for fans of:
john morales, crazy p, al kent, nile rodgers, todd terje, danny krivit.

hell yeah s next vinyl ep is a first solo release since 2012 from the vendetta suite aka belfasts gary irwin. it features six tracks all handpicked by label boss marco from vast unreleased vaults that have already been played by david holmes and andrew weatherall, and it comes with a great backstory

• equiknoxx’s debut lp proper, following the hugely acclaimed bird sound power primer last year
• 13 brand new, darker, more psychedelic, starkly dubbed perspectives on up-to-the-second dancehall
• curated by jon k and demdike stare
• essential if you’re into lenky, haruomi hosono, errorsmith
• mastered and cut by matt colton @ alchemy

ben jacobs aka crackazat first made a name for himself when he was still living in bristol and released on ep on the city s futureboogie label, which has also signed music from the likes of julio bashmore, crazy p and outboxx. early in his career crackazat was also the official warm up act for an at the time up and coming artist called floating points, who now needs no introduction as one of the world s leading electronic music producers. moving to sweden shortly after the futureboogie release, crackazat made contact with the local talk owners mad mats and tooli, and after a couple of single/ep releases signed his debut solo album crescendo. the last couple of years crackazat has had an explosion of global popularity, which has led to playing gigs all over the world, and releasing tracks and remixes on labels ranging from josh wink s ovum, joey negro s z records and eureka in japan. classically trained with a strong jazz influence, crackazat has a distinctively individual sound that fuses funk with soulful vocals and the electronic bass music associated with his former home of bristol. eloquent and intelligent, rainbow fantasia is a masterpiece that showcases one of electronic music s most exciting talents.

hier kommt die jährliche -soul togetherness compilation mit den besten modern-soul tracks des jahres. 15 erstklassige soul-jams, die teilweise erstmals auf tonträger erhältlich werden. mit highlights von omar zusammen mit dem los charlys orchestra, tawatha agee (gastsängerin von mtume) zusammen mit aeroplane, kenny thomas mit thames river soul (produziert von und featuring incognito), wez und the groove association, beide ex-mitglieder der brit-funk-band second image, sowie leela james (bekannt aus der us-reality-show r&b divas: los angeles, amp fiddler, faith evans, trina broussard und lifford.

hanna is the soundtrack album to the 2011 british-german thriller film of the same name, directed by joe wright. the film stars saoirse ronan as the title character, a girl raised in the wilderness of northern finland by her father, an ex-cia operative (eric bana), who trains her as an assassin. cate blanchett is a senior cia agent who tries to track down and eliminate the girl and her father.
the original score was composed by the british pioneers of big beat the chemical brothers, who had 6 number 1 albums and 13 top 20 singles in the uk. nme ranked the album at number 54 in their list of the -61 of the greatest film soundtracks-.
the soundtrack of hanna was nominated for multiple awards and eventually won an alliance of women film journalists award in the category -best film music or score- and a los angeles film critics association award for -best music-.
limited first pressing of 1500 numbered copies on transparent red 180 gram vinyl.

second entry in jinn’s nascent catalogue after an arresting debut from japanese producer yoshinori hayashi, also featuring sex tags and wania mastering sotofett on remix duty, feilim’s ‘always evolving in the sun’ projects you into a boiling retro-futuristic blender where joey beltram and model 500 rub shoulders with unit moebius and leo anibaldi.
the next-level opener ‘pota (restricted intelligence)’ breaks the ep in with pace and vigour, rushing head log into a world of a mind-altering alien technology and hyper connected dance platforms. delving further into the weirder facet of broken electronics and off-axis acid digressions, ‘always evolving in the sun’ seals the deal on a much experimental and hallucinogenic tip. mind-trip mode is on.

mr. statik with previous contributions from joe claussell, move d, mr. ties, reagenz, discrete circuit and their very own away soundsystem, the berlin label away achieved a great deal of attention since its first release back in 2015. after having played at their infamous party series before, the greek all-rounder mr. statik now also debuts as a producer on away. as emphasized with releases on such labels as bpitch control, amam, or rotary cocktail, the resident of athens club six d.o.g.s draws inspiration from pop culture like science-fiction movies as well as comic books, also reflected in his rogue cherub ep. info rogue cherub ep its an open secret that mr. statik has a strong penchant for working with vocalists, and the title track is no different. starting off with an ingenious medley assembled through samples, rhythmic elements, and a funk-infused bass-line, rogue cherub ep highlights the greeks unordinary approach on house music. despite the partly broken, partly playful vibe its dave ajus distinctive voice holding everything together in a serene fashion. no less than the acknowledged master matthew herbert himself scales the hybrid down, attaching just the right disco-house touches to create yet another dance floor gem. morning star on the flipside tops off aways fifth catalogue number by a well-crafted techno-meets-dub workout unfolding mr. statiks versatile core strengths as a producer.

before run dmc’s collaboration with aerosmith -walk this way- (1986) smashed the hit charts and proved to the mainstream that rock and hip hop are mere sides of the same coin, the seminal hip hop group already introduced both styles to each other on their second album king of rock (1985).
this groundbreaking record was the first hip hop album to go platinum. as its title implies, the dynamic trio claim their supremacy by combining heavy 808 beats and massive guitar riff samples, proving they were the baddest group on the block, period. their sound influenced late eighties hip hop on the whole, most notoriously by their label mates the beastie boys. king of rock s influence is phenomenal. not only did it introduce rock fans to a new music, its fresh sounds also made all hip hop that came before it sound dated. this 1985 record is a trailblazing album to the umpteenth degree!
pressing on 180 gram audiophile vinyl.

the authorized hendrix family edition - definitive 2lp collection of the complete performance at berkeley community theatre on may 30, 1970 in its original sequence. double vinyl in gatefold sleeve, including a deluxe 8 page booklet with rare photos and comprehensive liner notes.

per martinsen aka mental overdrive is one of norwegian dance musics founding fathers. alongside friends such as bjorn torske, biosphere, rune lindbaek and dj strangefruit, martinsen was integral in laying the foundations of norways now blossoming dance music scene during the late 1980s and early 90s. as a producer, he cut his teeth making house, techno and hardcore for belgian imprints ssr and r&s records at the turn of the 90s. he was a regular at the r&s studio in ghent, programming and mixing for other artists including joey beltram. since then, per has continued to produce and release quality electronic music, both under his mental overdrive alias (see releases on full pupp, smalltown supersound, rett i fletta and his own love od communications imprint), and as part of outfits such as frost (alongside his other half, aggie peterson) and illumination/ chilluminati. per is featured heavily in ben davis and pete jenkinsons documentary film chronicling the rise of norwegian dance music, ‘northern disco lights.

schon der opener und titeltrack des albums »walk the earth« ist eine hymne, und gleich geht es weiter mit dem heavy »haze«, die sofort ins ohr gehende melodie von »election day« bis hin zu dem lyrischen »kingdom united«.
mit »walk the earth« spielt die band ganz oben mit. die wundervollen melodien zusammen mit der stärke und eindringlichkeit von joey tempests stimme, kombiniert mit der starken rhythm-sektion, das hervorragende gitarrenspiel von john norum geben dem album eine besondere stärke.
erscheint auf weißem 180 gramm vinyl im klappcover.

reissue of a very rare 1965 album, gathering sonia potiinger’s earliest productions with 12 tracks including baba brooks and the techniques!

‘keep it simple’ is anything but, the atmosphere came from an early morning field recording in the departure lounge of milan airport, the chatter and noise comes over as something almost alien and the melody came later after an alcohol soaked evening sitting by candlelight with friends, playing the piano. despite it’s multiple layers it has only one message - give trance a chance. ‘at last’ is a more direct affair, with a classic call and response pattern, the 0-coast shouts aggressively at the microbrute and the microbrute responds with a howl not dissimilar to a lost whale calf calling for its mother.. either that or its just a banger.

originally released on a promo-only limited edition special 12inch mix in the u.s., anung anunga was pressed in extremely limited quantity, making it one of the rarest columbia 12inch releases ever a mint copy will currently set you back around £100. produced by veteran dance music producer bert decoteaux, -anung anunga- is the perfect fusion of red-hot cuban musicians with a contemporary dance production. the result is simply stunning and continues the tradition of artists like candido and joe bataan crossing over into the dance music world. as though that s not enough, on the flip we ve provided the equally stunning baila mi ritmo the other outstanding dance track from their only columbia studio album which now makes its debut on 12inch for the first time ever. all in all, this is an exceptional double-sided slab of 12inch vinyl which could almost be a fresh new find for many since the original 12inch disappeared without a trace

introducing forecast, the new va series from them. many of the artists showcasing tracks have more music forthcoming with us. forecast is therefore a glimpse of what is in store for the label in the future.

the must have status of joey negros -remixed with love series has been firmly cemented with both dj and home listening disco lovers since the release of the first two volumes. since the last release jn has been working hard on sourcing more disco multitrack tapes and producing new remixes while the zr team have been equally dedicated to clearing and licensing these new versions. the enduringly popular mtume/lucas produced phyllis hyman soul classic you know how to love me gets a new makeover that reworks the original elements into a more dramatic version with many peaks and troughs, stretching it out to over 10 minutes. even for those love the original this new mix gives a favourite song a fresh new perspective and reason to be played again. motown sounds philly style instrumental bad mouthin was an underground hit on dance floors in new york, london and chicago from the late 70s onwards. it was also famously sampled in bob sinclar s no 1 gym tonic. the original is a pretty dense, everything in all the way through style production, whereas the jn mix opens things up in a bit with more room for the individual parts to be heard. the end result is an extremely energetic bassline driven disco cut that works super well on the dancefloor.

top tip for boards of canada fans! gorgeous isolation wrapped in electric memories. 8-track electronica for homesick time travelers. nothing left to abandon is a slow rendering of brooding introspections and imaginary spaces. memories, visions, eroded philosophies, tragedies in a few words. a childhood of livid skies, barren escarpments, homeless wastes. an absorbing contemplation of unlikely beauty and dusty melancholy that intersects with the creative territories of vangelis, boards of canada, klaus schulze, and ulrich schnauss, and the musings of joe frank and robert ashley. clocolan is south african-born composer emlyn ellis addison. a long formal training in music, his work centers on original writings and the found sounds of abandoned ideologies--generations of radicals and skeptics searching for meaning. from his childhood in south africa--a landscape of neglected hinterlands, eroded topology, unconquered vastness--emerged clocolan s homesick, lo-fidelity electronica, expansive themes lost in the background noise of human affairs.

although not a band in a traditional sense of the word, this record was created by a rotating ensemble of players: for a brief moment, musicians from different backgrounds (in this iteration: preslav, kenny peagler, waajeed, joe defazio and phil boyd) became a band and then went their separate ways. rhodes, funk basslines, neo-soul chords and tight drum programming are the lingua franca of the 24 hour band. the title of each song represents the time of day that inspired it and collectively, they point to the goal to create records that can be enjoyed not just in a club, but throughout the day, at home, or in your car. this is the 24hr band.

- vinyl only - the almighty cocoon 10inch series is back and it is swedish techno grand wizzard joel mull and italian freshman ja:ck who gives us the rush on the floor this time! after his last cocoon release harmonautic string joel mull presents a deep t

special sales pack for all you afro vision lovers out there - contains three classic releases:
- av001: joe jam ft. d. preacher - we will celebrate
- av004: tatjana orffe meets jocelyn brown - black skin blue eyed boys
- av005: jonathan ulysses meets joe samba jr. - all i want is you

deluxe 2 lp set, includes 16 performances from hendrixs july 4, 1970 atlanta pop concert. mastered by bernie grundman. pressed on 180 gram audiophile grade vinyl. housed in gatefold sleeve, including 8 page booklet filled with never before seen photos and detailed liner notes.

after the reception of “battle anybody” from luminaries like dj premier (#19 on his best of 2013 picks), dj evil dee, dj eclipse and more, dawhud and ace-one started working on a proper follow up to their emceeing anthem. one track turned into an ep which then quickly turned into a full length project. the project... d&g (david & goliath) - “the scepter & the sword” the concept for the group simply came from dawhud’s name (david in arabic) and ace-one, who was in the midst of fnishing up his “rapmonster” series. those two elements and the sheer chest pounding vibe of their prior track led to the creation of “david & goliath”. epic, biblical, and loaded with imagery that paints what the duo are trying to convey in just a name. produced entirely by dawhud, the duo trade verses over his landscapes to join forces and reign together. from the opening battle cry of “something’s coming” to the closing of their p-p-p-p-p-premier approved track, “the scepter & the sword” is a rap odyssey. assisting the duo on this legendary journey are emcees like masta ace, rock (from heltah skeltah), sadat x, kokane and pacewon alongside longtime friends/emcees joe harvey, jo and otomatik. with a title like “david & goliath”… legends should be involved. something’s coming…

everyone s favourite disco - boogie & house explorers midnight riot serve up another unique compilation le spank featuring a host of legendary acts & producers from the scene alongside some of the hottest rising stars from the underground. here we have grooves to move ya feet from man of the moment hifi sean with his stunning remix of unomas s shari vari featuring fritz helder (azari & iii) plus big name favourites like nyc disco giants odyssey,yam who? & al kent. dj support : greg wilson, horse meat disco soul clap, dimitri from paris, eli escobar, joey negro, luke soloman, jackmaster, dr packer,

badbadnotgood bedienen sich der einflüsse und inspirationen aus ihrer umfangreichen schallplattensammlung, verknüpfen soul/jazz unterschiedlicher generationen (von esther phillips bis thundercat) mit afrikanischen künstlern (kiki gyan, francis bebey, admas anchi) und exotischem pop aus estland (velly joonas) und frankreich (les prospection), vergessen dabei ihre kanadischen landsleute (river tiber, charlotte day wilson), heutige indiehelden (boards of canada, stereolab) und auch die klassiker (the beach boys) nicht. als besonderes bonbon enthalten ihre late night tales ein exklusives bbng cover des kanadischen singer/songwriters andy shauf sowie eine exklusive spoken-word-erzählung der ultimativen queen of siam, lydia lunch.

german artist joel kehren is next up on roundabout sounds’ latest ep titled real love-. “real love” is a deep techno, bass line-driven beauty accompanied by a remix from an mpc-driven artist geffen. the flipside contains a lovely melodic remix from none other than orlando voorn.

seit ihrem deb?talbum gluey porch treatments von 1987 haben die melvins einiges gewagt: musikalische konzepte erweitert, ungew¸hnliche kollaborationen riskiert, genre-grenzen stets neu definiert. aber an eines haben sie sich bis dato nicht herangetraut: das format des doppelalbums! kein wunder also, wenn buzz osborne, der kopf der melvins, hier von einem neuen ma?stab spricht. das werk wartet mit wunderbaren g§sten auf, so haben sich joey santiago (the pixies), teri gender bender (le butcherettes/crystal fairy) und anna waronker (that dog) an den aufnahmen beteiligt. ist der erste part noch alternative-rock melvin scher pr§gung, widmet sich der zweite teil weit experimentelleren klangwelten, die gleichzeitig den soundtrack zu a walk with love and death von jesse nieminen bilden.

top-reissue der beiden legendären alben us-r&b/gospel-band the voices of east harlem: “the voices of east harlem” (1973), produziert von leroy hutson und curtis mayfield, und “can you feel it” (1974), produziert von leroy hutson. zwei definitive soul-klassiker auf zwei lps.

grandioser northern soul-sampler, der 16 perlen von hochkarätern wie nina simone, joe simon, bobby adams und grover mitchell vereint und dazu superbe tunes von ricky rezell, bertha tillman, george allen, mary johnson und eddie banks with the five dreamers erstmals seit original-release wieder auf vinyl verfügbar macht. ein schmuckstück für soul/r&b-vinylsammler!

29 songs from the movie “baby driver” on 180g double vinyl in gatefold sleeves. which includes the bonus song “chase me” by danger mouse featuring run the jewels & big boi.

the new joey negro album produced with love is now available across all formats but as the double cd contained 20 tracks it wasnt possible to fit everything onto the 3lp version so the space time ep is a new vinyl ep containing some of these tracks that weren t ready in time to make it on to the vinyl lp. first up is distorting space time, a drawn out dubby, jazzy, spacey track that suggests a heavy arthur russell influence, one that is already a firm favourite of gilles peterson, louie vega and françois kevorkian i recognise is a jazzy boogie track with kaidi taitum on keys full of spacey effects and features sacha williamson on vocals. dancing into the stars features london s best disco party starters horse meat disco on co-production duties and angela johnson on vocals. this is the unreleased extended mix that comes in at over 10 minutes and is a full on dan hartman style modern disco production. completing the package is the black loops remix of wont let go who takes linda clifford s vocals and a killer bassline into deep house territory.

astray is the sublabel of away, berlin. away, berlin’s party series and the eponymous vinyl label celebrate the launch of its sublabel astray with the road force ep by discrete circuit. while away with previous contributions from joe claussell, mr. ties, and move d leans more to the housier side of things, astray will take a different path by taking some darker, techno-centered steps. following the idea only to release productions by both label founders, discrete circuit and h4l, as well as unique collaborations which either of them will form with outside artists, astrays second ep will premiere the joint studio work of discrete circuit and dj/producer blind observatory.

awesome moody cut of this classic tune, first time on 7inch and with previously unreleased dub! monster roots cut from the naggo morris era of the heptones, who cut an album & more for channel 1 in the late 70s. this tune was released on lp only, and like a handful of great roots produced by channel 1 in the 70s, the dub cut was available only on dubplate via the dub room at 29 maxfield avenue. a tremendous moody interpretation of this classic roots anthem, with some unique brush work by the drummer at the start to add to the mystical feel. the dub mix is suitably sound system style, heavy and raw. happy love / wackies love we all need / roots. us10 digikiller gladstone anderson holy mt. zion / holy chil. us10 digikiller joe morgan forward ever / you let me. us12 digikiller joe morgan stop them / warrior us12 digikiller paula clarke / singie sin. i want to go home / if i us10 digikiller. all label related items 2017 rush hour - please mail all your feedback, questions a

one of the sweetest and most idiosyncratic voices in reggae, tenor singer cornell campbell also has one of the longest-running careers of any jamaican recording artist. taken under studio one founder clement sir coxsone dodd’s wing at a very young age, cornell cut his first recordings in 1956, long before ska was even established. he remained based at studio one for many years (working as a label printer as well as a recording artist), and also voiced sides for king edwards in the ska years. he then briefly joined the sensations in rock steady and recorded at treasure isle, before moving back to studio one as leader of the eternals when reggae arrived, cutting huge hits there such as stars and queen of the mistrel, and giving early coaching to slim smith, jacob miller and bassist robbie shakespeare. joining forces with ace producer bunny striker lee in the mid-1970s brought a dramatic new surge in popularity that greatly boosted his profile overseas. the ropin lp was issued on third worlds justice subsidiary in 1980 a sub label set up to handle strikers product in the uk (though hits like mash you down and the title track had been handled in jamaica by joe gibbs). one of the albums outstanding moments is bandulu, an anti-rude boy epic voiced on the late night blues rhythm, while opening cover, just my imagination, has an uncredited toasting portion from errol scorcher.

darauf kann man sich verlassen: wo joey negro draufsteht, ist tanzmusik drin. seit der 13-jŠhrige david russell lee 1977 in einer tv-sendung den song -boogie nights- von heatwave hšrte, ist er vom disco-virus infiziert. und den ist er bis heute nicht mehr losgeworden. obwohl -produced with love- erst sein zweites eigenstŠndiges album nach -universe of love- von 1993 ist, hat joey negro in den vergangenen dekaden mŠchtige spuren im dance-bereich hinterlassen. nicht nur produzierte er zahlreiche chartbreaker, dancefloor-kracher und remixe unter diversen pseudonymen (jakatta, raven maize, doug willis, prospect park u.v.a.m.), vor allem war er fŸr grace jones, diana ross, deep dish, lionel richie, mariah carey, tears for fears, ultra nate, masters at work, roy ayers, blaze und roger sanchez aktiv. hinzu kommen kollaborationswerke, bandprojekte und eine reihe herausragender kompilationen wie die -house masters-- serie, -remixed with love-, -disco not disco- oder -kings of house-. kurz: ob mainstream oder underground, joey negro ist ein mann der superlative, bei dem einfach jeder beat, jedes hook und jeder loop perfekt sitzt.

nice price deal !!! welcome to the first release from the soul science recordings, a new uk label set up by london based producer joel harrison, this release features three techy deep house tracks, >aerobotics< is a surefire dancefloor winner, with spacey filtered effects and haunting keys, laid over a tough house beat and pumping bassline, >dubside< takes on a more house vibe - with an acid tinged electro vibe that fits perfectly with the laidback vocal, provided by keith thompson >feelin it< melds futuristic chord stabs with house rhythms, producing a tougher track with hypnotic keys and a deeper techno sound getting big support from joey negro, the unabombers and simbad

aufwändig produziertes sammlerstück für genrekenner und musikfreunde.
was kommt heraus, wenn experten musikliebhabern eine freude machen wollen? eine kompilationsserie wie die -wanted collection-! die vom französischen label wagram entworfene vinyl-reihe widmet sich dem thema black music und damit den vier genres soul, funk, afrobeat und reggae. pro genre also eine platte, und das jeweils mit remasterten perlen, die connaisseure ihres fachgebiets aus den persönlichen plattensammlungen ausgegraben haben. um dem ganzen ein optisches krönchen aufzusetzen, wurden die veröffentlichungen durch exklusive aufnahmen des britischen fotografen chris steel-perkins designt. die -wanted soul--edition enthält zwölf fantastische songs von unter anderem nancy holloway, millie jackson, tobi lark, dorothy moore, darondo, joe simon und dee edwards.

suns of dub is a performing ensemble and production team, creating unique sound experiences that blend live instruments and dub influenced genres. their hybrid reggae sound includes live melodica, steel pan, nyabinghi drums, live dub and dj effects. the group has been working and releasing music together since 2010.
riddimentary - suns of dub selects greensleeves pairs the group with the greensleeves and vp records catalogue of reggae masters for a musical tour through the crucial tracks that have formed the outlook and output of the ensemble. the set is a continuous dj mix of seventeen songs on cd. twelve selected full tracks on vinyl lp and both the mix and seventeen full tracks on the digital album.
among the featured artists on the album is the legendary augustus pablo, whose son addis is a founding member. riddimentary is the perfect bridge for dub reggae and progressive music fans to connect with all-time reggae classics from greensleeves and vp records.
producers credits include augustus pablo, joe gibbs, errol thompson, prince jammy/lloyd “king jammy’s” james, henry “junjo” lawes, sugar minott, linval thompson, winston riley
for fans of diplo, prince fatty, mr williams, rockers and roots reggae.

the new ages vibes of citizen of peace are here reworked by two well-known japanese producers - on the a-side, fukagawa kiyotaka s legenadary & long-running calm project greatly expands on the original, whilst the flip sees deep house hero kuniyuki takahashi of joe claussell s natural resource fame treat us to a cosmic opus.

darauf kann man sich verlassen: wo joey negro draufsteht, ist tanzmusik drin. seit der 13-jährige david russell lee 1977 in einer tv sendung den song boogie nights von heatwave hörte, ist er vom disco-virus infiziert. und den ist er bis heute nicht mehr losgeworden. obwohl produced with love erst sein zweites eigenständiges album nach universe of love von 1993 ist, hat joey negro in den vergangenen dekaden mächtige spuren im dance-bereich hinterlassen. nicht nur produzierte er zahlreiche chartbreaker, dancefloor-kracher und remixe unter diversen pseudonymen (jakatta, raven maize, doug willis, prospect park u.v.a.m.), vor allem war er für grace jones, diana ross, deep dish, lionel richie, mariah carey, tears for fears, ultra nate, masters at work, roy ayers, blaze und roger sanchez aktiv. hinzu kommen kollaborationswerke, bandprojekte und eine reihe herausragender kompilationen wie die house masters-serie, remixed with love, disco not disco oder kings of house. kurz: ob mainstream oder underground, joey negro ist ein mann der superlative, bei dem einfach jeder beat, jedes hook und jeder loop perfekt sitzt.

mike clark, detroit beatdown founder and former ur operative agent x, gives some love to weather report s wonderful river people. there are two versions on this translucent green 12inch. the beatdown rework and the house mix. both are stone-cold bombs. jaco pastorius awesome bass line and joe zawinul s cascading synths primed for the dance floor. mike has done an amazing job on a modern jazz classic. don t sleep on this. vinyl only. limited to 500.

limitiert und remastered: fünf nachpressungen vergriffener studio one bestseller. willkommen bei studio one, der university of reggae. mit studio one scorcher, studio one groups, studio one soul 2, studio one kings und sound dimension mojo rocksteady bringt das londoner label soul jazz fünf, ursprünglich zwischen 2002 und 2007 erschienene platten neu heraus.

moving forward from last year’s well received debut ep “becoming (n)one” on glacial industries, v1984 releases his debut for knives, the label founded by jamie teasdale (kuedo) and joe shakespeare.

reissue of the classic, joey beltram’s “aonox” lp. originally released in 1994 on visible records (vis110), ownlife now brings it back on transparent double vinyl.

it’s time for the procurator! we’re happy to announce our first release from edinburgh born and bred producer proc fiskal - otherwise known as joe powers.
like a scottish relation to the recent faster grime productions lewisham mc novelist has coined ruff sound, proc fiskal ups the energy of the stark cubist rhythms of the early grime of wiley and ruff sqwad by accelerating and retooling them to fit the faster 160bpm grid, engineering a delirious hybrid that also subtly makes explicit the relationship between grime and jungle and happy hardcore.

full house on this third 10 year anniversary 12- for dekmantel with levon vincent, joey anderson, legowelt and central. 7 to go.. tip! .

25 year anniversary - re-issue from ny house legend