the israeli based eitan reiter and ella gotman making their debut on be as one with 3 twisted full on acid cuts.. a storming must have release.

it also gave us a beguiling lp that keeps on giving, exciting and inspiring over a year later. proof can be found in these three superlative remixes. subversive berlin duo otto take the lead with a warm, arabic twist on the album opener bonnie says by lifting the groove with a little organ-squeezing spring while maintain its faraway haze and mystique. accurately hyped romanian-also-in-berlin borusiade follows with an overwhelming floor-ready update on have i told you. already a familiar face with the label, she weaves a chasm-like new-wave narrative that sucks you deep into the mix and galvanises the pundit attention shes getting right now. finally mannequin records founder alessandro adriani joins the party with a tunnelling twist on the somnambulant aesthetic of valium. flipping the dreams for a much darker 3am reality, it will leave your dancefloor pining for more. dont worry, theres plenty more to come. dischi autunno are only just warming up.

killer album by the amazing christy essien. check out take life easy and the hit you cant change a man. must have nigerian lp!

next up on late night burners we have four warm cuts by roman coskun. with the -feels like forever ep- he showcases his own personal brand of wayward, but elegant deep house.
the title track is deep, but very functional, and clearly built on the underpinnings of classic deep house, while remaining fresh at the same time. then it s time for -sunwards-, blending acidic dreaminess with a lock-tight groove. on the b1, -steps- reminds us of mediterranean summers, with its warm pads and floaty steel drums, and finally, on -tales from the reef- the gifted 92 spacedrum orchestra joins in for a raw, yet delicate late-night club joint.

british trip-hop pioneers morcheeba return with their first new album in over five years. the band have released 8 albums that have sold in excess of 10 million records in their career. “blaze away”, their positivity-packed ninth album, marks both a fresh start in its organic approach and a return to the joyous genre-mashing of their early days, with featured guests roots manuva and benjamin biolay. there was no template for its ten, extraordinary, future-facing songs, no self-imposed limits on style, no themes to be adhered to or rules in place to break.
black vinyl pressing.

antrakt’s third shot by mystery lumieux with his true hypno-minimalistic stuff. two very different tracks inside. no words, just listen! must have! limited, no repress!

unless you re too young to know or have been living under a rock for the past twenty years, there s little chance that you haven t come across marc romboy s music in one way or another. the systematic recordings boss has had many irons on the fire since establishing his first imprint, the now defunct le petit prince - gathering an untold number of releases on labels as diverse as ovum, innervisions, rebirth or 20:20 vision in his two decades of intense activity. tracing back to 1994, when he used to rummage through the crates of delirium - the primitive incarnation of kompakt (closed and revived under its new name in 1998), the friendship between romboy and the kompakt family has largely withstood the test of time. after losing touch for a few years, romboy and michael mayer would resume contact during a festival in the south of france - a reunion that eventually led to systematic joining kompakt s distribution catalogue a couple months later.

2lp gatefold vinyl+extensive spot varnish+ sticker, second album from ame, first album since 2004, featured guests: matthew herbert, gudrun gut, planningtorock, jens kuross (ex drummer ryx), roedelius. in the world of electronic dance music, ame stand apart. since 2003, the duo of frank wiedemann and kristian beyer have cut a singular path through techno, house, minimal, ambient and more with their anthemic singles and mixes. but 2018 reveals their finest achievement yet, their debut full-length album dream house. it both sounds unmistakably like Âme and unlike anything youve ever heard from the duo, an evocative home listening journey enacted after 15 years spent crafting dancefloor weapons.

a project 18 months in the making, marcel fengler presents a imf10, a three part compilation series detailing the past, present and future of his label index marcel fengler. part 2 focuses on the warmer and more soulful side of imf and features an outstanding array of artists making their debut for the label, all of which have a strong personal meaning to fengler. there’s fjaak, the exciting berlin trio he admires for their authentic identity and honest sound, a special shed remix of the enigmatic vril whose timeless productions continue to strike a chord with him, good friend eric cloutier who he has long wanted to get involved in imf and of course long-time label champion thomas hessler. viennas arthur robert a new face marcel discovered after he sent him tracks over facebook contributes a beautiful shimmering work to the compilation. highlighting this section of the project is the first azur track marcels new side project. he explains: ive always liked to be diverse with my music, but i also do’t want to confuse people. this is the reason why i decided to give my melodic side its own identity. my music under the marcel fengler name will go back to its roots and be more raw and rough in production terms. the final digital package will be complemented by a dj mix from thomas hessler comprised of tracks from imf10. stay tuned for parts 3 to follow, which includes originals and remixes by marcel fengler, sebastian kramer (aka redshape), luke slater, peter van hoesen and more.

those who preordered, do not have to do so again - we will contact you when we have stock! recorded in the autumn of 2017 at their studio in vancouvers deep blue, mvx / u41a is the first new music from minimal violence to be released on ninja tunes technicolor imprint and the first to be recorded outside their usual home production space. the result is a record that intends to reduce pop music to its emotive qualities and apply that abstract nostalgia back into dance tracks. their penchant for the heavier and more aggressive side of dance music is most evident in its infiltration of the duo’s often raw and disorientating live set. formed in 2015 the duo, consisting of ashlee luk and lida p, have a string of releases to date with labels such as lobster theremin, 1080p and jungle gym records. drawing on luks years of experience playing in punk bands, they combine hardware sequencers, drum machines and synths, to weave together acid tinged compositions that derive inspiration from early electronic and minimal synth through to heavier uk rave and hardcore.

the debut release on mule musiq by italian dj&producer toto chiavetta. i have keep on checking his releases since his release “become one” on osunlade’s yoruba records, it’s still my fav track to play. toto has been releasing eclectic house music from mighty innervisions and yoruba records in the last few years. magnus ep start from floor killer tropical tech house track “higher than a bird”,it will be instant summer anthem. on b side,“magnus”&”first day without her” is more dark techno for big room but we still can hear some musical elements.

those who preordered, do not have to do so again - we will contact you when we have stock! omar mccutcheon, operating under his batu alias, has been on the frontline of bristol’s innovative electronic music scene since 2013. in 2015 he founded his record label timedance, a platform for showcasing his tastes utilising a close knit group of young producers and djs. batus glistening broken techno productions are pushed through a deeply uk-sounding prism, one informed by batu being brought up on a diet of dubstep and uk dance music from a young age. trying to tie his sound to those genres however, would be a mistake. having been earmarked already by the guardian as an artist to watch for 2018, batus sound is very much his own. batus rebuilt ep marks his third release in just over a year. not one for complacency, his debut release via xl recordings shows batu pushing his sound forward in every way possible, creating his most uniquely slippery sounding tracks to date. i wanted to try and challenge myself a bit for this ep. every track represents a different phase of experimentation and also different tempos, i wanted to push my processes further than i ever have done.

180gr black vinyl, full colour sleeve. our journey continues with an ep of pure ageless music for the dancing brain, four tracks dusted from the archives of this mysterious artist. real name alastair johnson released only few eps and one album in the mid/late 90s and then almost disappeared, we are more than happy to have the opportunity to highlight this material. the other big great satisfaction is also to be able to involve the historical warp-affiliated duo b12 for a really deep and spacey interpretation. have a good trip!

two seminal 12” mixes of a pair of enormous tracks from the whispers. both boogie/street-funk flavoured, these sought-after versions have never been paired on the same record. side a features the notorious anthem “keep on lovin me” (the one with *that* life affirming video) whilst side b houses the outstanding, semi-slept-on “turn me out”.

mike huckaby, bergqvist, dj sports, raam and lns remix ‘deep soundscapes’, takecha’s album recently released on sweden’s love potion. released in march, the album incorporates takeshi fukushima’s work between 1990 to 2013 and affirms why the producer is such a respected figure within japan’s electronic music scene. now his compositions have been remixed by some of house music’s best, featuring renditions from detroit’s mike huckaby, aniara’s henrik bergqvist, the elusive raam, firecracker and regelbau’s dj sports, as well as wania and freakout cult’s lns. mike huckaby inaugurates the release with his sultry take on ‘low sentiment’, blending deep synths with murmuring vocals to forge a proper deep house cut. bergqvist then remixes ‘rhodes deep’ creating a bouncy minimal cut incorporating the original’s scintillating melody alongside meandering percussion and twisted effects, making way into dj sports’ remix of ‘gradual atmosphere’ with its intricate breakbeat drums and dreamlike atmospherics. raam then reinvents ‘calm imagination’ taking it into subterranean territories complete with infectious keys, until lns ties it all together with her mesmerising beatless reimagining of ‘factory 141’.

sphonica’s white label series returns with a real deep house excursion by chilean producer massiande in the form of his ‘freedom ep’. massiande is an artist of multicultural roots. he was born in santiago, chile, yet he has lived most of his life alongside us american people and has dutch family roots, which has greatly affected the way he perceives and lives music. growing as a big fan of us soul, jazz and disco, he found his way into music production through house and his biggest influences have been artists such as larry heard, ron trent and chris brann (aka wamdue project).

danny mclewin (psychemagik) and jamie cruisey have a new label of original signed artists called spirits. the first release is from mexican hotness lokier of she made monster and jason greer aka the machine, one of the californian undergrounds best kept secrets. they met in 2015 at a festival in london and after spending a few days together, became musically obsessed with each other. that summer, as jason bounced around europe, he stayed with lokier in barcelona for some weeks and after long night walks, some tapas and absinthe bars they came up with their first ep together.

through the years intacto records became a household name. the label was founded in amsterdam in 2004 under the collaborative genius of shinedoe and 2000 and one. it was launched as a platform for the by then strongly emerging amsterdam scene supporting a pack of local artists shaping a fresh distinctive sound which took over the electronic scene by storm. intactos defining sound included many styles and its catalogue is a melting pot of influences of which house and techno are the key elements. after running intacto records successfully for 14 years, shinedoe and 2000 and one have joined forces on their very first collaborative release. a ten year old unreleased 2000 and one track world of acid have been played out by shinedoe for years and received ecstatic feedback from the clubbing crowds. convincing him to release this timeless tune to scorch the dancefloors worldwide, shinedoe was inspired to do a remix. in return 2000 and one remixed her track acidploitation which she recently produced. acidploitation ep is the culmination of two dutch legends, defining their brilliant take on music once again

lithuanian based label sodai started its journey in 2016, making it a label still in its infancy but making a big impression. owned by artist gardens of god, who started the label to create his own no limits platform for his experimental sounds and projects. while at the same time a platform to give other artists the chance to also have freedom with art and music. with releases from raxon, few nolder and alex krell under their belt, they can announce the exciting debut from uk producer third son this april. ive been an admirer of gardens of gods music for a long time, when he asked me if i could do something for his imprint, i was more than thrilled! adds joseph. syncopes synths spread far and wide, making this a journey of a track, modulating and panning in and out, pushing and pulling along a percussive drive. his broad musical range can be felt in this mix, with its slightly hypnotic tones. irony has a punctuated low end, which creates a deep and dark groove. the synthetic elements in this track gain in attitude, on top of ambient pads, leading nicely into bach to close out the release. its driving and determined bass makes the backbone of the track, with a modulating hook line, along building and expanding frequency ranges. the whole package makes for a very strong first release from third son, and sodai are excited to be welcoming him to the family.

apollo proudly presents the return of sw, joined by partner svn for a sublime 6 track ep. sws lush sound design and hypnotic arrangements of 2017s the album had hearts and minds swooning following its license from sued to apollo. its balmy glory won over pitchfork (deeply expressive debut album 8/10), rolling stone (best electronic albums 2017) and xlr8r (best releases 2017) amongst many others. one year later, sw and svn have gone into the studio, together to make some original music specifically for apollo. the results are the 6 tracks on this ep, they share in a typically taciturn statement. taking inspiration from the iconic house and techno of the mid / late 90s - sw and svn combine dreamy melodies and mesmeric grooves with unfussy, focussed minimalism, their beguiling, modern take on classic sounds and rhythms remains thrillingly unique and elusive. while sw and svn are more comfortable out of the limelight, this 6 track ep for apollo once again proves that they are rightly worthy of the hype that swirls around them.

it was vladimir ivkovic who introduced me to the world of rex ilusivii. a world where the spirit of a genius holds sway. i remember spending an entire night at vladimir s house in germany, listening to all those recovered pieces, and feeling like i had entered another space-time. mitar tragically left us, one november night in 1999 in brazil, leaving behind an extensive body of work consisting of more than 500 pieces, for the most part never released. being submerged in such a unique universe, so singular, brought me happiness. it also filled me with hope, because i tell myself that today there must be many other outstanding musicians who produce in the shadow of the traditional circuit, just for the pleasure of making music. listening to the music of mitar suboti&#263,, makes you part of his world. he did not stop producing from 1983 to 1999, in different styles, but with an instantly recognizable touch.his music also marries the evolution of recording techniques with new instruments that have appeared over this time, from the tr808 to the digital samplers. it took me more than two years to select the music for this record, as each time i listened to the material it revealed other details and other possibilities. i am extremely happy and honored to present this record to you, in which i try to do justice to the different, versatile- facets of suba.

its a ghetto house special edition. up steps chicago legend and original ghetto house don, waxmaster maurice for an uptempo curveball nobody could have predicted ! 6 banging ghetto tracks are on offer here with waxmaster displaying the humour and flair for which he is loved. the producer of much sought after releases on chicagos dance mania back in the 90s and a stint on dj godfathers databass label out of detroit, waxmaster is from the old skool and puts the work into his sample digging giving him his identity apart from the rabble. file with dj funk, dj deeon, dj slugo, jammin gerald, drewsky & co.

next up on dabj, hissman aka fabio monesi is an artist we have been massive fans of since we started playing nobodys talking which featured on our 2014 dabj bbc radio 1 essential mix a few years back. through his labels hardmoon and wilson records, he has brought some of the freshest jams to our ears in quite some time. for his first outing on dabj, shit gets real. masterfully crafted mechanized, rough, tough techno belters in that inimitable hissmanstyle... dont sleep on this.

osynlig fetma is the production duo arvid wretman (aka your planet is next, sexazoid) and dennis vera. the two stockholmers have created a diverse ep of analogue lopsided dance music. freaky vocals take place over freewheeling jazzy jamming synths and drum machines. house music for dancers with two left feet. comes complete with a mix mup remix. download code included.

field of dreams are field theorys chris kentish and dj al mackenzie. field theory have recently had tracks on respected labels such as futureboogie and secret life gaining rave reviews and even garnering plays on bbc radio 6 music. al has been a dj since the late 80s, now resident at birminghams great outdoors. he s made numerous records over the years but will probably be remembered primarily for his 90s band d:ream making number one all over the world and remixing for emf and duran duran amongst others. bumping into each other in the street one dayand realising they lived opposite each other, they seized upon the chance to combine their favourite passions, making music and drinking.

one of the gems on the smash hit album soulmatic , purple disco machine & boris dlugosch s, love for days gets the remix treatment three ways. first up the master kenny dope - crisping up that shuffling rhythm with some added percussion and synthesiser arps to turn what was already a peak time soulful anthem, into a close to 8 minute extended journey drawing you in more and more with each build up and breakdown. next up the pdm offers up an extended mix of the original, a welcome sight for those djs on the club scene who have been rinsing this since the album dropped last year. finally, motez takes you into raunchy, r&b tinged, garage territory, really honing in on karen hardings incredible vocals whilst incorporating brooding pads and sweeping fxs to create a special twist on the original.

early support from: archie hamilton, cosmjn, nick beringer, iuly b., loquace & more. after the huge success of our first record, we are proud to present you create. following on from his ep earlier this year, philipp lichtblau returns to movin with another 4 tracker. with great pleasure we can unveil monika ross & alex ground on remix duties, who have laid their hands on the originals. next to the title track and >overthinking<, they conclude the package with their interpretations. four outstanding tracks for unique moments - join the movement!

bombay springrolls contains three tracks which all have their own strengths. the a side is a wide 45 rpm print of thee j johanzs uplifting and pretty cosmic intergalactic rabbits remix of the original still fukkin with it on side b, a catchy slomo disco track by jim lok. here you also find thee j johanzs bombay springrolls, which just happened on an afterparty in a studio in bombay (energized by the best spring rolls around). with pre-production on the spot by bombay’s underground house and techno producers abhi meer (modular synth), spacejams (tr707) and chhabb (bassmachine). a digestive and spicy disc with a variety of flavors. masala!

lybes dimem is a project by visual artist and musician lukas rehm. with elaborate beat structures and the use of error, the music plays with cognitive phenomena and abstraction while maintaining an emotional refuge. lybes dimem is presented in formats ranging from spatial sound experiences to synesthetic shows complementing the auditive layers with visualizations of realtime data, computer graphics and moving image. lukas rehms installative art, and compositions have been internationally presented and awarded with multiple emerging arts prices. syncleft chronem is the first album released by lybes dimem in both digital and vinyl for-mat and accompanied by a moving image artwork. the title reflects the projects interest in the potential of difference, cognitive frictions and exertion: sync variability in the processing of auditive and visual signals, syncleft the synaptic cleft, which is a crucial empty spa- ce in biological neural networks, chronem the chroneme as a theoretical unit to measure the time of an articulated sound. mathematically clean sounds juxtapose patterns and transitions familiar from the realm of organic acoustics. multi-layered noise textures ex- plore the simulated space. a tem- porary continuity is provided by percussive and melodic elements, right until the next escalation, eventually awaiting a concluding resolution. the visual language explores different phenomena and techniques of cognition inspired by the rhetorics of big science (computer graphics, discontinuity of material, pop cultural references).

incl dl code, dam swindle present ‘high life, their second studio album due on the 28th may on the duos own heist recordings. the heart of the album was recorded over a three week period at their amsterdam studio in march 2017, and the release will coincide with the fifth anniversary of the label. since forming in 2011, the dutch duo have carved a unique place for themselves in the scene. their sound - which merges references from multiple decades into one smooth aesthetic - quickly rose to popularity for its careful blend of soul and rhythm, taking cues from their passion for obscure records, with influences ranging from house and funk to afrobeat and soul. dynamic live shows and dj sets afford them a packed touring schedule across the globe, whilst their label heist recordings is credited with consistently breaking new artists. the album explores the intersection of live and electronic music, with much of the improvised material left largely untouched to maintain its organic sensibilities. dam swindle describe the album as an electronic album with a live approach, combining our love for house, ambient and jazzy harmonics, making it a record interesting for the club, as well as a pleasant album to put on at home.

2018 repress!
with our indian summer holding strong it seems to have spread into camp critical too as the label that has delivered the finest grade d&b since 2002 drops another sumptuous release from the man with the midas touch, calibre. showing off his more experimental self is a release that sits perfect on the critical mantle, sit back and enjoy.

it’s been more than 2 years since i did an original release on my own label. it’s been 9 months since i had an original noir release. i wanted some time without releases. some time to breathe, to think and most importantly time to be creative and to experiment. i have picked 2 productions i felt sounded different to everything else out here.

50 is a nice number of releases to be celebrated in style, that’s why we have cooked up a very special menu for this milestone. as the spirit of the pole group team we have combined everyone’s character on this record. all tracks have been made in common, each of the label foundational members have worked on their own sound parts that in a second process have been assigned randomly to others to work on them, in a creation loop that somehow represented the true essence of the label. you’ll never now who is making what, it’s just oscar mulero, exium and reeko in essence and mixed up. you’ll find no ambient interludes, no anthems, no big breakdowns, every piece in this creation has been designed for the finest dancefloors, rough textures mixed with solid beats and continuous synth lines, techno in its essence made by those who never left the boat in ruff times, pioneers making the soundtrack of the future.

after the first ep, that you must have heard in clubs across the world - laconica is back with its second. as with the first one, this release is all about the three solid cuts, which are made especially for the dancefloors. the first track “who gave you dis” is a deep groove in tandem with whispering vocals and powerful drums. “this for b” is a perfect minimalistic tool for after-hour sets. last but not least, “lil souvenir” (b2) is revolving around the chicago house feeling with some classic vocals in it.

birmingham hardcore badman deathmachine back with a 3 track monster vinyl on prspct xtrm! nasty is a 190 bpm nasty as f*** industrial hardcore killer and the worlds end on the flip seriously takes the piss in a good way. that 210 bpm atmospheric/euphoric uk infused hardcore we all love so much and have been missing these days. all killer no filler. you need this in your life! pressing on clear and solid purple mixed vinyl.

it’s a funny old world, and yet again, the black dog have provided the soundtrack. our fast-approaching dystopia has been envisioned and documented by the band for decades. now, the black dog’s two new albums, post - truth and black daisy wheel, translate their growing horror into some of their most accessible and impactful music, translating our manufactured reality into high energy dancefloor constructions on post -truth, and reflective ambient excursions on black daisy wheel. limited to 500 copies on 180 gram double vinyl.

it’s a funny old world, and yet again, the black dog have provided the soundtrack. our fast-approaching dystopia has been envisioned and documented by the band for decades. now, the black dog’s two new albums, post - truth and black daisy wheel, translate their growing horror into some of their most accessible and impactful music, translating our manufactured reality into high energy dancefloor constructions on post -truth, and reflective ambient excursions on black daisy wheel. limited to 500 copies on 180 gram double vinyl.

there is a memory of a forgotten past, or an unknown future. that momentary seed of thought of a time where the unearthly and the spiritual reigned supreme. an abundant force of the senses , linking to the deeper paths of consciousness. where our roots merged and linked with the universal network of thought. where magic and mystery where not seen as illusion, but a treasure of collective inspiration. captured in the now and the endless, the same and the opposite intertwined, the light and the dark. the thing with five eyes is jason kohnen’s phoenix rising from his previous disassembled ‘darkjazz’ projects the kilimanjaro darkjazz ensemble and the mount fuji doomjazz corporation. the continual journey into unknown musical territories. ‘noirabesque’ is that current day journey into those worlds that have been or are still to come. a boundless universe. on this adventure kohnen is accompanied by algerian / french singer leila bounous, who perfectly adds the oriental and mystical vocal timbre to the album. pressing on 180 gram double vinyl, housed in full coloured sleeve.

crown of brahma are charles stella, nicole willis & daniel wyatt. the songs “an angel on my shoulder” & “and i’ll be free as a bird” were recorded in the period between 1995-1997, originally set for release on an lp on rawkus records in 1997. this album would have followed the release of the group, repercussions, album charmed life (pony canyon, 1997). nicole willis was the lead singer / songwriter of this group. charles stella & daniel wyatt worked together at temple of soul in new york city, where some of charmed life was also recorded. these two vocal tracks have never been commercially released, however were heard by tommi grönlund of sähkö recordings and leftfield, who requested to work with ms willis in result. the two tracks have been remastered in 2017 by charles stella.

recorded in an ageing holiday park during off-season, center parcs is the debut lp by dutch artists betonkust & palmbomen ii a conceptual, musical-tristesse full of lo-fi harmony, and fanciful, psychedelic-coloured modulations, with an undercurrent of saturated, outsider-house beats, all recorded to tape. with a shared passion for experimental music, and gnarled dutch electro, the duo have crafted an lp of esoteric-electronic-pop, reflective of the time the two spent holed-up in isolation, in the out-of-time center parcs setting

the sixth release from the london-based sugarhouse imprint sees tekboys (label heads maurice jnr, jamie paul and seb miguel) bring forth a 4-tracker built for the floor. it’s already seen support from the likes of alex nut, bradley zero and bicep, amongst others, and looks primed to set alight basements and beach stages alike this summer. originating in 2015 with the much loved ‘magic mountain ep’ this low key, diy label has quietly been releasing hit after hit. alongside their much-coveted white label imprint ‘bouncin’, the guys from sugarhouse have picked up an impressive fanbase including bradley zero, alex nut, four tet, patrice scott, prosumer, kai alce and hunee to name just a few.

parisian djs duo cléon & jazzy pidjay are back as last bongo in paris, with a hot new 7inch filled with latin & brazilian soul-funk vibes... with raw drums, heavy breaks and jazzy flavor, these 2 new tracks should please all groove lovers for christmas!! cléon & jazzy pidjay have been united through their love of music and hip-hop culture for a while. dj cleon is one of the finest producers in france for breakdance battle breaks, also known as a fine wax digger, mixing all kinds of music together, such as disco, funk, soul, jazz, break-beat, hip-hop and more old and new records. alongside his mate jazzy pidjay and his great production and mixing’ skills, they give a new dancefloor life to hidden and forgotten musical treasures, through funky uptempo tracks.

parisian dj & producers duo, cleon & jazzy pidjay, are back as last bongo in paris, with a hot new 12inch filled with latin & brazilian soul-funk vibes. with raw drums, heavy breaks and jazzy flavor, these 5 tracks ep should quickly become a hit for all groovers and dancefloors!! cléon & jazzy pidjay have been united through their love of music and hip-hop culture for a while. dj cleon is one of the finest producer in france for breakdance battle music, also respected as a fine wax digger, mixing all kinds of music together, such as disco, funk, soul, jazz, breakbeat, hip-hop and more old and new records. alongside his mate jazzy pidjay and his great production and mixing skills, they give a new dancefloor life to hidden and forgotten musical treasures, through funky uptempo tracks

the second release on kons officially licensed kontemporary imprint is here this time he takes on one of disco s anthems to devastating effect, deftly reworking sylvester s evergreen over & over. a true dance-floor bomb, over & over is just one of those records, originally written by the legendary team of ashford & simpson its inevitable that this jam oozes class. kon has lovingly freaked the original master tapes into 2 brand new, fresh versions that will undoubtedly find their way into any self-respecting disco freaks dj set. on side a we have his found a friend remix, a beautifully reimagined and restructured version that leaves lots of space and let s those wonderful strings really soar, finally crescendoing in total disco glory! it s no wonder that the mighty dj harvey has been closing his sets with this one. pure class. on side b we are treated to an amazingly bold dub mix, in keeping with the traditions of the classic labels, west end, prelude, fantasy and co, its sparse, melodic and contains just enough juice to keep the people dancing and asking for more! this is an essential official release, 2 future classic mixes from one of the world s best remixers further sonically enhanced by boston native caserta on the mix. licensed courtesy of the concorde music group.

ltd 100 copies, yan tregger can be considered as one of those composers and instrumentalists who have successfully explored various musical styles during their career, a true experimentalist with a motley repertoire, including pop, soul, jazz, rock, and even disco, he remains a must-have for connoisseurs. from the 1960s to the present day, whether as a composer, arranger or conductor, he is the author of more than 25 albums intended for the library music. the majority of his timeless works, coveted by -diggers- around the world nowadays, set his uncommon productions well apart. with their singular arrangements and rhythms which have the particularity of -sticking- to each musical era, his music continues to delight dj s and other beatmakers. this reissue of catchy, allows the listener to rediscover musical moments from an era full of inventiveness. a spirit of creativity very hard to match again today...

osaka based producer 7fo. having previously released a cassette on rvng international, and a 7inch single on bokeh versions in 2017, this is the japanese producers debut full length vinyl release. the tracks, recorded between 2012 and 2017, have been tweaked, remastered and recorded to vinyl for the first time. the mysterious figure recorded the tracks at home, processing guitar sounds, using a sampler, synthesizer and junk equipment. following in the footsteps of the ambient giants of his native lands, 7fo’s music continues this illustrious heritage whilst offering something fresh, modern and beautifully rendered. he describes his own sound as gorgeous sustained tones and dreamlike oscillations that drift through the inorganic/electronic world reverberating through our subconscious creating sonic fables in our minds. the 12inch comes with artwork designed by label head & visual artist jack hardwicke. to accompany the release greek filmmaker george kountouras, who also collaborated on the artwork, has directed a gorgeous video for the title track moment

pushing movies is a collaborative project from jeffrey sire and dimitri soemotional that celebrates the vintage tones of italo disco, synth pop and all things slick and 80s. -thinking about you- does indeed sound like it could have been made 30 years ago - from the slap bass to the reverse drum fills, plastic fm synth lines and overall aspirational tone, it s the consummate extended 12- mix track. lauer takes the original and smacks it up sharp with some tougher drums and a greater sense of urgency, and then fort romeau takes a subtle approach that keeps much of the original spirit of the track intact while honing the edges for maximum club play and using some cosmic synth flourishes to devastating effect.

deep house done properly australian trio rüfüs amazing 2016 sophomore album bloom, previously only available in australia, gets a welcome, worldwide release. featuring the singles you were right and like an animal! its a journey through richly layered synths behind driving beats, atmospheric build ups and killer breakdowns all married together with tyrone lindqvist s soulful vocals. from the heartfelt epic that is innerbloom, to the uplifting melody of say a prayer for me, bloom will have rüfüs fans fall in love all over again.

taking inspiration from music, nature and the elements that surround them, jukka hänninen and mika hanka aka shuffless have quickly garnered the attention of many within house and techno since making their production debut in 2016. written at the vislampi studio, located in ruutana city, finland, using a combination of hardware gear from the likes of roland, korg and arturia, here we see the duo reveal their latest work with four diverse and expansive cuts set for release this spring as they return to syncrophone s in-house imprint. opening up the ep, hänninen and hanka fluently introduce chi , a complex and evolving cut that effortlessly fuses deep, rich chords, and delicate, skipping hi-hats, before easing into the flowing groove of lahti with its jazz-tinged melodies and heady tones guiding the production into lighter territories. on the flip, nime Ñvailla introduces a matrix of hazy textures amongst crunchy percussion licks and dubbed out atmospherics as the duo return to deeper, darker realms, before title cut puollaskel punctuates the package in classy fashion, laying down gritty analog percussion, resounding kicks and subtly programmed nuances to conclude an excellently worked ep.