black repress! andre kronerts seminal exu ep gets a comprehensive rework from some of the most outstanding on the scene. tense and sinister new cuts from kronert introduce both sides of the release, whilst the label calls upon remixes from berlin mainstays efdemin and ed davenport, as well as hollands finest export juan sanchez, plus stockholm ltd label boss par grindvik alongside fellow swede peder mannerfelt. retaining the slurred vocal of the original, efdemin layers thundering effects over chasmic bass in his mix of into the zone, which saw heavy rotation last year. meanwhile davenport brings a wild yet streamlined intensity to c.o.d.e.2. side b sees grindvik team up with mannerfelt to provide a joint interpretation of into the zone, which they manipulate into a peak-time epic, with a soaring melody over hammering toms. finally, juan sanchez channels funk through roll the dice with a twitchy, groove-laden rework. the spirit of exu is made physical once again via 12 inches and 27 minutes of wax.

chilli space 11 is a compilation of the freshest sub-alpine electronic music from slovenia.

not many labels make it to release number fifteen, let alone year 15, but that s exactly the milestone the moon harbour family is celebrating throughout 2015

out on the floor firecrackers that ignited the northern soul boom on soul for dancers, journalist (mojo, record collector) and r&b authority lois wilson takes a trip back in time to the rare soul scene s roots, to where it all began if you like. many of the 32 tracks on this 2lp vinyl set (selected from the 61-track 2cd compilation) filled the floor at manchester s the twisted wheel and london s the scene club, both precursors of the wigan casino, blackpool mecca, the golden torch in stoke et al. the sparks that lit the fuse, these early triumphs would give rise to an era defining scene, one which became a treasured subcultural phenomenon.

smart bar resident offers fresh dimensionality on his 3rd shot, for burgeoning pgh label. a funky, acid-infused, & incredibly danceable 4 tracks that includes both peak time & warm-up house chunes.

friends and fans of tramp records in general, and of the feeling nice series specifically, will be feeling even nicer this time around with the release of this deep and soulful new collection: feeling nice volume 3. these recordings have been painstakingly sought-out and unearthed from as far away as hawaii, canada, and jamaica (in addition to the usual texas, ohio, and georgia). this music has been carefully transferred (in some cases form the sole known copy) and remastered to the highest standards of audio quality. the double vinyl lp comes in gatefold sleeve with bonus 7 inch and download code.

mit den zwölf besten tunes aus den jahren 1980 bis 1985, die der sänger (bürgerlich: errol osbourne) für king jammy eingespiellt hat, ausgesucht und zusammengestellt von dem jammys experten johnny wonder! als musiker fungieren die high times band, die roots radics, steely & clevie, noel davey und mafia & fluxy. als toningenieure waren bobby digital, king jammy, squeengine francis, beckett und soldgie hamilton am start. johnny osbourne war mitglied des legendären vokal-trio the sensations und wurde als solist zum studio one veteran und dancehall-reggae star, dessen stimme bei aufnahmen von den beastie boys, major lazer, u.v.a. gefeatured wurde.

a new surface related label from boss nick dunton aka 65d mavericks / ever vivid and charlton ravenberg aka tapirus
strong 4-tracker from vincent koreman aka drvg cvltvre / ra-x backed with a heavy remix from sound signature’s mighty specter
limited to 300 hand stamped white labels

theyre young and tough, and especially wonderful too, easily one of the most compelling harmony soul groups to ever hail from the windy city! the sets a chicago soul gem from the early 70s, recorded with a laidback, slightly tripped-out vibe thats different than the tighter styles of other groups from the same scene, definitely righteous at points, with some of the superbad modes you might hear from an east coast lineup like the delfonics or soul generation, especially when they were trying to get a bit more conscious in their message. arrangements are great – handled by tom tom washington, eugene record, and cliff davis, very much at the best brunswick mode, but again with a deeper sort of vibe too. the title cuts a monster, and a very fitting follow-up to their earlier sly, slick, & wicked track – and the album features 2 versions (vocal and instrumental) of a cut called this is the lost generation, a very righteous soul groove with a heavy production tip.

classic from 2006, now in a neat 2015 re-editoon for because music / ed bangers 10th anniversary. includes cd and will be staying on sales for good.

an unswervingly honest, highly personal album, darker than blue instills blue daisys personal experiences into a cinematic meditation on the clash between the forces of dark and light, yin and yang, good and evil. wrestling with inner and outer demons, blue daisy leads us on an intense downward spiral of a journey fueled by uncomfortable truths, sleepless nights, love, loss, religion, faith and doubt. unconfined to one specific genre, the record traverses brooding rock, intense rap, elements of the blues, and is imbued with a punk attitude and aesthetic throughout.
the vinyl lp includes a download code.

first pressing in very limited red 180g vinyl.

andre kronerts seminal exu ep gets a comprehensive rework from some of the most outstanding on the scene. tense and sinister new cuts from kronert introduce both sides of the release, whilst the label calls upon remixes from berlin mainstays efdemin and ed davenport, as well as hollands finest export juan sanchez, plus stockholm ltd label boss par grindvik alongside fellow swede peder mannerfelt.

retaining the slurred vocal of the original, efdemin layers thundering effects over chasmic bass in his mix of into the zone, which saw heavy rotation last year. meanwhile davenport brings a wild yet streamlined intensity to c.o.d.e.2.
side b sees grindvik team up with mannerfelt to provide a joint interpretation of into the zone, which they manipulate into a peak-time epic, with a soaring melody over hammering toms. finally, juan sanchez channels funk through roll the dice with a twitchy, groove-laden rework.

the spirit of exu is made physical once again via 12 inches and 27 minutes of wax.

a collection of dance tracks inspired by some well-known / lesser known songs from various music eras of the past ranging from american soul to uk jazz-funk and early rave scene. guess what, these are not re-edits. these are more than just reworks. the tracks can be considered stand-alone new versions or remixes that were never out. just put the needle on the record and try to guess.

the vinyl only series bones brought to you by a mysterious underground house & techno

angels dust is vocalist flavia ciampi and producer david lampley, both originally hailing from san diego, ca. their bewitching, hypnotizing yet soulful debut summons the same heaviness and somber darkness of portishead & mazzy star. ciampi’s almost-whispered vocals are front and center, anchored by loose swinging beats that are as unnerving as they are catchy. lampley (also known as psychopop, one half of san diego instrumental noise legends skrapez, as well as a frequent gonjasufi collaborator) handles the gritty lo-fi production duties.

f.s. blumm aka frank schültge from berlin has been making marvelous music for many years now. be it solo like on his latest album (pingipung in 2013) as part of the subtle folk-duo -bobby & blumm- or as a sound- scape researcher at the side of nils frahm. but even though f.s. blummbastic sees the light of day for the very first time in this release, the combina- tion of dub and blumm is not new: he is part of the quasi dub development (qdd). the collective around blumm and luca fadda from new york recently released the album -little-twister vs stiff-neck- with features by lee scratch perry or lady ann on pingipung in 2014. these -riddims and biscuits- came to live during the creation of material for future qdd-concerts. f.s. blummbastic played all instruments himself, rhythm guitar, organ and of course bass to send the results the the colleagues in new york. soon it was clear: these riddims have the most impact in their reduced form. theyd like to stand alone and get played back loudly. for the drums f.s. blummbastic brought helmut erler aka hey from hey-Ø-hansen into the qdd cosmos. not only did he bang the drums, but he has also mixed, mastered and cut the vinyl of this album.

nihil ep is the 4th vinyl release of croisière musique, by rx who co-created the label. these 4 tracks show various sides of rx style, mostly club-oriented, from heavy drum patterns to more aerial and swinging deep house

qnete joins the lobster theremin gang with a trek through inspired drum machine-based house tracks on this debut white label. channeling the spirit of chicago, detroit and new york in a dash through long-buried catacombs to find the lost pads of yore, qnete imbues his sound with melodies so jacking yet so yearning that they belie his young age and short discography. melancholy moods come and go like waves of a fever, leaving us confused and isolated, yet somehow comforted by the overriding desire and optimism left over. a release for the secret lovers, the lost individuals and anyone who s ever been caught dancing in the dark alone.

debut ep for this young cos/mes relative. every night before sleep she spends time hammering tracks alone in the dark. far out and far eastern electronics!

’javiera gonzález, the as yet unknown talent in the western world hailing from the underground bliss of her hometown santiago de chile, presents her debut ep -meet me twice-. javiera’s vocal stylings are at once haunting and irresistibly creating a mood that inspires views of far away places, abandoned and alone, yet somehow bathed in hope. her talent for vocal improvisation paired with the funk-infused analog electronics by tobias freund and mario jarpa s organ interact perfectly on this 6 track release.’

last supplement - the debut album from nathaniel x & the culmination in the supplement series kicks off with part 1 of what will be a 3 part series that will span the mind, body, and sounds of new yorks very own nathaniel x. pressing on red transparent vinyl.

hypno groovin techhouse on the mysterious esim records

warriors of the acid clan unite! finally our cup runneth over! your saviours return from the dark fold and bring with them treasures from afar, our bravest and most noble heroes of the invincible scum are here to save you from our once certain fate. a bounty of golden acid and precious gems lies before you and is yours alone for the devouring. hear the mystical 303 weave its tales of yonder and feel the pounding of the electronic drum deep in your soulseize the moment and celebrate this day for it is ours!

the patterns are direct recordings of the sps1uw, drum machine solo, without any editing or external effects. the 100 patterns recordings, from number 1 to 99 are gathering in pairs, exception made for the number 1, alone on the first record.the opus are following the chronological order of the recordings.

jaumet is back,but not alone,he asked 3 remixers to revisit his track la visite.on the a side,we have a brand new band from duseldorf,the wilde jagt.we know the boys from their previous band,der rauber und der prinz(released of desolat)which a favorite from everyone at versatile.thet deliver a surprising mix of la visite,in a pure kraut fashion(neu is not that for).on the flip,the french man low jack turns the tune into a dub marécage.multi layered music typical of the low jack.and finally,gilb r,so inspired by jaumet,delivers his own ambiant version of one the highlight of jaumet s album,midnight man(a tribute to i:cube who use to come at the studio at night at that time)

the rawest, diy gospel ever resurrected. the west side of chicago was just an annex of the deep rural south for gene autry cash and his flock of recent old dominion transplants looking to cut their fiery, unadorned sounds indelibly to plastic. his jade label absorbed those god-fearing artists: family bands with wailing kids and barely amateur groups sourced from local parishes, infused with reverberations of country and western and deep soul. glinting authenticity shines from every track like a diamond in the unpolished rough—each group completely convinced that salvation comes through song.

more late 70s westcoast yachtpop you can almost dance to. delivered on heavyweight 180 gram double vinyl in gatefold sleeve

originally released on richie hawtins minus label a decade ago, restore stands alone as houles very first long-player and helped to establish his penchant for the quirkier side of techno and his superlative production skills. spread across three 12inches & 11 tracks it encapsulated the dark, minimal, groove-driven sound purveyed by hawtin and the rest of the minus crew, while retaining a strong sense of houles unique character and identity. now its the perfect time to breath new life into an album that has stood the test of time, still utterly infectious and absorbing - a collection of music that captures an era of stripped back, yet captivating sounds. 10 years since its release, the album is getting the remix treatment and marc has called in some of the very best in techno talent to give restore a fresh makeover.

originally released on richie hawtins minus label a decade ago, restore stands alone as houles very first long-player and helped to establish his penchant for the quirkier side of techno and his superlative production skills.

no need to further introductions for chicago legendary artist whose name is paul johnson! bosconi is so much honoured to welcome in the family such a groundbreaking and essential player of house music as he is.
* i like to get down* is an 8 minutes structured stand alone track that has all thenecessary elements, with his charge of funk and explosive radiance, to be your never-outof- .

the-bag summer anthem. god bless you paul…you did it again!

12 inch with printed sleeve, 180g , part 1 of 2 with remixes from m.a.n.d.y. , monkey safari, marentette...
originally released on richie hawtins minus label a decade ago, restore stands alone as houles very first long-player and helped to establish his penchant for the quirkier side of techno and his superlative production skills

jaumet is back, but not alone: he asked 3 artists to revise music from his latest album la visite. on the a-side, we have a brand new band from düsseldorf, called die wilde jagd. we know those boys from their previous band der räuber und der prinz, released on desolat, which is a favorite from everyone at versatile. they deliver a surprising mix of la visite, in pure kraut fashion. neu is not that far... on the flip-side, the frenchman low jack turns la visite into a dub marshland, multilayered as is typical for low jack s music. and finally, gilb r delivers his own ambient version of one of the highlights of jaumet s album, midnight man, a tribute to i:cube who used to come to the studio at night.

the imprint has come a long way since its launch in early 2011 with four years under its belt and a catalogue featuring reputable names such as huxley, dj w!ld, julian perez and east end dubs. here we see the label push on with a collaborative release from swiss producer dan noel, most notably known for his work on memoria recordings and little helpers, and germany s bunte bummler of cécille records / 8bit fame.

the three sides of audrey and why she s all alone now/no one is looking at u recorded in new york city between 2011 - 2015

vinyl only - 200 copies limited and numbers - solid red vinyl - no repress

if you like your music deep n dirty & laced with funk,tech & soul, then check this 4 track ep out from da sunlounge. these tracks have been tried and tested on dance floors around the world with some amazing reactions to say the least!

the audible doctor has produced records for 50 cent, smoke dza, joell ortiz (slaughterhouse), consequence & john legend, onyx, astro, fredro starr, bumpy knuckles, sadat x & a.g., emc (masta ace, punchline, wordsworth & stricklin), reks, tragedy khadafi, evitan (dres of black sheep & jarobi of a tribe called quest), neek the exotic, homeboy sandman, blacastan, j-live & many more.
pressing on blue colored & multicolor marbled vinyl.

dartriix is a sporadic but permanent collaborative project between two of op.discs label heads, fumiya tanaka and yoshihiro hanno aka radiq. after 6 years of absence, dartriix finally makes their return with this intensive double pack lp flying one hand, which is a good surprise to us.

*i cant even afford bed linen, let alone a 909*. the unpretentious of jay donaldson is disarming in many different ways. we consider donaldson aka palms trax to be one of the most promising new artists to date. his sound situates him firmly along the chicago-detroit axis, cooking up pad-driven jams, off kilter drums and hazy synths that shift like a gentle musical tide. in 2013 he inaugurated the lobster theremin label, the london-based imprint that quickly became one of the most talked about record labels around. when not travelling the world for prime-time gigs donaldson holds a residency at the widely respected berlin community radio. it is with great pleasure that we welcome golden boy palms trax to dekmantel records.

12 inch vinyl in gatefold sleeve w/ white inner sleeve + cd included vinyl

her cocteau twins-meets-sbtrkt waves of avant-garde gorgeousness on youve never been alone (gilles peterson premiere) are perfect for dreaming as well as dancing to. q magazine. co-produced by airhead and mixed by stéphane ‘alf briat (air)

the lunes de fiel compilation kicks-off with an extended uptempo trapped-in-a-maze hysteria set in a psychedelic 90s norwegian remake of potemkin in the harbor of bergen. in the woods of woody lithuania it continues with a road movie starring a young smugglers couple and arguably the most legendary love scene in film history. the story ends at night with a directors cut of a downhill indiana jones on lsd fighting hungry alligators at the riverside of the elbe valley. a definite must have on the new bitter moon imprint!

angefangen mit seinen legendären veröffentlichungen der band spacek, seiner solo-arbeit auf dem kult-label sound in color und seinen kooperationen mit dem verstorbenen j.dilla, bis hin zu seinem unter dem radar gehaltenen black pocket projekt mit seinem bruder dbridge und seiner jüngsten arbeit mit mark pritchard als eine hälfte von africa hitech - seine furchtlosen ansätze etwas zu kreieren, waren immer progressiv und stets originell. mit beat spacek nimmt er wieder die zügel als solo-künstler in die hand und hat ein album erschaffen, das zum einen wie ein liebesbrief an die zukunft, zum anderen wie eine ode an die vergangenheit klingt. erstellt wurde das album weitestgehend mit diversen iphone- und ipad-apps, was zeigt, wie befreit und angeregt durch technologien und perspektiven des neuen beat spacek gedanken aus der vergangenheit ausdrückt. es ist eine reise durch die entwicklungen des modernen großbritanniens aus einer futuristischen perspektive.
die doppel-lp erscheint auf 180 gramm vinyl inklusive downloadc1ode.

2015 repress ... willie burns and entro senestre team up for their second release on l.i.e.s. under the daywalker + cf moniker. big things on here! picking up right where last year s release left off, the title track supersonic transport turns out to be their most dancefloor driven effort to date. doing exactly what the title states, it moves in beautifully epic territories throughout its almost 8 minutes long course, taking you where you need to go. the b-side turns the floor vibes down a notch, as both tracks are left alone to breath in their own worlds, each with equal space and unique sonic character. ace release from these guys.

the original soundtrack from season 1 through six of *star wars: the clone wars* on 180 gram heavyweight vinyl with download code included.

there has been an emerging uk synth scene for a few years now, with vinyl labels like cyberdance, flight recorder and red laser pushing the sound onto vinyl pretty much alone in the uk. defiant against the odds, their resilience is now coming to fruition as it finally seems the scene is exploding inspiring new generations of synth disco lovers to create labels or parties based on the european output of the scene. an artist that has been associated with all said labels and has been riding the wave even when it was a mere ripple is kid machine.

for a long time, vidal benjamin has been getting up early at the weekends. whether alone or in company, he digs his hands into various crates at record fairs, flea markets or in empty attics, to uncover records that have long been forgotten, ignored or even despised. among the small circle of parisian diggers, his reputation precedes him: it is he who finds and it is he who shares. it is not unusual that in his wake, one finds a certain record long lost, left behind as a special gift from vidal. he likes to share so that others may discover. and it is for that same reason that he regularly sleeps late, playing records in clubs at night, where he follows a similar path: altruistic, educational and festive. it’s no surprise, then, that his first compilation goes by the fitting title of disco sympathie.