dischi nottetempo welcomes kreggo.

vinyl: 1 x 12inch black vinyl 140g, 3mm spine sleeve, 1 x printed inner sleeve. front sticker

after the success of “classical 90s dance”, alex christensen and the berlin orchestra go on with orchestral conversions of the greatest hits from the 80s. pressed on black 180 gram double vinyl, housed in a gatefold sleeve.

lp+printed innersleeve

a fine collection of iconic 80s synth-pop tracks on double vinyl, housed in a gatefold sleeve.

remastered! 1 picture disc in claer pvc sleeve!

80s originals combined with new orchestral arrangements on double vinyl lp, housed in a gatefold sleeve.

celebrating 35 years of bronski beat with a limited edition pink vinyl reissue of “the age of consent”, remastered from the original analogue tapes. also includes 2 cds with the album and 20 bonus tracks - demos. bbc-session, unheard tracks and remixes.

aus music welcome the debut ep from, matt karmil. the sourced ep follows his critically acclaimed will on smalltown supersound. matt delivers two classily edited cuts and two off kilter deeper tracks, a perfectly balanced ep with a track for all times and moods.

raw dirty jacking tracks fatter than a ferry to helsingor! nimam spregleda provides 4 tracks representing the underground sound of helsingborg and its tradition of embracing sounds from both chicago and karlskrona. most tracks are on the gritty acid house slant but with a weird punk attitude & the last one is a nutball out-of-sync dancefloor wrestler for drunken sailors. yes, you need some smalltown dang from nimam spregleda before the ferry arrives. -dj joakim cosmo

studio barnhus top sound killer matt karmil returns to label in perfect form, bringing an eps worth of those very best matt karmil dance tracks in world-famous reduced but-raucous style. four club-toppling, festivalcapsizing, dj-humbling supertools - cut by professionals and released by enthusiasts. tell me why is karmils first studio barnhus release since 2015s dans-maxi fran nacksving. apart from recent solo appearances on idle hands and smalltown supersound, he has lent his studio magic to some of dance musics finest current and future releases, on our label and elsewhere. this is the first record ever with his face on it a studio barnhus exclusive

house music broke through in 1987, at the same time when aids arrived in france with the first contamination peak in gay and drug addict circles. in 1989, the founders of act-up paris knew that both the fight against aids and triumphant house music should be joined together. from 1992 to 1995, the period covered by “120 bpm-, house reached its most beautiful plateau even though techno was becoming dominant. “120 bpm” is a get-together moment through clubbing, this moment where fears are forgotten by dancing with one’s friends, what we called “the chosen family” at act-up. boys and girls dancing in a club where the walls cannot be seen, flooded with simple light. this is their activist recess. arnaud rebotini, composing the soundtrack of robin campillo’s previous film, “eastern boys-, is a recognized dj, a composer and a kind man, which is for me the most important quality. here, his work is marked by restraint of his love for house and after techno. i believe he deliberately withdrew himself in relation to the film’s power and the aids theme

per martinsen aka mental overdrive is one of norwegian dance musics founding fathers. alongside friends such as bjorn torske, biosphere, rune lindbaek and dj strangefruit, martinsen was integral in laying the foundations of norways now blossoming dance music scene during the late 1980s and early 90s. as a producer, he cut his teeth making house, techno and hardcore for belgian imprints ssr and r&s records at the turn of the 90s. he was a regular at the r&s studio in ghent, programming and mixing for other artists including joey beltram. since then, per has continued to produce and release quality electronic music, both under his mental overdrive alias (see releases on full pupp, smalltown supersound, rett i fletta and his own love od communications imprint), and as part of outfits such as frost (alongside his other half, aggie peterson) and illumination/ chilluminati. per is featured heavily in ben davis and pete jenkinsons documentary film chronicling the rise of norwegian dance music, ‘northern disco lights.

monkey safari betreiben in ihrer heimatstadt halle mit dem -charles bronson- einen über die stadtgrenzen hinaus bekannten club sowie ihr eigenes label hommage, das regelmässig vordere plätze der beatport-tech-house-charts belegt. mit dj-gigs auf festivals wie time warp oder awakenings und mit releases auf label wie kompakt, minus oder bedrock, darunter remixes für marc houle, kölsch, wolf+lamb, guy gerber, josh wink und moby(!), haben sich monkey safari im laufe der zeit ein internationales renommé erarbeitet. -odyssey-, der titel ihres neuen albums, beschreibt treffend den prozess seiner entstehung, das, anfõnglich als listening-werk geplant, sich im verlauf zu authentischer clubmusik für eine vielzahl von unterschiedlichen dancefloors entwickelte und das unverkennbare genie der beiden versierten dj/produzenten belegt.

nice price deal !!! next phat 12 inch on smalltown supersound incl. ariel pink, oneohtrix point never, mark mcguire remixes!

triple vinyl pack from schallbox records, contains these eps:
- sbr 11: gabriel le mar - deep red guitar
- sbr 12: smalltown collective - tiefblau
- sbr 13: antientertainers - drunken sailor

schallbox inaugurates the open-air season and by doing so unmistakably calls out for a dance! the high spirits of the party held for its tenth release is still in everbobys mind - and the blaze is still burning! yet team schallbox around steve cole follows up by presenting space night astronaut, saafi brother and sound design artist gabriel le mar with the spherically driving and playfully dreamy track >deep red guitar<.

hot on the heels of their eponymous debut album (released on smalltown supersound in march 11), finnish electro-rock-stomp trio k-x-p are set to unleash a brand new three-track ep to mark their signing to manchesters melodic label.
including code for free download of this release.

heavy plays by: james murphy (lcd soundsystem / dfa)) , rune lindbaek (smalltown supersound) , severino (horse meat disco) , jd twitch (optimo (espacio)) , baby g (aka l.s.b. / superdiscoteca, eskimo), blackjoy (project, yellow, supra, nrk, freerange)blackjoy , cosmo vitelli , daniel wang (balihu records),headman (relish records),italoboyz , marcelo burlon severino (horse meat disco) ,san proper (rush hour) ,tomas barfod (tomboy) ,trevor jackson

>13.0< is the reduced title of the original track, which reflects as well the puristic approach of the sound. oldschool manner meets analog waves on swinging grooves, that cleares the way across the galaxy. gabriel le mar pitches down the velocity and touches down on the magical fairys planet! his silver bullet is the game of dice and conjures the fairies with an ocean of moments in happiness, what ends up in joyful dancing. playing games has ever been his passion! the trip goes on in low level flight mode. the smalltown collective offers clearer strings with a dose of deepness. on his remix of >29.0<, steve coles shoots the fire with wide-opened claps and crunching the gear, while spreading the music by the machine into the width of the universe.

fine art with another piece of sultry nu-disco/house. this time its londons capracara (aka jonathan burnip), who has had outstanding releases on dfa and soul jazz. this vinyl only release of panic beats includes (beside the original version of course) a sweet previously unrelease remix from diskjokke, one of those hot producers from oslo (like prince thomas, lindstrom). diskjokke just had his second album out on smalltown supersound but found time to deliver this sweet remix job. comes with two endless loops in the run out groove. fine art is on a great run with this cool 10... vinyl only

one of the major players in oslos disco scene joachim dyrdahl aka diskjokke returns to full pupp with his new original track takt raver, a shiny example for his melodic, epic yet jacking style where almost fragile melodic fragments, stomping grooves, simmering acidlines and air-horns magically gel together. label boss and discoverer prins thomas takes us on a space walk with his marvelous psychedelic remix of 1987 which will appear in its original version on diskjokkes forthcoming second album on smalltown supersound. on the flip excentric duo and food geeks ost & kjex ( diynamic ) serve up a whole menu with several courses and a huge variety of flavours: their remix of interpolations makes itÆs entree as a jerky, crunchy afro-beat style funker followed by aromatic, earthy house chords before a well-rounded finish of tangy acid lines and hints of bitter-sweet melodies. sink your teeth (and ears) into this!!!

eighth single from fort knox fives radio free dc remixed series. side a is smalltown romeo (mike and pete from smalltown djs and wax romeo) doing production to the party pushers. side b is lars moston making an electro house banger out of killa soundboy.

we once again welcome back diskjokke to the motherpupp after a succesful run of releases on smalltown supersound and kindisch. 2008 was a hectic year for joachim, putting together his live band, doing remixes for metronomy, foals and lykke li to name a few and spreading melodic, trance-inducing feelgood disko gospel around the world. asa nisi masa has been causing much mayhem the last 12 months even causing girls to offer me services i wont mention here...wibbly wobbly arpeggios massaging your buttocks...very very rude indeed as already showcased on the full pupp/greatest tits compilation, >cearadactylus< is definitely a different kind of beast. slow and chugging along at a tempo even fit for dinosaurs

cool tussle 12 inch featuring remixes and collaborations mainly based on tracks from their latest full-length cream cuts on smalltown supersound. a remix record that plays through like an ep!

autodiscotheque continue their demonstration only series of cut up dancefloor weapons with two top edits from alexandra parade (rumoured to be none other than legendary optimo selector and editor j.d. twitch). first up is barneys bubbles a heavily chicago influenced take on movin by brass construction. on the flip bronski beats classic smalltown boy is chopped and teased into a jackin slice of arpeggiated nrg bliss called ruchill rumpus that delivers maximum impact.

>shared time< by rolf imhof is a fine, minimal driven, crisp tune dancing on a cool dry beat base. with the petite but magnificent hook-line the song will easily casts the spell over the club crowds. tobi lützenkirchen s (platform b, stil for talent) remix puts the lid on this must vinyl

supported by c rock, james flavour, giles smith. fresh from releasing his debut album >staying in< on smalltown supersound, diskjokke releases the eagerly anticipated >flott flyt< on full pupp.

cover of supermodes megahit >tell me why< which was based on bronski beats eighties classic >smalltown boy<. the release features a mega remix by dj zof and smb, which are producers that have massive support by the big deejays like pedroh, w4cko, gio, lethal mg

mental overdrive is norway’s per martenson, famous since 1990 for his productions on belgian superlabel r&s, music man, discfunction, smalltown supersound, virgin and his own love od communications imprint out of norway

ultimative peaktime power in all three tracks.. a little smalltown boy sample make sure that you never forgot the 'bronski heat' !!

1 x cd jewelcase, 1 x transparent tray, 12 page 4/4 booklet gloss finish, 1 x inlay front and back. no sticker

house music broke through in 1987, at the same time when aids arrived in france with the first contamination peak in gay and drug addict circles. in 1989, the founders of act-up paris knew that both the fight against aids and triumphant house music should be joined together. from 1992 to 1995, the period covered by Ò120 bpm-, house reached its most beautiful plateau even though techno was becoming dominant. Ò120 bpmÓ is a get-together moment through clubbing, this moment where fears are forgotten by dancing with oneÕs friends, what we called Òthe chosen familyÓ at act-up. boys and girls dancing in a club where the walls cannot be seen, flooded with simple light. this is their activist recess. arnaud rebotini, composing the soundtrack of robin campilloÕs previous film, Òeastern boys-, is a recognized dj, a composer and a kind man, which is for me the most important quality. here, his work is marked by restraint of his love for house and after techno. i believe he deliberately withdrew himself in relation to the filmÕs power and the aids theme.

monkey safari betreiben in ihrer heimatstadt halle mit dem -charles bronson- einen Ÿber die stadtgrenzen hinaus bekannten club sowie ihr eigenes label hommage, das regelmŠssig vordere plŠtze der beatport-tech-house-charts belegt. mit dj-gigs auf festivals wie time warp oder awakenings und mit releases auf label wie kompakt, minus oder bedrock, darunter remixes fŸr marc houle, kšlsch, wolf+lamb, guy gerber, josh wink und moby(!), haben sich monkey safari im laufe der zeit ein internationales renommŽ erarbeitet. -odyssey-, der titel ihres neuen albums, beschreibt treffend den prozess seiner entstehung, das, anfŠnglich als listening-werk geplant, sich im verlauf zu authentischer clubmusik fŸr eine vielzahl von unterschiedlichen dancefloors entwickelte und das unverkennbare genie der beiden versierten dj/produzenten belegt.