for our fourth release we carefully selected tracks by two talented newcomers from romania. you already know melodie from rora10, joined on this one by another promising artist from bucharests techno scene - teluric. this is not your average split ep, but rather more of a collaboration between these two guys. the a side features two tracks under their individual guises, while the b-side showcases their collaborative effort, glueped, the fruit of years of friendship and working together. >glues from the toolbox< is a complete package and its meant to guide you through different moods and states of mind. 180g vinyl only. blue white marbled.

new years deal - another genre bending release on the healing company. modern sounding wave vibes and a great break beat loaded track on the flip that wont do harm to any good dancefloor!. -an ancient puzzle of mystification and nostalgia, waiting for the listener to unravel the mystery, but never offering enough clues to do so. while an ever-growing mass of synth layers and bulbous basslines flow across these two tracks, it never comes off as too clean, instead relying on the occasional detune or bitcrush to remind you it s being made by humans, not a machine.-

terrence dixon returns as population one, offering an unrivaled, dazzling excursion of late. the move comes with an illustrious, energetic orlando voorn rework on the flip. two esoteric portals into the motor city mindset, top tip! laurent garnier: >oh fuck yessssss heavy rotation for me<

after various releases on weevil neighbourhood, two of the label’s key figures, anthone, who made a first appearance in 2012 with the “aloof” ep and “double dub / clear view” as well as “breath/lungs” in 2014 and katsunori sawa, who debuted with the “lr” ep in 2011 together with yuji kondo as steven porter and later released “the two legs” (2013) as well as “holy ground” (2014) as a solo artist, team up as bokeh for their first collaborative outing dubbed “peace obscured”. the release comes as a 12” ep combining both artists trademark musical vocab - industrial dub and noise influenced techno - resulting in a three tracker of relentlessly driving bottom end rave. black vinyl, limited edition, artwork by lee noble (no kings records/ bathetic).

renowned house veterans d’julz and jordan fields drop two tracks each for a split release on radio slave’s rekids this december. one of the key components in parisian electronic music, the a side sees a display of groove led cuts signature to d’julz as ‘shy town’ combines sultry bass tones with mesmerizing atmospherics and tranquil piano chords, making way for the crunchy drums and trippy synths of ‘in your soul’. meanwhile, from across the pond in chicago, jordan fields’ raw productions begin with syncopated percussion and fuzzy notes until ‘mformation’ concludes the package with thudding kicks and ethereal melodies. both artists have been commanding forces in electronic music for 25 years each making this split release very special indeed.

following on from 2015 s mammoth release, work them records call in flexxseal boss christopher joseph, parisian duo behzad & amarou and label founder spencer parker to remix caiazzo the dredge ep. punchy kicks and eerie drones initiate christopher josephs recreation of lowbrow as numerous dusky atmospherics ebb in and out of the mix. next up, renowned concrete paris residents behzad & amarou deliver a mesmerising slice of techno with intricate percussion, floating pads and metallic aesthetics in their remix of dredge. on the b-side, work thems spencer parker presents two versions of refraction that emphasise ample low-end, sinister whirrs and an undulating synth that will continue to shake clubs throughout the future.

groove line records follows up the change remix 12” from the summer with the latest instalment of our officially licensed disco remix 12”s. next up are two exceptional disco remixes of the salsoul orchestra classics, “tale of three cities” and “tangerine”, by mike maurro, whose recent the mike maurro peak hour remixes box set has cemented the new york producer’s reputation as one of the most respected disco remixers on the scene right now. side a features “tale of three cities” (mike maurro disco remix), one of the salsoul orchestra’s funkiest cuts, written by bass player ron baker for their debut lp. maurro extends the arrangement to nine minutes, concentrating on the driving beat and rhythm section for the intro, subtly adding the guitar and keyboard parts before the first orchestral bridge at 1m36. stripping back much of the orchestral elements throughout the mix he gives more space to the deftly executed solo guitar and keyboard passages and gives special attention to vincent montana’s vibes, taking the dancer on a beautiful journey through the salsoul sound concluding with an instrumental, ethereal outro. side aa features “tangerine” (mike maurro disco remix), vincent montana’s skillfully rearranged version of the lilting jimmy dorsey pop standard which was the group’s biggest pop hit, also from their debut lp.

after releases on fxhe, deeplabs, and planet-e, brian kage returns with “the arc ep,” a new record on his new label, michigander. “the arc ep” is dedicated to celebrating hopeful and inspiring times in the city of detroit. the arc - dark minor chord stabs emerge and echo around a solid concrete foundation of classic 909 style drum patterns and deep pulsating bassline hits. the structure builds until giving way to a break of lush symphonic strings that pay tribute to detroit in a nostalgic manner. the arc (stringless mix) has been crafted for creating and releasing cascades of tension in the darkest of warehouses. d drive – a saturated synth lead effortlessly bounces through two octaves in a classic groove that is unmistakably from an alternative universe where the 80s never ended. this feel-good jam will get even the toughest of crowds smiling and rocking out. transcending – this contemplative soundscape flings percussive hisses rippling through a deep melodic realm. an atmosphere of timeless synthesis provides reassurance that it was a great decision to come out wearing comfortable shoes and dressed to sweat.

in search for where the wild things are, under black helmet and label boss moerbeck have teamed up for the 12th release on code is law. sailing into the night on side a, mørbeck delivers two trippy techno cuts, while under black helmet is misbehaving on side b.

first release from the super respected underground berlin crew, the gathering. presenting two original tracks from fabe & tolga top backed up with ruff n tuff remixes by dj honesty & diego krause. big

for almost two decades dave paton has been dredging the recesses of his mind for electronic inspiration. the findings have been fantastical, freakish and formidable, all ways of describing his latest outing. -the great pretender- straddles electro and techno, staggers between ambient and idm and swaggers to its own bawdy beat. rasping rhythm patterns are rinsed in ragged roars, charcoal chords are conjured before being crunched as the wee djs has his fun across five tracks.

first record for the label a-tune, by ricky montanari also known for his partecipation in the legendary releases signed by key tronics ensemble and riviera traxx) and still one of the most famous dj producers of the italian riviera and mr tone-on dj producer resident of * classic club* in rimini. two tracks, the first in house feeling with onno remix and second more hypnotic manuele di lorenzo remix.

bosconi extra virgin has prepared for you two super tasty various artists featuring 11 tracks by 11 new, fresh and promising producers mostly from all around the italian peninsula but not only! -the sweetest- volume 1 begins with the outstanding jazzy midtempo song of austrian producer m.a.r.s -feel the heat- and the deep space, italo soundtrack infected boogie directly from napoli of bop & 291out s -uomo dalle nuvole- , known for their releases on acido records and really swing.b side features instead the chugging raw deep house track (($)) from misterious producer from tuscany def safari and more funky, garagey, soulful vibes and broken beats by the mechanical man from napoli and young artist jts1 from milano.

ftwr presents its fourth ep. we are very proud to produce two artists who are part of our collective. louz and arno kamaz, these two artist are part of a band called normal m and have followed the musical flow that has been evolving in france. a1 is the main theme of this ep and it s a mesmerising track thats has guts. normal m have made an embellished track that expresses their good vision of electronic music. a2 there is in this groovy track a soft winter melody , that is great for easy listening in the morning , being a bonus track it is kind of an ode to sensuality. from paris with love. b1 vadim svoboda remix shows his vision of the track -a1 name-. as usual, he offers us a perfect remix with patterns that are what you would expect from him. b2 david k &#8203,&#8203,aerodeep remix is without hesitation, the most

lighthearted and aqua-marine house grooves from canadian producer jayda g with a fun 12 inch comprised of two originals and two reworkings of the track + girl music + from montreal duo cafe lanai. created during the spring/summertime of 2016, sixth spirit is infused with a sense of warmth and carefreeness based on current experiences, looped back into nostalgias of her first field season as a young scientist in ontario. the canadian forests breathe through these songs. the movement and groove emulate the sense of curiosity and learning that she experienced during that earlier time. “that field season was an adventure i’ll never forget.”

after almost two years “things from the basement” are back with another very patient contribution for kann. next to their very intimate and minimalist original jams the 6 tracker includes three different dancefloor focused remix approaches from sevensol, map,ache & polo. the label’s final record of 2016 consists of a wide ranging musical package, all tracks are sorted by genres but unified in the same vibe.

just in time for ade, we are more than happy to present a new release by one of our main protagonists since our renaissance. lehar has made a fascinating career in only two years, he is a key member in our label family as well as diynamic and plays gigs around the world. his -white diary ep“ is his most unique release so far, with two original tracks by him and two dub versions by uk house legend charles webster. -the cave- is a very touching track which again shows lehar’s love for deep but popish moments in his music. again, he has teamed up with l.a. singer rush midnight, who already lent his voice to -number one hero“, which was released earlier this year on the diynamic sub-imprint 2diy4. an instrumental version is also available in the digital package. the title track -the white diary“ is a demanding and hypnotic builder, which was already played often by solomun during the summer. this is a next level lehar track, signature sound structure combined with a highly effective arrangement. a winner for many situations. charles webster has been a favourite of the connaisseur label heads alex flitsch and martin henkel for ages. requesting a remix by him has been on the connaisseur bucket list since day one. he gave -the cave“ two different dub treatments, one better than the other. his -dub the first“ already takes the original one foor deeper, making it very timeless and hypnotic. his -dub the second“ takes it even deeper and is adding a proper portion of trippiness. music for the guardians of the real stuff!

hot off collaborations with nottz (titans in the flesh ep) and madlib (bad neighbor lp), socal ambassador blu has teamed up with the paris-based production team union analogtronics (oj & gold) to unleash a new full length album: cheetah in the city. featuring dam-funk, phat kat, frank n dank, and more, the album signifies a stylistic sea change for blu, best known for his dusty, soul sampling collaborations with exile (below the heavens) and his own introspective opuses (her favorite colour, good to be home, york!). rippling with 808s and cinematic strings, cheetah in the city is an organic evolution from the synth-soaked, futuristic sound of analogtronics, union’s 2012 fat beats records debut album featuring talib kweli, mf doom, elzhi, guilty simpson, and more.

meant are launching a series of roving travelogues and you’ve got a sonic first class ticket. travel tales gives us an opportunity to celebrate a dj’s unique nomadic lifestyle, and haphazard creative opportunities (and friendships!) that arise along the way. meant’s series highlights producers and takes in their various collaborative creations written on the road. first up, label boss remain whose roadmap excursion from paris to sao paulo teams him up with brazilian techno stalwart clickbox, creating two crisp, restrained, tech workouts alongside two vividly contrasting remixes from swayzak and danton eeprom.

two previously unreleased tracks from the outsider disco outfit - strange.
christopher spraggins & the strange band out of rochester, n.y released a total of one record. a spaced out druggy disco band that had a hint of rick james with a deeper trippier vibe that’s truly unique, reproduced for you here for the first time since 1978. the band was introduced to the world by cleveland unlimited records who still exist to this day, unfortunately as these things go, the record failed to gain sales needed to justify further but a whole lp was recorded, here we bring you the best tracks from that unreleased lp on your favourite format.

rotterdam based 25 places are back on dirt crew with a bang! since their love more release in 2015 the boys have been hard at work and have just released an ep for chez damier on his prescription records sub label balance. the bounce begins with party in the hills hosting a huge kick, loopy rhodes, squelching bass, ragga flavoured vocal and squeaky lead, its straight up good times right from the get go. an infectious groove on this one! closing title song heads into deep soaring territory, its forward house beat and pulsing synth lead intertwine with loose tropical percussion and a rhapsodic horn hook. on the flip we have laurence guy who does not really need an introduction anymore, the man has been all over the place since this years releases on cin cin, outplay and the imminent church where he dropped two big eps bamboo and kojak. here he takes on the soulful deep chicago house of 25 places and turns it into a 90s breakbeat acid galore of ecstasy tingled uk house. 25 places wrap up the rave session with backyard stories, a raw and bouncing, bass face inducing jam. uplifting and dirty in one stroke, its thumping kick and feverous melodies make it impossible not to move.

krink’s sound is a statement! no doubt! no compromise! straight out the techno factory he delivers a tool that can bend steel! use it to work your dancefloor right. love the product and get the vinyl. the two sides ep comes with a vinyl only track -the return- and a special collectors item from our illustrator philip cassirer.

deleted - pressed on frosted clear with black blob and frosted clear with red blob vinyl, housed in a thick 425g heavyweight sleeve, and a printed insert is included which features additional artwork and credits.
volume 2 continues to wander through the 80 s world of stranger things, floating between the sweeter moments which temporarily blossom amidst the danger and decay as the series comes to an end.

much may have changed over a two-decade period, but drumcodes commitment to releasing the scenes most cutting-edge and refined techno remains resolute. with releases last year from heavy hitters such as adam beyer, alan fitzpatrick, luigi madonna, jel ford, dubspeeka and mark reeve, the label continues on in 2016 in much the same way, bringing fail-safe, club-ready music to the techno community.

following the warm reception of the dance 2xlp album + live cd recording last year, kontra-musik now presents the dance remixes the dance remixed 2 features an ever-growing remix by efdemin - peak hour material without being boorish, just the way kontra-musik likes it. wa wu we and voices from the lake follow up with two tropical jungle expeditions: wa wu we s version of -fusion- is feverishly humid and hot while voices from the lake takes the nocturnal route, brooding darkness, heavy rain and strange creatures of the night squirming away from the flashlight. finally, northern electronics own ulwhednar (abdulla rashim & varg) takes the listener to completely different latitudes with a hyperborean remix filled with chilling harmonies and gangrene-inflicted beats.

after a string of releases in 2016, french journeyman and beat craftsman hugo lx returns on balance recordings with his first house long player. supposedly designed as a more traditional 3-tracks offering, the project progressively turned into a two parts album, reflecting on past, present and future events through organic electronic music, with the loss of a dear friend and men­tor as the turning point. instead of a contemplative tribute piece, this effort focuses on storytelling, narrating crucial life moments through various song and interlude formats, colours and musical styles, producing a vaporous yet funky, jazzy and hiphop infused house music, flirting with soulful atmospheres and ambiant elec­tronic textures.

mitte november 2016 wird bei ninja tune romares lang-erwartetes zweites album love songs : part two erscheinen. love songs: part two entwickelt und erweitert die lässige brillanz seines debütalbums projections. es war die art von gefeiertem album, die einen weniger talentierten künstlers ins straucheln gebracht hätte. vom dj mag zum -album des jahres- gewählt, erhielt es begeisterte kritiken auf der ganzen linie. es wurde von größen wie bonobo, four tet und annie mac unterstützt und etablierte fairhurst als produzenten, den man gesehen haben muss. es scheint, als nehme er diesen druck recht gelassen hin. -love songs: part two- zeigt eine erweiterung, entwicklung und vertiefung seiner techniken. obwohl sampling von vinyl noch immer eine wichtige rolle für ihn spielt, hat fairhurst weitaus mehr musik auf dieser platte selbst eingespielt: von monophonen synthesizern über den rekorder seiner großmutter und die mandoline seines vaters, bis zum e-bass sowie einer vielzahl von gitarren und keyboards, die ebenfalls zentrale rollen einnehmen.

mitte november 2016 wird bei ninja tune romares lang-erwartetes zweites album love songs : part two erscheinen. love songs: part two entwickelt und erweitert die lässige brillanz seines debütalbums projections. es war die art von gefeiertem album, die einen weniger talentierten künstlers ins straucheln gebracht hätte. vom dj mag zum -album des jahres- gewählt, erhielt es begeisterte kritiken auf der ganzen linie. es wurde von größen wie bonobo, four tet und annie mac unterstützt und etablierte fairhurst als produzenten, den man gesehen haben muss. es scheint, als nehme er diesen druck recht gelassen hin. -love songs: part two- zeigt eine erweiterung, entwicklung und vertiefung seiner techniken. obwohl sampling von vinyl noch immer eine wichtige rolle für ihn spielt, hat fairhurst weitaus mehr musik auf dieser platte selbst eingespielt: von monophonen synthesizern über den rekorder seiner großmutter und die mandoline seines vaters, bis zum e-bass sowie einer vielzahl von gitarren und keyboards, die ebenfalls zentrale rollen einnehmen.

2016 repress - following on almost 5 years after their first release *journey to the centre of the sun* on esp institute. 2 big excursions from a couple of very well respected heads. featuring the label’s very own tako reyenga (red light records, music from memory) and jonny nash (melody as truth, land of light) these two tracks were cut from a weekend of sprawling space-jams recorded in jonny’s north london home in 2012 and until recently were thought to be lost.

includes free download of all vinyl tracks plus bonus digital-only album tracks.

with many new roads traveled over the last few years, the gaslamp killer is back with the full-length lp instrumentalepathy. glk will initiate his new imprint cuss records with instrumentalepathy. french surrealism artist albane simon designed the cover, supplying an array of psychedelic imagery that contains a brilliant sense of connection to glk’s music & the chaos he’s survived. instrumentalepathy features an impressive cast of artists tied closely to glk over his music career with brainfeeder, low end theory and beyond. guests include gonjasufi, miguel atwood ferguson, niki randa, kid moxie, mophono, amir yaghmai and the heliocentrics. it’s been over a decade since glk and gonjasufi have collaborated on new music, bringing the two natives of san diego back together for something truly special.

uno_label is proud to presents the second chapter of diade vinyl release diade : two titles one release. this time are on duties the funk n deep label leader durtysoxxx and his fellow jayforce with a stormer track titled pancakes, an outstanding original accompanied by a superb remix from the likes of the ukrainian techno maestro spartaque who hand us over his own unique interpretation!

lord of the isles, a.k.a. neil mcdonald, has spent the better part of a decade steadily producing and releasing beautiful music. the esp institute has always wholeheartedly believed in neil’s work ethic and his journey as an artist who constantly refines his vision, and when we inevitably approached in hopes of working together, we were enamoured by the sheer breadth and depth of work he had in progress’. there are two types of artists. one internalises their process, endlessly perfecting their work while finding the endpoint a massive hurdle, in turn they produce immaculate yet very little art. the other is continuously inspired, so full of ideas they can barely work fast enough to articulate them all. the art becomes by-product of their larger trajectory and not just a collection of endpoints. lord of the isles seems to be both, always in an evolving state of process where the work is constantly shed to make way for the new layer growing beneath, yet he holds his cards closely, cherry picking when and with whom he releases his art into the world. neil is simply prolific. he shared with us a vast catalog of unheard beauty, which over a long span of time was collaboratively shaped into his debut album “in waves”. the title speaks to neil’s process both intimately and from afar, it speaks to the emotional ebb and flow of the music itself, and ultimately it speaks to the listener. ahead of the album’s release, we are proud to share with you the single ‘weh-in’, a mesmerizing arpeggio melody that opens and closes, purrs and barks, and plays nicely with its percussive accompaniment over more than 10 minutes. this lengthy single version of the track is joined by a dark and stormy, exclusive non-album cut entitled ‘pik’, as well as a big room rave remix by esp institute resident ian blevins, which take us to a slightly more frantic place while retaining the euphoric essence of the original.

all songs written by billy the kid (member of charles bradley’s extraordinaires), two soulful vocal features with influences ranging from timmy thomas to brian wilson, all songs mixed by max shrager of big crown records’the shacks

“- see fee? what’s that? - just the chemical symbols for the elements carbon and iron, elijah. carbon is the basis of human life and iron of robot life. it becomes easy to speak of c/fe when you wish to express a culture that combines the best of the two on an equal but parallel basis. - see fee. do you write it with a hyphen? or how? - no, elijah. a diagonal line between the two is the accepted way. it symbolizes neither one nor the other, but a mixture of the two, without priority.” (the caves of steel, isaac asimov)

it s a first for pinkman and lux rec. yet the two labels have so much in common that it isn t surprising they have been drawn towards each other. and the rosa luxembourg files is the result of this collaboration. rotterdam and zurich, ian martin and barbir & nicola kazimir, exploring different shades of the same black, wandering at the fringes, plunging into obscurity and machines talk. there s no rest and no comfort, but manic fixation.

crimes of the future is the kind of label you can trust, no matter who is at the controls. the same could be said for giallo disco, and certainly the two labels orbit a similar space for lurid soundtrack-inspired hardware jams from the italo age. vercetti technicolor is one half of the giallo team alongside antoni maiovvi, and here steps out with a perfectly bombastic range of compositions that revel in b-movie brilliance. -golden taurus- is the perfect slow-burner, those mono bass notes warming like no soft synth ever could, while -topaz fear- brings a more action-driven sequence into the mix. -death wish- too opts for a pumped up club scenario, while heinrich dressel smokes out -golden taurus- into a seedy slow-jam.

richy ahmed launches his new imprint, four thirty two, with a self-produced two-track single, “put me in a trance”, featuring the vocal talents of gloria adereti and a collaboration with up and coming producer, janson. the new label is a back to basics, analogue vision, directed by richy, which will include original material, unearthed and undiscovered artist appearances, and remixes from the richy and janson alias love hurtz, as well as featuring a variety of vocalists from surrounding circles. each release will have a clear focus on the sound of vinyl and clean-cut imagery presented with each record.

limited 180g lavender coloured vinyl 12- ep on virgin emi. housed in printed 4 colour process printed sleeve with special screen printed 5th colour yves klein blue and matt uv varnish, designed by hingston studios and rob del naj.
massive attack release two brand new songs, ‘come near me’ and ‘the spoils’. both songs are written and produced by massive attack’s daddy g and collaborator stew jackson and feature vocals from ghostpoet (on ‘come near me’) and hope sandoval (on ‘the spoils’). these new songs follow january’s release of the ‘ritual spirit’ ep, which was written and produced by the band’s robert del naja and collaborator euan dickinson. the video for ‘the spoils’ stars cate blanchett and is directed by john hillcoat, best known for his directorial work on films such as the road, lawless and the proposition.

laura jones unveiled her new label sensoramic in may with sam and karousel cutting the opening tape in appropriate style. for the second release laura delivers her first ep since 2014. after taking time out to experiment in the studio and refine her style, the why question marks an evolution in the uk producer s output delivering two incendiary underground club cuts ably remixed by trevino and u-more. two veterans working under aliases, trevino is of course better known as legendary drum n bass producer marcus intalex who has more recently found a home for his 4/4 output on klockworks, the nothing special and his own label, birdie. u-more is italian veteran and berliner, ivan iacobucci, fresh from releasing on apollonia and a slew of underground minimalist labels who delivers a late night acid laden afterhours workout to compliment trevino s big room counterpart.

following their album save! aka colder & mutado pintado are back on dlm, with another deadly attack! kamikaze style. we ve been waiting a longtime for an i:cube remix. we ve been fans and friends since his debut and we love that he strayed from his more technoey recent work, as great as it is. this is full on psychedelia, almost rock in its approach. a trip, not a track. russia s great hope (not ivan drago), lipelis, hot on the wheels of his macdonald flack and the ack-ack pack pack remix delivers two radicals/tangents. police & robbers. they fly high, both in their own manner. rainy monday is dubbed out in space with that jungle screw feel. slowed down breaks that are all the rage with the yoof, apparently but lipelis takes it to another level. last floor his version of darkness in the middle is a trickster, you d think almost ambient kraut before you end up on an italo-piano-expansives beach.

counter pulse is proud to present the the dish ep which is the first collaboration of two of australia’s most passionate techno talents, advanced human & trinity.

essential repress of terrence dixon’s debut album and first release on tresor.
initially released in 2000, this new edition comes with a bonus 7” vinyl featuring two previously uncut tracks: “ what up” and “shuffle all circuits”.
from the far future embodies a specific and vital time of detroit‘s techno production, going hand in hand with juan atkins’ work as infiniti, terrence dixon signed this album with a masterful hand.

future sessions is proud to have two great producers such as g.marcell and myles serge both hailing from the midwest. now to the music and we have g.marcell “damaged earth ( you ) which flows with so much goodness and the chords and pads are the aesthetics to this amazing journey with its pounding kick and its deep bass most def one of favorites at the moment then we have g.marcell “ sea side “ with its think kick and its driving bass gives it that tripped out start then right into the deep pads and its movings synth’s which joins into this well thought out track strickley for the deep minded. then we have myles serge “ glass” which starts out very rough with its pounding kick and its melodic key’s right into a solid jacking gritty sound myles is know for. then last but not least we have myles serge “ shift “ this one is very raw with it’s techno clash drums and percussions and its jabbing synth’s and it’s invading pads a very latenight track for sure and its heavy laden detroit sound … we want to thank you at future sessions for allowing us to be he we are true music lovers and that is all much love to you …power to the people and god bless you

soul clap records new directions in funk is back with a double a-side 7” of that electronic funk to get you ridin. after selling out of 500 records of the first edition, round two is another 500 record limited run on purple vinyl.

one more time we choose two little known gems for re-release on 45 rpm single. another single by the same group is pretty in demand by funk 45 collectors. these two sides are not that much known but they certainly deserve the same attention. while funky you is pretty good, uptempo funk, the b-side is the real beauty of this record. love come down is a fine example of chicago soul which has not been re-released yet. hopefully many people appreciate the work behind this release, from both the original musicians as well as those who are responsible for this high quality re-issue.

new single from new york transit authority on lobster boy records. two brand new tracks. mastered at metropolis

esteemed and highly respected house music dj, remixer, producer and acclaimed label boss jesse rose is next up on seth troxlers play it say it imprint with the a stellar new release in the shape of the beast ep. the barcelona / l.a. based londoner offers two powerful tracks, whilst influential us producer brett johnson remixes in fine style.

flames & figures is the second full-length album from the seshen, whose forward-thinking sound combines synthesizers, drum machines, live percussion and entrancing harmonies for an unmistakable fusion of r&b, synth-pop and electronic music. the long player sees the band on the cusp of a new era, two years in the making, the album marks an evolution in the seshen’s unique sound.