new album of multi-instrumentalist max santilli.

max dukes erste lp my sins ist eine reise zwischen house und techno via electronica, mit einem einzigartigen französischen touch kreiert er ein ungewöhnliches und zusammenhängendes debütalbum

classy stepping electronic dub excursions

repress without 7 inch! five guys jamming together, each throwing in funk-nuggets from a finely honed appreciation & a shared love of the good groove. this studio project was compiled from a free-wheeling desire to just team up and play together, see what happens... the holy trinity of rhodes, clav and live bass, all wrapped up in a heavyweight rhythm section has provided the backbone to over 50 years of ground-breaking and floor-shaking black american music. the max graef band project channels this energy with the tight efficiency of the headhunters tag-teaming the new power generation, oh yeah - anyone expecting elbow patch, 6th form funk can think again, this is mosquito’s tweeter territory folks. from raw, p-funkin jams to punk-funk workouts & freestyle jazz flavours, dog pays homage and wears its influences proudly, while bringing a fresh take on the foundation funk that informs this collective’s own celebrated sample-house revival.

support from jose padilla, max essa, kenneth bager, joe morris, clandestino, balearic ultras radio, willie graff, dee montero, breese, dave harvey, chris coco, dream chimney, phil mison, balearic social, potato head bali, glass coffee, dj disse, early morning breaks, andy baxter, brothers grim, pikes on sundays, octagon eyes, ku de ta bali, spiritland, andy wilson, ibiza sonica, blank & jones, phil cooper, leo mas, one million sunsets, pbr streetgang, private agenda

... from uk garage to house

original released in 1996s , reissue 2019

max & moritz - eine bubengeschichte von wilhelm busch in sieben streichen. auf der b-seite eine sammlung von 26 kinderliedern. die vinyl-lp erscheint im klappcover inklusive max und moritz buch.

max richter’s soundtrack for the tv series “my brilliant friend” on 180 gram double vinyl, housed in a gatefold sleeve with download code included.

the belgian duo san soda and red d entered the world of recorded music some 12 years ago with the inception of red d’s label we play house recordings.

limited gatefold purple vinyl 2xlp + mp3 download code

limited repress !! killer

special transparent 180 gram double vinyl edition. housed in a gatefold sleeve with download code included.

classical

supported by joe goddard/ hot chip, gilles peterson, fish go deep, max essa and more

max richter’s score for the narrative dance piece “woolf works” by choreographer wayne mcgregor. pressing on 180 gram double vinyl, housed in a gatefold sleeve

max richter’s original motion picture soundtrack for “never look away” on 180 gram double vinyl, housed in a gatefold sleeve with download code included.

2nd on form & terra , incl patrick lindsey remix

dubplates don persian has repressed this hardcore breaks techno riddim

finest experimental electro by felix kubin

2016 album from roots reggae legend max romeo on double vinyl, housed in a gatefold sleeve.

repress 2019 - all that jelly and no toast - like when you find a bomb tune that s unavailable on 12-. the new sublabel of smile for a while is exactly about this. clubby house music by well-established producers as well as from lesser-known guys. french guy alex agore opens the ep with the lowtone remix of -what did i do- - cut-up garage house to the maxx. max chapman from london delivers another belter, a bassline-driven organ house tune with a minimalistic but very effective set-up. oleg poliakov - aka skat and one of the guys behind circus company - comes up with a sublime but powerful tech house tune, in the original sense of the genre name. -jazzve- is a tune by russian producer mutenoise. it s maybe the most original, innovative tune on this ep. full of surprises and cutting-edge elements - hard to compare to anything else around these days.

third part of the de:10 series, celebrating 10 years of de:tuned. pressing on 180 gram vinyl, housed in full colour sleeve.

i was thrilled when joe goddard asked if he could make an ep for the label and were even more thrilled when i heard it. the fact that he roped in the legendary kool keith to appear on one track just kept on bringing the thrills.

third part of la parenthese house

compilation of the nicest tracks by max, incl the original and 1992 version of tou t jou pa min and the beautiful tune on jou matin. for these tracks he got support by many top musicians involved in the zouk scene at the time, which resulted in super solid productions.

tracks and remixes by: baile, dubspeeka, ejeca, frankey & sandrino, fur coat, gheist, henry saiz, john monkman, kate simko, locked groove, max cooper feat get people, radio slave, sasha, tevo howard, thermalbear, vonda7

max und moritz (wilhelm busch) & der struwwelpeter (dr. heinrich hoffmann) auf picture vinyl. erzähler hans paetsch und ein kinderchor.

max richter’s 2006 album back on 180 gram vinyl, mastered from the original sources.

300 limited colored vinyl only. no repress

max richter’s score for “mary, queen of scots” on 180 gram double vinyl, housed in a gatefold sleeve with download code included.

max richter’s original motion picture soundtrack for “white boy rick” on 180 gram double vinyl, hopused in a gatefold sleeve

remastered audio and expanded tracklist on 180 gram audiophile vinyl. gatefold sleeve, printed innersleeves and 4 page booklet.

a 1999 classic - well known tracks for the house heads. check out the b side - a must have!
2018 reissue-max 1 copy per customer!

das beste vom besten von max raabe und dem palastorchester auf schallplatte. auf 3, um genau zu sein.

pleasure in mind records presents its first vinyl only release. this various artists includes four tracks by different producers and aims to showcase the variety and scope the label has built up sonically. from a housier track by argentinian prodot, going through a more tech and minimalistic groove by u z z v, passing by an experimental and ambiental cut by duky to an organic breakbeat from max tolmachev & dnlk, pimrv001 brings together a combination of sounds ideal for any situation or setting.

four years after his breakthrough, max graef returns to tartelet records with his second solo album, “lo siento mucho pero no hablo tu idioma”. a dungeon dub symphony in four parts, “lo siento mucho pero no hablo tu idioma” is an album’s album. brimming with new and old guests, interludes and bonus skits, it’s a consummate sketchbook of graef’s most unique music to date. “every bit of music or work represents the mood and skills of a certain period,” he says.

(re-issue of the much longed for 2013 lp with alternate artwork). samo dj and max stenerudh have billed the record as a conceptual soundtrack set in kowloon’s walled city, an ex military fort in hong kong that became notorious for its dense population, triad connections and lack of governmental control. it was demolished in the mid 1990s, but has served as the influence for plenty of projects since, and should provide a suitably shadowy backdrop for kwc 92s fractured sounds.

the burrell connection is somewhat a resident with craigie knowes, he lived in the same flat in glasgow with label boss max when he started the label in 2015, he featured on the first release, he contributed to second fundraiser album, hes also played half of the parties at their glasgow home, la cheetah club, and travelled with the craigie knowes dj team to wow crowds around europe. but enough of the history, this is now - the burrell connections debut ep with the imprint, hyper/orbit. hyperactive techno and breaks blended together, emotive pads, 808 basslines and that ever-creative and homage-paying sampling ability that the burrell connections noble followers have come to love. its scotlands poster-boy at his finest. diversity is the key to longevity.

yasha is 28 year old joe gillick, who grew up immersed in the sounds of ukg & grime on the streets of south london. he founded orphan. in 2015 with his friends sage redman and billy meddleton. the three began throwing bi-monthly parties in deptford, their aim was to feature the unsung heroes, the seminal artists that weren’t often regulars in the crowded london club circuit. cutting his chops djing alongside the likes of tim goldsworthy (dfa, mo’ wax, unkle), dave okumu (the invisible, jessie ware), the golden filter (optimo), mica levi (micachu) and more, joe fed his keen sensibility for club grooves. cut to 2018 and joe finds himself a seattleite.

a year after his debut outing on the label, max essa makes a welcome return to hell yeah with the han zon roc ep, which is another of his impossibly laidback offerings. essa is of course the long time uk talent who has become a part of the balearic mafia thanks to releases on labels like aficionado, music for dreams, and his own jansen jardin. this is the second coming together of artist and label and is another timeless excursion far out to sea. opener han zon roc (midori coup) is an epic 12inch minute adventure that slowly awakens your spirit with new age guitar plucks and heavenly ambience before organic drums slowly being to drift into earshot. they grow ever larger as synths start to spray about the mix, hand drums pitter patter and big chords bring the soul-shine. its like the soundtrack to an afternoon boat party all condensed into one brilliant cut. how you showed me everything then gets super chill with lazy drum tumbles, bendy guitar lines and scattered hits. withering cosmic chords colour the airwaves and its a track that will slow your heartbeat to nothing. last of all, rain birds alfalfa jam is a analogue drum work out with early 90s hip hop influences and diving basslines. it s light and airy, nimble and playful and of course filled with the sort of tropical rays that make all of essa works so brilliantly escapist.

max is back for his third ep for sonic groove. titled the “art of rage” max returns this time with a heavier syncopated synthesized sound in comparison to his previous two rhythmic industrialized techno releases for sg. twisting and turning the sound of early 90’s ebm , classic rave techno and acid vibes into the perfect modern day sound track. what else can one expect from a 30+ year veteran of the techno scene!

max essa - lanterns is a brand-new artist album from the japanese based producer & dj and his first release on copenhagens music for dreams label. tranquility, alone in a taxi riding through empty streets, neon fades into sunrise. a refuge from the disorientating energy of the night. the sleeper train to izumo. an okinawan beach at dusk.

summer mode on. balearic 4, compiled by breese, is the soundtrack for summer, brim-full of beach-ready tunes that truly reflect ibizas chilled musical spirit. featuring two album exclusives: on-u sounds cosmic fla-menco dub of los twangueros and a breese remix of robot 84 that brings spanish guitars firmly to the fore. digital exclusives too, quinn lukes different aspirations offers i-know-this familiarity, emerson kitamura covers 70s classic rock your baby in lullaby style, while max manettis changuinola winks back towards the happy mondays circa 1989. other highlights include gallos faron - currently proving the sunset bomb with ibiza djs j-walks modern remake of mazes twilight fuga rontos rework of kay zees barny as a modern-day down-tempo beauty, plus joe morris skies reprise, which carries the mood dreamily off into the night. a dozen true pearlers, each one confident and ready to take their place amongst any quality collection.

frits wentink s bobby donny label welcomes reykjavík producer felix leifur for more lush house explorations across four new cuts. the producer last released on this label in 2017 and his new one finds him again exploring deep and organic grooves, rough drums and jazzy pads. the tarleton appreciation club has real, live sounding drums making for a spaced out house cut coloured with dreamy pads and muffled vocal samples that have an aching beauty. parts is a brilliantly jazzy jam with bright chord vamps, wooden hits and clipped vocals making for a track somewhere between the styles of moodymann and max graef. robbi is another atmospheric track with pads and intimate melodies lingering in the air above choppy drum work that makes you want to wiggle. closing things down is juledreng, another perfectly roughed up bit of house with saturated chords and tons of reverb drawing you into its cosy little world.

for its seventh offering, sol power sound taps into the pulse of the french antilles for tambours de martinique, a blistering ep of original and remixed versions of rare, drum-centric dance floor workouts. licensed directly from the legendary martiniquan label hibiscus records, the ep features cuts by eugène mona and max ransay, two of martinique s most storied musicians. with reworks by spanish dj and producer kiko navarro and the sol power all-stars, this one will be in the record bags of discerning djs all summer long.