beats combined with exhilarating voices, became the hymn of a whole generation and one of the most important tracks of the year 2000, celebrating a reconciliation of pop music and the dancefloor.

kris wadsworth is an integral part of detroits new wave, and with its time he wears his citys heart on his sleeve, delving into the electronic music legacy of his home town and showcasing the range of his own talent. the epic 10-minute title track >its time< is secret journey through the citys pulsing underground. it begins with a primal techno kick that rings out from afar, distorted by distance and brimming with a sense of anticipation. a gravelly male voice demands to know what time it is, declaring that >its time for that dirty shit, that dope shit, that detroit shit<, and the beat then kicks in, gritty and purposeful. the track then does a surprising about-face, abandoning the fist-pumping techno for just high hats and vocals, and transforming into a new phase that nods to detroits other great legacy: electro. grimy electro breaks and wiry melodies are spun before evolving again into deep house, with a see-saw duet of pads, and double-time hand claps. kris own >move dat ass remix< of his track >det sound< takes the dubby 2010 original, and reworks it as a ferocious bass and drums workout with dizzy vocal arrangements and blasting sirens.

fiercely brilliant, slashing, whooping dance music from the knife man. all-original, no samples and a stonking detroit thumper from the master.

the screen vinyl image / rude 66 split 7 inch takes dark industrial electro sounds and edgy wax trax / 4ad era guitars and pushes them to the outer limits, offering up a heavy dose of new-wave futurism.

>the bay< is the electro quartets third single from the latest release >the english riviera<, following the release of both >she wants< and >the look<. the third studio release from the electronic stars >the english riviera< was released last april, and has since received a mass of critical acclaim from all corners of the industry. popular websites such as nme gave the latest release a rating of 9/10, with drowned in sound offering the same rating. now, fresh back from their recently sold out uk tour, the band are preparing to release the third single from the critically acclaimed album in >the bay<. defined as being one of the highlights taken from a fantastic album, >the bay< would be well placed as a future summer dancefloor classic.

kapitel 2, and once everything is new! the collaboration of talented young producers and skilled heroes of the scene provides a colorful picture of the current sound development of the label in 2011. between tempo throttled, acid infected dancefloorkillers of l kubic and old school groove monsters of tokra thaan in a remix of james flavour up to grinding minimal beats with hypnotic-flashing sounds of trockensaft, to chameleon tracks from swen weber, which welcomes you with a dancehall impregnated beat in a 4/4 beat corset, which is ironed in the course of its construction and stay suddenly like a stomping and snorting steam train in the ear canal. and if then hardy hard mates early nineties rave influences with house vocals and flat-fuzz comes with a ghostly- kicking sampletrack around the corner which is just as hip hop as electro, it is clear, that these pieces are absolute killers of their guild, from the first to the last track, and each of them is conspicuous by its own distinctive aesthetic. originality is all