following hivers excellent ep, let recordings again welcomes american dj and producer jon hester to their imprint. currently based in berlin but with previous spells in chicago and minneapolis, he returns to the label for a second ep following 2017s communication ep, and other outings on the likes of rekids and dystopian. his adventurous drum programming and high speed techno style kicks things off with radiance, a manically melodic track that takes you on an energetic trip. impermanence is a deeper, more cinematic piece that features rueful pads but still a driving drum line, then stratospheric has huge, hammering kick drums and squelchy synth sounds as well as dancing keys that bring warmth, groove, and soul. last of all, this high class excursion is completed with horizon, delivering barreling drum patterns and edgy pads that trap you in suspense as it races on. all four tracks deliver a high impact techno sound that very much looks to the future.

nice price deal !!! 199x is a new record label from reykjavík, iceland but based in copenhagen, denmark focusing on releasing electronic music by icelandic and international artists. each release is pressed on high quality 180g vinyl limited to 500 copies, also available digitally. each album cover has hand drawn artwork by m. kristensen. the first release on 199x is from a musician born in zürich, switzerland who s name is mateo hurtado. for the last 2 years hurtado has been posting tracks and live improvisations on youtube and soundcloud made with his modular and hardware gear as well playing all over europe. this ep by hurtado includes four tracks recorded live with heavy bass, dark-atmospheric repetitive sounds that make the perfect experimental ambient techno with minimal post processing.

fabian kempes productions under the name of korridor have consistently presented a foreboding and striking assembly. previous appearances on northern electronics have taken in stuttering percussive works as well as tense minimalist designs. his debut album end of cycle applies a breadth of expression to a wide palette of mesmerizing and intense fit-outs that corrode and fortify in equal measure. end of cycle is born of a deeply personal set of experiences to have marked kempes life. shortcomings and tribulations that have prompted spirals back to starting places and beginnings have informed the mood and missive that his debut album seeks to portray. taking in themes that stretch from despondency to paranoid elation, kempe has developed an architecture that lets austerity scream. stark and synthetic ambient plains lead us out of conditions for communal experience, yet its these passages that enable the sharp and brooding dancefloor works to deliver the barbed disturbances that they transport.

austin based pop artist lou rebecca makes a captivating debut with her stellar self-titled ep. born and raised in paris, lou’s music is delicately delivered in both english and her native french with a natural grace and unmistakable charm. lou’s approach to songwriting and performance is riveting from start to finish and has been a huge presence in the dense local synth scene for several years. now her unique brand of electronic pop has officially arrived, polished and teeming with personality. the vinyl ep included a download code.

after relocating from california at 7 years old, nasser grew up in a musical environment in new jersey. surrounded by gifted artists from an early age, nasser was fed a diet of authentic 70 s soul, 80 s pop and 90 s hip hop and r&b, which all influenced the spirit of his music and his trademark big production. at only 24 years old nasser displays real musical maturity and a subterranean fearlessness in his productions. mentored by house music master dennis ferrer, nasser has released three ep s and on the indispensible objektivity label, as well as remixing dennis iconic son of raw in 2017. his gramercy ep on suara revealed nasser s more techier side, exposing his wider abilities. his most recent release on objektivity, the just like that ep , dropped in summer 2017, in tune with his first ibiza season. (as a part of dennis ferrer s misfits society crew, a residency he continues in 2018…) here nasser debuts on circus recordings with his first full, self penned, and part sung, vocal single, combined with a intergalactic techno b side that is absolutely not to be skipped over. say something was instantly snapped up by yousef after an early demo was sent to the label owner earlier this year. big, nasty & pin sharp drums carry the original vocal throughout the track, as a playful narrative parties & dances throughout. vocal hook after vocal hook interchange as the slamming 909 drums persist. as yousef said, there is simply nothing else quite like it right now, and as pete tong said it s the best vocal record he has heard in many years, confirmed an essential new tune on the spot… this years bigger than prince..?

you may not have heard the name jackson almond before, but you will have likely heard some of his music. having released on wotnot back in 2013 under the name real, with a flurry of eps, remixes and bootlegs under this name and as part of duo boean (on bbe, warner, xvi & slowfoot among others), jackson has been delighting ears for a while now, with a particular knack for balancing hooks and earworms with original ideas and creative production. this ep began life as a series of headphone jams written when jackson was living outside of the city in self-imposed exile, tuning into the goings on in dance music from an external position. it was then polished into dancefloor gems at the wotnot studio at the total refreshment centre. the music reflects this, with the sonic palette reflecting lo-fi and outsider house, but with a warmth, depth and musicality specific to his own personal situation.

over the years moton has become synonymous with releasing great quality edits from a range of amazing producers. their 43rd release is no different offering up two glorious edits ready made for the dancefloor. cuffari (make the world larger than me) on the a side is four and a half minutes of luscious, soulful, string laden goodness, entrancing you with those dreamy vocals. trust us, she s right when she says the melody echoes in my mind this one will be stuck in your head for days! flip it over and marcel vogel, under his em vee alias channels the happy-go-lucky nyc discotheque days through dancing (jumbo). with an all too infectious guitar and bass riff, coupled with cosmic synth pops and perfectly layered vocal chants its sure fire, peak time disco gold.

2lp. an exciting blend of electronics, rock and ambient passages, the belgian trio have gained prominence of late with their futuristic propulsions and has led to their music being described as mogwai meets kraftwerk.

psyk s non series label keep sup a busy 2018 with a new ep from pris. he s an artist with a deep heady techno sound that has previously found a home on the esteemed likes of semantica, avian and his own resin and now serves up four more of his serene and stylish tracks.

to celebrate the anticipated release of the 4th episode of the iconic soul compilation shaolin soul this september, uncle o has unearthed two new special soul treats: the extended version of float on by the floaters and a rare vocal version of marvin gayes ive got mine

the fourth instalment of moxies compilation series is back, presenting this exclusive 4 track vinyl sampler thoughtfully curated line-up of artists. featuring friends of on loop, up-and-coming producers and prominent names alike. stepping up to open this 12 sampler is the maghreban, adding his trademark touch to an off-kilter remix of steve spaceks ‘gimmi da love. lisbons violet is up next, laying down her energetic signature breakbeat sound on ‘antifa beats. flipping over, the b-side begins with nathan micays infectious builder ‘basic plumbing, paving the way for louise chens ‘reach (raw mix) a solid house number. on loop has continued on a straight upward trajectory since it began, with 2017s volume 3 securing a nomination in dj mags end of year awards for best compilation, and the imprint earning a place in mixmags 20 best record labels of 2017. as the label steps things up, so does moxies nts radio show, now moving to a weekly slot and cementing its place as a staple dance show for the station with regular parties at manchesters soup kitchen, edinburghs sneaky petes and londons pickle factory. with an international tour to be announced this year, things are just getting started for the dj & radio host.

kodaema presents its second ep black cloud, featuring five tracks to be released in spring, after the success of the debut ep end of 2016, highly acclaimed by gilles peterson and bradley zero. a mature and elaborate work, in which the bands influences take shape. from wonder featuring kiala nzatovunga, to the impressing water no get enemy, covering fela kuti, along with black clouds enveloping harmonics, kodaema delivers a unique & personal sound. the record was mixed in los angeles by benjamin tierney (kamasi washington, shaq husayn) and mastering has been done by engineer kelly hibbert (j dilla, madlib, flying lotus)

given his prolific, decades long-career, it’s little surprise that kirk degiorgio has more than a few lost musical surprises in his back-catalogue. ‘sphere’, his new ep on garage hermétique, finds degiorgio in his as one guise, delivering a lost classic on vinyl for the first time alongside a pair of rarities and a brand new mix by detroit pioneer juan atkins

nice price deal !!! xglare (all caps), is jessee egan, a brooklyn-based producer, sound designer and multimedia artist. she has released music under multiple aliases since 2011, most notably on ay japan. her latest incarnation, xglare, balances warped sound design, unearthly atmospheres and experimental rhythms that reject genre boundaries. representing brooklyn in full force on the debut record, “morph ep,” xglare yields incredibly heavy atmospheres. this is a mature record showing patience, design and a thoughtfulness sorely lacking in much of the electronic music scene. beats and dance elements take center stage alongside impossibly powerful, almost elemental transitions. track 1, lymph sets the tone with an updated halcyon rave sound. imagine standing in a field in the countryside at an illegal rave at 6 in the morning as the sun is rising, wind blowing in the air. track 2 fossa feat ariadne, an opera trained singer, immediately submits you to whisper shouting, a highlight of the album. in between more dance floor-oriented tracks, spore and plexus, sit two sound design gems, title track morph with its pounding rhythmic charges and vast reverberated rooms, and ganglia, which reminds of early do you know-era squarepusher. a well-rounded ep showing off the many talents of xglare also comes housed in beautiful artwork designed by egan herself.

s. crosbie s dark arts has become an essential label for many of the key players looking to work more underground dancefloors, and continues to evolve with da09. things lift off with the slowly building bassline throb of cellular before the twisted electro depth of holophane glides into view. transmission 09 is a masterclass in atmospheric, glitchy dancefloor electronics. finally, the techno of anterior is a flawless exercise in lithe, funk-filled minimalism. dark arts: simply killer machine music designed to move both mind and feet. check.

formed in 2007 by jakob seidensticker, florian schirmacher and henrik raabe, wareika was accidentally gathered on stage for the first time at hamburgs mythical mojo club. since then, the german trio has built a very singular sound signature after a decade of playing together. revealing the diverse influences and musical educations from all three individuals, the bands discography has been built over a solid live experience. being academically trained in jazz and classical but also self taught through electronic music, jakob, florian and henrik are able to sing, play guitars, drum machines, pianos, synthesizers, bass, percussions and way more

children of tomorrow will celebrate soon its 10 years anniversary. the label was created by emmanuel ternois back in the day and being joined by arnaud le texier in 2011. since then they focused on techno producing amazing artists, to name few: terrence dixon, zadig, tensal, antigone, oscar mulero, jonas kopp, samuli kemppi etc... children of tomorrow is now presenting the first album from arnaud le texier. after almost 30 years dj-ing around the world and almost 20 years producing. signing many releases over the years and always busy delivering dance floor releases, it s been a long wait to finally get an album from arnaudon his first album we can feel that he wanted to tell a story and to express something deeper with his production experience. there is a different variety of techno that stretches from ambient / broken beat / hypnotic / raw techno along with subtles grooves, wondrous atmospheres & sonic textures. on a side the album opens with dusk, an ambient atmospheric mid-tempo track with sonic sounds that is a perfect intro.pattern 2 starts with drones and blip sounds and a broken beat groove follows with a pad that sounds like a voice coming from the space. the track ends with some modular click sounds that make the whole track clever. followed by the album title granular therapy, a deep techno track with modular bass line and melancholic pad. a perfect track to play in after or to warm up a party.the b side is more dedicated to the dance floor with black nympheas that is a proper dark modern techno with a grinding bass line and magic drones. a simple beat makes the track evolve in a nice way. blade pass frequency is 4/4 effective techno with a 909 kick, a syncope acid bass line and a pad that sends you to another dimension. it is a powerful track but with a sense of deepness and sensibility that arnaud can achieve sometimes. this side closes with binary sun dawn which is an ambient track with melody that has a jazz feeling mixed with dark atmospheres, sonic drones and water drops. the c side opens with mono driver, a minimal track with a little synth that stays until the end repetitively until it makes you travel and lose your mind. deep and dance floor at the same time.

following a string of well-received eps on cin cin, exit strategy and get physical, belfast’s lor readies his debut, self-titled album ‘lunar orbit rendezvous’. this will mark the first release on his newly minted label lorec. a technique used in apollo lunar missions, lunar orbit rendezvous charts a journey to the moon and back. a bold album, both in concept and sound, its the work of an artist coming into his own.the title track and first single lunar orbit rendezvous prepares the album for lift off. its a track that carries the technical tension of crucial operations, with gnarly acid pulses and happily erratic synths sparring over a steadfast electro beat while vocal samples collapse into themselves. lunar orbit rendezvous comes accompanied by a video from studio creme whose design and video work has been championed by the likes of james holden, warp and simian mobile disco. using a hyper detailed black and white render of a nasa grade rocket, the video brings the optical journey of lunar orbit rendezvous to life

the latest release on francis harris scissor & thread is another exercise in subtlety and restraint, brought to us by the emerging talents of nadia khan. with little known about the artist, this release lets the sublime music do the talking. title track ‘in gleam is a beautifully evocative drift into ambient textures - rising pads and occasion bass tones combine to set an exquisite scene. ‘local visit is a collaboration with label boss francis harris, and features some of the trademark submerged rhythm and textures the label has become known for, unfolding its deep structures over the course of the track. ‘restless sees label regular alex albrecht aka melquíades (whose previous ep on s&t was received warmly) provide the last bells remix - again muted tones and rhythmic complexity glide under ethereal piano fragments and slowly evolving pad washes. ‘sorting through finds its groove early, a deadened kick unfolds into an urgent percussion creating a thick atmosphere of melancholia. ‘sunburnt rounds out the physical release - ending how it started - with dreamy, smudged tones, and warm pads.

label stalwart jubei returns to the label alongside long term friend tyrone for ‘the arcane ep. taking its name from the club night where they first met, ‘the arcane ep is partly a follow up to 2015s ‘out of sight with the duo now delivering a full 4 track collaborative release which has garnered support from goldie to chase & status and shy fx to break, with loads more in between. jubei & tyrones concept for an ep was triggered by the creation of ‘stabs, which since its inception has undoubtedly become one of the most asked about metalheadz tracks of recent times and was an obvious choice to headline an ep full of energy and accomplishment.

master of snare disaster limewax strikes back hard again on this huge 4 track ep on prspct. delivering all things great this disturbed but brilliant producer has to offer. drum & bass for the freaks and outcasts that crave for more then just a rolling beat. 2 solo tracks + 2 collabs with the likes of l 33, switch technique, dieselboy and thrasher. did we mention this release is huge? hell yeah we did! well it s a good thing as its double huge anyway! all hail limewax and houjekkmuil!

for over 18 years, spectral sound, the dance music imprint of ghostly international, has thrived at the forefront of techno and house. it has been a source of support for numerous djs and producers during that time, from matthew dear and benoit & sergio to avalon emerson and hieroglyphic being. now, spectral brings the past alongside the present with its latest release, a compilation that offers a vibrant cross-section of the current moment in underground dance music. despite the wide-ranging selections on spectral 139, a throughline of classic style and infectious energy emerges from the up-and-coming and established artists alike. rising talents such as minimal violence, russell e.l. butler, and earth trax x newborn jr. bring unique perspectives to their hardware-centric productions. veteran producers bring their own edge as well: d marc cantu blows the roof off with the outsized funk of regularly people, and nigil caenaans januarys end, a low-key detroit classic from the late 90s, closes spectral 139 with a whirlwind of manic rhythms and sedate synths. gunnar haslam opens the tracklist with his acidic mindbender, versione antica. and ghostly regulars like tadd mullinix, who drops a lush jtc remix of his new x-altera alias, and matrixxman, who collaborates with riccardo limiti on the cavernous inferno, tie everything back to the label s roots. the double 12 compilation, as well as each individual single, features original work by los angeles-based artist nina hartmann. her designs have appeared on releases from labels such as ascetic house and big love, and the pieces for spectral 139 continue to develop her cryptic aesthetic. the marriage of hartmanns striking, high-contrast symbols with such bold dance music speaks to a collection that aims to stand out.

after the initial label launch in 2016, desroi has been working insistently. debuting on labels such as henning baer’s manhigh or shifted’s avian, the young artist has worked his name into the scene. this time, desroi returns to his own imprint with “eutheria”. with an unadorned focus on percussive drive and rugged atmosphere all three tracks invite to be played out in a dark but hypnotizing warehouse rave. his ability to shape-shift from experimental sonic explorations right up to pure and straight-forward techno cuts reiterates that desroi is someone to keep an eye on.

new yorker electronic producer dj spider is back on itay’s out-er with a muggy, abstract techno release “human erosion field ep”, similarly to its debut “v ep”, released in september 2017 and produced in featuring with his longtime friend phil moffa.
italian label out-er presents its twenty-sixth release continuing to explore the diverse musical path between house, techno and experimental electronic - which appears in most cases on out-er’s sub-label pregnant void. “human erosion field ep” otherworldly showcases both a radiant take on electronic as well as gloomy and wild-eyed pieces, an aesthetic approach for which dj spider has been most known in the scene. overlooking to the style of the tracks, the release does contain a sinister mood and a dense, solid sense of groove overall, a typical recurring feature of the producer’s previous outputs.

we are glad to introduce this release by it. ivan iusco, the artist behind the it moniker, has been running minus habens records since 1992. its disturbance sublabel has been responsible for releasing forward thinking techno and experimental releases from a range of well known artist such as marco repetto, aphex twin, speedy j and atom heart among others. here we present three tracks that have previously been released on his era vulgaris cd album. the ep ranges from techno to more abstract broken beats on the flip side, displaying the versatility of it as a producer and encompassing the sound of the first years of disturbance.

so here it is vol 6, with 6 trax, yes 6 trax, hows that for value for money. track 1 , kicks off the e.p with a monkey infused acid rolla from the he-men ,aptly named rolla, really deep acid rolling track for you head nodders out there , then track 2 comes courtesy of new family member bufo bufo, who already boasts releases on ritual poison and egd, his track is a real four/four breakbeat extravaganza, moves along lovely with breaks and bleeps, very excited about this track and a very please to have him in the tdo family. djpc returns with track 3, his track called danger man, and believe this is dangerous, proper old school sounding warehouse rave with wicked pianos and baselines .good to have him back. then flip over and boom side b, hits ya with dawl track party till the a.m , great advice and a great track from dawl, back to his proper full on rave breaks and bleeps to kick off side b the way only he can. then track 2 we welcome another new member to the tdo family, although he has mastered several e.p s and digi trax for us , this is the first track craig bratley has ever made for us, over the moon to have this man on board - craig has earned a solid reputation from a series of curiously erratic releases, releasing records across the spectrum of electronic music on labels such as futureboogie, suara, throne of blood, bird scarer, tsuba, instruments of rapture, claremont 56, leng, to rack and ruin and is it balearic and as well as his own magic feet imprint. the recent discovery of a box of old dat tapes in a house move has allowed craig to revisit some of his earlier attempts at making music in the 90 s. the re-sampling and editing one of these tracks has provided the basis for craig s contribution to tone dropout volume 6, back from the dat . from the dat really is a hats off tip to the rave generation, thank you craig proper got this right for our label. then finally track 6 , is bonus track , tones breaks part 2, a full on pow in ya face rave banger, a little feature we will be doing now on e.p s a nod to the legendary bones breaks of cours

to celebrate the 5th anniversary of the agency, rotate has a hefty 2xlp compilation coming, featuring its in-house artists as a follow-up to “rotations i” from 2016. in the meantime, the imprint prepared a 10- split-ep teaser, appropriately named “mini rotations i”, featuring cleymoore and loopdeville.

this is a rare gem of a record from fantastic soul band the soul kids stemming from the democratic republic of congo, including covers of james brown & the mighty flames hit singles -lickin stick- (1968), -papa s got a brand new bag- (1965), wilson pickett’s -hey jude- and a french vocal version of otis redding’s soul hit -respect -. this amazing young band, which released only four 7inch singles and one album, is a great example of the influence of soul music and french pop bridging to the new afro soul scene that the musicians of kinshasa were involved in during the time of post-independence. ngoma was one of the first record labels intent on providing local artists recordings from both sides of the congo river to the people of the drc and west africa. created in 1948 by a greek man by the name of nicolas jeronimidis, the ngoma label was active through 1968, pressed in france until 1971, with a tremendous catalogue, including this historical and essential soul masterpiece!

scottish producer austin ato has been making waves the last couple of years having had well received releases on futureboogie and phonica white and this year looks to be his best yet! remixes for folamour on classic, balako on greco roman and an ep for man power s label me me me will be dropping in the coming weeks, paving the way for his delusions of grandeur debut double a side ella / putting it in my way.

cool back in stock! (transparent vinyl in custom transparent sleeve) belgian up-and-coming, milo spykers, has minted the second release for amelie lens imprint, lenske. with contributions from lens, farrago, and kobosil, lenske001 has already made a severe dent in the techno scene. milo spykers infinite promises to puncture the auditory surface with equal precision.

the fourth release of another earth, a small dutch vinyl only label with limited 300 pressings, has finally arrived. the a side is proper techno created by dave simon. a1 in acid we trust is a peak time acid techno track and a2 path of ability has a warm detroit feel. the b side by anders ilar together with john h is more obscure. deep weird acid techno that seems to come from another planet.

inits music has the rare quality of transforming bleakness into a soothing experience. in the duos new ep, wildcard, this mechanism is more intense than ever. and that might be because of the particular circumstances that surrounded its inception. two years ago, nadia dalo and benedikt frey decided to move from darmstadt to berlin. adjusting to a rough area of a big city when coming from a quiet town necessarily brings a change of perspective. for nadia and benedikt, that meant experiencing the city life as outsiders while trying to figure out what they wanted from it.wildcard is the sonic result of this process, and proof that changes always bring growth. recorded in their new home studio during winter, the six tracks on the ep are as haunting as their previous lp for hivern, but with a rawer approach and enhanced power. take cover and solver, an approximation to the kind of moody psych-techno they display in their live-shows and two of the most dance floor oriented tracks init have recorded to date. but its the title track which best expresses the mindset of this work. with its skeletal rattle and undulating synths, wildcard feels as desolate as a berlin street in a winter night, but possesses the kind of focus that turns uncertainty into hope. in a similar way, cuts such as copycat or half baked perfectly capture the sort of estrangement -daunting yet hopeful- that comes when moving into a new place, with its slow tempos mirroring the cautious pace of a foreigner and the intoxicated atmospheres calmly distilling the essence of a new environment. nadia and benedikt describe this new habitat as small kids on big bikes, eating dry instant noodles, playing with whats to find on the streets, static aircraft traffic closely over our heads and constant running engines. listening to the music that arose from it, its obvious that, once again, they&# 39,ve been able to overturn apparently hostile elements into a place were youd want to stay forever

channeling that classic playful braindance feel of early afx, u-ziq and fellow acid-connoissuer luke vibert, pearl river sound (real name roberto semeraro) has quietly builded up his own profile in the last 5 years with releases on r&s recordss own meda fury, further records, seagrave and x-kalay. not another average idm/breakbeat throwback tough: here prs delivers train with no name, a 6-tracker of razor-like rephlexian science, taking inspiration from his ambivalent work with laptop & old hardware machines, yet, the magic lays down in arrangements and spaces, builded around jacking bassline swings and detuned, lush pads all melted together in powerful u-turn rhythms and genius sampling, from the moody opener elek41 to the demented vocals of cccc2 and mr continue or the straight-up acid of mono sequencer bass. occasional walls of white noise and distorted tones emerge in train 2, possibly his most tense track ever but also one that reveals new sonic solutions for a forthcoming full length that should see the light anytime next year on the label. sharing the same sensibility of fellow roman institutions like lory d or leo anibaldi to keep the acid legacy of the city alive, mixed up is proud to start a new beginning with this release. full sleeved and cut at 45.

italian producer piero pirupa’s musical cv is nothing short of impressive. so it’s no surprise that his next production has found a home on damian lazarus’ crosstown rebels, enlisting the vocal talents of new york’s mr.v. influenced by the sounds of 80s and 90s chicago, pirupa worked tirelessly on this ep to reach a version he was happy with. after seeing the reaction from dancefloors around the world, he decided to send it to carl cox and damian lazarus. we must be (the piano track) breathes new life into today’s dance music with a message from a bygone era. it harks back to the golden age of house music with its lush piano topline and positive message sung by mr.v. happiness simply emanates from this production. with lyrics such as “we must be all in this together, we must live to respect one another” and “this is the plan to make us unified” it takes clubbing back to a time when everyone came together on the dancefloor regardless of race, gender, sexual orientation or religion.

jamie jones joins forces with new york’s david berrie for an electrifying two track release on hot creations. doctor zouk is the result of a friendship spanning many years, and is set to be unleashed this autumn. title track doctor zouk is a bumpy, chuggy roller with a prominent percussive break and heady tribal undertone. future society uses thumping drum pads over a growling bassline with unmistakable high hats weaved together over futuristic synths. jamie jones is one of the industry’s most in demand and recognised djs. he heads up one of ibiza’s most treasured parties, paradise at dc10, and now takes it to all corners of the globe. his revered hot creations imprint has put out more than one hundred releases as well as playing a major part in launching the careers of patrick topping, richy ahmed and detlef. spending his formative years in new york, sneaking into the city’s diverse and flamboyant nightclubs and heavily influenced by a broad spectrum of genres, it wasn’t long before david berrie took to the turntables. he released on jones’ hottrax label last year and has had a number of releases on nervous and monique sp é ciale. he commands regular slots at bpm festival as well as at the paradise nights.

japanese artist - tominori hosoya has been releasing on a good deal of underground deep house / techno vinyl labels such as deepartsounds, mixx records and minuendo recordings, though this will be his first album on his own th pressing imprint which is only 5 releases deep but is already a firm favourite for the likes of titonton duvante, keith worthy, hiroshi watanabe & jimpster

aer recent reflections on kosmische sonics and so focus synthesis, origin peoples latest release is an in-depth exploration of our universal dance floor grammar from italian producer whodamanny. a key member of naples cosmic funk contemporaries, raaele has put his psychedelic stamp on periodica and gravi grati, both in solo mode and as a member of the notorious mystic jungle tribe.

te records presents on this beautiful 12” picture disc collection six tracks of electro-pop music, yet all songs sound different from the other. smea, who has produced the music, has invited six vocalists from gothenburg (including himself) to put lyrics on top of each track. the result is synth, dark wave, techno, break beat, electro boogie sounding coolness!

e-missions co-founder p.leone returns to radio slaves rekids this september with the my lita project backed with remixes from mark broom. originally hailing from new york, p.leone now resides in berlin where he helms his e-missions imprint with releases from himself and co-founder caiazzo, exciting new artists like rush plus and tred, not to mention remixes from young male, spencer parker and lawrence lee. leone has also dropped a variety of releases on rekids and work them records, when not making regular appearances at clubs like tresor. he now returns to radio slaves respected imprint with ‘the my lita project, following up his highly lauded el dorado ep that garnered support from ben sims, jackmaster and spencer parker. my lita kicks things off with classic synths, piercing strings and choppy vocals slices whilst robust drums march forward. meanwhile, tight in the pocket is more dark and menacing in comparison with its syncopated percussion, echoing claps and ethereal atmospherics. on the flip, mark broom drops two different remixes of my lita the first is a robust cut complete with disco elements like funky guitar licks and soulful voice, with the originals stabs shining throughout, whilst the second remix takes a different route with its crunchy snares, moaning murmurs and fuzzy effects.

with sincere excitement co&#769,,,meme is now delivering katerinas very first ep to planet earth: just when you thought it was over. katerina from helsinki - finland via sofia - bulgaria is a passionate music lover, a skillful dj, an imaginative music maker and an emotional and hyper sensitive artist. she produces music that is essential and timeless, tracks that feel necessary in your life once they have entered it. katerina has already contributed to the ever growing, always radical and forward thinking catalogue of the co&#769,,,meme music collective, with tracks on the compilations solidarity forever vol. 1 and 3. she also hosts a show on radio co&#769,,,meme called radio emotsiya, in which she generously shares her broad musical knowledge and her very particular musical obsessions, for instance her steady – and in our opinion very understandable - veneration of dj quik. and yes, her music breathes the emotionality of hip hop, the sensitivity of well placed, swinging beats, and that steady survival mode, that essential melancholy in dance music: where melodies tell about love and longing, and rhythms help you to keep going on.just when you thought it was over, here we go again, its another day on planet emotsiya, from where katerina sends us reports about her adventures, always sided by her already legendary white cat nopo

three hot new tracks and a handy reprise tool feature on this new outing from london’s mysterious hardworking families. machine funk electro, deep acid flecked bombs, and a gentle nod to the old skool on sunshine.

music is feeling, music is meetings. in 2015, the s3a records 04 was released with collaborations of good friends of s3amet in the world by the music (tito wun, mannmademusic). this sampler continue the story with tracks from people s3a met during gigs and travels in the past year: sweely delivers here great speedy long jazz banger with a great voice sample as a theme. the columbian felipe gordon gives a great stompy funk bass track! on the b side, the french g2s drops a beautiful house sample based -graef like- song. for the last track need a little bit of story. in 2016 s3a released an ep called 3711 on soundofspeed records in japan. the track -bush- taken from this ep has been remixed during a contest in early 2018. 42 remixes were done and the winner has is remix edited here. pnom pen gives us here his 80 s electro version of the track adding great pads and a complete different rhythm and grooves!

this single is very special for visions recordings as we see a fresh collaboration between alex attias and luman child, two swiss artists reunited for the first time.alex proposed luman child a collaboration after listening to his music. then they met and talked about music , visions, influences, method of work and decided straight away to work together without knowing each other well and pushing them outside their comfort zone. they are both very happy with the resultjalex attias has been in the music for many years producing, remixing many great artists and djing all over the world. at the moment alex is about to release a compilation on bbe records ( lillygood party !) , plus a couple of remixes are on the way and he s also preparing other singles for his label visions .luman child produced in 2017 a killer first album with german label solid ground still available on a neo soul hip hop tip. he reached number 11 in the uk soul charts. as a musician and bass player luman child had a few collaborations with ferry ultra, gogo music and marc mac 4 hero.the project they present here is very organic soulful and musical. this single hold two killer tunes for the listener and the dancers.the a side is a 125 bpm disco jazz funk killer jam with live bass, fender rhodes and vintage keyboards sounds driven by a very funky drum beat and live basseline aimed to the dancefloor and good time party people keeping a smile on your face. its simply groovy and goes on and on for 10 minutes of pure disco pleasure.the b side is a funky number boogie jazz funk inspired by mr ayers vibes and sounds . the rhythm is groovy at 120 bpm and the moog bassline is round and fat. accompanied both track by fender rhodes and dope keyboards sounds, this one will definitely find place in dj boxes for those who play and love soulful music with an open mind. groovy , warm and soulful at his best.

following the late night swing of javonntte’s hm002, hardmatter uncovers another detroit talent for their third offering: malik alston. in his first vinyl release in several years, the rebirth ep explores a spiritual jazz soundscape with all of the verve of the city’s trusted sound. beside the soulful ballad of “love changes” featuring evan on guitar, the record’s lead song, “i am”, focuses on malik’s signature instrumentation and live improvisation. the track is a seven minute collaboration between craig huckaby, howard wazeerud-din ii and hardmatterís own zapata, who complement malik’s gospel-inspired vocals, the first time he has sung on a track in four years.

manchester s ourtime music return with something of a electronic masterpiece ! after a 14 year hiatus, salford s elusive cosmic composer returns to his sonic insomniac guise with a debut lp of the finest underwater electro & crisply rendered electronica as always, super limited !!

rezonal proudly presents its second release, delivered by the mysterious eastern renaissance. this 5-track ep combines deep grooves and relentless rhythms to push the listening experience past the regular, club oriented sound. five thematic tracks melt together as one consistent work. eastern renaissance presents his credo, which is disturbing, crude, dark and tense, but has beauty hidden deep within.

goldbrick records third release comes from irish duo ringolevio. made over the course of a few months in various rooms around dublin, the record sways from playful electro to straight up jams with a few emotions in between. as more and more young people can’t afford to live in dublin city, ringolevio has some advice: eat your landlord, stone the dáil, defecate in the banks, moon the dup, hammer neo-liberalism, repeal the fuck out of the eighth, vandalise the donut shops.

we are very happy to introduce our new ep appian012 by estrato aurora. hailing from valencia, and with a phenomenal array of hardware at his disposal, estrato aurora has dreamt up a beautiful deep techno ep for us. 4 tracks that can be played during sub-heavy warm-up duties, deep into the night for a heads-down foggy vibe or early in the morning for something a bit warmer, tripping and uplifting. timeless cuts to suit all intimate dance floors. 12- release. artwork by philip mitton. 320 hand-numbered copies.

there smokes and whistles in zenker’s machine jungle. the best loved and best known brothers of the techno scene are causing a multi-layered schwirbler, which is likely to destroy many dancefloor lasting for years. jelly3000 are essika and andreas damaschun. “wave a wand” is lashed forward by a powerful-impulsive arp, while synths and piano dances light-footed about it and spreads a sustained mood. kessel vale has recently caused quite a stir with two eps on tanstaafl planets and rhythm nation. “stroke” should further expand its reputation as an idiosyncratic excellent producer with a penchant for the playful. steril – that artist you may know from international deejay gigolo records, erkrankung durch musik, schamoni musik, lasergun and müller records…oldschool.