jailbreak at the zoo! totebagz is the collaboration between two of melbournes most daring minds, jerky perky aka misha hallenbach (perks and mini, bamboo musik) and the most excellent surfer/dj biscuit (moonrocks). when theyre not cycling the unknown regions, foraging the bush for >special< funghi or surfing the 50-year storm, theyre oozing tweaked cardboard box techno. on this limited edition disc, the totebagz pile blankets of synth upon deep-fried circuitry upon drum machines that have a mind of their own. to say they take you for a ride would be an understatement. this is what it sounds like when gremlins shack up inside your mixer.

being a product of the age it was written, slow clubs 2009 debut, yeah so, dealt with the all too familiar space between adolescence and the oncoming storm of adulthood. a boy-girl duo who played a flower-adorned chair live, they were the polar opposite of what was coming out of post-arctic monkeys sheffield. slow club were fun, cute, whimsical and all manner of other words just shy of twee - and they hate being called twee. paradise, however, is where the duo grows up. two years on, it stumbles out of a trivial, self-indulgent teenage malaise (where sexual adventure was priority for most) and carries itself with a sense of perspective that only adulthood can give - a darker, more thoughtful view of the world. for instance, on the poignant you, earth or ash, a song about rebecca taylor s granddad, her melancholic vocals (beautiful, as always) evoke an awareness of mortality for those around her: singing -and i know, soon you ll go,- her voice seemingly breaks under the weight of premature grief. whereas even love-wise (an inspiration every band draws from) slow club s lyrical output is glossed with a more mature and detached sense of sauce, with taylor crooning on where i m waking: -i can see you looking at me / you got the brains i ve got the body-.

the cocoon compilation k, being the longplay flagship in the cocoon catalogue, adequately starts the second decade of the label with a musical imperative. but dont worry: even if the letter k has sometimes been misused as an indicator for the degree of hardness of some sonic noise in the past of the tech-house scene, >k< is definitely the deepest survey of contemporary electronic dance music that has ever seen the light of day on cocoon recordings

the balearic house sound of saturday nights at pacha and beyond, this is spiritually ibiza

mikael feels very lucky that he had the chance to work with artists who he admires and trust.etten is the voice of this project, however, in a mysterious way her voice sounds like the listeners inner voice .billie ray martin in her also excellent performance confesses to us her oedipal relationship with her mother, this constant bond we are all prisoners of. tech me away is an album made of sounds and references to good old techno. mikael didnt follow whats in fashion in music at all. he only followed his instinct.

cd1 = mixed, cd2 = unmixed.feat. hot chip, greg wilson, holy ghost, soul clap..

mark mcguire operates chiefly as guitarist in the legendary emeralds. however he also has racked up an impressive set of solo releases over the last few years (albeit mainly in small to micro print runs). living with yourself is his new album and we at editions mego hope to meet any demand which may arise from this fine selection of modern crafted guitar tunes. focusing on his family, early friendships and the problems that inevitably develop through years of knowing someone, it takes mcguires sound even further out, and contains some his most accomplished songs to date. the opening track is fine example of mcguires magic technique of taking a lone acoustic guitar then transforming the track into bliss-out electro wash looping off into the distance. and tracks like clouds rolling in and brain storm take off where such mcguire classics as the marfa lights (which incidentally is planned for a future reissue) left off. while connoisseurs of his sound will find all they desire in here, many superb surprises await around every corner. these are songs that cruise, bubble and rise to the top.

2010 release by this project from bristol-based musician scott hendy. anyone who has seen the recent bansky documentary exit through the gift shop has likely heard diego & the dissidents though they may not have realized it. an album that almost never saw the light of day, now resurrected just in time to see brilliant tracks such as -contaminated water pt. 4- and others add depth and intrigue to a film already featuring an -against all odds- theme.

just a classic !! trip hop tip

kode9s grasp on the throat of bass music in 2010 is almost unparalleled. his trend setting record label, hyperdub, is in its sixth year of viral contagion, hes become a published author on the theory of sound abuse and sonic frequencies being used as weaponry in his book >sonic warfare< and his production work has mutated from an almost simplistic marriage of beats and sine waves into a fusion of dancefloor ebonics and discordant synths!

the highly anticipated collaboration between horace andy and alpha is finally released after years in the making matching horaces highly distinctive vocal style to corin dingleys signature production. 8 and a half minutes of rumbling basslines and skittering rhythms not dissimilar to some of the early rhythm & sound 10 inch dubplates.

beware of the light is the soulful, gritty and interstellar sophomore album from australian talent jamie lloyd.

the storm is here: the towering thunderheads and piercing sunshine of ambassadors 4 - from amen to z. this fourth installment in the ambassadors compilation series unites a multiplicity of drumnbass styles - high-pressure pop, clouds of old-school jungle, dark cyclones of bass, macro-experiments in climate manipulation. incl. bassface sascha, young ax, simon v, camo, kjell, naibu, concept & shnek, tyler straub, cycom, dan habarnam, paul sg, peyo & grimm, resound, denius, dub tao, hiten, kaleb, nsf, sh1, smote, telmo a, alternate vibes, cold jazz & wezzler und buzz.

dolle dancefloorbomben, jackende oldschool tracks und fantastische downbeat exkursionen machen >kaiku< zu einem album, das mit abstand das reifeste und zeitloseste ist, was man bisher von kiki gehšrt hat. absolute empfehlung

final song goes to the very heart of musics spiritual dimension by asking a number of musicians to select their ideal last song, either to serenade their final moments or to memorialize them after the fact. the participating artists deserve to be commended for their openness: theyre responding to one of the most personal questions one could ask. (several of those approached declined to take part- taboos are taboos, after all.)

between dream and rave, agoria found himself, without any difference whatsoever. the public will soon realise this. very soon. yet, go, quick. go fast!

zweites album des koelners, der hiermit seine soundstrukturen noch einmal verfeinert und auf besondere weise traditionelle instrumente und gesang mit referenzen zu pop und krautrock auf technobasis verbindet.

the summer is coming with long hot days and very hot nights. hend kandi collected for deeply soulful sundrenched summer listening miguel migs, roachford, ron gelfer, faze action lisa shaw and many more