feat remixes by art department, wolf + lamb & sideshow. simple celebrates its 50th single release in the new year (and each one of those 50 have been released on that wonderful black stuff known to old people as vinyl). a release that will see the founder, a&r, label manager and tea boy will saul and his long term production partner tam cooper team up for a limited edition gatefold vinyl double pack ep (yep, theyll loose loads of money but not many people get to 50 vinyl releases without loosing their house, car and mind so we think its worth celebrating. the release will feature 4 new tracks from will & tam with remixes from wolf + lamb & slow hands, sideshow and art department (jonny white & kenny glasgow).
once again leng deliver with a lovely bit of heavy electronic stompery. tiagos >the source< goes straight for the dark end of the dancefloor and wallows in the smokey acidic enivirons of the late night moody corner ! with a punchy throbbing bass, hefty beats, tons of spacey effects and some awesome delayed hi hats to really mess your head, this is in the box for the strobe light moment. on side-b >mudds slow rave mix< turns up the acid a few notches, somehow gets even swampier in the bottom end and slightly more whacked out on the fx, add a lovely niggling synth line for a dark heavy dancefloor work out.
m a n i k returns to ovum after his incredibly successful park to the slope ep. he comes to us this whit his follow up keep that fresh ep. the title of the ep says it all as m a n i k is constantly evolving his sound and keeping the music fresh. the title track >keep that fresh< has a funky 303 bass line with intricate grooves and a hook made up of some chords. this is something that will clearly get the floor rolling. next up is ditmars blvd with its heavy drums and catchy synth line, is a stone cold groove track. on the b side we start with >hold on<. this track is inspired by the sounds of early west coast g funk hip hop with its lead synth and funked up analog bass line. the final cut on this diverse ep is >shes slow motion<, with its r&b vocal floating over the incredible deep instrumental. this is something you could hear in the early mornings at a brooklyn warehouse party. all in all a great diverse follow up from m a n i k that should be in the sets of a wide range of djs
small craft on a milk sea entstand aus brian enos vorliebe für soundtracks, die er anfang der 1970er für sich entdeckte und anderer musik vorzog. in zusammenarbeit mit den beiden jungen komponisten/musikern leo abrahams und jon hopkins entstand dabei ein werk voller sinnlichkeit, intimität und mystik, ausgedrückt mit den möglichkeiten und freiheiten moderner elektronischer musik. dabei kristallisieren sich die stücke mehr aus improvisation statt komposition und wirken für sich alleine gesehen wie das spiegelbild eines stummfilms - wie filme, die nur aus klang bestehen: klangfilme! damit reiht sich brian enos soundkosmos wie von selbst ein in die releasereihe des kultlabels warp, speziell zu dessen electronic listening klassikern aus den 1990ern
babylon by car is entirely in this ambiguity, between nostalgia and modernity, between pop and post-punk, electronic music and rock, past and future its where kraftwerks >men-machines< celebrated an endless future with obedient machines. botox summons the ghosts of the century, from cybotron to wire, from fad gadget to john carpenter, to give birth to greatly personal music and, in all honesty, a rather unique sound in french electronic music. botox doesnt swagger to keep their motors running. both melodic and fierce, >babylon by car< comes as it is. and its probably the best way to take it in
played by: federico molinari, alex flatner, monika kruse, kreon, ray okpara, ekkohaus, julietta, varoslav, meat, alex niggermann, dan drastik, alex flitsch, mirco violi, acumen, patrick zigon, andre crom, dualton, martin eyrer, fabio gianelli
escape from new york >singles collection< contains the groups full discography. the group comprising of british record producers john falleti, mike whitford, nigel swanston & tim cox (who also recorded as airstrip-one) penned these two gems in the early 80s at a time when italo disco & new wave were the flavour of the day. >fire in my heart< needs little introduction, an incredible slow-mo balearic masterpiece with rapturous vocals. now worth a pretty penny this originally was released on uk rollerball records in 1984.
deeplabs is a new record label out of detroit created and managed by detroit producer and dj luke hess. after several highly successful releases on labels such as fxhe, echocord, beretta grey, & kontra-musik and celebrated remixes on ornaments, pong musiq, and modelisme, luke has decided to take his style of deep detroit techno and root it firmly in the city that inspires his sound. deeplabs is a label created for the deeper, soulful, and experimental side of electronic music, with a clear vision of the dj and the dance-floor.
eine metropole, zwei tonkonstellationsquellen. derart erkl?rt sich, in verknapptester k?rze, das konzept der neuen reihe bei monika enterprise. den anfang macht eine ver®ffentlichung aus der heimatstadt des labels: berlin. zwei aufregend abenteuerliche projekte teilen sich einen tontr?ger, dies wird auch in zukunft so sein. und bereits die erste folge der serie verspricht gro?artige entdeckungsreleases.
wonderful release by kyle hall on his new detroit based label wild oats. masterpiece 4 track ep, each track divine and unique in its own way. hot jazzy kyle hall fashioned deephouse that can serve a lounge and at the same time bang even harder on a dancefloor. kyle halls experimentalist off beat antics meets smooth jazz would be a way to describe the sound. poly rhythms everywhere but at the same time a cohesive groovy soulful feel. overall this ep is a must buy for anyone who is for the future of the electronic music genre and enjoys quality.
more ruff jamz from the 6th borough project bunker kicking off with the supa-dupa-slo-mo-soul cut, >slow down baby<, with chopped up strings and heroin-house bassline all present. the flip brings us >closer< to the edit and pitches us nearer the holy grail of tempos. >stratus quo< gives us tracky rhodes action on the intro and sends us a message in the music. number five is alive.
the stl project continues with warm, soulful and dirty sounding tracks from the basement. this record features five moving deep chicago flavoured house tunes, plus the always appearing dope loops on the b-side. oldshool stylish melodies between raw and colourful beats, channeled through vintage hardware equipment direct to your ears. evolving percussion patterns will make you get inside the groove and feeling of each track. things for the dancefloor and moody listening places. ruff house music without any frills! besides the great stl tracks, there is also a dubby rmx from intrusion echospace.detroit on the flipside, which will get you even deeper into sound. something vinyl series 11. grab yourself one copy as long as you can!
endless flight proudly announce japanese super duo force of natures kza first solo release. this 12inch is a first single cut from his debut solo album! kza have released 3 album and many single,remix as force of nature and they became one of the best artist in the nu disco scene. kza is a one of the most popular dj in japan and well known as one of biggest vinyl collecter. this time,he teamed up with kuniyuki aka koss as a production partner and this single was made with many obscure old records. a side,on & on & on is a b boy style uplifting chicago house. playfull for the peaktime! b side, kza show his most favorite slow cosmic style. if you love force of nature, you definetly have to check this kza solo release!!
stealing thunder so you move that ass, the duo dubbed thunderheist unleashes serious electrocrunk boom bap. ribcage-rattling bass breaks laced with proper rhyming are flipped with digital booty bass, 80s-inspired electronic pop and slowed down southern bounce, all fresh-dipped in serious swagger. mc and singer isis and producer grahmzilla know how to bring it. and once they ve brought it, it stays brung. >torontos shit-hot electro duo< (nme.com) are already a huge online phenomenon, but this first full taste of their forthcoming album comes courtesy of nasty mix records in canada. catchy, propulsive, ecstatic and uncompromising, it s party music of the highest order, utterly unique but sounding like its been in your head all along.
der titel legt es schon nahe: >for now<, das zweite album des britischen 60s-retro-trios the bishops, ist eine art bestandsaufnahme. eine referenz an den moment, an das jetzt, das die gruppe aus london seit erscheinen ihres deb?talbums 2007 mit hunderten konzerten ausgiebig gelebt hat - u. a. als support f?r james blunt auf dessen europa-tour. so sind denn auch viele der songs von >for now< auf tour entstanden, aufgenommen wurden sie im sommer 2008 in london vom produzenten brian o?shaughnessey (primal scream, my bloody valentine). abgesehen von den klassischen dreimann-arrangements spielen the bishops auf >for now< auch mit ungewohnten instrumenten wie trompete, mundharmonika und klavier. rockig und im besten stil der kinks und fr?hen beatles ist das allemal, wie nummern wie >hold on<, >free to do what you want< und die erste single >city lights< beweisen. doch auch ein folksong wie >he was a friend of mine< schaffte es auf die platte.
a carl craig production!!! here is the 1st extract taken from night music, etienne jaumet new album to be released end of september. etienne is the keyboard player of zombie zombie. this man is breathing music. you have to catch him live to see how involved he is in his music. almost possesed. when i heard his album a while ago, i asked carl craig to make some production, which he accepted and made a job above our expectations! he pushed the level of psychadelism to the max! entropy is one of them. cosmic dark obssesive - a meeting between ashra temple, can and liaisons dangeureuses. tr 808, vintage synths...lets go for a ride... for the remix, christian vance, an australian producer who released recently a brillant track on rippertons label perspectiv has done a great job, changing the tune into a mental techno ride...we only released one mix, but check the digital platforms for more unreleased versions...
zwischen arcade fire und beirut: grosse gefuehle und grossartiger folkrock im dezember 2006 gruendeten jamie, rory, dave, andy, arne, ian und gill im schottischen edinburgh eine band - broken records. ihr sound verbindet traditionellen europaeischen folk mit modernem alternative rock made in scotland. bereits die erste 7-inch-single if the news makes you sad don?t watch it erschien auf dem coolen londoner label young turks und wurde von den ueblichen verdaechtigen gefeiert - von radio 1 bis nme. letzterer erklaerte broken records zu one of the countrys most exciting new bands. das albumdebut auf 4ad entstand im monnow valley studio in wales, wurde von ian caple produziert und vereint grosse gefuehle mit grossartigem folkrock zwischen arcade fire und beirut.
repress : moderat 2009s album !! (gatefold)., moderat are sascha ring (aka apparat) and gernot bronsert and sebastian szary (aka modeselektor) triumphant gathering of modeselektor and apparat. expect more than just an high class electronic album. moderat operates like a band and invited several guest vocalists to their studio
this ep is played by dubfire, basto!, ricky rivaro, joe t vanelli, tom novy, didier chus, patrick m., lenny fontana, peter gelderblom, eric entrena, belocca, gianluca motta...
cosmic club is a label focused on releasing original obscure dance classic. for this 7th release typhoon classics, we give you the opportunity to grab 4 fantastic trax once again, edited by the great beppe loda by the time he was resident dj at the legendary typhoon club more than 25 years ago! those are real classics as much as larry levan ones.
issue no7 in the serious beats sampler series!! tracks by markus gardeweg feat michael feiner, dahlbaeck diaz & young rebels, delerium feat sarah mclachlan and arno cost!
on Áir with barem, ryan crosson, margaret dygas, karotte, anthony collins, hugo and many more!!! the berlin / lausanne based avant-garde label minimood moves straight forward, presenting swiss artist gregorythme from the legendary cadenza duo digitaline, who irresistibly demonstrates how groovy calculating square roots can be!! together with minimoods permanent tokyo-based artist so inagawa, yet another scene bending offer from this evolving labels stable is brought directly to your lovely turntables: the square roots ep
the next big thing to come out of denmark! exclaims trentemoller and he should know as he is the brains behind this album. beautiful music and vocals with a dark and eerie sound. pressed on 180 gram vinyl and comes in a full color gatefold sleeve.
famoser 3 tracker für die technoid-soulige tanzfläche der mit einem live eingespielten marimbaphon aufwartet und bei >steal my heart< einen originell kommentierten sample-diebstahl veranstaltet. support kommt von butane, alex attias, perc, 3 channels, agnes, jeff samuel, kiki.
the classic of 1993/1994 now re-recorded by various producers, garotos de praia, lex van coeverden/rene vd weijde, bazzheadz (mental theo, recently 5 weeks #1 in the uk)
big with: onur Özer, gregor tresher, davide squillace, d julz, josh wink, laurent garnier, john selway, bart skills, santi xpansul,.. step into the alley, into the groove. into the urban breeze and family hospitality of easy street! without using too many sounds or rhythms in the main track >ad hoc<, van rivers creates a warm, full sound spectrum, with a variety of angles. as daytime turns into nighttime this urban story continues. >slow sails is basically a tool that keeps on building from start to end, with focus on a wave-sounding reverb<, van rivers explains. and as twilight enters, >dusty leaves< turns this street scene upside down with its walking rhythm and spooky sounds. we are the spectators of an act in the vein of michael jacksons >thriller< epic. this release with van rivers really shows the variety of his sound from beginning to end! a powerful record for the floor that plays as well at home too
nice price deal !!! the unhistories sound is psychedelic, but not in the paisley way. more mind expanding/modern...get it straight, singer isnt referencing any past trend in music. their idea involves their (very) original compositions tangling with voices stumbling, clucking, heaving, whipping, shrieking and sighing in a graceful jumble. this is a crux. this is unhistories. by way of introduction, the record is packaged in a way that brings the fun and the fury of singer into your hands, your home, your lap, your eyes, ears and headphones with life, weight and a glossy polish.
COMING FROM THE WEST SIDE / SLUM SCIENCE HUDD TRAXX REMIX
12 Inch 22.05.08
hector moralez forms another formidable partnership with jump recordings dj jaz. coming from the west side offers 2 top notch original cuts and kicks off with a bang on a1. drive slow combines smooth female vocals with organic keys to create a deep twisted house groover. summer windy is a peak time affair that uses live sax loops and sleek beats and arrives just in time for the start of those hot summer months. hudd traxx label bosses slum science pick the pace up on the b side with a remix that would fit in well into sets of jocks like inland knights, dj heather, ralph lawson, chris carrier & dj raoul. the slumsters work out tough beats with clever stabs,...
>the other side of music...< kann man hier wohl sagen! vom abstrakt-balearisch anmutenden >transient<, über das französisch-romantisierende >perm< zum bollernden art-technoapproach eines >bootstrap<, und zurück zu zarten idm-schlafsongs wie >slow peel< gibt es hier vieles zu entdecken. toller neuer sound aus schweden!
in the year of punk 1977, the jams exploded onto the music scene with this seminal debut album. the raw, unfettered aggression of the bands approach was well in keeping with the spirit of the times, but the heart of their songs and sound lay in the mod movement of the mid 60s. singer/guitarist paul weller comes off like a cross between joe strummer and the young pete townshend, bashing unreservedly through slow down, one of the r&b tunes that inspired the original mods. weller extols the virtues of frenzied dancing and nonconformist youth culture over the raging three chord attack of bassist bruce foxton and drummer rick buckler. the pure punk insouciance of his words and delivery is a perfect match for the raging but hooky arrangements, which basically consisted of the band walking into the studio and blazing through their live set. rickenbacker guitars never sounded so thick, and skinny ties never seemed less geeky.
we are very happy to present you a long time buzzing release finally out on sismic music. its called bloody rain signed under the name of the heels to give it a special flavour as it sounds pop with a strong and melodic hook! various artists put their hands on very original & stylish remixes such as fat phaze (who has remixed the daft punk), slow motion (one of sismic music rosters) and the two winners of the remix contest from october 2007: jonathan perea and leeroy daevis.
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