180 gram. vinyl only. gatefold cover. inside-out cut. finally the 3rd pr arrived. happy to introduce you my friend io and his first ep on my label which fits so good to be released in summer time.

1 - kinda >hip<-house style,
2 - groovy dance floor stuff,
3 - my favorite minimal broken beat,
4 - easy going >hop<-house recording.

enjoy your summer as we do!
-nastia-

it grabs you and turns you round. resistance is futile. fall into it gleefully because the darkness has been lit, there is a chill in the air and you feel as taut as a bow. laurent pastor and marc lapeyre (fkclub) are responsible for decadanse where ice doesnt hurt anymore according to the whisper in the title track. the label head was convinced by his partner to start production in a basement studio to create a sound using guitars and synthesisers. the coming together of these 2 strong (id)entities has culminated in an ep which is cinematic (train in vein, easy drive), distinguished post-punk (plan b) and electronic (decadanse). and when susuma makai ventures into the meandering ruin, he delivers a mind-blowing version.

180 gr , vinyl only , remixes from odd & radiq
tvir is a vinyl only label based in ukraine. translated from ukrainian tvir means composition. our second release comes from two moscow based musicians. victor lihonosov (rabotnic) is the owner of antrakt label, resident of rodnya club and kirill silantyev (sil) is more known for his work in the duo easy changes. this first collaboration of these talented artists brings us the real minimal techno music vibe. the two originals tracks showcase a clear yet peculiar sound. first remix on a side from odd boys danny and damian has a deep and strong melody coupled with some smooth bass lines. radiq aka yoshihiro hanno showcases his talent in the second remix on b side featuring some traditional japan minimal sounding. those who appreciate true quality techno won t be disappointed. the artwork for the ep is inspired by ukrainian folklore influences.

its not that easy to define the sound of this berliner based italian artist, but he clearly merges different influences together. the opening cuts are quite fascinating for the way they’ve been meticulously built up. it takes off like a soundscape experiment revealing the ambient involvement of the artist, but moves towards heavier structures characterized by elements of dub, mystical chants and solid industrial components. the debut of this album is absolutely great. inner8 brings icy elements together with a kind of dubby rhythm, which on the next song becomes pretty industrial like. it all sounds like a delicious osmosis of sounds and different influences, antezza revealing himself as an inspired sound alchemist.

metereze keeps a steady path of releases and this time around it is young star vincent iulian who picks up the ball and delivers four astounding tracks on his four quarters ep. also a native of bacau like dubtil and raresh among others vincent has already released on labels like naural or moment.
started is probably the grooviest of them all and for sure youve heard it before if you’ve been attending the right parties. breaking the boundries between techno and house this is a true masterpiece. on the same side he also shows a more relaxed atmosphere filled with jazzy percussions and easy synths. stors kinda makes you stop and dream for a while.
first on side b we have another dancefloor monster. no more is is driven by a hypnotic synth and infused with enough drums to keep you on the move for the whole 7 minutes. le van a cantar keeps the catchy driving mood but this time iulian explores a more broken path. bubbly voices, snares and a haunted synth emerging now and then make this corner as interesting as the rest.
four quarters is a must have for any serious collector. not to mention if you are a dj.

2015 will prove a benchmark year for scissor and thread with the rising momentum of frank & tony and desert sound colony and now with the introduction after many months of work of their new enigmatic artist, rosas nievas, with a sublime debut ep, every inch of you. like a tip of the hat to herbert, the title track entices with easy piano licks, a cooing vocal and a lush atmospheric enveloping the floor in a warm embrace. flipping the switch, the bounce of opinions propels dancers into hands-up, chicago-style elation, while the rollicking, looping closer, hear me rain, entrances with its early morning psychedelia. completing the package is a breakaway edit from label heads, frank & tony, who transform every inch of you into a sun-drenched, euphoric deep house stormer, in a way only they can do.

professional dj bag carrying 75 of 12inch records. two equal subdivisions when opened. extra strong bel, cruchioned ground for easy record selecting. for a good party we recommend to carry 130 of you 12 inchen safely in two of there functional >> chateaux <<

hello sailor is a party and record label based in brooklyn, ny founded by brazilian-born, new york based renata do valle. since 2012, the label has been staging events with an array of local and international artists. following the killer first release ( muko wapi ), featuring the joakim rework was never going to be easy, but luckily sao paolo dj duo selvagem step up ! acclaimed releases on the beats in space x label and universal cave have established them as a force to be reckoned with in the esoteric edits game. le freak is a cumbia style rendition of the chic classic, driven by insane synths and sampled drum loops, punctuated with low-pitched vocals in portuguese. tamanqueiro could be one of the greatest hits by jorge ben, if it wasn t written by elizio de buzios. that s his only release ever and now is a holy grail of brazilian funk, fetching small fortunes when found. here it appears in an extended and dj-friendly version.

full instrumentation in cayetanos studio in athens, then the band takes over and changes the sounds with the physical instruments in thessaloniki and back to athens again for the final mix. only bound friends and great professionals like them could make this sound so easy. the mix is over, here comes mastering. enrico mercaldis magic ears help the project to reach the stars for one more time. and now the magic begins.tower of power, the intro or better a summary of the album.

it is no easy task to blend the cerebral with the soulful - the two tend to stand at opposing corners in the deep house world and producers are often forced to choose one or the other - to mix both is a lofty aim. maddermodes may not have set out with this merger in mind when launching the project - mental space - but the end result is striking in its effortless fusion. released under the artists own label, shift coordinate points, the ep consists of two tracks: mental space and human science. the titles, of course, lead one to assume there will be a strong degree of technicality and complexity behind the songs and indeed there is, what is surprising is the level of personality and moodiness that also exists.

deluxe collectors set - 4x12 inch records in cardboard box.

lukas simmer has a solid grounding in the world of composing and producing music. is making his debut here on jesus was black with this strong package, imperfections ep. this album accomplishes dark deep style with a growing atmosphere that evolves into a psychedelic sound. nima gorji round off the package, delivering a wonderfully restrained remix, very deep and laden with low subby bass tones.
support by alejandro vivanco, easy changes, michael melchner, hermanez, maetrik, alexkid, chasing blondes, danny tenaglia, ibiza sonica.

little is known about the london-based producer and dj who goes by the name of u, but that hasnt quelled praise from bedroom heads, industry tastemakers and big name press alike. audio arbiter george fitzgerald originally met u on a holiday in greece and immediately commissioned a handful of 12inches, each brimming with trademark mechanical bliss, like pleasure tinged with menace. u has since gone on to release for erol alkans phantasy sounds (both as a solo artist and in collaboration with babe, terror as btu), being given the nod by the guardian, mixmag and the line of best fit.

following up his debut on the label, jc laurent successfully returns with this memorbable four tracker, “southside” ep. using his influences from deep within berlin and detroit, he resumes where he left off, continually blurring the lines between techno and house with an uncanny ability to make it look easy.

denis kaznacheev is better known as one half of the russian duo easy changes. hes also the co-founder of nervmusic. he advocates a very organic and powerful minimal techno and makes use of his modular system on his own and unique way. denis cooks a mix of emotions to your ears and to the floor. waiting for his visa application between siberia and moscow hes been doing some music for us and we love it. he offered to bring us on its journey with brilliant textures and a superb sounding ep.

the audio-cassette that will change your world! non-concessive creative energy against the common lack of new ideas and thrown away idealism for easy money! - so it says on the cover of the cassette from where these tracks have been taken. we make this statement ours and press this synthesized madness on vinyl. to enhance all your excessive behavior, play it very loud.

die 28 songs auf dem limitierten doppelvinyl *feel so fine* sind maßgebliche aufnahmen in der entwicklung des reggae vorläufers, ska (oder blue beat). nachdem der shuffle blues aus new orleans die jamaikanischen soundsystems bis in die 60er dominierte, fingen parallel zur entwicklung des soul in den usa soundsystemgrössen wie arthur duke reid und clement seymour coxson dodd an, eigenene lokale aufnahmen zu produzieren, die sich schliesslich immer weiter vom new orleans r&b entfernten und zu ska wurden.

every week end im going to concrete to listen the artists who are playing there. i m talking about music with them , and do the same with people sharing the dancefloor with me. i collect all these inputs and ideas, all this energy, to define what concrete music dna is. because of this variety of people, tastes, and point of views, the label can t be reduced to one and only genre. to make the music more easy to apprehend, we are splitting the label in 3 parts, 3 differents moods, or more precisely, 3 times of the day... concrete music 7am contains the kind of music you could easily listen in our club at dawn, when the light is blue and the sun starts to filter through the mi-closed shutters. minimalistic, freaky or mellow, but always deep. concrete 3pm is definetly turned to house music. 3pm is the time when smiles are on every face, when the same vibe, the same energy, is going through every stomach in the room, and the crowd becomes one same entity. concrete music 4am aims for the more techno and black side of the music we love. at 4am, fists are pumping the air, or heads are down and eyes closed. it s not about how hard or fast the kickdrum beats, but how thick the atmosphere is.

the soundtrack to soul jazz records feature-length documentary *studio one story* on double 12 inch vinyl. 2024 repress.

timeless horizons is a compilation of songs originally released on three private press lps: auf der suche (1984), zeitlos (1986) and new horizons (1988). original copies are almost impossible to find these days and change hands for serious sums, so welcome the timeless horizons... dont you agree that music is best when it is not easy to describe it? just like the music of wolfgang barthel, matthias böhm and reinhold bauer. their amalgamation of oriental folk, percussive rock and a good bit of blues will let you drift away, dream, dance... into the storm.

nowadays we live in an era of minimally processed products, an age where electronic music is no longer a meticulous and painstaking craft but instead becomes a dish of fast-food, an easy-to-digest and cheap product. luckily, there are still musicians who refuse to enter this business circle and continue exploring, investigating all angles of this clubbing culture. joton has been following this way since the beginning of his career. he has been learning, experimenting, looking for the roots sound, and shaping its complexity until reaching a techno style full of energy and depth.

2014 was a definitely a huge year for dance music, with many up and coming artists being thrown into the lifestyle of hectic partying and relentless touring schedules. this also means that those who exploded onto the scene prior are no longer the new kids on the block. a few years is a long time in the life of a dj, and the first few years are often the maddest. the adana twins are a perfect example of one of these artists, having emerged onto the scene in 2012 with releases such as everyday and strange , from the off it was clear that they had everybody s undivided attention. (pulse radio) with dj names like take it easy and friso, it s probably to be presumed that german duo adana twins don t take themselves too seriously. that tongue in cheek attitude could be heard on their first productions and remixes. it s now almost almost three years later and the twins music vision is constantly developing

roberto capuano releases his first single on truesoul with two exceptional tracks that show a techier side to roberto s sound and one that impresses throughout. the title track never stop has been a highlight in adam beyers sets and its easy to understand why. the creeping vocal and driving drums are an inaugural part of the track before the uniquely pleasing pads drop in and create a gripping and immersive track to get lost in. around is a techier track that implements a throbbing underlying bass line that sits and keeps the track driving under a roaring vocal.

tk disco come up trumps yet again with 2 absolutely solid, killer pieces of disco funk for the heads! the miami label has long had a cult following & found fame with disco aficionado s the world over & it s easy to see why. their back catalog is peppered with rarities & classics including the 2 cuts featured here.

with an ever increasing back catalogue under his belt, would anyone still assume, adam port’s next creative steps are easy to predict? au contraire! here’s his new keinemusik release you hadn’t reckoned with. this very “i never wear black” ep shows him changing tune drastically and that in the true sense of the word.

another fine example of funky-soul at its very best. while the a-side is highly regarded within the northern soul scene, the b-side is the tune why funk 45 collectors are after this beauty. bot sides were recorded in the early 1970s and pressed on a small press run on 45rpm single. original copies are nowadays very hard to find and due to the outstanding quality sought after by record collectors worldwide.

californian modular synthesizer and audio equipment producter tiptop audio is proud to introduce a new project for 2015: tiptop audio records. in the recent years musical productions have seen a remarkable return to the use of hardware through analog synthesizers and digital control interfaces. this trend has proven so strong that it prompted a rebirth of modular synths in a new format (eurorack). tiptop audio has made a name producing sophisticated but easy to use modules, designed to form a complete system that is especially effective for dance-oriented productions and live sets. tiptop audio records selected for its first issue some of the most groundbreaking artists using such systems, to present a range of artists who, through their tracks, explore the landscape of dance music in a very fresh perspective. these are the artists who inspire the tiptop team to make more innovative devices, which in turn make new music (a nice feedback loop).

neuauflage sämtlicher broadcast studioalben mit bedruckten innentaschen und downloadcodes. parallel werden auch alle cd-formate wieder erhältlich gemacht. broadcast begeistern mit einer einzigartigen mixtur aus 60s pop, easy listening, psychedelia, 70s soundtracks & velvet underground.work and non work, die frühwerk-kollektion (1997) mit allen singles aus der pre-warp-phase.

after their first big things i didnt mean ep on dirt crew back in 2013 the cali boys urulu & steve huerta teamed up again for another release full of bliss deep house cuts. both relocated to berlin last year and have since then been extremely busy with their solo output on labels like lets play house, needwant, shabby doll and urulus own imprint amadeus

praised by pitchfork, fact and stereogum, this tel aviv trio s music has been compared with the likes of james blake and sbtrkt. having clocked 500.000+ views for their award-winning move on video, garden city movement return with a stunning new 5-track ep that showcases their mix of glitchy r&b-infused programming and euphoric pop melodies. pressed on 180-gram heavyweight vinyl housed in a full colour sleeve, this edition is limited to 500 copies worldwide.

ltd nice price blow out , last copies left ... very useful and more highly demanted defected acapellas. this time the code red vocals. not to be missed

neuauflage sämtlicher broadcast studioalben mit bedruckten innentaschen und downloadcodes. parallel werden auch alle cd-formate wieder erhältlich gemacht. broadcast begeistern mit einer einzigartigen mixtur aus 60s pop, easy listening, psychedelia, 70s soundtracks & velvet underground. tender buttons, das dritte braodcast studioalbum aus 2005.

neuauflage sämtlicher broadcast studioalben mit bedruckten innentaschen und downloadcodes. parallel werden auch alle cd-formate wieder erhältlich gemacht. broadcast begeistern mit einer einzigartigen mixtur aus 60s pop, easy listening, psychedelia, 70s soundtracks & velvet underground. the noise made by people, das broadcast debütalbum aus dem jahr 2000.

neuauflage sämtlicher broadcast studioalben mit bedruckten innentaschen und downloadcodes. parallel werden auch alle cd-formate wieder erhältlich gemacht. broadcast begeistern mit einer einzigartigen mixtur aus 60s pop, easy listening, psychedelia, 70s soundtracks & velvet underground. bei the future crayon handelt es sich um eine kollektion aus insgesamt achtzehn broadcast ep- und compilationtracks (2006).

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
hotel victoria is the debut ep from two talented editors from poland, holiday 80. holiday 80 inherited a massive collection of wax at a very early age, inciting a deep and lifelong respect for vinyl and the dark grooves. this instilled a profound love not-to-be-contained by a single genre. each song on this palette reflects that diversity and spectrum. from the smooth intro on kto da&#322, nam deszcz with its easy groove to the boogie-blaze of bez tego i owego. the rolling synth bass and sizzling strings of zabawa w stylu folk are at once dark and light in a tense contrast. as comfortable on the b2 as in the basement, we hear the acidic melodies of teleniedziela.

neuauflage sämtlicher broadcast studioalben mit bedruckten innentaschen und downloadcodes. parallel werden auch alle cd-formate wieder erhältlich gemacht. broadcast begeistern mit einer einzigartigen mixtur aus 60s pop, easy listening, psychedelia, 70s soundtracks & velvet underground. die 2009 er kollaboration zwischen broadcast und ihrem artwork-designer & ghost box-labelbetreiber julian house (aka the focus group).

this is the second release on interzona13s sister label outerzona13... following the sensational (and bestselling !) black ep was never going to be easy but here we have a stunning duo of peak-time disco destroyers, lovingly extended and amended by the outerzona technicians for maximum dancefloor dynamic.

the untold stories: protagonist series. records dedicated to the stories of some venerable but unsung historical figures. the first of the protagonist series was created by sil, and gives a glimpse into the spirit of the first such figure: tadeush konrad. sil, the pseudonym of kirill sylantev, who is more widely known for his work in the duo easy changes, now begins solo productions. for the untldpro series his work dedicated to tadeush konrad is of confident vibe, with much swing and rich with soulful flashes from times past. this work is then remixed by ztrl and hubble. first comes the ztrl remix, with energetic bass and a wealth of tones interrelating to great hypnotic effect. then on the b-side hubble s remix, an extended work, a floating journey of warm organic sounds, concludes the story and the spirit of tadeush konrad.

since its conception three years ago, the hamburg based label hafendisko has been patiently building its reputation with a diverse and varied artist roster. alongside releases from emerging talent such as deo & z-man and brynjolfor, it forms parent label hfn musics outlet for club oriented music whether with full releases or remixes for artists such as kasper bjørke and faded ranger and just recently welcomed renowned remixers such as michael mayer, charles webster and luke solomon, to name a few.

ltd warehouse find... after his great debut on purple music in 2010 with >better way< feat. barry solone, seb skalski is back with an incredible disco influenced production. recorded with a 15 head band >the easy band allstars<, this is what we call music made with love as it was use to be! seb skalkis future is in good hands and he is on the right way to be the next shining star in the music world. enjoy!!!

limited warehouse find... played by karotte, nick curly, sebo k, sascha dive, loco dice.... carlos soza aka dj sneak made a kindof comeback last year restarting his magnetic label with us and we promise - loud and clearly: zmag 23 will do its magic and the damage done to make him stay on the up. easy and cool , demanding and bright with a1 track >doing the dew< being the kind of uberbomb of the ep. centuring around the familiar >doo da doo< being as much very swingy jackin house as it could and as much jack in the box as it must. side b is equally as powerful with >the game< & >the science<, 2 tracks that explode with massive jackin beats and unrelentless grooves. these tracks will keep you bouncing until you drop of exhaustion. sneak is back and no, sneak wont let down!

vier jahre haben sie sich zeit gelassen für den nachfolger von the king is dead . the decemberists, colin meloy, chris funk (gitarre), jenny conlee (keyboard), nate query (bass) und john moen (schlagzeug), entschlossen sich nach erfolgreichem tourende 2011, eine bandpause einzulegen und sich persönlichen dingen zu widmen. sie hatten mit the king is dead immerhin gerade ein album veröffentlicht, das in den us charts sofort auf platz 1 schoss und ihr song down by the water wurde für den grammy in der kategorie best rock song nominiert. aber ganz von der bildfläche verschwanden sie dann doch nicht. ihre animierten alter egos traten bei den simpsons auf, für den soundtrack von hunger games lieferten sie den song our engine , meloy veröffentlichte die prämierte kinderbuchserie wildwood und das livealbum we all raise our voices to the air , das ihre atemberaubende intensität auf der bühne widergibt, erinnerte uns immer wieder an die wunderbare band aus portland.

session victim love what they do. the pure joy they get from writing, producing and performing their unique blend of underground dance music oozes from their very pores, translating into pure good vibes for anyone witnessing the duo in action. as a label, we couldn’t be more proud to see their growth and development from a couple of self confessed semi-reclusive studio geeks into the globe-trotting djs and headlining live-act they have now become. with their second lp for delusions of grandeur about to drop it is easy to hear their constant drive to push themselves emanating from their new material.

hypnotic minimalism grooves! amazing various artists release and first instalment by swoon. a new label defo worth to look out for. dj friendly 140g vinyl.

limited edition of 100 copies in leather sleeve / bag!
art department, one of electronic musics most recognizable dance outfits announce the release of their eagerly awaited second studio album.

danish nord records are ready with their eighth record. this time nord007 is made by central. the ep contains four hard-hitting techno tracks straight outta aarhus, denmark.

art department, one of electronic musics most recognizable dance outfits announce the release of their eagerly awaited second studio album.

ltd warehouse found !
supported by: easy changes, mikael stavöstrand, troy pierce, someone else, benjamin fehr, kane roth, matthias tanzmann, marco carola, cesare vs. disorder, michal ho, alland byallo, anthony collins time to clean the dust of your record players kids, there is a shiny new vinyl coming to town by non other than cabanne, without doubt one of the most skilled house and techno artists of our time

docile recordings is an independent artist label that chooses to follow its own identity. docile works to describe the beauty of our existence and depths of our depravity. these tracks represent a struggle to preserve a time and place into the grooves of the only medium that can accurately display our craft. docile is vision kept alive by good will and loyal service. docile recordings number twenty five starts with a soulful bop stumbling around nonsense words that form rhythm in an upbeat minimal jam. track two spirits a moving melody through random digitals and walls of harmonic hypnotics. track three has a childlike appeal with its cheap keyboard and boisterous synth knocking an easy melody through moments of naive transcendence. track four lumbers with a simple sterile funk thats pulled along by a masochistic chant. the names of these tracks are listed below.