møzakia broke down the door for no bad days with their first release, and it is with great delight that he returns to kickstart the new sister label - no bad edits. the name has changed, but the ear for colourful and supremely dreamy tunes hasn’t. these impressive tunes are not your standard cut ’n paste extensions.
using motifs from a long-forgotten 80s new age cassette, møzakia shoots for a mellow paradise with three cuts that variously evoke finis africae’s 4th world exotica, contemporary house jams, and even the rainbow road level on mario kart 64. long may the love-in continue!

these ones keep floors moving! championing an inimitable groove, the possé present three club ready tracks on their season s greetings ep, combining the know-how of house with the energy and spontaneity of a live band set up. recorded at the legendary citisound and rec studios in sydney, the tracks on ken004 each deliver different perceptions of the up-tempo house beat they’re quickly becoming known for. the title track is probably the heaviest delivery from the label to date, highlighted by the iconic drip of the tb-303. cheeky guitar licks and 808 rhythms jump in and out of the tracks on the ep, keeping it fresh on the live tip.

the debut ep from seltron 400, aka, polish dance favourites eltron john (uncanny valley / transatlantyk) and slg (studio barnhus / step), arriving on most, following a recent appearance on catz and dogz pets recordings. stemming from a run of well-received back-to-back sets, these close friends emerge from the studio with two imaginative slices of house and contemporary electro, alongside a jackin bonus beats accompaniment. after a well-received boiler room set, the duo will promote their officialdebutin summer 2017with aproper live act.

tendts are two brothers that make -music that you can da nce to, or not-. it seems an odd phrase, but aptly explains the duality of the greek duo. the compositions of christos and fotis papadakis are both emotive and movement inducing, even though they are written and structured with disparate elements that refuse to fall into obvious patterns. they consist of palpitating beats, imaginative textures, seductive melodies and sporadic bursts of treated vocals. it s everywhere is a concept ep soundtracking tendts intergalatic encounter with the pleiadians (dimension traversing nordic aliens to the unenlightened ) at the far edge of the universe. upon their journey home they brought with them not only costumes, masks and relics of extraterrestrial civilizations, they brought with them the spirits of two great celestial beings, momongo and floflolo. fotis and christos were the reincarnation of these two and the main purpose of their return was to enlighten the people of earth about the beginning of the era of the cosmic swimmer.

nyc s disco powerhouse west end records should need no intro. the home of too-numerous-to-list club classics for over 30+ years is still impacting today on what we know to be club culture. the label started by one mel cheren (rip) with assistance from larry levan and more way back in 1976 is still held in such high regard today with it s catalogue constantly being played, rediscovered, reinterpreted and loved by waves and waves of new fans and admirers. the west end story vol. 4 is an essential overview of this most iconic of labels and some of it s more under the radar output, following on it s from it s predecessor the quality bar is obviously set extremely high, one only has to look over the tracklist to see the names and titles that are included! rare and overlooked cuts from taana gardner, sparque, forrrce, inez brooks and more make up 4 joyous sides of essential forward looking post disco classics - we re talking late 70 s, early 80 s, synths, mega overdubs, left-field arrangements and anything and everything in-between. a truly golden era of dance music history, names like tom moulton, francois k, tee scott and more make up some of the talent featured on this flawless selection of goodies. oh, and for the record (no pun intended) these are all the extended mixes, 12- versions and special cuts, all killer - no filler! all tracks featured re-mastered, re-pressed and re-released with the permission of and in conjunction with west end records, new york city / bmg.

casino shanghai was a -techno-pop- band started in the mid-80s in mexico city. they released their debut and only album -film- in december of 1985. an album considered today as cult status. casino shanghai were part of a great cultural change in mexico and its music scene. the band made various controversial appearances on tv when a band without a drummer or guitarist was unheard of. all members had been in different notorious bands in the local scene. ulalume was the lead singer of the casuals (punk-new wave) and denseundergrowth (avant-garde). carlos robledo and walter schmidt were part of size (post-punk) and have been playing together for many years in decibel (experimental). humberto alvarez played with mcc (prog rock) and is currently a well-known musician and multi-instrumentist. before the band split-up they recorded two last songs in 1986, -le tombeau d edgar poe- and -l action minimal-, as part of an unreleased solo ep for ulalume. these tracks were edited in 2014 on 12&#8243,,, by mannequin records together with a remix by in aeternam vale. the music of casino shanghai was also used for the soundtrack of some mexican films. -crónicas de familia- directed by diego lópez and nominated for the ariel award for best original soundtrack in 1986, and -juana la cantinera- directed by josé loza. -film- has been restored and remastered for this new edition including all original tracks plus two bonus: -le tombeau d edgar poe (haunted version)- and -cuerpos huecos- (spanish version of -hollow bodies- available only on a promotional 7&#8243,,,). limited to 350 copies on white vinyl with a new artwork and printed inner sleeve with photos and song lyrics.

before boogie funk had a resurgence in 2012, ruckazoid was dropping rare funk albums in 2004. his demos were floating around la, but it wasn’t until 2009 that breakbot remixed ruckazoid’s original “life’s fantasy”, which was later released in 2011 as an original track titled “fantasy” on ed banger records. fantasy became a breakout hit scoring a #1 single on itunes. in 2013 when daft punk released “get lucky” featuring pharrell, funk was officially back in the mainstream. those in the know knew breakbot & ruckazoid helped rekindle the funk flame worldwide. after all, the label ed banger is headed by busy p, and busy p managed daft punk. suprinsingly, ruckazoid did not tour with breakbot, opting to stay in the studio to record more albums. amazing lover being one of these albums, with love game becoming the lead track.

sfsb recordings welcome mr hot mood to the stable for our second release, following his previous releases on tugboat edits, editorial, masterworks, deep sense an whiskey pickle records. side a s lets get it and lost soul head toward the deeper side of mexico s finest, with -let s get it- looping itself into an underground frenzy before releasing the crowd into a classic 1970s chant and them throwing them over to a killer organ hook, a must for 4am. -lost soul- takes you even deeper in to the realms of 70 s soul, bringing it into the 21 century with its beefed up lick - i wanna hold on, and let my love grow strong-, reminiscent of the original mark e working that helped start the movement. side b ôthe g groove- proves to be another early set summer anthem, completely heads down whenever it gets played, while -keep on dancing- does exactly what it says on the tin. the hardest track of the ep is left till last, with its -keep on dancing- call to arms for the dance floor reinforced by a destructible sax loop, it should be called martini, anytime anyplace anywhere. these tracks definitely reflect the sounds of south beach, produced with love by hotmood, curated by south beach recycling. dj support: session victim, sleazy beats, art of tones, dave allison, 80s child, disco tech, black loops,78 edits, homero espinoza, martin hayes, dj moar, coeo, osmose

a few years ago, melodies family members floating points and dj red greg got their hands on a couple of original 70s obscurities. while these standout records shone brightly in their own right, the two djs saw the potential to create their own edits behind the scenes, finely attuning the original versions to modern-day dancefloor standards. of these new recordings, they cut only five copies for themselves and a few dj friends of theirs. today, melodies international is very proud to bring you mel006 and mel007. fully licensed, lovingly mastered to the highest possible standards and carefully edited to dial up that dancefloor enjoyment, these two æyouÆre a melodyÆ classics werenÆt originally meant to get official releases. but due to popular request, they are now available to play and share in very special moments at parties around the world. mel6 arrives as a 7-inch, with the original version and the edit on the flip. first released in 1979 as a three-minute up-tempo library recording, ôdisco baby-, one of 10 tracks off a record available to license for film, radio, television and other media, held some hidden magic that would only get uncovered almost four decades later. informed by years of combined dancefloor experience, floating points and red greg have slightly tweaked the original material, realising that played in the right context, it can become a true disco anthem.

12inch whitelabel, limited to 200 hand stamped and numbered copies. following their 3rd compilation nurned.03 the nurn-up, through my speakers brings 3 of these tracks to wax, including the sought after execute by radar bird, which artists like dbrigde, om unit and many more have been heavily playing for the last 2 years and making dance floors going awe all over the world. in addition to that the sampler features a production from nght drps titled timebomb dub, another proof of his talent to craft deep, bassline heavy dubstep cuts with a dready twist and furthermore deep medi affiliate bukez finezts with ladies and cash an ice-cold banger to make you go nuts and spray 16 bars. last but not least this 12inch gets completed with the ignorant juke banger 160bpm, recorded and mixed to a 2track at a hazy afternoon in 2016 by sarah farina, walter vinyl, soulmind and radar bird during a session at redbullstudios berlin and successfully tested afterwards by rainbowbass queen sarah farina during her world tour.

klanken are two belgian brothers. klanken by name klanken by nature. ævier is motorik. highway engine sounds over rumbling bass. ævijf kicks. lfo gone benelux. these two tracks are the sound of new beat reinvented from its belgian home. metallic machine sound for dancefloors and heads. sleeve design by ill studio, paris.

ltd 2017 repress, yo people, it has been a while but these things take time. since our one release last year gave you enough booty shaking until this spring, now is the rite time to drop our 8th release to get them butts shaking again. the a-side is like that dish you always order at your favorite restaurant because it simply never fails. just like it, this track during peak time hours is satisfaction guaranteed. the flipside, aa1, hands you your ass on a platter. this track belongs in any house set to be taken seriously. aa2 is the real reason behind the reasoning. novices and experts need look no further. word. vinyl only

after the success of the labels first two releases, of paradise welcome baltra into the inner circle for number three, a 2xlp reissue of his no regrets album. originally released in february 2016 as a limited edition cassette on the artists own 96 and forever label, this is the first time any of these tracks have been made available on vinyl. no regrets captures the deep, raw emotion of the big city, taking the preconceived ideas of underground electronic music and lovingly twisting them into something new.

miltiadis merentitis is one of the greatest exponents of the underground greek scene. after several releases on nous, echovolt and synapsis joins freebeat with “epitome of things ep”. miltiades explores here driest territories without forgetting his characteristic paths and chords. but the burden, in these delicate but rude compositions, is shouldered by the rhythmic sequences and the percussion elements. every kick, snare and hi-hat are carefully placed to transport you to another world. to take you to the unconventional and rare world of miltiades.

grandioser northern soul-sampler, der 16 perlen von hochkarätern wie nina simone, joe simon, bobby adams und grover mitchell vereint und dazu superbe tunes von ricky rezell, bertha tillman, george allen, mary johnson und eddie banks with the five dreamers erstmals seit original-release wieder auf vinyl verfügbar macht. ein schmuckstück für soul/r&b-vinylsammler!

new york meets brighton as both label and artist step out on wax for the first time. this is a new, exciting realm for homage, but they surely know they re onto a winner with the feel good disco edit tones of tech support. there are classics embedded into these fine jams, with -feel it- coming on particularly summery in its laid back disco funk stylings. -inside out- is slightly more looped up, but no less uplifting, while -clarity- heads into a more woozy, filtered groove that feels inspired by the likes of theo parrish s ugly edits. by way of contrast -sugar- is a much more electronic affair that kicks with purpose while simultaneously reaching for the stars.

soul jazz records’ new space, energy and light is a collection of music by early electronic and synthesizer pioneers (from the 1960s through the 1970s), mid-1970s proto-new age gurus and 1980s guerrilla d-i-y cassette-era electronic artists, spanning in total over a near 30-year time frame. all of these artists used electronic advancements in music technology as a means of exploring not only space and the idea of the future, but also of looking inwards to the soul and of creating music in harmony with the natural world.
comes as a heavyweight triple vinyl album plus download code. artwork includes some of the earliest photography of the plieades star cluster dating from the 1880s.

nice price deal !!! the sound of these 4 tracks bruits into space entrobically. a perfect liason of japanese phonetics & occidental vibrations. a soundtrack for a movie that was never made !! / played by dave clarke…limited backstock

next up, we return to what we do best introducing a brand new project to get excited about. norwegian pandreas delivers some of that melodic goodness just in time for summer. with early support from jackmaster and prins thomas, you can expect to hear these at a festival near you.

next release on craig richard’s tuppence imprint comes from howie b, craig richards and shaun ryder. old boys features shaun ryder unique vocal styling’s over howie and craig’s infectious crisp production. on the flip, howie and craig venture into more sonically eclectic territories. please note these are limited 7” only releases.

the ep entitled vinkelvolten showcases bauri’s form of techno on a platform that, as promised, will diversify and show consistency. this ep takes us on a journey built around gorgeous sounds and crisp abstract beats to a place calmness and peace. originally part of bauri’s 2nd album that never got released due to the slow down in the idm scene, these tracks have matured like a fine wine for 12 years, and now are on a 12” released by b12.
finished in glorious green and grey marble vinyl with exclusive full colour artwork by the wonderful catherine prendergast aka cellar door.

manchester producer anz self-titled debut comes at the crest of two years scenewide hype around her breathless brand of uk club music. also the maiden release from local club night-cum-label chow down, the record is as much informed by anz time as the nights most in-demand resident dj as by her instincts in the studio.these are tracks shaped by a good few encounters with manchester s roiling 2 a.m. crowds. this isn t to suggest a uniform sound anz ear for interplay brings her many influences together in sprawling constellations of style. jolting to life on the bassline- and funky-referencing steel percussion romp panrico, the record then slows to a half-time 808 lurch on clanger. the flip sees loa flex dense polyrhythms and coarse sublow bass before fencin brings it home in a final flourish of crystalline synthwork

thule s dark doppelganger ae recordings was revived last year with the excellent freyja ep by nonnimal, and now the saga continues with this devastatingly on-point release from cold. much like the vibe on thule, the music on thule continues to channel the mood of the icy tundra into refined, modern club tracks, but there s definitely a more sinister intent at work in these tracks from cold. -aerials- is a nightmarish chugger loaded with eerie sonics, while -phased out- lays down some fine dubby processing over a bed of chilly chord pulses. -exiles- is a standout track thanks to its crafty groove, coming on a little more housey than its counterparts but still heavier than the average thule jam.

catherine and gerald o-connell s work as lives of angels quietly and subtly helped to define a whole generation of post-punkers for the greater part of the 1980s. much like other luminaries of the scene at the time, the couple have remained in the shadows of time, highly praised by the collectors but barely ever cited by the mainstream, and if that s not punk then we don t know what is. dark entries are doing the honours of course, and the imprint have managed to license a whole bag of previously released and unreleased material, the former from a bunch of dusty cassettes which are now going for gold on the second-hand market. this was the era of the drum machine, and these 11 tunes are all carried by that unmistakable analogue swing, at times harsh and leaning into something tech-minded, and at other times playful and quirky, a tendency which defined this outfit and the time in which they operated. what a record, this is another dark entries monster

re issue of timmy thomas s long sought after -afrcaino- 12- excavated from the deepest realms of the tk disco vaults. when it comes to this deep disco cut, africano is one of those tracks that became a dancefloor favorite of danielle baldelli who during the 80s played disco, african records, american r&b, and reggae to create what has been since become known as the afro-cosmic scene at the height of club culture in the discotheques of northern italy. remastered, represented and brought back into focus for 2017 s dj bags and dance-floors! as usual, these tk represses are always done in the proper manner. 100% legit re-edits, from the archive, remastered and released in conjunction with henry stone music / tk disco - miami fl.

half baked resident greg brockmann teams up with good friend odd soul under the moniker oddmann to present their first release on half baked records. bringing three tracks of dark, driving but groovy minimal techno, the boys are bringing a new flavour to the half baked label. these two have really been working hard in the studio and that is evident across the release as they provide something for those dimly lit dancefloors with big sound. this is some serious heads-down trippy music to lose yourself within!

absolutely essential record right here - the underground solution aka the s man aka the legendary roger sanchez is a name that you should all be familiar with by now, and his 1990 anthem luv dancin is an nyc deep house benchmark. that s right, this originally came out in 1990. that s a heck of a long time ago. thing is, this record, when played at the right time will still cause maximum damage in the club. riffing on disco classic is it all over my face and with elements of the bottle interspersed with a deep, rolling garage bassline and dreamy keys and pads sanchez crafted a solid gold cut, a timeless piece of dance music that still inspires today and is often imitated yet obviously never bettered! the flipside cuts deep in my mind and afterthought are also sublime exercises in the deepness, the s man s trademark eerie pads, bleeps and dope drum programming evident throughout, making these tracks huge hits from nyc to sheffield and beyond! this whole ep is flawless and if you dig the deeper side of this stuff then you re in for a treat - now s your chance to bag a bonafide, hands down classic record! luv dancin has been skilfully remastered from all original master sources and fully licensed and reissued officially for 2017.

primitive trust is the coming together of two experienced musical minds. in one corner is will saul of the influential aus music empire, and in the other is tom mangan, aka tee mango, the producer who started millionhands record and clothing label. the pair met many moons ago and reconnected recently at a festival in morocco. they bonded over music, lunch and shared family travails - and as they both now live in somerset decided a little local studio collaboration seemed all but essential. between them, these consumate country gentlemen have seen plenty a musical styles come and go, so decided their best route forward would be to make music to please themselves. to that end, they holed themselves up in tee mangos woodshed studio with the following ground rules: they would make music only with the gear they had (mpc 2000, ableton, roland 101, juno, fender rhodes, various fx pedals) they would trust their instincts and go with first feelings they would embrace the joy of randomness if in doubt they would ask what would carl do? with that, you have the simple but effective mo of primitive trust. these sessions have resulted in a series of three eps to be released over the course of four months. each ep will feature 2 or 3 original tracks and one fresh remix, with unique artwork and an illustration by all-around visual auteur geoff mcfetridge. using the building blocks of house, and classic techno primitive trust can do zoned out and romantic, as much as driving and heady, but with an ease that comes from experience, years in the making. while tipping their proverbial hats to the past they also look to the future with their sound, mixing samples, wigged out synthwork and propulsive rhythms to create something honest and heartfelt that will stand the test of time

the new joey negro album produced with love is now available across all formats but as the double cd contained 20 tracks it wasnt possible to fit everything onto the 3lp version so the space time ep is a new vinyl ep containing some of these tracks that weren t ready in time to make it on to the vinyl lp. first up is distorting space time, a drawn out dubby, jazzy, spacey track that suggests a heavy arthur russell influence, one that is already a firm favourite of gilles peterson, louie vega and françois kevorkian i recognise is a jazzy boogie track with kaidi taitum on keys full of spacey effects and features sacha williamson on vocals. dancing into the stars features london s best disco party starters horse meat disco on co-production duties and angela johnson on vocals. this is the unreleased extended mix that comes in at over 10 minutes and is a full on dan hartman style modern disco production. completing the package is the black loops remix of wont let go who takes linda clifford s vocals and a killer bassline into deep house territory.

since its release last year, the grammy nominated album louie vega starring…xxviii has reached unfathomable heights, after 8 single vinyl releases and two full triple set album releases, we still have one more up our sleeve. today, here we are in the third and final installment of the louie vega starring…xxviii vinyl album release series, this time taking it to another level with unreleased and lost mixes. when making an album there are usually way more than the number of songs allocated for the project. in this case there were over 50 songs and tracks created for the louie vega starring…xxviii album. vega has selected 14 unreleased and lost tracks from the recordings and put together dj friendly versions with these super talented artists involved: funkadelic, nick monaco & soul clap, kenny bobien, cindy mizelle, maphorisa, berita, wanda baloyi & kabomo (south african top talent), roberto roena (of the fania all stars), brutha basil, jesse jackson (blues rock artist), sara devine, luis salinas (argentinean guitarist), duane harden (song/hitmaker), & 3 winans brothers featuring the clark sisters. the packaging is lovely with an open gatefold huge picture of a mural painted by none other than richard wilson uk artist. mastering by the great walter coelho, for sonic perfection & pressing manufactured by optimal in germany.

for the 9th release, 89:ghost are proud to present an ep from berlin-based japanese producer & dj, tomoki tamura, founder of the legendary holic nights and of course the holic trax label. included on the quiet air gun ep are 4 dense, weighty trax of tt s moody and slightly weird but definitely dance music, something that drew your friend and humble label boss to approach the man, as we like moody and slightly weird around here. make no mistake though, these are tunes for the feet as well as the heart & mind. pressed onto wholesome 180gm black vinyl, shout out to todd for the dope art, unai and of course tt. peas - nail x

nice price deal !!! chica vas is a brooklyn-based all female drum band. with anywhere from five to twenty-five musicians onstage, chica vas can feel like a dance party, a social group, or a tribal initiation, depending on the day, whichever, this is the kind of band that turns the audience into an instant party. pink stallone experienced this for himself at the infamous williamsburg fashion weekend, immediately initiating his own live recordings of chica vas at public assembly. these recording sessions have recently become a recent 7 inch on pink stallones generatto self-release label, and now a special series of remixes from under the shade.

we are pleased to announce dj hells 5th album zukunftsmusik, to be released on international deejay gigolo records. the techno revolution 30 years ago, where boundaries, walls and our own guarded natures came crumbling down? the archaic establishment-challenging attitude and forthright energy of the punks? the long-awaited eruption of gay culture that had burned and yearned since the dawn of mankind? dare you travel even further back? rewind two hundred years to the romantic revolution where men like the blitzed berloiz helped us transcend our physical limitations for suspended moments of fantastique disbelief. all of these moments have shaped us, our music and our culture. each movement comprising artists who like us right now are trying to make sense of the uncertain world, the chaotic present and the fearful future. artists like hell. welcome to the future…reflecting over his participation and contribution to myriad cultural movements since the late 70s, his passion of ever-evolving musical form and our current socialpolitical landscape, hell taps into our collective rich histories, our combined fears and our mutual desires to create his most personal, ambitious and thought provoking body of work to date: zukunftsmusik. his fifth studio album zukunftsmusik fuses some of hell’s strong signature motifs (his passion for subversion, his great kosmiche canvases, sudden throbbing bursts of dancefloor dynamism, subtle songcraft) yet it sounds unlike anything hell has ever created before. there are very few big club singles. a delicate balance of classical dramatic orchestral tension and evocative futuristic synthesis runs throughout. dark and light, hope and fear, fast and slow, day and night. over the course of one hour helmut josef geier invites you on a musical trip of a lifetime his lifetime, your lifetime, musics lifetime.

we are pleased to announce dj hells 5th album zukunftsmusik, to be released on international deejay gigolo records. the techno revolution 30 years ago, where boundaries, walls and our own guarded natures came crumbling down? the archaic establishment-challenging attitude and forthright energy of the punks? the long-awaited eruption of gay culture that had burned and yearned since the dawn of mankind? dare you travel even further back? rewind two hundred years to the romantic revolution where men like the blitzed berloiz helped us transcend our physical limitations for suspended moments of fantastique disbelief… all of these moments have shaped us, our music and our culture. each movement comprising artists who – like us right now – are trying to make sense of the uncertain world, the chaotic present and the fearful future. artists like hell. welcome to the future…reflecting over his participation and contribution to myriad cultural movements since the late 70s, his passion of ever-evolving musical form and our current socialpolitical landscape, hell taps into our collective rich histories, our combined fears and our mutual desires to create his most personal, ambitious and thought provoking body of work to date: zukunftsmusik. his fifth studio album zukunftsmusik fuses some of hell’s strong signature motifs (his passion for subversion, his great kosmiche canvases, sudden throbbing bursts of dancefloor dynamism, subtle songcraft) yet it sounds unlike anything hell has ever created before. there are very few big club singles. a delicate balance of classical dramatic orchestral tension and evocative futuristic synthesis runs throughout. dark and light, hope and fear, fast and slow, day and night over the course of one hour helmut josef geier invites you on a musical trip of a lifetime his lifetime, your lifetime, music’s lifetime.

lp is housed in a deluxe chipboard jacket with thick inner sleeve and pressed on 180 gram black vinyl.

you have been asking for months to release these ones on vinyl so material does it.

part 1/3! several shades of the same color is patricias first album for spectral sound, produced in conjunction with his own label active cultures.

this grouping of audio recordings is for aural use only. any emotional content perceived herein is borne of its listener, and is in no way intended by its author. any sounds resembling speech are not intended to convey meaning. several shades of the same color is patricia s first album for spectral sound — produced in conjunction with his own label active cultures. tips for listeners: consider the moment in which you exist, pay attention to how these sounds evoke physiological (rather than cognitive) responses. listeners may find themselves deriving immense physical pleasure from exposure to these sounds. inability to achieve such pleasure is likely attributable to over-analysis of the aforementioned audio content — or to improper amplification. each of shades three lps features suites of tracks that, considered alone, comprise their own distinct, unique worlds. disc one opens with -i know the face, but not the name,- an unabashedly plaintive trip through classic electro rhythms, flip it over for -the words are only sounds,- a haunting affair for synthesizer and voice. disc two s -the electric eye is upon me- swirls endlessly, while -shiba inu dub- is cut for the floor and coy as its namesake. disc three s jackin -feel your body- will cause you to do just that, -german friendship- sounds like d.a.f. on dissociatives. any emotional associations incurred while listening come at the listener s discretion. furthermore, the identity of the author and/or their passions regarding the recordings herein shall bear no weight on the listener s experience. this body of work is not intended to generate ideas, rather, its goal is to produce physical sensations in the listener.

quite scarce and demanded record from os apolos recorded in the netherlands. featured an off the hook afro beat song time of war . limited warehouse find, these records have been remaining for years in original boxes straight from the press plant, never played mint condition.

the cosmic pint glass keg series continues its secret vinyl only 10&#8243,,,,, addition, pressed to 200 copies. this time daniel t supplies the dancefloor fun times by adding some tropical funk to maricopa s ascent and turning it into some mutant disco party jam. on the flip miskotom adds a hefty dollop of atmosphere to the already atmospheric volcanic glass to provide a stunningly laid back finish. get these while they re hot!

south african house and synth-funk from the kwaito era by the legendary senyaka kekana. the unexpected deep house jam bayanyonyoba (1993) and the illustrious soul song dont judge me bad (1987) are big rh favorites. original copies are absolutely impossible to find, now released on 12inch for the first time. beautiful sleeve by stenze quo! esa williams i had the pleasure of performing alongside senyaka at the alexander theatre, johannesburg back in 2012 which would have probably been his last most iconic gig before his passing in 2015. these two tracks really showcase the sounds of south africa around the early to late 80’s, the influences from american synth pop and house that would then lead later into many of these records being played at the wrong speed which ultimately became the original kwaito sound from south africa

rare record from kaka recorded in portugal and arrangements by the virtuose paulino vieira. last track on this l.p. is a funana track from the legendary bulimundo band. limited warehouse find, these records have been remaining for years in original boxes straight from the press plant, never played mint condition.

this summer sees the joining together of two of the most loved institutions in drum & bass as bryan gee s pioneering v recordings imprint links with one the most loved and respected annual events in the d&b calendar, sunandbass. however this collaboration goes further than just these two - if you add certified d&b legend dj patife into the mix, add a collection of some of the most exciting brazilian producers into the mix (and a couple of special guests!) and you have one of the mostly hotly anticipated compilations of the year dj patife presents viva brazil sunandbass sessions. to kick things off sun&bass present a four track collection to wet your appetite the vibe is coming , available on 2x12inch vinyl this ep sets the tone with brand new music from dj patife, david ws & mc fats, alibi, command strange and simplification & translate. as you d expect this sampler is packed full of sunshine, liquid vibes the perfect meeting of sao paulo & sardinia. the vibe is coming, make sure you catch it!

summer has not officially kicked in yet but antinote’s new addition to its roster will sure soundtrack perfectly its upcoming warm nights: encapsulating the teenage dream of an endless summer, 18 rays is the moniker behind which some of the labels most steady fixtures gave a try at recording music together, somewhere straight in the heart of paris 18th arrondissement.

1st release in alden tyrell s latest project: vorm variaties, a 5 release series consisting of tracks recorded in the last 2 years. the vorm variaties- tracks were a style excercise for tyrell, flexing his producermuscle while health issues forced him to stop touring. initially he had no intention to release these tracks but we found them so good that we were almost forced to start this series. all tracks selected are variations on classic techno forms, using classic style ingredients and the 909. all 5 variaties are different in style, yet all homogenous, all with alden tyrell s sound signature... on point production skills and stripped down arrangements.

swayzak returns with gestures of a sycophant. after a back catalogue of severely epic proportions (the seminal album snowboarding in argentina for example), a legendary fabric residency & mix cd, and a relationship with tresor that spawned epic gigs and an lp, not to have released a record since 2012 is nothing short of criminal. 2017 then sees beatnik boulevard deliver two long overdue tracks of those big room stylings that has become synonymous with the name swayzak . even as you succumb to the bass pressure, the oceans of detail and programming flourishes that only come with decades spent in those worldwide techno bunkers bring to mind the pedigree of this release. it was once declared that swayzak is a techno dinosaur - looking back that seems a justified moniker to go with the guttural, brobdingnagian sounds of these compositions. slow moving though the spawning may have been, the monster has once again awakened.

uk producer martin jenkins needs no introduction. under his more commonly known aliases (pye corner audio, head technician, and more), he has mystified fans with his unique brand of synthesist nostalgia with numerous releases on ghost box, more than human, and further records. for this special 12-, martin revisits his past influences and crafts his first techno record. his fine-tuned programmer and production skills blind us with these 4 tracks of stomping dance floor killers. it s a totally new thing for martin and can be best described as straight up techno utilizing the pye corner audio sound palette. dive in and get lost. that 4th track!

for its 3rd release, the other planet presents worth way. embark with him on this journey to discovery. a universe full of poetry accompanied by rhythms with lo-fi accents.
this ep was created throughout adventures into the australian wilderness. whilst hiking and driving around mountains, forests and beaches, inspirations were drawn from emotions and connections that were felt in these settings. the tracks reflect the physical and psychological catharsis that can be induced in a landscape that has seen minimal human activity.

after building their reputation as a force for positivity in the berlin dance scene, berlin bass collective have looked amongst their ranks to find two producers with the talent to reflect their tried and tested ethos which has been setting dance floors alight across berlin and the uk. built from a palette consisting of raw, low-fidelity found sound, obscure disco reworking and original bass lines these tracks are built to function as well underneath the mirrorball of a packed dance floor as they are kicking back at a friend’s house party.
on the a, brian ring draws on his immense knowledge of the disco and soul roots of house music. channeling the spirit of his night time dalliances as a resident of both the disco kiez and house of love parties in berlin, brian’s productions embody the philosophy that good music is music that gets people moving.
on the flip, bridge guy takes us into super chill with a collection of organic, lo-fi tracks that loop beautiful disco bass lines and vocals so sultry you will feel like you’re floating.

panic! at the disco präsentieren 2017 ein reissue ihres debütalbums »a fever you can’t sweat out«, und zwar auf vinyl.
das album erschien ursprünglich bereits am 27. september 2005, und zwar beim label decaydance records von fallout-boy-gründer pete wentz. dieser hatte zuvor demos der band gehört und nahm sie unter vertrag, noch bevor sie jemals live performt hatte.
aufgenommen wurden die 13 songs von »a fever you can’t sweat out« in den somd! studios in college park, maryland. für die produktion zeichnete matt squire (good charlotte, the used, taking back sunday) verantwortlich.
das album wurde ein kommerzieller erfolg. die zweite singleauskopplung »i write sins not tragedies« schaffte es in den usa bis in die top 10 der charts.