planet rhythm latest vinyl contribution comes by rennes based producer berg jaär. berg comes as a true addition to the ever growing prruk reportoire. firm drums and sturdy fx serve as the backbone of his contribution. with little info to be found about the french producer this release serves as the perfect example of the adventurous mode that planet rhythm currently finds itself in. moody yet intrusive in many ways.

rezzett are arguably one of the trilogy tapes goto acts. the london duo has previously released a trio of impressive, off-kilter eps of fuzzy house and techno jams for will bankheads much-loved imprint. happily, zik zak is every bit as essential as their previous material, expertly blurring the boundaries between techno, experimental electronics, and distorted hardcore. while the drowsy-but-sweaty hey hugo all sampled vocal yelps, sweeping chords and clattering percussion is probably the most obviously ear-catching of the four cuts, theres plenty to get excited about elsewhere. check, for example, the intricate electronics and eyes-closed loveliness of the title track, and the fluid melodiousness of opener afyon or, for that matter, the comforting bliss of ep closer noklue.

*god is a dj* - need we say more? on sunday 8pm, maxi jazzs reverent flow managed to produce -god is a dj-, not just a dance anthem, but a hymn of majestic proportions. sunday 8pm is a prime example of dance music at the peak of its popularity, but dont let nostalgia fool you, this album still stands today even in one of the most changing and evolving music genres we know.
pressing on 180 gram audiophile double vinyl.

the art of omission is a craft new jersey native joey anderson masters like few others. after releasing his acclaimed debut album after forever in 2014 and the 1974 ep earlier this year, anderson returns to the dekmantel label serving up the signature sound we love him for. invisible switch is the perfect example of what anderson can do with very little, catapulting him to one of the finest and most original techno and house producers to date.

goldmin music label founder romain lanteaume alias einka meets detroit minimalism master terrence dixon aka population one for a truly conceptual techno 12-.. terrence dixon is one of our favorite artists and biggest inspiration.. detroitborn artist released his first 12- back in 1994 followed by several quintessential records and 2 epic albums -from the far future- on legendary berlin-based label tresor. terrence is not only a great techno producer who makes subwoofers roar in clubs, he is a man obsessed by a concept, an idea that he s following from the very beginning.. -minimalism- in the reaaaaal sense of the word.. for example, when thousands producers are wondering what s eventually missing in their new track, terrence is rather wondering what s useless, what could be removed and that s definitely what he gets to share on his own -reduction- imprint. after the release of terrence s track -steve austin s mile- on goldmin theme lp, romain got to meet him in detroit during summer 2014. the aim was to make an abstract record that could still be linked to a feeling or a situation.. a1 the edge track is probably a good example as it s designed and built to make you feel like you get closer and closer to the edge while the track is slowly growing until you fall.. can you feel it? :) as for the other tracks, there is also a special idea behind them but we better let you interpret it your way

incl. rod rmx! the spanish producer s label debut is another prime example of format s steady and stripped-down techno sound, which is built on hard knocking grooves and industrial twists for the darkest of clubs.

busted tape heads and lashings of noise, lento whips his limiter to bring dark heavy bespoke rhythms direct and raw from the source. sparse abstract drum work puncturing seductive ghostly vocal cuts and noir-jazz samples, with an evocative tension mark the a-side grooves. while the b-side track mantle of strength takes things closer to the club with an example of just how good his drum craft can be.

this berlin based imprint drops once again a special minimal & microhouse 3-tracksr vinyl borned by the cooperation of rqm s label lord francesco passantino with sonartek. mental grooves and dark breaks melted to create an eclectic ep adaptable to several set times. another great example of the round qube dna, show the deep need the crew to propose high quality standards both music research and in sound mixing and mastering.

the man that represents the deeper side of amsterdam house is back on dirt crew. his last outing on dam swindles heist recordings, the le troubadour ep was another fine example of that laid back funky deep house only nachtbraker can squeeze out. settling into the groove immediately is hump, bouncing chords and a warbling rhodes lead into an irresistible bass line.

a fine 2015 for untilmyheartstops so far has seen the label usher in superb 12- releases from zach lubin, arnaldo, and duckett with the latter s pair of records a particular highlight. label co-founder leif is next up with taraxacum, his second album and umhss debut long-player and it may be their finest work to date. building on dinas oleu, his well-received 2013 debut album for fear of flying, the nine tracks on taraxacum show leif channelling all-new levels of immersion in his productions right now. very much an album you sink into, there are still tracks on taraxacum that will work on the dancefloor when you require something a bit hypnotic wed love to see a small club reacting to the startling an elephant madness for example. great work leif!

nado16 saw stratus take us all the way from the gower peninsula to the adriatic, and now swedish newcomer gryningen beckons us into a sepia dream for aficionado s third 10- special. the latest example of moonboots & boardman s fine ear for talent, the mysterious gryningen appears out of the shadowy stockholmsnatt without a word or a website, on hand to lead us right through the looking glass. the opiated drones of tvu kvarter frun vintergatan set the tone from the off, shifting and shimmering while languid synths lazily embrace you amid the gentle roll of the groovesome rhythm section. as the opener drifts out into the crashing waves, jag flyter omkring i en ask rises from the baltic sea with a lilting sway and understated melody. cosmic sequences sparkle like water in the moonlight and the subtle textures of acoustic guitar and chimes send us deeper into slumber. the organ-led slia dagar i rymdlaboratoriet tumbles down through the ocean murk into a subaquatic terrain of dubby reverb and psychedelic echo, illuminated occasionally by the refracted shimmer of chiming keys. from that moment of nocturnal shade we soar into the light on the swooning, swaying beauty of frun andra hand till strnnderna i nice . born out of the hazy childhood memory of matinee performances and fine white sand, this exotica inspired beauty warms the soul with its cinematic sense of wonder, all told through orchestral intricacy and steady guitar. this is a dream you ll want to have again and again. officially aficionado.

dissonant is proud to welcome daniel stefanik who had delivered a string of modern, refined production with essential albums and singles, throughout his career. on this release, aftermath ep, he offers up two tracks that strike a perfect note between cerebral intrigue and instinctive deep house groove, channeled into an unforgettable and timeless quality. it might drizzle until september, is a truly heartfelt piece throughout its keynotes and dubby gestures. the combination of subtle rhythmic elements and strong, ever-developing melodies is the perfect example of the passion and power that can be worked into house and techno. a stronger beat punches through on jolly green giant but the soothing, sensual synth lines remain giving space for dubby effects and delicate details to feed into the mix.

mayak returns back from summer holidays with a great release produced by beloved denis kaznacheev. utricularia on side a gives as a excellent example of great dubby minimalistic groove. on side b you will be rocked by ultimate jazzy remix from sit(vlad caia and cristi cons).

same procedure, different music! again the imprint’s limited serie steps up with a one-sided vinyl. limitation to 50 transparent vinyls only! this time the music is contributed by no other than snuffo, one half of the infamous snuff crew. well known through releases on labels like bpitch control, rush hour or their very own imprint snuff trax the boys are no stranger to the scene. „one of those nights“ is a good example for snuffo’s versatile musical approach as he delivers a pretty technoid piece of music. the track is all about the hypnotic vocal-sample that makes you wanna go mad. paired with a heavy-ass baseline this track is exactly what you need to have one of those nights.

already moving forward towards the 5th addition to their catalog within barely one year of existence. the rotterdam-based self reflektion imprint continues to expand their crew presenting a four-track sampler with music from the likes of logotech (manifesto/it), hiroaki iizuka (them/jp), remco beekwilder (self reflektion/nl) and lenson (paling trax/nl) - each showing their own perspective in techno music. from the trippy hypnotic *the 6th door* to the overwhelming *the circle* on the a-side, and from the straight banging *fraud* to the destroy everything attitude on *envy cross*, this release is just a small example of what is yet to come from this young label.
early support by dave clarke, tripeo, marcel dettmann, cleric, truss, truncate, mtd, zadig, dax j, stranger, len faki, nx1 among others.

four labyrinthine excursions in psychedelic techno, from antonio marini. take a step back... move to the side, just a touch... there... acid, dub and free jazz, focalising like heat blisters, then healed in a flash. wayward flow, for example, with the ghosts of double bass and bongos swirling in from the margins. entheogenic freak-outs, with the left profile of robert hood, the right profile of vangelis. pressing on 180 gram vinyl.

figures creator len faki steps in to the spotlight once again with his brand new >street dub< ep. constantly striving for excellence in sound design and deadly arrangements, fakis wonderfully precise and well honed strand of club techno continues to shine on figures 70th release - a classic example of lens tireless approach to production. packaged together in three different versions, >street dub< stylishly treads the borders between classic dub techno and modern club weaponry. with just a handful of perfectly balanced elements, perching atop a weighty kick and rolling sub bass, both >street dub< and >street dub version< are sure to satisfy purist techno fans and newcomers to the genre alike. as a bonus, an >ambience< mix is included, stripping away all the percussion and letting the beautiful subtleties of fakis production bubble to the surface.

for more than a thousand days and nights, nico stojan tapped away at what is now before us as ‘twisted manners’ - his debut album telling stories in sound that are both electronic in nature and human in touch. each organic sounding track on the release, including their neighbouring interludes, graze on the moments, people and cultures which have encompassed the albums journey and brought it forward to what it is today. these inspirations have merged from moody mornings in foreign lands (‘blue hour’) to his love affair with the elements of jazz (‘tortured paper’), to the breezy ways of the pacific island people he connects with so much (‘maori girl’). these diverse cultures and the passing musicians who have importantly contributed to the essence of the album have built strong yet invisible strings with a myriad of voices and instruments which weave throughout the music giving us a piece of work that is both textured in flavour and rich in motive. twisted manners is a clean example of this - house music whose soft open spaces and gentle beats sway easily through analog sounds coming from string quartets, saxophonists and double bass players to name a few. these collaborations and stojan’s guiding ear will walk you right into the dreamy spaces and faraway places of his travels without you breaking a sweat. seasoned with moments stolen under the fading light of day, long trips into the beautiful nothingness of his eclectic surroundings and respect for electronic music that is both timeless and sincere, ursl records is delighted to present stojan s debut album, ‘twisted manners’.

as the year progresses, apollonia keeps up its steady release schedule with a delightful new ep from swiss alchemist, alci. the young producer has already made an impact with some tre cool releases with labels like robsoul, owned by paris rudeboy, phil weeks. now we have this sublime three-tracker landing on apollonia and its serious…the ep gets moving with a track called * garden of buddha* which is a perfect example of alcis ability to cook up strange sounds while keeping it groovy and dance floor-friendly. * all bun* follows with more of the same, original flavours, minimal composition, with deep, catchy rhythms and vocal clips. * traveling soul* closes things up neatly, giving us an enchanting collection of effects with a pulsating bassline that will have you gripped from the moment it appears. another step forward for alci and another diamond release from the apollonia team

it is the fourth release from the berlin based imprint wet cellar, simply titled wet 004/v.a.. it is a example of what the label is about, simply producing a techno sound and frame of mind in regards to underground electronic dance music. the release brings two artists already known in previous releases marco effe and salvo castelli for a-side, while the b-side features a new artist, the young talent that is, mattia trani label boss of pushmaster discs.

the 4 tracks on this ep represent an excellent example of early kwaito, originally released between 1990-1994. now available as a limited edition ep only. kwaito can be considered an authentic south african phenomenon.

kiriks sound is very personal. delicate yet sophisticated, he deploys an intricate web of emotions in a multilayered space. memory remains ep is the perfect example of this complexity.

with his last ep offering on keinemusik, &me displayed himself once again as supplier of anthems that easily reconcile style with general floor purpose. you would think, such an universal and inexhaustible tune as this very “after dark” can only be a lucky hit. but no, he’s knocking out the classic material just like that. another example? catalog number km028, his brandnew “trilogy” ep. the titletrack on a initially places a synth arpeggio behind a kick that in dryness is hardly to excel. the beat of -trilogy- is then seasoned with rimshot patterns until the saturated bassdrum comes in and paves the way to the dancefloor. &me even refines his knack for stoic grooves on this jam and once again shows his sure feeling for suitable vocal features. sabotas croon comes devoid of big gestures and still knows the ropes to appeal to the collective mentality of a clubcrowd. on the flipside, “woods” is living up to its name from the very beginning. woody percussions are thumping within an almost subtropical scenario that’s frequently pervaded by mighty synth clouds. and once again, there’s an arpeggio sneaking in that at some point is taking the lead in this strictly instrumental affair. add a break building that will educe a floor’s complete euphoric potential without going for the rather mindless escalation and there you have it: a b-side that’s actually more of an a-competitor.

exciting 2nd release on the roze balletten label from belgium by a (new?) artist named walrus. a lovely 6track ep with a blend of house tracks ranging from melodic moody, jazzy acid injected to playful and even more stripped straight forward cuts. a new wave of bedroom producers is slowly penetrating the dance floors. excellent release that will go down well with fans of like minded releases mood hut records or going good for example.

kojiki groove is magnesiis second release on chronocircle. compared to his previous circle002, this is more of a club orientated 12inch rather than its hypnotic psych-techno predecessor. magnesii makes hypnotic music, preferably in a space out of time and reality. embracing the absence of computers and screens, the absence of any digital window into the world. some magnesii tracks form a conceptual whole, circle002 is an example of this: its a piece of music made to epitomize a psycho-dramatic hallucinate trip from the past. sounds to emulate saturated and hypnotic imagery

a sound that recalls the old classics of the melancholy detroit style passing gradually in the deep berlin tone. the distortion on the wave of the uk has led them to conceive an absolutely innovating style, full of the teachings of the old school, model and example of the fans of the genre.

a1. celestial encounter (original mix) 6:08 – 4×4 driven groover laced with choppy hi-hats, complexed rhythms, and orchestration only fit for mental travels. an uplifting tune of spirit and electronic sorcery. a2. ominous 4:58 – steely industrial percussion, creepy atmospheres, dance floor know-how. the honest depiction of the title lurking within the corners of your psyche. a3. celestial encounters (interlude) 1:22 a fine example of the latest in signature interludes from the optic nerve project. movement & imagination. b1. jazzy circuitry 4:49- moody, computer-ridden textures walking along side a odd-time signature until the introduction of the bassline and trippy piano keys seal the deal on craft & creation. niceness, indeed. b2. jazzy circuitry ( blaktonys step glide remix ) 4:18 traditional optic nerve ambience is chopped & rehashed into a 1/2 step groover then blasted into a full jam session by blaktony. madness/a complete new trip on the original structure & tune.

2014 was a definitely a huge year for dance music, with many up and coming artists being thrown into the lifestyle of hectic partying and relentless touring schedules. this also means that those who exploded onto the scene prior are no longer the new kids on the block. a few years is a long time in the life of a dj, and the first few years are often the maddest. the adana twins are a perfect example of one of these artists, having emerged onto the scene in 2012 with releases such as everyday and strange , from the off it was clear that they had everybody s undivided attention. (pulse radio) with dj names like take it easy and friso, it s probably to be presumed that german duo adana twins don t take themselves too seriously. that tongue in cheek attitude could be heard on their first productions and remixes. it s now almost almost three years later and the twins music vision is constantly developing

rounding off the vinyl series that accompanies themas label-defining strength in numbers compilation, part 4 downsizes from 12 inch to 7 inch to present two distinctive jams that show some of the farthest reaches of the new york imprints sound. laurine frost may be best known as part of the nonconformist house and techno scene of europe through releases on perspectiv, sharingtones and nervmusic, but on this special creation for thema he makes the perfect tribute to the city that gave rise to the label, with a little help from the racy diatribe of amiri baraka on “your house”. by way of a truly special finale for the series, minneapolis maverick dj slip graces the label with an all-too rare appearance, taking an altogether more primal approach on “x7” that channels his years spent conjuring up next level techno for missile, music man and more into a taut and punchy electro excursion infected with tricked out effects and seductive sci-fi noir atmospherics. it’s the perfect example of the freaky fringes thema has comfortably reached to over the course of the last forty releases.

ovc is from chicago where he has been producing, and playing out electronic stuff in one form or another for like ten years including a lot of gigs and some residencies for example in sonotheque. but it s only the last three or four years hes gotten into the deeper side of techno and recently into the deeper/dubbier techno style, his music is a little raw as he does it all in hardware just live to two-track. he weaves together deep narratives out of a collection of blinking sequencers and drum machines, always assisted by a generous dose of reverb and delay. ovc releases with us on telrea the first 3 tracker we have done. all 3 tracks being on the calmer side of electronic music, rich in depth of sound and motion.

harry klein records is back. the first contribution comes from giorgia angiuli. born and raised in the deep south of italy, giorgia is a classic example for a inimitable talent when it s about combining different styles of music. either playing live on stage or recording in the studio – her unconventional manner of reception and rendition, same on stylistic as on technical issues, allows her to create unique moments through her music. in this sense her forthcoming ep, named nebula , is a contribution to the multiple diversity which marks the electronic scene nowadays more than ever. it s taking us on a journey through the facets of heart-warming house, straightforward techno, and the fields of intense and dreamy pop, always reminding us of what s really essential in music.

another fine example of funky-soul at its very best. while the a-side is highly regarded within the northern soul scene, the b-side is the tune why funk 45 collectors are after this beauty. bot sides were recorded in the early 1970s and pressed on a small press run on 45rpm single. original copies are nowadays very hard to find and due to the outstanding quality sought after by record collectors worldwide.

organic textures, hypnotism and melancholy feature heavily in marino s sound and are once again evident in the percolate ep. as its name suggests, the title track bubbles with dancefloor tension whilst its tight groove never quite reaches boiling point. can t feel, on the flip, is more of the same. deep, atmospheric and understated, a perfect example of marino s blossom talent.

a couple of years into honing their skills in the studio and behind the booths, the very dynamic duo known as andhim returns to get physical to present us with ‘spayce, the latest specimen of their self-christened super house genre. raised on a steady diet of hip hop and jazz, the cologne-native pair have proven to many far and wide that they are entertainers at heart and envelope-pushers by nature. taking turntables where they seldom go to turn them into instruments, as well as the heavy use of samples and real-world inspiration to set their own creations apart, its fair to say that ‘spayce is just another example of the duos eclectic, eccentric inclinations. two tracks long and spanning from dance floor epic to quirky by way of some particular glitch, piano work and musical hiccups, ‘spayce ep is a very sweet addition to an already original discography.

excellent deep house dbl header <br riding on the back of a surge of interest in de la club, the debut lp from hold youth, comes a smartly picked repress of house don nail. while the duo is known for their eclectic vision of dance music, the first repress on the label ive been there ep is in fact an exemplary example of straight-up, no-fuss house. enjoying a modest comeback of late both as a producer and dj, nail originally released full of beestone promise ep on diy discs in 97. the stronger two of the four tracks will be repressed one on each side, * our love* and * i ve been there*, distinctive for its melodic vocal and recent inclusion in the apollonia fabric 70 compilation. while we have become accustomed to hold youth’s diversification of sounds with the current lp, i ve been there reminds us that a pigeon-holable classic can be highly refreshing

berlins away music imprint extends a warm welcome here with its debut release, a label inspired by the spirit of the >away< series of parties they have taken from berlin to barcelona, with a launch release from compatriot christian vance. fuelled by an uncompromising ethos that will see the ep via a limited run of 350 vinyl copies, vance is supported on >away music 001< by remixes from nuno dos santos and label bosses discrete circuit themselves. lead record >mustang fm< offers the perfect example of vances polished production talents, a groove-driven techno number that simmers with a midwestern pulse around the edges. the grittiest of the offerings you will find on this ep, its propelled by the twisted riff at its center, around which vance skillfully deploys a cast of hi-hats to compliment his bouncy percussion. strictly limited to 350 copies

here is the second vinyl only instalment from farfromnormal records, with a fantastic 4 track ep from the young upcoming producer jamie haus, this record hold s 3 original tracks from jamie and a amazing remix from the young romanian groovesh. this record has a totally different vibe compared to the labels first release with a much heavier techno roll. mattur is a good example of this, whilst inter finds jamie haus on a much darker, dub vibe. meiose is packed with a fantastic rolling kick with atmospheric noises in the back, whilst the groovesh remix comes with that brilliant romanian touch that everyone is asking for

constellation andromeda is the new release on modularz featuring spanish artist and mental disorder owner reeko who is also a member of the pole group family whos work has spanned over a decade. reekos debut ep on modularz gives a nice variation of deep and hypnotic textures and grooves that make this a choice example of where the producer is headed.

a loose companion project to michael mayer s iconic mix series, the immer vinyl releases never fail to surprise: its here that the kompakt label head opens up the vaults of his record collection and shares some of his secret favorites – to put a spotlight on those great tunes that never got the recognition that they should have in the first place. following the re-release of lost gems from such diverse artists as benjamin diamond, losoul or psychonauts, the fifth instalment in the immer 12inch series presents two sublime cuts from scsi 9 and rebotini – each one of them a prime example for michael mayers unique ability to sense and unlock the hidden potential of a track

as 2014 comes to an end, the london based duo is closing the year with yet another split ep. on the a-side we have vimmes, a low-slung groove with percussive textures that expand gradually and steadily, evolving along shadowy soundscapes and intricate rhythms. its a fine example of holdie gawns personal style, stripped back grooves moving along melodic tones and sound design. micawber on the other side offers a shuffled up house track under the name de jure. syncopated synth lines, lush pads and melodic textures make this an warm, lush early morning electronic affair.

low-down and dirty jazz goes right back to the early 1900s in storyville, after the bands had played their hot tunes in the evening for dancing couples, the musicians would head off to the after-hours joints and play a less energetic but more bluesy kind of music, enabling them and their late-night audiences to get through to the early hours of the morning without suffering total exhaustion. and nobody in new orleans laid into the blues so low down and dirty as buddy bolden, whose funky butt became a staple in the repertoire of the citys early jazz bands.
jacksonville, florida, 1960. charles hungry williams mentors young clayton fillyau after he had just joined the james brown band: *i dont care where you put it on those drums, remember where 1 is and you ll never lose the time. listen to hungry on huey smiths *talk to me baby* and then listen to how clayton turns it into a relentless breakbeat on james browns *i ve got money*. earl kings *trick bag*, prefiguring the meters, is as good an example of early new orleans funk as can be found.

antinote house maestro geena returns triumphantly with a 4 track ep that weaves the deepest melodies with the strongest rhythms. niagara galleries is pure deepness with it s mesmeric panpipe lead while lunar substance proves that the parisian producer is also a master of the esoteric & ambient. gotta wear shades is filled with the dark memories of lost basement parties and gamma sector is a fine example of the best of acide maison - a solid and gifted ep. tip

teddy douglas, dj spen and maurice fulton don their those guys alias and invite jean-luc ponty to jump head first into their sampler down in baltimore to show some love, love, love and the result is this amazing 12 inch originally released on basement boys records in 1996. a truly deep beauty of a track that utilises pontys violin from 1983s *computer incantations for world peace* to the absolute maximum in over ten minutes of building bliss, *love love love* is an under the radar classic, a true gem and a real treat for all djs to play. the alternate mixes and bonus beats are also great, dj spens balto doo doo mix for example, keeping it thoroughly b-more with the old school breakbeats and snatches of the original sample jumping through the mix from time to time make this an essential weapon in any record bag! this 12 inch has been re-mastered and re-pressed in conjunction with the basement boys.

some believe music developed as a way to bring early humans together into a close-knit community, and this collection of songs is a perfect example of that theory at work. beautiful vocals from lindsey flowers, an oklahoman ospovat met tokyo. killer sax blown in portland, oregon by noah bernstein, an exceptionally talented friend of ospovat s brother. a driving remix by pablo bolivar in barcelona, without whose generous advice this project would still be a work in progress. a mesmerizing remix by canadian label partner, fellow deadhead, and sound manipulator extraordinaire craig oldring (c_olvrin). and the words of david moufang, who speaks with conviction in *movin to the d* – *…music has a lot to do with communication … working with other people is really essential.* we couldnt agree more.

next up on i m in love is the launch of their new serie iil limited with the intention to provide a platform dedicated to release music with a greater focus on analogue, raw-sounding house & techno apart of the labels main work with a limitation to 50 vinyls only. the two track ep comes from buenos aires based artist matheu 646 who is an essential part of the argentian techno/house scene for more than ten years now. besides constantly playing various clubs around south america, be it solo or as one part of the dj duo proyecto house, he is the co-founder of buenos aires sound culture, a music collective organising one of the cities best underground parties! the a-side comes with a heavy kick, a changing 303 bassline and hypnotic chords which gives us a good example of matheu 646s approach to the deeper side of techno. *grey winds* is an old-school sounding jam with deep chords and melancholic strings, finished by energetic, classic claps!

a1. the martinez brothers unleash a searing dub to lullaby a track by the angry kids. with exquisite tech house deliverance, tmb show their masterful production skills and unique swing. this unrelenting track is a mere example of why the martinez brothers are at the top of the game!

revno return and how! the mysterious gino fontaine is unmasked - a nom de plume for non other than the chicken lipped, emperor machinist himself, andy meecham time and again he has proved his mettle, and it is safe to say this is an absolute killer, with esteemed gentleman of dance music, bill brewster having already picked up on lead cut *revnorev* for his acclaimed after dark (nightshift) compilation and quite right too, if you can find a better example of an anthemic light / dark chug-fest, we would be happy to hear it! the mix featured here is an exclusive version for this 12 inch alone! scorching bass pulses and atmospherics, powered by synthesized drums finally give way to a cool chicy guitar line and ymo style top lines for an epic space-disco finale… konkondo graces the flip, and could easily be a mysterious early 80’s cosmic holy grail with its gentle wave washes gradually unfurling into an mesmerising roland bassline and back again. a stunning release then, limited and lovely as ever - dont sleep !

kenny dope and louie vegas nu-yorican soul project was responsible for some of the biggest underground club hits to come out of nyc throughout the 1990s, their collective vast musical knowledge, impeccable taste and legendary status as djs in the city only helped elevate them to the highest level.
the nervous track is a fine example of the duos deep musical heritage, originally released on nervous records in 1993 its deep pads, bassline and solid as a rock breakbeats captured the ears and minds of any self respecting dj or dancer who came within a hundred miles of it, the very definition of a classic! fusing the worlds of jazz, latin, hiphop and house maw set the blueprint for generations of djs and producers to come with records like this.
here, re-mastered and re-issued from the original dats in conjunction with nervous records nyc is a piece of dance music history, the nervous track is available again and still sounding as vital and groundbreaking as it did on its original release.

following up to the very well received int026hyr here is yet another exclusive cooperation of internasjonal / full pupp and (italian) friends. this time thomas diskomixes a tribute to margot, ricciones finest dancefloor electronica project, the fortuitous result of the coming together of kindredspirits pepe and giaga robot. prins thomas gets their previosly digital only carreer highlights in example the already classic *goblin* or *randomizzami sto* a twist and - finally- the well deserved release on the classic physical format as well.