oscilla sound’s inaugural release from rising talent wilhelm features intricate rhythms fused with synthetic ambiance and idm tinged sound design in a combination of beatless and syncopated cuts.

four distinctly diverse cuts here on the second edition of blue hours * remixed* series
printed, stickered disco sleeve
the second edition of blue hour s remixed series features four distinctly diverse cuts. mark broom delivers a peak time take of common ground , followed by substance s (aka dj pete) dub driven remix of the untitled hidden ambient track which appeared on reference 97 . on the flip hessle audio s pangaea re-captures the jacking and functional energy of falling lines , then closing the ep is a raw and dreamy electro workout of introspective ii from vc-118a.

limited 2017 repress. rough limited is a new german based vinyl only record label that is specialized in underground club music. the first release comes up with a four track ep of sublime house cuts from diego krause (beste modus & unison wax). early support from: bicep, konstantin sibold, oli furness, muallem, dj steaw, cinthie, manooz, timothée milton, rhythm operator, leif müller, sebastien vorhaus, fede lng, lifekiss&hoover, toronto hustle, tobi danton, danapo and many more ...

rubisco is back in business with „elevate“ by porter. this berlin-based freshman proves his skills with three diverse cuts, serving up his deep, yet driving style.

don t call it a comeback.
after his outstanding -elequix- release in 2015, federico molinari is back on track with two early morning cuts. vamos !

after kicking off in some style, max d. blas and alex piccini s monologue label follows up with a second sizzling release, this time from yaya & lorenzo chiabotti. the first monologue release received great feedback from the likes of villalobos, raresh and matthew dear amongst others, and yaya and chibotti, fire out three original cuts here, that also come with a remix from robert dietz that ensures this is another massive package.

ooopsie. four more cuts of lo-fi shadow funk by rub800!

elitechnique. bordello a parigi. finally! right? the rotterdam duo arrive in amsterdam with two cuts of groove dipped electro disco.

what does teen spirit smell like, anyway? it might smell something like noise addict. like the real life stars of some sort of choose-your-own-adventure book about pursuing rock stardom, few bands ever led a more charmed existence, springing from the sydney suburb of bondi into seemingly overnight international fame as friends and collaborators of sonic youth, fugazi, and the beastie boys. through a combination of relentless drive, luck, and an admirable lack of self-doubt, noise addict spanned puberty to surpass the haters and join radio birdman and nick cave as a strange but permanent piece of australian punk history.
compiled here are 25 tracks, including their evan dando-worshipping satire “i wish i was him,” the thurston moore produced demo, choice cuts from their grand royal-issued ep and lp, and covers of “let’s lynch the landlord” and “back in your life.” the entire sordid adolescent tale is covered in incredible detail inside the black and white 16 page zine. and finally, for the first time in the history of record pressing, and for no good reason at all, the cover for 10.000 kids with guitars doubles as a working chalkboard.
limited to 2000 copies on black vinyl.

mit der neupressung von -loop-finding-jazz-records- als doppel-lp (inlusive downloadcode) ist 16 jahre nach der erstveröffentlichung ein meilenstein deutscher minimalelektronik wieder verfügbar. das stilprägende album erschien 2001 auf dem wunderbaren berliner label scape, wo es zwischen den knister-, hall- und frickel-klängen eines pole, kit claytons und burnt friedmans hineinpasste, wie die faust aufs auge. mit jazz hatte das ganze natürlich nichts am hut, vielmehr mit clicks & cuts und glitschenden microsounds, die seinerzeit hoch im kurs standen. das szenemagazin -groove- nahm -loop-finding-jazz-records- 2013 in die liste der besten 50 elektronischen alben auf. kollege tobias thomas von kompakt schrieb in seiner laudatio: -seine clicks und cuts waren wie funkelnde fragmente, die man aus einem großen diamanten herausgelöst hatte. umhüllt von digitalem sternenstaub, dabei nie kalt, sondern geschmeidig und feinstofflich dahingroovend, bewegten sich seine tracks wie ein amalgam von ambient, freier elektronika und sehr tiefer, sehr reduzierter house music.- die neuauflage von -loop-finding-jazz-records- enthält die beiden bonustracks -moiré (guitar & horns)- und -poren-, die ursprünglich b-seiten-stücke der 2000 ebenfalls bei scape erschienen -tendency ep- waren

broox is pleased to host for its third release the french producers jam’on and worker union. jam on offers two punchy cuts with a bass line as subtle as effective. as for worker union, this is all about 2 tools exploring with intelligence the breakbeat inspiration mingled with a deep house background. vinyl only !

claque musique’s latest is a collaborative v/a affair. two vinyls package featuring eight classy cuts from donato dozzy, carola pisaturo, federico grazzini and more... a journey through the vastness of electronic music!

after what can only be described as a storming start to their label, luke hazell, ben murphy and elliott owen continue the exciting evolution of their brand music related with their first vinyl release and it’s nothing short of sublime.
this spring, music related makes its bold entrance into the ever growing vinyl market with a heavy dose of minimal and house cuts in the form of a 4 track various artists, ep. mrrv001 drafts in the talents of salva stigler & dubquest, pat ondebaak, duky and manuel de lorenzi, and it’s easy to see why as these 4 artist each bring a unique flavour to this well rounded minimal infused record.

sunken rock recordings is back in the building with the first ever solo release by the mysteryman doc jay. five cuts that take you on a journey into jays world of oddball, fragmented dance music straight from the archipelago of stockholm, presented in a 4 color (!) screenprinted sleeve with artwork from the the man himself.

first release by rotterdams young entrepeneur offset. 3 electro cuts and an dub techno track on the flip! 300 copies limited handstamped business

releasing timeless music has always been one of the main aims of hivern. sometimes, this purpose asserts itself in curious manners. take margot s moderno , a track made in 2003, several years before the label was born. actually, when pepe and giaga produced the piece for a punk oriented art installation, margot didn t even exist as a project. 14 years later, moderno sounds as fresh and contemporary as it can be. it s one of those cuts that chases a very specific idea with a very unconstrained scheme, that knows exactly where it wants to go, but is not sure about how to get there.

anno stamm is the revered 4/4 branch name of berlin’s lars stoewe. as anstam he has been at the forefront of dark beat science, touring extensively with the likes of moderat and thom yorke’s atoms for peace and has appeared at festivals ranging from mutek and ctm to sonar and dimensions. ‘annothek’ is his second ep for macro. the three tracks build on the same set of sound sources and offer three different views at their glowing core. elastic basslines pierce through a bed of sweet and warm chords, surrounded by sizzling noise percussion. definitely on the more introspective side, the three cuts offer a special emotional depth while maintaining a bit more than just enough oomph to get the action going. late night and early morning are the possible settings. it’s a declaration of tender love that comes with a gentle push towards the closest darkroom.

new to the stay underground it pays gang, the tenth release on the label comes from one ofthehotest&experimentalfrenchproducer from marseille : donarra ! we get the chance to get 6 cuts on one ep (!) which is almost a mini album introducing you guys to his astonishing sound. it could be described as dreamy, raw, completely analog (his trademark), well some kind of proto-techno new-wave belter. killer. all in all, another wonderful release that feels straight at home in the stay underground it pays catalogue

public release’s lucky thirteen and second release of 2017 is by another kindred spirit newcomer to the label, earth boys, a brooklyn-based duo that’s all dreamy keys, soft pads, peace frogs, throwback vibes, and deftly futuristic house rhythms, though not necessarily in that order. with trail mix, mike sherburn and julian duron have built four gloriously friendly, oddball house cuts— cheeky, choppy vocal samples juxtaposed against schmaltzy piano licks and punchy tribal rhythms rubbing against smooth bass figurations. their ironic sense of humor intersects with precisely crafted productions in a way that underscores both, making the ep a brilliant concoction of bouncy, energetic dance music that teases the genre as much as it revels in it. if that messes with your head, just shut down your left brain, drop the needle, take a big ol’ rip, and see where a microdose of earth boys will take you.

long time friends cesar merveille and ryan crosson return to visionquest to reignite their ‘merveille & crosson’ project in late may with three fresh, intricately programmed cuts. visionquest boss ryan crosson and parisian cesar merveille need no introductions, with the duo’s back catalogues featuring material on the likes of revered imprints cadenza, desolat, little helpers and mdrnty. 2011 welcomed the introduction of their ‘merveille & crosson’ project, with their debut album ‘drm’ on visionquest gaining plaudits from industry heavyweights including ricardo villalobos, and after a five years absence here we see the duo return once again to deliver ‘dream state’, a three track ep that oozes quality from the off. the a side is home to title cut ‘dream state’, a production that tumbles and twists smoothly around meandering synths, crisp percussion shots and a bumping low ends, typical of the duos free flowing and evolving production styles. on the flip, ‘guns’ sets to work through pitched down vocal loops, sweeping sonics and rich textures all reinforced by a driving bassline that carries plenty of groove, before ‘time contraints’ slowly unveils itself with a series of off-kilter gliches and pops, delicate pads and sophisticated sound arrangement, concluding yet another fluent and immersive offering from merveille & crosson, and an excellent addition to the visionquest catalogue.

lost in time continues on it’s path exploring timeless underground house music with number 8 in the series. the ‘last step’ ep focuses on the extraordinary production talents of tuccillo, the italian musician widely regarded for his unblock studio. this record marks a deviation in direction for tuccillo, who is recently returning to his roots, making stripped down minimal dubs aimed directly at the dance floor. lostime008 includes four new cuts which can best be defined as ‘romanian’ style in essence. in fact raresh from a:rpia:r and livio & roby from premiesku are early supporters. the title track kicks things off with rolling percussion with more than a hint of latino attitude. dubby stabs and detroit style chords soon join the party and intricate changes in the drum programming keep subtly lifting the track throughout. ‘changed’ opts for a totally different tact, opening with lush, dreamy pads which evolve alongside rolling snare patterns and bass grooves to reveal a heavily harmonised spoken word vocal. on the flip side, ‘drum engine’ opens with feint, delayed vocal stabs which are joined by celestial, swirling pads, before being abruptly stripped away to reveal a menacing growling bass finally, ‘titled’, takes thing in a more minimal direction with airy pads and acid bleeps panning around the mix, showing off tuccillo s immense production talent

rising young talent, elliot adamson, has been on the edible radar for a couple of years already, so it’s fitting that his debut for the eats everything curated imprint marks the label’s tenth release. the newcastle born producer has been gathering an arsenal of some of the freshest and inventive house music for some time now, and two of these cuts are ripe and ready for consumption on this tasty edible release. with its insatiable jackin’ vibe, “still workin” has already become a firm favourite in the dj sets of eats everything, the dj deeon sampling track keeps pumping pure energy and classic chi- town house troupes from start to finish, with a rasping bassline riff worming its way around the solid kicks and clattering hats. the fantastically named “where the fucks my flanger at?” clearly represents his love of raw and undiluted house music. coming from the cajual/relief school of trax, this is another crafty and playful club cut from the house of adamson. having built up a strong following already, and support for his music from djs like jackmaster, skream and patrick topping,

following his 2015 release s/t, ant orange is back with another groove-laden 12inch on karaoke kalk. arkupe is a prime slice of laid-back beats and bass-heavy jazz breaks. each track oozes soulfulness, from the smooth-as-silk fender rhodes on the opening title track to the downbeat afro rhythms of fog walk, and the nonchalant guitar riffs and synth lines on little wing. side 1 closes with feld, a sun-drenched slo-mo house jam. side 2 presents another handful of diverse ant orange cuts, starting with the more uptempo toe-tapper big lils. lb offers more tasty jazz-n-bass drumming, while the closing track my man has a breezy still-awake-on-sunday swagger. with his latest 12inch on karaoke kalk, ant orange shows the wide range of styles he has to offer. arkupe is loaded with some of the mellowest vibes youre likely to hear all year.

tom diccico makes his debut with dred records after his acclaimed release on delsin. offering a feast of thunderous, dubbed out, machine funk cuts aimed at the higher planes of dance music. including a raw ratteling remix by john osborn of toms unreleased track particle fever

detroit legend rick wade steps up for the fourteenth release on vinyl only imprint shall not fade with his melodic, dancefloor fuelled ‘guardian of forever’ ep.
rick wade or big daddy rick is an artist who needs little introduction, a true house music legend, rick serves up three of his signature style tracks, accompanied by a remix from lk. the four track ep features jazz fuelled cuts, perfectly suited for the dancefloor.

london’s luna monk steps up to bat for silver lake and delivers two cuts of beatless, otherworldly ambience spanning a total of just over 26 irresistible minutes. an ep of two sides, of sunshine and rain, this is an exploration of light and dark, and all the areas in between. on the a side ‘sun kiss’ breathes and pulsates like a sunrise in slow motion, solar flares slowing burning away the morning mist of a melancholy dawn. a product of london, over its evolving duration it nonetheless bares more than a passing nod to the land of the rising sun.
over on the b, ‘sun setting blues’ changes tact and provides the perfect juxtaposition. this is submersive and aquatic, fractured static noise broadcast to the never ending universe whilst rain streaks down the outside of the window. eventually celestial voices break through the abyss and drag us back from the void. truly immersive work, without doubt salvaged from the bottom of a distant alien ocean...

for the 3rd edition of our new directions in funk 7- series on soul clap records we re keeping it close to home with special versions of two of the funkiest cuts off the recent soul clap and midnight magic albums. the latest in the double artist, double a side, split 7inch series follows up two funky slices of wax from funkadelic & soul clap / brian ellis ft. howard johnson on volume 1 and zopelar ft. serge erege / the nephrok all-stars on volume 2.

back to back 70s roots shots from joe morgan, his first and second ever tunes. while many know joe from his wackie s anthem basement session, joe was already producing himself in the mid 70s on his own afro black label in jamaica before coming to nyc. both of these tunes are stone cold classics long hunted by roots collectors, and the rhythms used should be familiar to astute listeners from other brilliant cuts. joe continued to record and produce himself and other artists on his own main imprint fish tea, and other labels label thru the 80s. the two tunes issued on this fish tea 12inch both originally appeared as afro black label 45 s in jamaica, and the b-side also on a pet shop label 45 in nyc

best of 50 cent is a career-spanning chronicle of one of music’s most compelling and influential artists. the compilation will be packaged as a 2lp, including classic cuts from his 2003-2009 albums, get rich or die tryin’, the massacre, curtis, before i self destruct, and the bonus cut how to rob. pressing on heavyweight 180 gram vinyl, housed in a gatefold sleeve with downloadcode included.

(locked groove, nuno de satos remixes) something happening somewhere and mary go wild combine their forces for a very special record, containing two cuts by presk and remixes by locked groove and label honcho nuno dos santos.

the 40th anniversary edition of the roots reggae classic -two sevens clash- album celebrating the period of 1977 to 2017 is available as a great 2cd-package and also as 3lp-vinyl set with additional 12inch-single disco mixes, deejay cuts, dub versions all state-of-the-art remastered by pete norman at finyl tweek. two sevens clash from culture was the must-have reggae accessory for any self-respecting music fan back in that long hot summer of 1977. loaded up with hit anthems like see them a come, i am not ashamed, natty dread taking over and the prophetic title track, two sevens clash remains the defining album statement of the year that reggae crossed over get ready to ride this lion to zion!

nyc s disco powerhouse west end records should need no intro. the home of too-numerous-to-list club classics for over 30+ years is still impacting today on what we know to be club culture. the label started by one mel cheren (rip) with assistance from larry levan and more way back in 1976 is still held in such high regard today with it s catalogue constantly being played, rediscovered, reinterpreted and loved by waves and waves of new fans and admirers. the west end story vol. 2 is an essential overview of this most iconic of labels, following on it s from it s predecessor the quality bar is obviously set extremely high, one only has to look over the tracklist to see the names and titles that are included! cuts from loose joints, taana gardner, barbara mason, stone, raw silk and more make up 4 joyous sides of essential forward looking post disco classics - we re talking late 70 s, early 80 s, synths, mega overdubs, left-field arrangements and anything and everything in-between. a truly golden era of dance music history, names like arthur russell, kenton nix, walter gibbons and more make up some of the talent featured on this flawless selection of goodies. oh, and for the record (no pun intended) these are all the extended mixes, 12- versions and special cuts, all killer - no filler! all tracks featured re-mastered, re-pressed and re-released with the permission of and in conjunction with west end records, new york city / bmg

black box records is ready to be back with the second release. this time we can hear four house cuts from the british tommy vicari jnr with his typical touch. vicari packed these 4 track fully of warm sounds to be ready for the summer-time.

as owner and curator of the exotic dance records label , j. albert has released a steady handful of projects on his brooklyn based imprint , as well as showcasing new music from deejay xanax and person of interest . add to that, recent releases on the 1080p label and black opal, and j. albert is fast making a mark on the scene for his raw and undiluted deep fusion of house, techno and jazzy vibes. his debut ep for hypercolour opens up with dont hide it a bumpin and jazzy flavoured house cut, resplendent with rolling snare drums and warm stabs, a sampled double bass riff and choppy vocal refrains xtra sauce is another stellar house track, fans of the ron trent/prescription chicago sound will instantly find an affection here with the rolling drums and soft keys, all pushed along at an energetic pace, whilst vista finds j. albert in more playful mode, carving out a 10 minute jackin underground house vibe that cuts raw and hypnotising.

mysterious berlin based label mask preps its debut release titled ‘lemmy’ with four untitled cuts this april. a new series born out of an established german imprint, mask’s enigmatic debut release was produced using a selection of analogue gear including a moog slim phatty, e-mu sp-1200 and nord rack 2x. the a side begins with a track built around a tightly programmed drum loop which subtly builds, laced with mix-slicing hats and sub-low kicks whilst stretched out chords dissipate around a crunchy synth lead. the second production is twisted and dusty, using flanging and reverberated effects to lead towards a distorted breakdown, driven from the depths by gusts of full bodied snares and a growling sub line. on the flip, dulcet tones of a female vocalist join lush melodic chords to cleanse the palette, whilst working within the confines of a subdued yet crisp drum machine groove. the final track then strips things back even further, employing minimalist percussive hits and a warm bass lead, leaving space for its soothing female vocals to do the talking

o celebrate the 25th anniversary of ugkãs first album, get on down goes the extra mile, presenting it for the first time ever on vinyl. and 2-lp clear vinyl at that, giving the strutting, funky grooves the chance to really stretch out on your system. back in 1992, southern hip-hop was still proving to the world that it could sustain a fan base that was chiefly raised on rap from new york and la. the geto boys and 2 live crew had made strong cases by the earliest 90s, and pimp c and bun b were ready to make their own. most of the trunk-bumping bass comes from drum programs and basic sampling on these tunes in later years they would build their sound into something even fuller and deeper. self-produced with additional work from houston locals bernie bismark and shetoro henderson, the tracks here are minimal, slow and menacing, which matched their lyrical approach quite nicely. you can hear the beginnings of the groups true greatness in these early lyrical workouts ¹ several taken from the regional cassette-only ep the southern way that got them signed to jive with tales of street hustles, relationships and self-reliance in a world stacked against them. they may have been done early-on, but that doesnt mean they arent crucial to ugks legacy cases in point being the three singles: something good, a charismatic update to bill withers use me up, and pocket full of stones (the latter featured on the menace ii society soundtrack). beyond the singles, deeper cuts like iãm so bad, feels like iãm the one whos doin dope and cramping my style made it clear to the world that this crew had the attitude and charisma to make even bigger waves in the years to come.

one of the core members of the apollonia family is the mastermind behind the label’s latest release. shonky steps up with his first solo ep since ‘plombiére’ which dropped in july 2016. full of funky flavours and that distinct ‘shonky style’, the new ep consists of four brand new tracks produced exclusively for apollonia. each track emanates its own unique vibe, while reppin’ shonk’s irresistible groove. on side a we have ‘tyrolien’, a jaunty number with bright tones and a tight, rolling groove. shonky injects it with a series of unusual fx and what sounds like an wizened old creature, speaking about ‘the foulest stench in the air’. it’s a superb combination and sets the ep off to a great start.next up is ‘beat street’ which has a heavier set of beats, which stomp down as a marauding b-line gets to work. tiny fizzes and cheeps in the background add depth, sounding like robotic birds at play in the wild. the track is minimal in its make up, but deep and engrossing, classic shonky material.flip the vinyl over and we have ‘torro rosso’, a bold, stomping workout with fresh percussion and a jovial analogue riff. as the bubbly low end percolates way down below, the beats pump the track along and an extra layer of analogue funk enters the fray midway through. the final track is titled ‘serpent a&#768,,, sonnette’ and swithes the vibe. it’s loose, meandering and twisted, with a hypnotic bassline and super sharp percussion. this one is going to get the dance floor locked into a groove, as it progresses a sweet, chirpy melody brightens the mood. feel the glow!once again shonky demonstrates his ability to produce groovy dance floor cuts that have their own unique fingerprint, danceable, unusual and utterly captivating. grab the new ep now!

taking up early 1990s belgian techno rave vibes - minimalist, pure, efective dj cuts

for their third release clandestino step into the light themselves to present two original cuts. here, shades of classic chicago and detroit complement a modern production aimed at discerning dance-floors. another horizon has a heady late-eighties feel ascending sunrise chords and gentle keys swell organically giving way to a burbling 303 line.

another solid selection of cuts, overlooked gems and classics from the deepest recesses of the kms vaults. the legendary label should require no intro, but for the uninitiated it s one of the og detroit imprints, operating since the late 80s well into the future under the watchful eyes of kevin master reese saunderson. the idea behind the kms -origins- series is to shine a light on the lesser known cuts in the kms vaults as well as the classics that have given the label its legendary status during its lifetime.

for our 225th release on freerange we welcome an exciting new austrian producer who goes by the name demuja. his mary janes theory record caused something of a stir when it came out at the start of the year on his fledgling vinyl-only label muja. having now clocked up over 300k plays on youtube and reportedly being offered for silly money on discogs it’s clear to see there’s a buzz on this guy, and when you check his music you’ll hear why. taking his inspiration from classic deep house but with a rough and raw approach, demuja can sit proudly alongside the likes of ross from friends, mall grab or rimbaudian riding the new wave of fresh, contemporary house. on his freerange debut, the move ep offers up four original tracks, eachwith their own distinct flavour. opening the release we have title track move spring into action with simple rhodes chords floating across a crisp, driving up-tempo groove showing off the deeper side to demuja. next up b.o.o.m offers us a simple yet captivating, dancefloor-focused affair with a lone, repeating piano stab hooking us into the action. flipping over we have into my brain which brings some acid-tinged italo vibes and a jacking beat to proceedings whilst the closing track turn me on cuts up a much- loved paradise garage classic for a warm, soul-infused slice of classic, bumpy house music

german producer christian burkhardt teams up with fellow countrymen chris wood & meat for a three-track release on jamie jones hottrax this may. burkhardt has been flying the flag for minimalist electronic music for a decade now, releasing on labels such as cocoon, oslo and pressure traxx. likewise, freebase records founders meat + chris wood have been purveying deep and minimal cuts individually since the ‘00s, joining forces in 2009 before releasing on labels like desolat, housewax and tiefschwarz souvenir. between the three of them theyve continually garnered support from the upper echelons of house and techno, making regular appearances in the sets of names like ricardo villalobos, sven väth, seth troxler and jamie jones. intricate percussion and a compelling bassline make up the foundation of closer 2 u as an echoing vocal and tense strings operate throughout. meanwhile, plain is a more downtempo cut in comparison with its dusky atmospherics and distorted spoken word samples that subtly permeate throughout the mix. on the flip, trumpad is deep and dubby whilst integrating trippy synths and mesmerizing effects for a rhythmic conclusion.

resuming our dispatch dubplate series in 2017, we are excited to welcome commix to the fold, with a debut release this may. presenting four exclusive cuts from the uk born berliner, the release features quintessential, club primed commix rollers, alongside some profound and polished experimentation, providing a true sense of the depth in his quality today.
still retaining the renowned infectiousness of his back catalogue, commix nimbly connects the dots between flavours of the past and his path for the future, authentically delivering yet another classic release, something we felt called for a vinyl release right from the off.
with 400 hand stamped, signed and numbered heavyweight vinyl copies available, there is a very limited press and much like previous dispatch dubplates, this will never be re-pressed.

cin cin, the label from fort romeau and ali tillett is back with the labels 7th record and what a corker it is! gacha bakradze follows a pair of releases on r&s/apollo with two cuts of glorious deeptechnohouse perfect for modern dance floors the world over. on the flip knightlife blesses us with a couple of perfectly executed retrofutureravediscohouse weapons for those who long for the good old days.

caught london sleeping kick things off with four moody electro excursions from stratowerx. edging towards the darker side of the realm the london based producer uncompromisingly serves up an ep (backed with a remix from electro stalwart sync24) of raw electro and techno cuts for the dance floor.

adryiano richter aka adryiano first came onto the scene in 2012 with an acclaimed release on soul notes, since then he’s focussed on building his own cestraw imprint, as well as crafting and developing on his sound. this four track ep features jazz fuelled, sample heavy cuts, perfectly suited for the dancefloor. housed in full sleeve artwork sleeve, with disco bag inner.

2017 repress , just in time for summer, andrés aka dj dez hits back with three perfect house cuts. the andrés formula is fairly simple, grab a sample, flip it, add warm basslines and drums. thing is, nobody does it quite like dez. the title track here is a soulful rave-up spinning on an indelible vocal chop and vamping pianos. -chevy status- is true to its name, a chugging mid-tempo hip-hop/house tune perfect for rolling down woodward avenue, or if you like, a street in your town. -pluck away,- meanwhile, takes some jangling, tropicalia guitars and lets them ride into the sunset, closing out a near perfect record which only builds anticipation for the detroit man s fourth full-length, andres iv.

venezuelan extraordinaire producer trujillo is back with a new set of sun-injected future nostalgia cuts on apersonal music. street soul and trip-hop atmospheres deliciously blended together transports you back to a remote paradisiac beach in the heart of the venezuelan caribbean coast. both tracks feature the seductive voice of colombian paulo olarte and a very exclusive appearance from tropical disco maestro daniel grau in -hola como estas- on the piano. to complete the journey the flip side runs through the exquisite balearic tool mix of -everytime i think of u- by norwegian producer telephones, feeling hypnotic and sophisticated. el caribe te lo da!

three cuts from max mcferren & project pablo as 2 responsible