the original pressing from sterling moss his solo release on flatlife is a killer! the countdown track is an uplifting and very energenic dancefloor track with on the a side the underground killer hyperdrive! with 2 totally different remixes from jack wax (melodic oldschool) & ddr (raw acid) , this release is completed! it comes in the black flatlife sleeve again and the white vinyl with black in it, gives this vinyl the flatlife signature again. enjoy this one!

after hyperdubs first compilation of 10th anniversary dancefloor heaters, -hyperdub 10.2- features some of the labels best songs of the last five years or so. hyperdub is often associated with dark and brooding instrumental music, however, this mid-summer collection sheds some sunlight over that dread filled reputation, showcasing an underrated cast of talented songwriters, vocalists and producers. the album is laced with brand new cuts from kode9, cooly g, morgan zarate feauring. eska and ghostface killah, jessy lanza, dean blunt & inga copeland, and dva featuring zaki ibrahim. ranging from melancholy r&b, garage, funk, footwork and icy pop, -10.2- covers this overlooked side of the labels back catalogue. the album opens with dean blunt & inga copeland-s grime lullaby signal 2012, one of their final collaborations, moving into burials dubbed-out r&b on shell of light from his seminal album untrue, and jessy lanzas stand-out cut 5785021, before sliding into the digi dub meets r & b slow jam of south londons cooly g with obsessed. king britt features next, with his fhloston paradigm project, on the deeply emotive never defeated- featuring rachel claudio. after their collaboration on his pretty ugly album, dva is joined again by south african singer zaki ibrahim with their brand new summery mutant garage track solid. dam funk jumps on ikonikas funk bomb -mr. cake-, adding a fun, party vocal. continuing the -80s funk vibe is morgan zarate and roses gabors ice cold prince-influenced pusher taker, the lead track from his 2013 ep. jessy lanza contributes some more sparkling r&b with the brand new you and me, followed by another track from morgan zarate, a lost dub featuring the soulful eska and wu tang clans ghostface killah. the tempo raises in the final stretch of the album with dvas and fatimas collaboration just vybe, terror danjah & melekas shimmering r&g cut you make me feel and the 160 bpm soul of the late dj rashads only one from his acclaimed double cup album. the cd closes with the lo-fi, bashy mutation of kode9 & copelands lies lies. 10.2 calls on hyperdubs sirens to balance the moody energy of 10.1 with fourteen slices of hyper soul. let them lead you astray

limited rsd release mit remixen von roman flügel (alter ego) und mr. g

dj clent - the low end legend - has been known for his music since the days of dance mania, releasing tracks such as *bounce* and *back up off me* which are juke classics. he also released the grimy call to arms footwork track *3rd wurle*, as well as tracks on both bangs & works compilations.

west norwood cassette library, aka bob bhamra, has been digging through the vaults of his extensive production library, serving up this delightful double pack of gems and nuggets. some of these tracks have been buried deep for a few years, others have been dubplate only for a while, so you are definitely opening up a pandoras box of delights here.

aah, the breakbeat, the very foundations on which the british underworld of dance music was built upon, takes it rightful place once again, and will azada royally plunders the spirit of the rave scene on his opening track, mysterious white powder.

morgan zarate featuring roses gabor and taiwah on his 3rd release for hyperdub.

ikonika is one of the outstanding producers of her generation. her 2008 debut ÔpleaseÕ (hyperdub), announced a forward thinking, highly melodic, twisted take on uk underground dance music. after further singles for planet mu and hyperdub, she went on to release one of the best albums of 2010 Ôcontact, love, want, haveÕ, receiving glowing reviews from the guardian, bbc, nme, fact, resident advisor, pitchfork among many more. her remix projects have included interpol, caribou, cubic zirconia and dj mujava.

sam walton is a 22 year old producer from manchester who came to hyperdub after feeding them demo tracks, and started off in 2011 with the *walton ep*, the first of three eps for the label. since then he has honed and developed his music into *beyond*, finding a really fresh and subtle intersection between music that doesnt seem to naturally fit together, old eski grime, funky and detroit house and techno but with smudged edges and a colourful industrial sound palette that gives a real richness to his productions.

beach mode (keep it simple) is the perfect snapshot of ikonikas new album aerotropolis. it is also her first vocal track, graced with the voice of *one to watch*, jessy lanza. beach mode combines sunny salsa-like chords and claves, inspired by latin freestyle dance music from the 80s, with jessys vocals cutting in over some soaring rough synths. it is a refreshingly straight forward and sensual piece of pop dance. side b starts with a dub mix for all the vocal haters, while the percapella version breaks it down into a syncopated drum track and a slightly dubbed take on the vocals, giving it a tracky and colder toughness reminiscent of early chicago house music. get into beach mode.

julie marghilano and miss jools team up on chasing illusions for the 5th release on hypertone. the original mix features mz sunday luv and brings bass laden beats speckled with seductive vocals. noel jackson drops a hot percussion heavy mix while scott kemp & cris j strip down the original. limited to 250 copies and no repress

laurel halo returns with behind the green door, a stripped back, rhythmic, and sonically absorbing ep. while re-injecting rhythm as the central focus, laurels compositional senses of elevated flow and ambient detail remain intact, harking back to earlier releases like hour logic on hippos in tanks, and the spring 12 inch under the king felix alias.

nice price deal !!! the sound itself is ammunition for a physical workout and most of the tracks are not for the faint hearted.

dj rashad has been instrumental to the creation and evolution of chicago juke music and has been lifelong friends with other key players on the scene, such as paul johnson, dj gant-man, dj spinn, dj godfather, and jammin gerald.

mariano santos is a dj and music producer with over 26 years of experience, actually specializing in two musical styles: tech & techno. owner of his own record label: santos recordings, mcs records, mk01 records & vol0101 records. has extensive world travel experience that includes radio, television...

great hypnotizer with amazing matthew herbert rmx on the flipside

excellent groovy dark / hypnotizer ... incl hrdvsion remix

terror danjahs second hyperdub album is dark crawler, a well paced and much more upfront and energetic journey through his musical world than his debut undeniable. the album revolves around the dark crawler theme, a blistering grime track that pops up several times vocaled by mcs riko dan, mayhem, deadly and saf one, and then lastly trim and kossie.

here is the debut release form new yorks subbass. first up is a collaboration between marshallito & dj spider! prepare to be beaten up by bass heavy, deep, techno. each track is layered with warm synths & driving beats! this is one for the dance floor. note - vinyl record to be played on a turntable

hypercolours latest release comes in the form of >higher level<, a brand new release from label co-owner alex jones that is tastefully augmented by remixes from mr fingers and hypercolours latest signings, groove armada.

lv return to hyperdub with a taste of whats to come on their forthcoming south london-meets-south africa album sebenza, due at the end of august. what lv make here is the exciting prospect of music influenced by south african house and kwaito, informed by regular trips out there and sessions with up and coming south african artists such as okmalumkoolkat, ruffest and spoek mathambo, but letting the influences of uk soundsystem music and hip hop bleed naturally into the mix too, creating a genuine hybrid.

auf >playin me< präsentiert cooly g die ganze palette ihres sounds und rast von ihren manchmal melancholischen, manchmal romantischen songs ohne bremsen in richtung ihrer lauteren, bedrohlicheren tracks.

he next release on hypercolour is a rather large one that has been pursued for a while: an ep from multi-genre explorer, 3024/numbers alumni and all round badman tom reid aka mosca. across four tracks, the pioneering producer offers up his own unique view of house music.

another ht masterpiece on htrwx. banging beats in a really hard way just how youd like it from the ht rwrx camp. unknown artist with a limited vinyl release doing the trick.

march sees the formidable hypercolour deliver its most surprising output yet, an ep from none other than groove armada. tom findlay and andy cato need little introduction as groove armada. chart smashes, huge live tours and being part of the worldwide electronic music history aside, the duo have never lost touch with their acid house roots and have continued to be devoted to record buying, djing and the much maligned promo trawl. tom and andy have been avid followers of the label it seemed, since its inception. it was through label head jamie, meeting the guys back in 2010 at space in ibiza, and then continued communication via hypercolour promos, that led to an out-of-the-blue email requesting an informal hook up in east london and, within just a few days, a release was scheduled. that release is the >no knock ep<, four tracks that range from 808 fuelled old school cuts to low slung, moog-bassd electronic funk. each sound is lovingly crafted but there is an analog rawness throughout and every track has the sort of tweaked, off-kilter and occasionally awkward vibe that hypercolour do so well. it just takes a bit of imagination to guess what a ga release on hypercolour should sound but failing that, just check the release out as it wont disappoint.

all nite ep is the young mancunian waltons second set on hyperdub, after his very well received walton ep debut for the label in 2011. title cut >all nite< kicks it off with warm plucked strings, diva moans and lazer-like synths stretched to the point of anticipation over cracking grime handclaps and bass drums, until the track drops into a blocky bass line playing hide and seek with low arpeggios that spiral in and out of the mix, over a giant pounding metallic kick drum before layering on the warmth again. the whole track plays with a fine balance between warm, disco-like lushness and exuberant roughness. >mallet< is driving and darker, building detuned, bell-like tones over a 4/4 beat accented by breaks and fills and gaps, dropping into a big bass line and syncopations that disrupt the beat and bring the drama. >kush< is different again, taking the pace down with low end, synth hip hop with glassy chords, running over woozy pitch shifting rhodes chords fed through a layer of crackly gauze.

pumpin prime time techno double header

new burial !! featuring three new tracks pressed on high grade 180g vinyl for optimum sound reproduction, and running beyond 30 minutes, the >kindred ep< is an ambitious work that pushes further into the unique musical territory burial occupies.

producer and singer cooly g returns after a lengthy release hiatus with a new single for hyperdub that is a taste of her seriously good forthcoming debut album >playing me<, due early next year.
these two tracks are especially chosen for their dancefloor power and suitability, but showcase how her singular style has developed into something truly special.

pyramid is the third album by the alan parsons project and was originally released in 1978. the album contains numerous references to the egyptian pyramids, hence the name

shining a light on hypers explosive production style and showcasing jim davies (ex prodigy + pitchshifter) astonishing guitar work, the end is an intriguing snapshot of some of what to expect from hypers eagerly anticipated long player. with its richly layered synths, thunderous bassline and anthemic vocal hook >the end< grabs you by the scruff of the neck and takes you on a five minute journey through massive build ups and breakdowns. think pendulum meets cooper temple-clause. with remixes from interface, beatman & ludmilla plus minus monumental dubstep re-rub watch closely as the next chapter of the hyper manifesto unfolds. you have been warned …

2nd part mith more prime time techno madness

support: chris liebing, paco osuna, heron, virgil enzinger, sasha carassi, emerson, blood and tears, alex bau, mark morris ...

inc john roberts remix (dial )

after a hugely successful parting shot of 2009 with mark hennings >the right time< hypercolour delve into the new decade with a killer foray into basement house music from plasmik with their >retune ep<.

two collaborative tracks from quarta 330 and lv, made when the pair met the day after hyperdubs fifth anniversary party in november last year. these tunes exemplify the kind of meeting of minds where the best of both procucers comes to the surface, as quarta 330s 8-bit abstraction and melodic sense contrasts nicely with lvs characteristic lush figures and shuffling rhythms.

hyperdub has long been a fan of grime don terror danjahs razor sharp productions, his unparalleled, skittering rhythm science, deadly riffs, brilliant technicolour synth squiggles, gremlin cackle signature and general ear for a catchy tune. on this first ep for the label, he showcase two strains of his many skills. acid cranks up the energy, with an ascending synth crashing into stuttering drums and synths. they play hide and seek with each other for a bit, before the track unexpectedly breaks into a 4 / 4 house rhythm, and then shatters into pieces again. on the flipside, pro plus, terror is joined by long time collaborator d.o.k for a slice of their classic sound - an infectious, twisted sickly sweet synth melody wrapped around syncopated, stop start drums to mean effect.

hyperdubs original female producer ikonika comes with this long awaited release that lives up to all expectations, presenting two brilliant tracks that set the scene for her debut album due early in 2010.

loudly and phreaky electro tunes incl south central remix

1994 classic house release on classic german progressive house label!!

classic prodigy album! repress on double vinyl.