collaboration is at the heart of the brothers concept. 4 artists, 2 tracks, 1 vinyl. brothers music sits under the expansive banner of techno. from ambient / leftfield, dancefloor to industrial / experimental and everything else in between. we want to push artists we love to there limits. getting them to move outside their comfort zones and venture into new territories. swap ideas, techniques and sounds, as long as it feels fresh and unique to the artist, their partner and us that is all we ask.

semtek leaves the comfort of his excellent dont be afraid imprint to supply the third 12 inch on andy blake s in plain sight label, following stellar turns from youngtee and maarten van der vleuten. its not the first time blake has called on the london-based producers services - world unknown devotees will remember the monolithic >tacos for dinner< cut in association with chardonnay that appeared on that labels most recent 12 inch. >couer de lyon< is a chunky house jam of the highest order, shuffling hats, a stripped back bassline and a vocal many of you will recognise from one of mks most legendary remixes combine for a cut that overflows with sultry late night passion. flip over for some soundtracky house in the shape of >beaufort<, an analogue jam in the mould of legowelt that retains a club-ready potency and thus offers a more heads-down alternative to the a-side.

jason mouse is a veteran electronic music producer currently based in san francisco.he is regarded as one of the pioneers of drum n bass in the us and was initially signed to londonbased dubshack records. as a well respected bay area musician he was an active member of the phunckateck collective and released his productions in classic labels such as green label and sm:)e communications. he continues to collaborate with local prominent figures such as ufo! with whom he coauthored the late 2011 release comfort kills on subdepth records. as an artist up to speed with electronic music development and a vast experience jason mouse delivers his new release on la flaca recordings at slower tempo, invading 4x4 territory with evolving melodies, diverse textures, and drawing parallels from techno and house with a drum n bass aesthetic.

the dirty dutch! anticlub a notorious collective from eindhoven, the southern capital of holland, was inspired to push itself into a new direction. the inspiration came from a painting by an old lady that drew the attention and gave the impulse to create the album freaks and followers. as the title suggests there are two kinds of people, people who take risks and people who do not. as anticlub used to be a risk-taker but slowly settled in an unwanted comfort zone, this created dissatisfaction and led to a creative standstill. seeing the painting everything became clear again. one should not stand still but keep moving and evolve oneself into new areas that one has not yet explored creatively. as lessismore is from the same dutch city, this state of mind also hit the lessismore label, which inevitable resulted in both parties joining forces to release this diverse album by a former underground techno crew called anticlub. as the lessismore label is known for its typically styled techno, lessismore was searching for a new impulse sound wise and visually, to ensure creative satisfaction in the years to come. with this album everything came together and the lessismore crew reunited to renew their input into the label, which was once founded to be a creative platform and an artistic journey and in retrospective clearly not a platform where one should repeat itself time after time. freaks and followers is an 8 track album with raw electronic based music combined with a variety of vocal work by different new anticlub members. the overall feel of the album is a dark punky attitude that reminds of the good old days of rave, which in the early nineties dominated the dutch club and party scene. this period can be defined as being careless and not taking credibility into account, trying new things, being blunt and just partying your hart out. being older this is a feeling that will never have to die, proved by the old lady whose painting was used as the art-work of the album release.

with the very first release on polynom thomas stieler presented an euphonious sounding interpretation of look for the sin, which stems from daniel schwarzs dubby original. the labels second release is coming up now titled my soul. this track has the signature of thomas stieler and shows, what emotion and commitment within arragement means. thereby a warm, phantasic balanced and primarily harmonic and qualitative valuable house track that creates a gracile level of comfort by its deep and artful temper relatio focussing the dance floor as balanced staging area. in the soulmate-remix by less the original is applied by a dynamic portion of drive, which absorbes the aesthetics of my soul and polarises therefore with pressure. doing this less is never loosing the reference to the classic message of the original. hes just additionally seasonning as taste is as well-known varying. strictly ltd, no repress

thomas hesslers ep is the first player through crepuscular shafts & sonic subways.. beware the trail. first track - lost - cements you into a vacuum of suffocating synths that precede a poundin kick.. you are propelled into a tunnel. the bridge of the track is a course in restraint, giving way to menacing drive & looping side sticks.. siren like washes takes hold, swirling & disorientating the listener. on the flip, - 12 channel madness - best conveys the tone and atmosphere of the release. the murky darkness & pace feels inhuman to the core, but not without infectious rhythm breakdowns with flavors of old & nu skool shuffle timbres. these tracks are also - tools - that do not sacrifice on complexity. the haunting synth washes carry us through but offer no comfort. insanity & intensity reaches catharsis but never overpowers the overall mix. - berlin movement - is the final track on the ep that affirms you are still inside the tunnel. the incisive hook lines impel you to find your way out. the kick is more subdued forcing you to go with the melody until the break & bridge lapses back & the restraint builds to hypnotic frenzy. a dry, howling wind prevails.. filtered and distorted. thomas hessler succeeds in taking us through his tunnel of contradictions: alluring, menacing, emotional yet coldly detached. listen up: you might not escape !
words: livia terri

from the depts of basque county kastil (mario castillo) is back with bomb ep. after a few releases in the more disco sounding side of music, he is now entering his comfort zone in a sample heavy deep house release which is (although its house music) an ode to jazz music. beautiful yet nostalgic this is a record to cherish.
supported by: andy ash, james johnston, cottam, fulbert, fabio monesi, orlando b, marcin krupa, gitchell moore, shane linehan

day one: high-octane bounce madness made all the more crazy with the cheeky audio strips and meshed up manic laughter. enjoy the depth of the groove and the mayhem!
oktober: not for the faint hearted. raw and relentless beats drive you out of your comfort zone over to the eerie and edgy. then just when your hands shoot in the air and you are screaming for breath, it plunges you back down slap bang on track, just like a techno roller coaster.

there is a certain dynamic that emerges whenever andre galluzzi and dana ruh pair up to create a record. with last year s >freya / mauersegler< split ep on ostgut ton, the two have already hit up some of the most prestigious labels in the electronic music landscape. tracks that are upbeat, driving, and, most of all, fresh have characterized their co-productions, which now have aras as a home. taking its cues from their label nights at berlin s panorama bar, galluzzi and ruh have solidified aras into an imprint based around expanding upon the creative energy that both share. their first release, >trambolla<, harmonizes each artist s approach into a grooving whirlwind that showcases their ability as producers as well as live musicians.starting off with the title track >trambolla<, the ep begins with tribal beats and infectious arrangements that seamlessly build upon each other along the course of the a-side. grooving from the start, it is the kind of track where the listener or the dj gets into the vibe right away. the percussion of >trambolla< especially stands out amongst the latin-tinged bongos, hi-hats, and hand claps that interchangeably come in and out of the track, a journey of its own at 9 minutes. >thelema<, the b-side, contrasts with the lightness of the a-side and demonstrates galluzzi and ruh s equal comfort in creating darker and heavily pounding tracks. the ten minute track grows out of a simple beat and growls ever louder as it takes in more intensity with its cascade of filters, delays, and booming bass. aside from the hard edge of >thelema<, it also provides a preview into the live set that the two artists are about to debut together.

its impossible to describe without metaphors what happens when listening to the debut album >behaving like a widower< by yoko duo. holger zilske and august landelius draw bright paintings withcool colors, framed by a mosaic ofdelicate glitches. this music comeswithout any irony or cynicism. thisalbum guarantees a prominentplace in the gallery of soulful legacyof the electronica genre for the yoko duo. vinyl tastes better.

as a member of chairlift, the band he co-founded in 2006 and exited in 2010, aaron pfenning pulled double (and triple) duty – playing multiple instruments, writing songs, producing, and contributing vocals for the band s major label debut. that comfort with musical multitasking – and a cache of songs he d written that didnt fit his main project – made a new solo effort seem like the natural and logical next step to take. pfenning assumed the name rewards (a moniker hes actually used since 2003), spent the better part of last year touring with we are scientists, brandon flowers and warpaint, and released three broodingly romantic singles (>i used to<, >what a loser< and the achingly beautiful >two cardinals<) that made a host of listeners take sudden notice

•professioneller, kompakter dj kopfhörer in geschlossener dreh- und klappbauweise •edles rubber-paint finish •aluminium-inlays auf den ohrmuscheln •flat comfort-bauweise: kompaktes und leichtes ohrmuschel-chassis (nur 70mm durchmesser) für stundenlanges angenehmes tragen •druckvoller, satter, fein auflösender sound für den perfekten hörgenuss •high-quality-kopfbügel mit superstabiler aluminiumschiene •doppelte kopfbügelverschalung: wasserabweisendes kunstleder (oberseite) und schweißabsorbierendes climabsorb-netznylon (unterseite) •einseitige kabelführung •alle anschlüsse vergoldet •anruf-steuerung inkl. eingebautem mikrofon für alle gängigen mobiltelefone mit 3.5 mm klinkenbuchse (iphone & andere smartphones)

•professioneller, kompakter dj kopfhörer in geschlossener dreh- und klappbauweise •edles rubber-paint finish •aluminium-inlays auf den ohrmuscheln •flat comfort-bauweise: kompaktes und leichtes ohrmuschel-chassis (nur 70mm durchmesser) für stundenlanges angenehmes tragen •druckvoller, satter, fein auflösender sound für den perfekten hörgenuss •high-quality-kopfbügel mit superstabiler aluminiumschiene •doppelte kopfbügelverschalung: wasserabweisendes kunstleder (oberseite) und schweißabsorbierendes climabsorb-netznylon (unterseite) •einseitige kabelführung •alle anschlüsse vergoldet •anruf-steuerung inkl. eingebautem mikrofon für alle gängigen mobiltelefone mit 3.5 mm klinkenbuchse (iphone & andere smartphones)

•professioneller, kompakter dj kopfhörer in geschlossener dreh- und klappbauweise •edles rubber-paint finish •aluminium-inlays auf den ohrmuscheln •flat comfort-bauweise: kompaktes und leichtes ohrmuschel-chassis (nur 70mm durchmesser) für stundenlanges angenehmes tragen •druckvoller, satter, fein auflösender sound für den perfekten hörgenuss •high-quality-kopfbügel mit superstabiler aluminiumschiene •doppelte kopfbügelverschalung: wasserabweisendes kunstleder (oberseite) und schweißabsorbierendes climabsorb-netznylon (unterseite) •einseitige kabelführung •alle anschlüsse vergoldet •anruf-steuerung inkl. eingebautem mikrofon für alle gängigen mobiltelefone mit 3.5 mm klinkenbuchse (iphone & andere smartphones)

•professioneller, kompakter dj kopfhörer in geschlossener dreh- und klappbauweise •edles rubber-paint finish •aluminium-inlays auf den ohrmuscheln •flat comfort-bauweise: kompaktes und leichtes ohrmuschel-chassis (nur 70mm durchmesser) für stundenlanges angenehmes tragen •druckvoller, satter, fein auflösender sound für den perfekten hörgenuss •high-quality-kopfbügel mit superstabiler aluminiumschiene •doppelte kopfbügelverschalung: wasserabweisendes kunstleder (oberseite) und schweißabsorbierendes climabsorb-netznylon (unterseite) •einseitige kabelführung •alle anschlüsse vergoldet •anruf-steuerung inkl. eingebautem mikrofon für alle gängigen mobiltelefone mit 3.5 mm klinkenbuchse (iphone & andere smartphones)

•professioneller, kompakter dj kopfhörer in geschlossener dreh- und klappbauweise •edles rubber-paint finish •aluminium-inlays auf den ohrmuscheln •flat comfort-bauweise: kompaktes und leichtes ohrmuschel-chassis (nur 70mm durchmesser) für stundenlanges angenehmes tragen •druckvoller, satter, fein auflösender sound für den perfekten hörgenuss •high-quality-kopfbügel mit superstabiler aluminiumschiene •doppelte kopfbügelverschalung: wasserabweisendes kunstleder (oberseite) und schweißabsorbierendes climabsorb-netznylon (unterseite) •einseitige kabelführung •alle anschlüsse vergoldet •anruf-steuerung inkl. eingebautem mikrofon für alle gängigen mobiltelefone mit 3.5 mm klinkenbuchse (iphone & andere smartphones)

•professioneller, kompakter dj kopfhörer in geschlossener dreh- und klappbauweise •edles rubber-paint finish •aluminium-inlays auf den ohrmuscheln •flat comfort-bauweise: kompaktes und leichtes ohrmuschel-chassis (nur 70mm durchmesser) für stundenlanges angenehmes tragen •druckvoller, satter, fein auflösender sound für den perfekten hörgenuss •high-quality-kopfbügel mit superstabiler aluminiumschiene •doppelte kopfbügelverschalung: wasserabweisendes kunstleder (oberseite) und schweißabsorbierendes climabsorb-netznylon (unterseite) •einseitige kabelführung •alle anschlüsse vergoldet •anruf-steuerung inkl. eingebautem mikrofon für alle gängigen mobiltelefone mit 3.5 mm klinkenbuchse (iphone & andere smartphones)

•professioneller, kompakter dj kopfhörer in geschlossener dreh- und klappbauweise •edles rubber-paint finish •aluminium-inlays auf den ohrmuscheln •flat comfort-bauweise: kompaktes und leichtes ohrmuschel-chassis (nur 70mm durchmesser) für stundenlanges angenehmes tragen •druckvoller, satter, fein auflösender sound für den perfekten hörgenuss •high-quality-kopfbügel mit superstabiler aluminiumschiene •doppelte kopfbügelverschalung: wasserabweisendes kunstleder (oberseite) und schweißabsorbierendes climabsorb-netznylon (unterseite) •einseitige kabelführung •alle anschlüsse vergoldet •anruf-steuerung inkl. eingebautem mikrofon für alle gängigen mobiltelefone mit 3.5 mm klinkenbuchse (iphone & andere smartphones)

•professioneller, kompakter dj kopfhörer in geschlossener dreh- und klappbauweise •edles rubber-paint finish •aluminium-inlays auf den ohrmuscheln •flat comfort-bauweise: kompaktes und leichtes ohrmuschel-chassis (nur 70mm durchmesser) für stundenlanges angenehmes tragen •druckvoller, satter, fein auflösender sound für den perfekten hörgenuss •high-quality-kopfbügel mit superstabiler aluminiumschiene •doppelte kopfbügelverschalung: wasserabweisendes kunstleder (oberseite) und schweißabsorbierendes climabsorb-netznylon (unterseite) •einseitige kabelführung •alle anschlüsse vergoldet •anruf-steuerung inkl. eingebautem mikrofon für alle gängigen mobiltelefone mit 3.5 mm klinkenbuchse (iphone & andere smartphones)

•professioneller, kompakter dj kopfhörer in geschlossener dreh- und klappbauweise •edles rubber-paint finish •aluminium-inlays auf den ohrmuscheln •flat comfort-bauweise: kompaktes und leichtes ohrmuschel-chassis (nur 70mm durchmesser) für stundenlanges angenehmes tragen •druckvoller, satter, fein auflösender sound für den perfekten hörgenuss •high-quality-kopfbügel mit superstabiler aluminiumschiene •doppelte kopfbügelverschalung: wasserabweisendes kunstleder (oberseite) und schweißabsorbierendes climabsorb-netznylon (unterseite) •einseitige kabelführung •alle anschlüsse vergoldet •anruf-steuerung inkl. eingebautem mikrofon für alle gängigen mobiltelefone mit 3.5 mm klinkenbuchse (iphone & andere smartphones)

yes ... we release records. yes, its marvellous to see that journey from the spring to the sea, that spark of inspiration in an artists eye as it traverses its way to a beautifully packaged piece of 180g vinyl ... but sometimes, its also nice to remember why we started a label in the first place and to visit that dusty corner of the studio where synths, patch cables and spring reverbs lie in wait, taunting us go beyond that perfect 3am comfort zone of the 8 bar loop, hazy red/orange lights and aromatic combustibles.
in order words, heres what we did last summer ... two new ifeel studio tracks to stimulate your solar sensibilities, guest starring (via the wonders of skype) richard hawleys band, a reclusive mittle european synthesist and (lest we forget) his eccentric and slightly mad octogenarian lawyer.

christopher is one half of niederflur, who have been releasing music on richie hawtin s minus label for over eight years, with several twelve-inch releases and an outstanding full length album!

flapjack records prodigal son wattie green returns with a devastatingly surly stomper of an ep entitled the >bottle of justice ep<. this marks wattie greens third vinyl release on flapjack records and certainly shines above the rest of his big swill releases. it is great to get drunk with an old friend again, so sit back and throw this sip of whiskey on the decks and enjoy some true southern comfort.

new yorks elon provides metroline with yet another very fine release. clap back is a real gem. the original mix has a beautiful spacious and airy mix that allows the echo-soaked toms and the swirling vox stabs to breathe, and they really draw you in. an insistent bass pulse provides a structure for the snappy post-garage percussion to build into a lurching, lunging rhythm. very original, and very infectious. ekkohaus remix is a focused, driving deep house groove, shaped around lush, rounded stabs and heavily-filtered synths. claps and snare emerge from the beautifully balanced mix to give the track a real disco kick. the third track on the ep zero gravity has a more back-to-basics feel. the bassline is dubby, but the percussion has a classic french touch feel that gives the track real movement. a rhodes-like synth line wraps itself round the track like a warm fuzzy blanket. maximum comfort for house heads.

supplement facts records continue their rich run of form by handing a label debut to detroit-native lee curtiss. the >and we all fall down< ep has been one of the most hotly anticipated from the israeli label and is set to become the soundtrack to the last echoes of summer. we continue to dance, as the days grow short our nights become longer and lees ep is the perfect accompaniment….>i can hear you arthur<, a tribute to one of lees long-time music heroes, arthur russell, is an emotional escape. with russell being a direct sound-inspiration for the release, we are treated to a longing for a far away love. with waves of sound that build and cascade, accompanied by pillow-talk whisperings, all creating eight minutes of rhythmic, warm grooves. arthur never sounded better. after the body-swaying vibes of the a, side b brings the perspirec-electronic throb and hip-grinding action of labor of love. after yearning for arthur, we are more than appeased with the beautifully sultry and ever so intimate vocals of stephanie selvaggio. with its rhythmic guitar opening belying its true intention, labor of love develops into a sensual dancefloor cut with stephanies vocals floating effortlessly with the acidic beats as she drives us ‚crazy, and we all fall down is a perfect example of an artist at his most vunerable. its brutally honest sound invites the listener in with open arms and wraps itself around them like a warm cashmere blanket. as the brutal realisation that summer is almost over starts to sink in…its worth taking comfort in records like this, that make the transition that much easier.

hear all the music: in comfort and style headphones that could reproduce the true dynamics of today’s music were a rarity—until the legendary beats™ studio™ hit the scene. now, a new headphone in the beats tradition, beats solo.™ brings you amazing sound in a smaller, lighter on-ear design. with beats solo, you’ll hear every sonic detail the musicians and recording engineers laid down in the studio. deep bass. hard hitting drums. bold midrange. and clean, undistorted highs. all in a comfortable fit you can wear for hours.perfect while on the move solos are compact and incredibly lightweight and ready for your active lifestyle, gym work out, or frequent travel. the tri-fold design allows solos to fit into the included compact carrying case. with beats solos getting a great music experience has never been easier.controltalk: the ultimate in ipod control and hands free calling with the built-in controltalk remote on the beats solo™ headphone cable, you get on-cable control of your music, as well as easy, high quality hands-free calling. you’ll enjoy quick-access music playback control, like volume, play/pause and tracking, without having to dig for your ipod. plus, the high-grade mic and high-resolution, sound-isolating headphones all combine to let you hear and be heard much more clearly—and conveniently—than you ever could with the phone to your ear.a natural fit with solos, you feel the music, not the headphones. plush, on-ear cushions comfort your ears and form an acoustic seal that keeps the sound in and noise out. remote and mic supported by ipod® nano (4th/5th gen), classic (120gb), touch (2nd gen), iphone 3gs and newer, but not all blackberry. remote supported by ipod shuffle (3rd gen). requires software v. 1.0.3 for ipod nano (4th/5th gen), 2.0.1 for classic (120gb), and 2.2 or later for touch (2nd gen). support for blackberry varies by model.

dynooos gum dragon is centered around fuh real, a song that features swedish singer naboobia laying down a floaty vocal over a high-end 80?s r&b inspired club banger. it has already been remixed by luigi (jazzy sport, infinitskills) and comfort fit, whose version appeared on his latest full-length.
*limited to 500 copies*

impelled by an insatiable hunger to impose their musical concepts on the unsuspecting (yet inevitably thankful) masses, the visionary electronic circus ringmasters monosurround are finally poised to unleash the latest act of their hello world story. with >hello world remixed<, erik and ramtin offer up a quartet of wildly unique musical pieces, each specifically designed to tickle the ears, whether heard on a crowded dancefloor or in the comfort of home.

transport technical music equipment with ease and comfort in a solution backpack custom-made for djs. multiple access points to two neoprene protective sleeves for 17-inch laptop and documents. main cavity supports 50 vinyl records, removable 160 cd wallet & detachable headphone case. external seatbelt strap holds contents fast. a drumpoet community music label collaboration.
shell fabric: coated cotton canvas
lining: nylon with unique qwstion print
size: 34x43x16cm
volume: 23.4 l
weight: 1.56 kg cd sleeve 0.53 kg
colour: black

before you dive in the regular sales fodder i would like you to ask yourself this question: what if humans arent the only living creatures who can create & enjoy art...? well, meet a true & genuine artist at heart and take a minute for michaels story. totally moved and inspired by the life & work of michael, the silverback gorilla who talked sign language who unfortunately passed away in 2000 after a fatal heart failure, ronny & renzo produced this incredible song me, myself, good after the same titled painting by the hand of the late and great michael... may he rest in peace. ronny & renzo their original version is a 9 minute+ moving epic that not only looks back in sadness at the pain & horror michaels life started with when poachers killed his mother in front of his eyes. it equally celebrates the love & comfort, the guidance & protection he enjoyed while he and koko were adopted and lovingly raised by dr. penny patterson and dr. ron cohn. because of the serious and delicate nature of this tribute release we couldnt think of anyone more appropriate than dance exotica pioneers quiet village to perform the remix. these two extraordinary gentlemen lead you by the hand into the heart of darkness, to a meditative place somewhere deep in the jungle only they know of... after more than a year of silence, a new king kung foo release sees the light of day throwing the label right back in the leftfield disco game. these amazing recordings will not only have their impact on an ecstatic dancefloor but will also be the ideal soundtrack to a lazy sunday. enjoy! pressed on a limited quantity of 1000 copies and no chance for a repress, this desirable twelve inch with powerful cover art will be sold out in no time. but the most important thing here is that koko needs your help! so for each copy sold a part of your money goes to the gorilla foundation.

minimalplus 004 with label head gideon known from his work on sino (hong kong), kanzleramt (berlin), lessismorecordings, anticlub, southern comfort, grayarea. after his first release on his own imprint minimalplus which got big plays he is back. this time in a collaboration with revolve. this edition brings 2 tracks floating between minimal and techno. we are the sound of the underground (m version) is a minimalistic dj tool with a pumping groove, that may remind a little like the early days of minimal, when it was still straight forward and effective. we are the sound of the underground (t version) is more techno minded version of the title track, with its shuffle and huge drive, it is sure to move the more underground dance floors.

excellent 4 track ep with huge techhouse tracks, incl rmxs by gideon (kanzleramt, sino, southern comfort) and mbc

donnacha costello returns with another release for his new label and platform, look long. the tragedy of the commons sees him continuing his mission to create work of lasting quality and beauty. gatsby has that most rare and ephemeral quality, that certain something not easily defined. work which is at once both raw and full of subtlety. something which is at once both instantly familiar and yet inescapably new. fathoms deep pulls the listener in with each rotation until we are so thoroughly hypnotised we cannot but surrender to its insistent, organic pulse. baritoneÆs melancholy lo-fi guitars and roland 606 drums wrap around us like a warm blanket on a cold night. a private oasis, a moment of comfort in a lonely city before the body gives in to sleep. this is no throwaway music. this is music to keep, to live with, to grow with. this is music in which comfort can be sought and solace found

great 4 tracker that s somewhere in between larry heard s chicago house and daniel wang s modern boogie.

dj support by : james flavour, jamie jones, karotte, sebo k... hamburgs chris gruber and nils nurnberg have been doing an array of production and mixes for multiple labels lately but these two tracks stick out. both sparkle with a dense and intense still airy and reduced approach to modern deep electronic house. oz yavooz enigmatic skilled vox raunt gives >c mon & dance< a demanding twist to it, mixing old school new jack swing with a bright metreuropean attitude. a typical wasnotwas relerase mixing classical sound quotation with vibrant forward thinking music. gruber & nurnberg drop the ballistics here with a double a side rocking the cradle & floor with style and ease not often heard lately. the rest we leave up to you to decide being sure we wont disappoint

nice price deal !!! behold ear goodies from fjordfunk, with his hi quality sonic fishing fleet. the sounds of epic coldwater trawling can now be yours in the safety and comfort of your own adobe. the scampi disco scamp takes dancefloor analog melodic waves from the seas and oceans of tranquility, and then weaves the cosmogony of new record label, luna flicks, deftly and with the skill of loki himself into strangely solid beat nets to catch unwary listeners by the feet. with this, the first lunar orbit, we hear ovid 8 metamorphose into a post 9/11 poissonier. good lord, st. francis himself couldnt get the mackerel dancing so well (despite their lack of jiving feet)! an anthem for the pre apocalyse generation, spinning a woven path to dancefloor bliss and enlightenment. this is fjordfunk: hear him roar.

folklore comfort is combined with serious block rocking beats !!

circle music means continuous movement but not going round in circles, pure power yet brilliant soundscapes, various styles but one entire element - the perfect groove. circle is best suited for dance floor use as well as for driving around in the city or listening comfort somewhere on the outskirts of your hometown. the label consistently followed his vision of a musical community, a familiar environment which covers a great range of styles and approaches of producing and performing electronic music. the world of circle compilation is different to usual v.a. compilations you heard so far. its much more than a musical statement of a label giving a definition of its sound. its a personal statement of all featured artists because all tracks are presented exclusively on this compilation. incl audiofly, chaim, robert babicz, lopazz & …, v. kanzyani, alex flatner , bryan zentz , stryke & santos

piemont had a furious premiere at gedankensport. the nightshift ep caused huge waves of response. frederic möring-sack and christian de jonquieres already had an excellent reputation as solo artists the last years but as piemont they brought up an extraordinary standard of minimal techno. they run their own labels suchtreflex, hammarskjold and fingerfoodmusic. their music is suitable for peak time as well as for after hours and listening comfort. their debut gained great public interest and soon top artists supported as thomas schumacher, oliver huntemann, oliver koletzki, monika kruse, deep dish and umek supported the tracks. heavy rotation accelerated by their next act of greatness at gedankensport and now we are proud to announce the follow-up which is another wonderful milestone of minimalism!

2002 classic release

jacek sienkiewicz delivers two head candies that no doubt could make some south-american microhouse masters think about updating their sound.. youll get two pieces of precise, thoughtful, contemporary music that is equally bound to move you in the club and comfort at home.. great!!

twenty years phonica rec

wipeout soundtrack walk into 2023

ambien / drone album

softpack cd

clr will release the debut album of our new label member drumcell entitled sleep complex, an emotionally profound, open-minded approach to current techno with a variety of influences and a complete disregard for any limitations musical genres could possibly represent.

running up that hill ...used in netflix stranger things

die trance-essenz des jahres von publikumsliebling und dj-spitzenplatzrekordhalter armin van buuren (insgesamt 5-mal nr.1 der dj mag top 100) feiert ihr 15-jŠhriges jubilŠum! die besten trance-tracks des jahres, gewŠhlt von den hšrern seiner weltweit ausgestrahlten radioshow -a state of trance- (in deutschland auf sunshine live), in zwei atemberaubenden megamix-sets auf doppel-cd. angereichert mit persšnlichen favoriten des djs und mit einer gesamtspielzeit von Ÿber 2 stunden - ein persšnliches jahresabschlussgeschenk fŸr jeden trance-fan

fourth entry in planet eÕs detroit love series comes from mirko loko.