this is the ninth ep on firescope records, the new sub-label of the legendary b12 records. although b12 output has been the solo work of steven since 2015-2017, this time he steps outside of the b12 name and releases under his own name. one of the founders of uk techno, he has released on labels such as warp records uk, b12 records, soma records, delsin records, firescope records, art , buzz and de:tuned.

dive-bar turned record label paradise palms presents a brand new 7inch from veteran producer justin robertson, a man with over 23 years experience as an innovator and restless proponent of fascinating forward-thinking music. his tireless work ethic has ensured that he remains one of the most relevant and exciting dj/producers around, as a whole new generation of electronic enthusiasts will sweatily testify. justin s latest incarnation as the deadstock 33s has been garnishing lavish praise from figureheads such as andrew weatherall and erol alkan, as well as a diverse cross-section of fresh talent, from daniel avery to eats everything. cyborg holiday snaps is a double-whammy 7inch of alien machine funk crafted by the rave pilot himself. the titular track launches head&#64257,,,,rst into hissing electro territory with pounding rhythms and detroit-strength bass stabs, while numerical discord is a low-slung 110bpm acid weapon.

a few years ago we have been visited by a ufo, -dig it, understand it- has been made right after that encounter, gigi masin and william djoko provided 2 amazing remixes, something u would probably hear in a club inside an interstellar station, even though we don t know if they have turntables out there...

for us (rubadub that is), hank jackson has been behind some of the most inventive techno to have left nyc in recent years, releasing music on his compadre anthony naples label, proibito and mister saturday night. if you re after a twisted nyc take on classic chain reaction and monolake, then this is strongly tipped.

the new house label founded in 2017 coming up with a diverse selection of various artists. inahle exhale hails from the ruhrarea and the second ep shows kicksparkling, thick cut and remarkably original deep house focussing on mid 90s and garage house with a bliss of hip hop on the outro.this nugget is limited to 400 copies and will be released only on wax. on top inhale exhale records has two more artists on board. get ready for paso from munich and street choice from russia. brace yourself!

after kicking off with a strong various artists release, mexican label calypso records returns to showcase the talents of argentine producer thomass jackson, who has previously been spotted on gomma amongst other labels. head rejection takes on a ghoulish 1970s vibe that sports a little schlocky horror and a little spaghetti western in its discoid grooves, while witzelsutch feels equally vintage but with a more cosmic lilt to its oddball tones. creepy pc gets more of that noirish goodness lurking around the mix, and then boot & tax come on board to remix head rejection with a heads down tribal patter that keeps the atmosphere of the original intact.

> it felt like a long wait for us, but finally we can present the first artist on our label xxx, jack pattern<. with great honor we introduce to you this collective consists of three producers who live and breath deep in the heart of switzerland. they delivered four diverse and atmospheric stellar dance floor tracks with serious hints to the late 80s. this first vinyl only release on xxx, will be accompanied with custom made artwork by patrick van vliet. patrick s work has evolved from pop surrealistic, psychedelic imagery to a dutch social realism. he incorporates social annoyances and public degeneration from day to day life in his images. these images seem familiar but alienate. alienation by disrupting the familiar with uncanny elements and deviant colors. a perfect mix for this release. xxx is a new label that combines music, art and club nights curated by shmlss. every artist they invite has the freedom to fill in the x.

the second release on homage comes from chevals, and once again the vibe is quintessential deep house infused with more than a little soul stew. -see you when i git my heart broken- has funk licks aplenty to keep the party popping, while -please don t- sees that as some kind of challenge to up the ante with even more sassy samples and sizzling strings. -tres racas- finds the chevals getting a little more choppy in the drum department, and then -big man- finishes the ep off with a raucous african atmosphere to set the club alight.

is it balearic? started the uber sublabel up a few years ago, but 2017 has undoubtedly been the strongest year so far for the imprint. following excellent stints from serene, wawawiwas and bonnie & klein, max manetti makes a debut appearance with a self-titled ep loaded with just the kind of slick, instrument-led island grooves we ve come to expect from the uber stamp. from the dense tropical trip of -jungle prayer- to the laconic guitar licks of -dub macumba-, the cyclical mysticism of -changuinola- on to -garrison- with its considered piano chops and stiff breaks, this is an ep of proficient musicianship and eclectic funk for all manner of situations.

spanish funk, soul and disco champion javi frias returns with the second release on his night shift label, bringing more of that classically informed party-starting business for those who love their classic disco edits. tender feeling sounds like a perfect transplant from the dancefloor of studio 54, while move to the groove is equally entrenched in the finest 70s-styled heat. supah stah and swahili dance are equally no slouches when it comes to channeling the best elements of that golden era disco sound javi frias has this music in his blood and anyone that feels the same will be all over this record, dancers and djs alike.

fresh after his storming powerline ep on extrapolation records, lancashire based brandon vare delivers 2 more mighty tracks for jelly roll soul. with the a side, moonlighting he brings some relief from the 2017s darkness. with it’s glistening synth lines and warm chords, it delivers a sense of hope in a time of need. dug out from his archives, the track is now over 5 years old but now its time has come! the flip side yattering is its ugly, dark shadow. its conflicted inner life slowly reveals itself from under a razor sharp bassline, burbling to the surface as it breaks out in a full on panic attack

aus121 deadboys auogeides 77 aus welcome allen wooton aka deaboy for his debut release in ‘auogeides 77 wootons bold, rugged club music has really reached its zenith in recent years following key releases on local action and numbers, ‘auogeides 77 is no different. rough analogue drums, broody melodies and a smidgen of that uk flavour hes well known for all feature just in time for post festival heads down basement club season

fallow presents his debut ep on the freshly established chow down label 6 typically epic and emotive tracks from the semi-infamous manchester-based dj & producer. on side a fallow serves up 3 gigantic grime instrumentals with all the bravado, theatrics and outrageous samples the genre has to offer. the tracks are as cinematic as they are energetic, weaving pulse sounds, choirs and dreamy sino samples into breakneck dance-floor gear to great effect. on the flip fallow adopts his dj chalice moniker to explore his softer side. still bursting with colour and melody, the tracks are as indebted to sunny dancehall records as they are a raw uk sound. peppering carefree mallets and flutes with angelic chipmunk vocals, chalice still captures the producers unique ear for bold melodies and vivid sounds.

after throwing successful rawmoments parties and holding down his residency at stereo montreal. paolo rocco now shows his taste making abilities by curating a new label inspired by the dubby, housey, bumpy grooves he and his fellow partners lessi s. & pijynman champion during the events. the first release has paolo and pij team up for the originals while new york citys alix alvarez and berlin s diego krause offer remixes to complete this package among friends

having crept out of the tape undergrowth and respected haunts like clan destine and always human to earn more civilized recognition on bank records nyc and bliq, strahinja arbutina makes the move to vivod for yet more of that edgy, leftfield techno business that keeps mothers awake at night from worry. the grit, noise and distortion has been faithfully carried through from the cassette-based roots of arbutinas sound, but these tracks are more than ready to do the damage in the dance (where you re less likely to find a tape deck). hold on tight as the likes of way ahead give the sound engineer a fright when they think the system has overloaded.

alexander kowalski has been immersed in techno for a long time, and his sound is massively representative of the reduced, late night berlin sound. as d_func. he s contributed many times to marcel heese s finitude label, and now he s back to pay tribute to uk free party techno legends spiral tribe. kowalski s own interpretation may be more minimal and hypnotic than the wild, raucous energy spiral tribe was best known for, but his trancey approach comes on like a nostalgic vision into the early 90s, while also aligning with the modern masters such as donato dozzy and peter van hoesen.

orson bramley has a long-standing legacy in uk electro history as part of the transparent sound production crew, and hes been recently aligned with robin balls memory box parties in london where he s been able to display his years of experience whipping machines into funky configurations in a live environment. this release speaks to that experience, with the various versions of then again punching out an irresistible sermon of crafty synth lines, swooping strings and crisp beats. ball steps up for two remixes on the flip that equally reside in the electro realm, but come at the component parts from a different rhythmic angle. one refined idea done five ways what more do you need to know?

reginald omas mamode iv has a terrific track record thus far. since delivering his debut 12inch back in 2013, hes barely put a foot wrong, with last years intimate friends released mini-album, all together, being a particular highlight. this debut full-length is every bit as impressive as youd expect, with the peckham producer relying a little less on dusty samples, and rather more on loose, live drums, rubbery bass guitar, dreamy rhodes keys, and other luscious instrumentation. as usual, the assembled tracks effortlessly join the dots between jazzy instrumental hip-hop, neo-soul, mauritian drum workouts, broken beat and humid, tropical-tinged grooves.

the nite owl diner co-founder alex burkat finally graces us with a full ep! spinning plates, style wars, moving day and red pineapple are all driving late night stompers sure to leave an impression long after the party has ended. support from the black madonna, octo octa & others.

finally the long-awaited second series of invisible family outings has arrived.label boss and compiler gk machine has this to say beyond ecstatic to get these tracks out. the gazeebo track i ve been playing in my sets for years. digital only but so great it definitely needed to get pressed onto wax! i would dj with it using ableton and speed it up a lot so for the vinyl i asked jon (nedza) who ive been a huge fan of since his community recordings releases on grayhound and imperial dub, whether he could speed it up a little bit before we pressed it up. now its 100% perfect: a moroder-esque cosmic stomper thats sure to set any dancefloor alight. the apiento track is another one that s been gestating for a long time first appearing around the time the original e.s.p. 12inch appeared on the wonderful golf channel recordings in 2014. secret circuit gave it a complete overhaul, in fact several complete overhauls, plus some of his signature guitar and has turned the already blissful track into an afro-esque, trippy, beautiful, beautiful piece of music that (imo) is one of his best yet. utterly gorgeous! then there s the boy-girl retro-future duo der kundalini coming from the wonderful lectric sands stable in ny who gave us zoovox. this one s also been hiding on my hard drive way too long! finally relative newcomers konzel (of junto club/optimo music fame) & natural sugars (pardon my french) round off the package just perfectly. the former so distinct that i felt it was a perfect opener for the a side. so, i hope you dig it and keep an eye out for the super limited 12-track cassette too! limited to 300 hand-numbered copies.

ltd 50% deal , last copies left ... italian production duo, mushrooms project, make their debut on jansen jardin with the wonderful >galattica<. releases for labels like under the shade and is it balearic? and remixes for the likes of tirk, lipservice and nang have introduced their blissed-out, mediterranean sound to fans around the world. galattica is 11 minutes and 45 seconds of high plains drifting, dream disco for late night drives and sunset sessions. a lush combination of euro disco arpeggios and west coast guitars spill out across a landscape of live percussion, bass and dub acrobatics. this is the soundtrack to a spaghetti western set in ibiza. a fistful of cervezas. the remix comes courtesy of the mighty chicago damn who has been responsible for some extraordinary music from his debut on mark es merc label to releases on claremont 56 and his own eponymous imprint. here he re-imagines the original track in the image of model 500, stripping away the music to a raw machine groove. dark, atmospheric and undeniably aimed at the floor.

sbire begins. the newly founded label is curated by swiss artists isolated lines, known for his edgy and razor sharp productions (on tommy four seven s 47, among others), and gaspard de la montagne, who has been perfecting his sculptural and curiously optimistic vision of techno through his eps on creaked. sbr001 is a well-rounded compilation from their inner circle spanning from grime over raw house to techno.

recorded on september 10, 1964, prior to his well-known association with john coltrane, this eponymous album (later renamed pharoahs first) is the debut release of the iconic tenor saxophonist. (yes, there are some spelling oddities here: the artist birth name ferrell only later changed the spelling from the standard pharaoh to the more personalized pharoah.) with one foot in mainstream jazz – pianist jane getz had played with charles mingus and the other, tentatively at times, in the avant-garde, this is a fascinating glimpse of sanders’ style before he wielded the unremitting fierceness of his playing with coltrane and the modal mysticism of his later solo albums on impulse. interestingly, in recent years he has deployed a more polished version of this sort of vant-flavored bop, bringing his career full circle and strongly suggesting that the hybrid heard here was not due to any failure of nerve on his debut but rather was the cornerstone of his conception. esp-disk has issued this album under three different covers, for its 21st-century reissue on vinyl, we have chosen to use the second and most beautiful. it is augmented with liner notes by a current esp-disk’ artist, tenor saxophonist ras moshe burnett of the red microphone, who can be heard accompanying amina baraka on their eponymous 2017 release.

7inch ep / sleeve has a central hole only on back cover, so that the b-side label completes the artwork. after the release of their first album born under saturn in 2012, and its follow up in 2015, musical adventurers django django went on to unchart new sounds and announce the release of marble skies, their new album, on january 26th 2018. tic tac toe is the first extract of this forthcoming album, and gets an exclusive 7inch, ep release. the track is a dancing, psychedelic uptempo and terribly catchy rock title, and will fulfill every django djangos rockabilly influence fan’s expectations. actually, the track is inspired from the very same improvisation that wor and shake & tremble recorded for born under saturn. the music video was directed by john maclean, brother of david (drummer and producer of django django), and director of the atypical western slow west.

for those unfamiliar with the atipic releases, it may seem that buenos aires’ jorge savoretti has chosen to swim upstream on the latest atipic installment. as for a trained ear, the apparently bipolar approach, elegantly touching quite a few electronic influences from different decades, has a cohesive unity in all the 3 tracks presented. hidden under the sharp cut filters from the happy side a tune or building the groove to be unleashed in full swing on side b, it is up to the dancefloor characters to find these elements. rather unconventional, yet totally subjective, atipic004 is a proof of concept on how different angles can generate twisted and unexpected perspectives on modern electronic music.

copenhagens echocord colour returns this mid november with brendom moellers magic city ep, featuring four originals from the new york based artist. brendon moeller has long been a purveyor of authentic dub-infused techno since stepping onto the scene via his 2006 sweetspot / humpback ep via echocord and has since gone on to release on reputable imprints such as third ear, kimochi sound, delsin’s ann aimee, mule musiq and of course his very own steadfast. here though moeller makes a welcome return to where it all began with some fresh material for echocords colour sub- label. caravan takes the lead on the release and in typical brendon moeller fashion were treated to densely layered dub chords, throbbing subs and expansive atmospherics whilst robust drums drive the composition along. magic city’ follows and ups the energy levels even further with pounding industrial drums layered underneath billowing dub stabs and eerie drones. ‘magic city in dub’ follows and as the name suggests offers up a reduced take on the composition, dropping the tempo and shining light on the billowing echoes of the original whilst stirring in some off-kilter rhythsm and additional processing for good measure. lastly,departure closes the package, with haunting synth drones, bumpy rhythms and murky vocals wandering throughout the seven-minute composition

collector is the solo project of jason campbell who resides in newcastle, australia. forced extraction is his first release for beat concern following an lp on the melbourne-based drawing heat, and tapes for seminal labels, night people and clan destine records. campbell has honed his unique take on experimental techno over the last few years by building compositions with all analogue hardware and modular synthesis. forced extraction sees collector at his most incisive, carving out four pummelling tracks across the 12inch. piercing feedback, foreboding synth movements and bass drones are anchored by rigid drum programming with an attention to heavy industrial rhythms. an exciting peek into the coal-face of underground australian electronics

yet more blissful listening comes your way courtesy of the impeccably talented deepchord. as we prepare for the release auratones, the detroit native’s 5th lp for soma, rod delivers the calming northern shores ep.
epic aural formations are always at the forefront of deepchord productions, every minute detail is constructed perfectly as each track gives off subtle nuances that nod to each aspect of modell s sound designer skills. the crystalline sonic formations in cirriforms blend together effortlessly allowing you to drift beyond while the ethereal pads of sky maps guide you through each unending swathe of reverb, each track bonded by subtle rhythms. crystal horizons sees modell delve even deeper, working more with percussive elements as his quintessential synth work seems to sit just beyond perspective, gliding in gently to remind you of an ever reaching presence. sand and shore has deepchord near strip the track of any clear rhythmic structure, with only faint sub bass allowing his uniquely processed field recordings and tranquil yet fluctuating synths to enhance the flow of the track.
a producer like no other, deepchord creates new sonic realms with each release.

after some succesful releases by struktur, the time has come to step into the world of the vinyl medium. struktur has something special for its first vinyl release. schuw is an enigmatic duo from amsterdam focussed on shaky techno and hip-dislocating meta dance. after releasing tracks on tape and cd, schuw complete the physical trinity with the vinyl release of the rasza vega ep. the a-side features title track rasza vega - one of their most precious and well-known gems known for its harsh drums and colourful chords. it is accompanied by purple knives, which provides a fresh and eclectic take on contemporary techno, reflecting their ever-growing synthesis and endless inner divergence. the b-side consists of the highly explosive blacksmith, inspired by traditional japanese drum patterns and western industrialism. grieche delivers a formidable remix of blacksmith, contributing a minimalized and hypnotizing contrast to complete the already heavily divers selection.

what started out as a simple email exchange between a young, hungry beatmaker and a seasoned player in the worlds of jazz and midwestern indie hip-hop, has resulted in a vibrant record nearly a decade in the making. on one side of let it out sits miles bonny, a long time musical collaborator who spent his youth soaking in powerful musical moments in nyc under the tutelage of his trumpet-slinging father, francis bonny, and later as a teen immersed in new york s busy indie-hip-hop scene. as he grew up miles cemented himself a niche in the midwest, most notably in lawrence, kansas where tireless forays into beatmaking led to the founding of the much-loved innatesounds crew and record label, as well as a series of solo releases and collaborative projects.

as the cab passed by, the two stars collided with an enormous energy flash. for a few seconds, the galaxy fell dark and silent. but a, has barely noticed anything. her heart was full of music, and her body, full of love.
blorp is here again, ready to take you away and melt your soul. on board, serious a, a charming parisian astronaut with a crafted signature sound you’ll fall in love with and never forget.

“never change a winnig team”. that s what radio citizen s niko schabel must have thought when he decided to release his fourth album once again on sonar kollektiv. after the success of “the night & the city” (sk310lp / cd) from 2015 and the productive collaboration ever since this seems like a wise resolution. schabel s idea to retrieve to a mountain cabin in salvenberg, tirol with his band and tons of equipment turned out to be an even more crucial factor to the cause. here they could create and record new songs and bring them together neatly for the new album. the 13 tracks assembled here on “silent guide” are – each on its own and in its entirety anyway – best proof how wonderfully this approach has worked out.
double vinyl in gatefold sleeve with download code included.

at night, things get a lot more unpredictable. a stranger can become a friend, you suddenly become intimate with a woman or a man whos name you will never find out, while darkness also allows you to conceal your true identity - even become someone else. inspiration for this album emanates from the fascination towards the intensity of what nightlife has to offer , euphoria and melancholy, spotlights or incognito, sexual contact or lonely voyeurism... francois x entertains the listener with playful ambiguity and unsettling, yet sensual atmospheres.

with its sixth release new york trax continues the mission of highlighting the jewels of the new york underground. liquid asset is a philadelphia-born brooklyn-based hardware virtuoso who has made a name for herself by virtue of appearances on labels such as e-saggila s summer isle brooklyn s own primitive languages jacktone and acid etch where she has recently delivered a furious 7- split with isabella. liquid asset built her own 808 and 303 clones by hand. the modified 303 is particularly audible in the opening track of the record -ephemeral nights- where she did not waste time on an intro and went straight to creating a sonic pandemonium by blending an airhorn sound with frenzy acid basslines and a hardcore-leaning 909 kick. -contact- is a merciless creature of the night with its relentless dark groove building up throughout this composition cannot easily be classified as a representation of any particular genre. -controlperception- opens the b side. here liquid asset plays with a cheerful acid line over a dreamy landscape often punctured with bleeping sounds. finally in -forgetmenot- two opposite sounding basslines intertwine creating a minimal yet very capturing composition to close this one of a kind record.

baltimores pj dorsey has traversed a lifelong journey delving into psychoactive music which can alter ones cognitive and conscious state. he harnesses his experiences to create music as tarotplane. using guitar, effects and processing he produces time suspending soundscapes - immersive music for merging the mind and body. . 358 oblique is the follow up to first which was released on aguirre records in 2015. find yourself adrift in the lapping waters of a slow unraveling sea of sound, a spectral vortex of shimmering tones and discrete samples guide the listener into an aural abyss, while plangent six-string melodies offer glimpses into a sanctifying sensory space. the two exploration provide an evocative journey through a psychedelic continuum and beyond.

heaven sent from nigeria’s tumultuous east, the apostles have been preaching a particular blend of funky psychedelic soul/rock fusion for over forty years. on banko woman they threw a little afrobeat into the mix, creating an afro-funk disco bomb that has been energising dance floors ever since.

high focus records regular and member of uk rap super group the four owls, verb t has joined forces with production wizard pitch 92 for the new album ‘good evening’.
pitch, who has spent the past few years as the musical mastermind behind the award winning mouse outfit collective has excelled himself on this release bringing to the table a delectable selection of funk & soul infused bangers serving as the perfect backdrop for verb t to unleash his smooth brand of thoughtful lyrics and hooks.
having spent 3 years writing for ‘good evening’ verb t has put forward some of his most personal rhymes to date, delivered with a new found passion that sees the veteran build on a body of work that stretches back to the days of low life records and now sees him as a major part of the ever expanding high focus records movement. the album features guest vocals from uk giants ocean wisdom, jehst, drs, fliptrix, bva, king kashmere of strange u, sparkz, black josh, rye shabby, confucious mc and moreone.
‘good evening’ on limited edition vinyl will be officially released with a digital dropcard containing a digital copy of the album plus bonus instrumentals!

peter croce has been making some noise lately with his rocksteady disco party and record label, and here he brings his burgeoning rework sensibilities to rnt with a varied pack of revisions straight from detroit! on the ecstatic uptempo face-melting tip, we have spirit dance and get up and boogie, either of which are sure to burn down any disco. then there s the hard-working, grown-ass groove of proletariat blues, and made in china, a beautiful slow-burner for those early evening spins or late-night comedowns.

the seventh ep on frits wentinks bobby donny label brings together some known and unknown producers. the original production is by low end activist, someone who has spent the last 15 years in berlin, bristol and brighton, no doubt picking up parts of the musical styles of those cities as he goes. it features london grime mc trim, an original member of roll deep and an artist signed to james blake s 1-800 label. the remixes comes from frits himself as well as cassius select, who has recently released on uttu and herbert s accidental. park end is a naughty tune with garage tinged drums slipping and sliding beneath menacing rhymes from trim. paranoid synth sounds and an oscillating low end speak of late night urban mischief and its the sort of characterful tune to stand out in any set. cassius select reconfigures the tune as a much more dark and experimental number with a heavy bottom end and huge sub bass that totally envelops you. frits then goes for a more mellow and melodic version, with lazy drums and wilting chords as rainy keys fall from above. it glows like street lights at night and closes out an ep with real attitude

caroline true records are very proud to offer a brand new matt sewell’s a crushing glow collaboration with esteemed london based producer drumtalk. his output has graced labels such as soundway, huntley & palmers & get me ! matt has curated this release & created, once again, very lush sleeve artwork. a lush cosmic journey through sound & vision. strictly ltd edition (500) 12” blue colour-in-colour vinyl.

the ocean is closed is a collaboration of music ensemble zeitkratzer with performance group she she pop.
play – according to the cultural historian johan huizinga – is a free activity carried out within certain fixed boundaries in time and space according to voluntary, but necessarily binding rules. it has no goal outside itself and is accompanied by a feeling of excitement and joy. it creates social alliances that for their part often surround themselves in a secret or set themselves off from the everyday world by means of disguise.
in the ocean is closed the “modern composition super group” (the wire) zeitkratzer and the performance collective she she pop observe each other across the limits of their own categories. they look in fascination at their “exotic“ colleagues. outside eyes and ears are interested in different things, ask the right wrong questions, misunderstand the agreements and breach basic laws.
she she pop and zeitkratzer play a concert: secret, order and ocean. they celebrate music and play per se.

* concept and composition by ryoji ikeda * co-produced by eklekto geneva percussion center, ryoji ikeda studio and la bâtie festival de genève. * percussionists (eklekto): alexandre babel, stéphane garin, lucas genas and dorian fretto ryoji ikeda japan’s leading electronic composer and visual artist ryoji ikeda focuses on the essential characteristics of sound itself and that of visuals as light by means of both mathematical precision and mathematical aesthetics. ikeda has gained a reputation as one of the few international artists working convincingly across both visual and sonic media. he elaborately orchestrates sound, visuals, materials, physical phenomena and mathematical notions into immersive live performances and installations. eklekto eklekto is a contemporary percussion collective founded in 1974 in geneva. constantly seeking to reinvent percussion music, the group collaborates with living composers and contemporary artists through concerts, multimedia projects and artistic events that question the listener’s expectations towards new musical forms. eklekto has premiered over 100 new works and performed hundreds of internationally acclaimed shows

for the projects 5th release we welcome russian artist toki fuko. the label continues to source deeper soundscapes and toki delivers a hypnotic collection of deep techno grooves with rhythmic sequencing where he absorbs inspiration from the world that surrounds him. over the years he has worked with musicians such as joaschim spieth, estroe, hernan catanneo, wareika, brendon moeller, and published on incredible labels such as affin, star dub, rosedale and slowdance. elliot project is proud to showcase this 3 track ep which illustrates the incredible talent of toki fuko and tagir who provides a special edit for sept .

gray sky, desolate moor, cold wind and almost anechoic silence, that melt with raw and intimate sounds, acid synths and powerful rhythms. this is the vision of scena_731 label, with base in the hard city of rotterdam, holland. in this release the trio yari greco, ontal and ryuji takeuchi, has clear ideas, a label careful to the digital, but that finds its true and primordial analogical essence in vinyl, in order to -set/fix it-, some of the best releases in limited editions. the third release is on vinyl, sc731003 lp is the summary of an exactly -archived- path, collected and matured in the years from combined experiences of its producers. supported by bas mooy, orphx, violet poison, violet poison, paula temple, isolated lines, orde meikle, eomac, mindcut music, the zone fm, reclaim your city, and more...

nice price deal !!! spanish artist bando has been releasing records since 1999, since primate recordings times to these days he has got around 90 vinyl releases plus a bunch of cd and digital, that makes him one of the most active spanish producer in the last decade. his latests remix (solid state. darkrow) has been licenced by one of the biggest festival in europe “dance valley” , the cd “live at dance valley 2008” is mixed and compiled by carl cox summing his name to a list of artists that have taken bando s releases for their mixed cds like françois kevorkian, umek, jim masters, marco bailey, cristian varela...

the second instalment of kc’s finger printz ep’s has finally been repressed! that’s right, you know how it goes down by now, this is that high-grade, underground, boomin’, house music! every track is a dancefloor shaker, kerri style. if you don’t know what that means it’s simple - swinging, tough drums, killer samples, those basslines and a whole lot of new jersey swagger! this one came out in 1998 and features 4 storming cuts that cover a variety of styles, such is the versatility of kerri’s sound. it’s all here, vocal cuts, dubwise deepness, jazzed out late night jams for the hardcore dancers.... you got it all. absolutely essential business here. one for the hardened kc acolytes and one that will undoubtedly blow the minds of those tuning in for the first time. timeless music.
this is one of a series of official madhouse / kerri chandler reissues for 2017. every title has been remastered by kerri chandler himself, from all original sources and each reissue has been legitimately released in full conjunction with kerri and madhouse records. and, as if that wasn’t enough, all the reissues will be coming in the classic madhouse records house bag. snoozing not advised!

hot creations favourite and paradise resident patrick topping is back onboard the seminal imprint with the hotly anticipated, two track release, be sharp say nowt. road tested on the world’s biggest stages and at the most notorious parties, title track be sharp say nowt encapsulates patrick’s signature sound and has proven to be his biggest track of the year. the gospel vocal from lashun pace is amazing! says patrick, i m so happy to have it finally come out on hot creations. on the flip, track change offers a contrast and a slightly different side to patrick’s sound, spearheading the new wave of electronic music producers coming from the north of england, patrick topping has made a name as a prolific producer, securing seven different beatport number 1s since his debut release in 2013. his accolades also count two dj awards for best newcomer and track of the season for forget, as well as dj mags best tune in their best of british awards. last year he rounded things off with his first dj mix album, paradise on earth vol 1

in it’s original form waiting for you to call secured radio plays on 6 music, radio 1, jazz fm and various regional specialist shows, plus the track got playlisted on rinse fm. these remixes will appeal more to club djs and will fit in with house and nu-disco sets from a broad section of djs. it’s been a while since any artist has secured a remix from derrick carter and the hmd boys are thrilled that the world famous chicago dj has honoured them with a remix of their debut single - and he certainly doesn’t disappoint. dc is on top form here with his epic mid-tempo house interpretation that keeps the soul of the original track whilst giving it some extra dance floor dynamism. with nods to classic 90’s remixes from frankie knuckles and david morales this is one for the connoisseurs and ravers alike. the hmd boys with the help of luke solomon create a dubbed out and more pacy version of the original on the flip side with their remix and they report that it’s been going down a storm in their sets from output in new york to recent gigs in glasgow, berlin and manchester. with a brand new track featuring the vocals of amy douglas set for february and a radio 1 essential mix to be aired on december 23rd, the hmd sound is going from a steady canter to a gallop.

i have no words to say about this album but, wow... simply, wow. what is this? who is this dude? he (atle) got the funk. atle got the soul. atle got the smooth sound of westcoast. when he was in his teens, he spent all his money on music, women and party. here is the result of 10 handpicked demos from his vast archives. this stuff has been sitting on the shelves since late 70 s and has been carefully restored, mastered and produced exclusively for this album.