the second instalment for melbourne deepcast records sees andy hart teaming up with francis inferno orchestra to provide a heavy hitting club jam in >d2me<. on the flip we see them each doing their own thing to round off the ep. three track ep from melbournes andy hart and francis inferno orchestra. two solo jams and one heavy hitting club number. melbourne deepcast has been flying the flag for the underground house movement in melbourne and the wider dance community since its birth in 2009. with a podcast thats quickly become one of the go-to places on the interweb for your fix of carefully selected deep house, techno and disco, theres but a few ears they havent reached. casting the net even deeper, a label is born, providing a platform for the ever-growing number of talent rich producers the city has provided a home for.

two big techno cuts from the bcr boys, backed up with remixes by angel alanis and punisher detroit.

played by ricardo villalobos ... a vinyl only release on bang bang! by 2000 and one. 90ties feeling what can you expect.. this time its an ode to two of houses alltime legends, two banging house-tracks to jack the dancefloors and move every crowd! 90ties techno-house feeling

third vinyl release of escapism musique (emv003) is born from the collaboration between the label owner mindhacker, and the french artist sami wentz (monza ibiza/my litle dog/resopal/plastic city).
the ep contains two original tracks, >late night love< and >for you<, two deep-house / house tracks perfect for the summer, but not only, and two remixes made by jacuzzi boys (cecille/levelnonzero/kindisch/off/below/suara) and lula circus (resopal/ostwind/catwash). the remixers approached a different style, and we are sure one of this tracks will be on your taste. enjoy this beautiful release and feel free to chart it. long live the vinyl!
already supported by: richie hawtin, luciano, sis, marco carola, magda, troy pierce, paco osuna, hermanez, audiojack, claude von stroke, daniel sanchez, alejandro vivanco, michel de hey, nick warren, nils nuernberg, someone else, matteo spedicati, pigi, uglh, sergio fernandez, dualton, nico lahs, khaan, scsi-9, matt star and many many more !

stolen kisses recruited hakim murphy, a rising star of chicagos house scene, for its first kiss. >infinite sensations< is rather unlike his previous work, a dark and moody track driven by salvos of cutting percussion that give rise to glowering synth progressions and ominous blooms of sub-bass. its paired with two remixes from los angeles santiago salazar, the ur-affiliated artist, currently blowing the doors off for his own historia y violencia imprint. his s2 grind remix tunnels through the original, finding hypnotic techno bliss in vibrating synths lines. the jangling s2 sucio remix gets hips shaking by focusing on the tunes lighter side, whirling around chipper motifs with a distinctly latin sensibility.

a young man is walking day by day looking for himself through the true story of house & techno music, by his two real analogue prayers, >tribute to japan< and >young man and unconscious house<, we can see the suffering and the joy for an inexorable evolution. all his work is accompanied by the magic of the strings and the music is always thanking all the maestros from detroit and chicago that are more than a dream for his visions, but true guides to learn the truth about the music. these are the new strings prayers of an italian guy.
supported by: alex picone, angel molina, slam, doowmork, dirty doering, dj qu, mathias tanzmann and many more!

after receiving such a warm reception from those around the world who appreciate timeless electronic sounds, it was only fitting that patrice scotts >analog dreams< would eventually rise again, refreshed, in the form of a remix project. knowing the mixes had to be special while maintaining the authenticity of the original, patrice tapped two of the worlds finest electronic craftsmen for the honor, both hailing from germany - xdb and johannes volk. these talented artists bring forth just enough vibe from the original mix and offer their own unique interpretations, which are sure to delight those with a tasteful ear.

slowburn are two guys from dublin who recently made there debut via uzuri in the form of a various artists 12 inch. here they return for a full four track ep release of there own on elektrosouls. four raw deep house cuts that ooze melody and soul. >magnolia< kicks things off with deep square bass and shuffled snares that give way to detuned pads while teasing synths bubble away below. >letter live & liberty< the second track, an 808 rythim joined buy a haunting lead that builds into deep melodic pads. on the flip comes >bladerunning< based around deep pads and more 808 beats with cool synth stabs this track is for dark rooms. the record wraps things up with >medicusa< a very soulful track full of quirky melodies that build and build over nicely crafted drum patterns.

latest release on rebellion is a superb four-tracker of off-kilter subsonic house from the illustrious pezzner! each cut is unique in its own charm and quirkiness. the two killer cuts on the a side feature the infectious, driving, heady resonance of >one more< and the beautiful, transcendental nature of >try it again< featuring the illustrious nneka gryffyn from apt entertainment. the flip features the piano driven, snake charming >native language< and the staccato sub-ska rhythm and flute-infested genius of >not a good idea<. what a cracking ep! dave released his debut album, the tracks are alive, last year on freerange. he has a plethora of single releases on om, viva and freerange, as well as releases as jacob london (along with bob hansen) on classic & doubledown and countless remixes. already a firm favourite in the rebels camp, this great ep is a feather in daves cap, and is to sure cement rebellion’s burgeoning cutting edge reputation

as a member of chairlift, the band he co-founded in 2006 and exited in 2010, aaron pfenning pulled double (and triple) duty – playing multiple instruments, writing songs, producing, and contributing vocals for the band s major label debut. that comfort with musical multitasking – and a cache of songs he d written that didnt fit his main project – made a new solo effort seem like the natural and logical next step to take. pfenning assumed the name rewards (a moniker hes actually used since 2003), spent the better part of last year touring with we are scientists, brandon flowers and warpaint, and released three broodingly romantic singles (>i used to<, >what a loser< and the achingly beautiful >two cardinals<) that made a host of listeners take sudden notice

golden earring have been together since 1961 and the current line-up includes two founding members george kooymans (vocals and guitar) and rinus gerritsen (bass, keyboard) along with barry hay (vocals, guitar, flute and saxophone) a member since 1968 and cesar zuiderwijk (drums) a member since 1970.
they have had over 40 hits and 30 albums, many achieving either gold or platinum status in their home country, the netherlands. they are best known for their 1973 hit single >radar love< and their 1982 single >twilight zone<.
the album >contraband< was originally released in 1976. its the first album that features the former cuby and the blizzards blues guitarist eelco gelling which makes it a very guitar orientated album.

after some silence on credo due to the fact that alex was pretty busy with productions and numerous remixes for other labels, he kills it totally now with this outstanding twotracker. >theory of noise< delivers two unique technotracks and especially >noise b< shakes it down in sets all over with its remarkable groovepattern und heavy as well as warm bass structure. this is the adequate follow up on the black series of the label after the outstanding and regurarly repressed >dark summer nights< that came out two years go. alex in top-shape, grab it!

canadas cobblestone jazz have established themselves as one of the most unique and inspiring bands of the past decade. thanks to their exploration of house through the eyes of a jazz improv group, their music is derived from the organic energy of the groups jam sessions and their now legendary live performances. comprised of members tyger dhula, mathew jonson, danuel tate along with newest addition the mole, cobblestone jazz are as accomplished individually as musicians and performers as they are a band - united by long term friendship, respect and passion for writing music in the moment. their decade long history of releases on iswhatitis, !k7 and wagon repair have earned the praise and long time support from the likes of gilles peterson, carl craig, luciano and sven väth. >memories (from where we are)< celebrates the first of a series of 12 inch releases that will come out on wagon repair over the course of 2011/12. the outcome of a berlin jam session last fall, the band incorporated a fender rhodes, vocoder, and sh-101 to make up the core voicing of the tracks while a cs-20 provides the drive at the end of both. in typical cobblestone jazz fashion, the track was mixed live with no prior sequencing arrangement. the session was then cut by the mole into two sublime edits - the results could be their strongest release since >dump truck<.

after two re-releases of conrad schnitzler classics, (zug & ballet statique) now m=minimal releases a completely new work from the pioneer of electronic music. conrad schnitzler is a sound explorer. for many years, he has been on expeditions, journeys through his collection of electronic synthesizers almost every day. sounds he liked has been conserved on tape and stored in his sound library. the result is a huge library of audio files, he calls them >solen<. >borngräber & struever< have got the chance to examine that library and started to con-struct new pieces out of the hidden gems. these are not remixes but new compositions. none of the sound combinations were thought or heard before. the 8 tracks form an album independent of any trend and therefore it becomes a real acoustic environment for everyone. the album was produced at studio.wannsee. to give the album more authenticity, the complete audio processing was done using analog equipment. they not only used many classics among the finest synthesizers and outboard equipment, but also custom built tube gear. the icing on the cake are the tubes used from the 60s, which bought christian borngräber on a trip through the atacama desert in a small radio repair business in the city of calama. thanks to the desert climate even the packaging of the tubes looked as new

terry francis... a perennial focal point of the tech-house sound in its purest form. a sound of detroit-inspired melodies and hypnotic bass lines impossible to resist. a sound never losing its purpose on the dance floor. these two tracks are signposts for the genre and stand out as two of terrys best to this day.

eleventh and conclusive ten inch of the la series comes from two thirds of the sa-ra creative partners shafiq husayn and om mas keith. working solo on each side shafiq is first with seven minutes of funk split into three parts. >dna splice mix< is an intense mix of hip hop and funk beats, chopped vocals, jazz and soul combining to form an infectious for-the-heads downtown la sound. flipping over om mas goes uptown and gives us a more polished sound with a leftfield r n b - hip hop vocal track >girls a player<. instrumental plus accapella included for potential remixers.

london based label ism serves up a massive ep with three tracks from russian disco producer volta cab, all of which offer some seriously downtempo grooves. >play on< and >magic in your eyes< nail the classic sub 110bpm disco sound with its lush live instrumentation. however its the shining 80s feel of >hes a bad mutha< that is the most impressive, melding a sleazy vocal with a heart-rending combination of synths and horns. label bosses yam who? offer two remixes, with their version of >play on< a cosmic uptempo version of the original, with an ascending synth bass that elevates the original vocal to new heights. their remix of >hes a bad mutha< adds a similar amount of extra dancefloor kick, removing the originals yearning melody for something a little more forceful.

there are few artists who manage to successfully develop a signature style that not separates them from the rest. aybee is one of those rare few that has managed to conquer a range of styles within his work from soul, techno, house and hip-hop under his many monikers. this time we see the us artist team up with miles sagnia for two cuts each on the eternal radiance ep on sagnias atmospheric existence imprint. taking over the a-side, aybee serves up >a glance< which oozes with classic us house charm. acoustic piano chords and are layered on top of a chugging bassline and electronic melody, tightly produced and melting in its warmth. >isis< gets heavier with a more underground vibe of crashing echoes and tinny drum arrangements. on the flip, sagnias >journey 2 forever< fuses multi-tracked choral chants, the impeccable sound of the hammond and a rapid techy groove. his visual foci reprise of >journey 2 forever< ditches the chants, instead opting for a sensual male vocal

hamiltons debut single on ram records is simply massive. having already released two huge 12 inches on frequency and the immense >soundboy<, a track released as part of andy cs nightlife 5, it comes as no surprise that brainstorm and echoes have already conquered dance floors worldwide and is a firm favourite in the sets of andy c, chase & status, hype, bailey, sub focus and fresh to name but a few. brainstorm leads in gently with rolling percussion, building up the suspense until the winding bass and scattered drum beats kick in to create a smasher that all will want hear again and again.

nice price deal !!! amsterdam-based producer fyoelk and the duo les trucs from frankfurt/germany join forces on this beast of wax! the fyoelk side is a tribal casio/sampling tune, les trucs spit out two tracks of spastic beat inferno, surprising breaks and punching vocals. marble vinyl in different colours and stencilprinted.

perfect for fans of ricardo villalobos / perlon !!! just when we thought that thomas melchior and peter frank adshead had hung up their soul capsule boots and settled on sporadic solo work, they come belting back with two releases in a matter of months on peter fords trelik label. >deep dawn<, up first, is typically soul capsule. dark, twisted techno thats made for dark spaces and dark minds. sporting low, reverbed basslines that throb along to breathy and indecipherable vocals, >deep dawn< and <new day dawn< project the same eyes closed, foot stomping attack on their listeners as each other

*thonk*.... in drops a new nebraska album! 8 excellent house tracks. tip!over the past two years nebraska has released four eps for rush hour. this is now being followed up by his first album for the label. nine months after his >four for four< ep, we give you >displacement<

bumperfunk has build up quite a name for himself in belgium the past 3 years with massive electro house sounds inspired by the german berlin scene, makes also music for a few big belgian movies.
idm is a new kid in town ... here on the drum roll with an absolutely massive downtown underground slow pumping techno bomb with lots of drum tribals ... try this out in front of a big crouwd ... you will see what happens next ...
nbk are nu beat kids. when looking for the ultimate oldskool rave team you will be hard pushed to surpass the credentials and pedigree of the two producers that make up the nubeatkidz.an explosive combination! now on track with a new sound - electro rave!

translation recordings returns to vinyl with a pair remixes from two scene veterans, selected to provide a fresh perspective on the digital catalogue. up first, seba applies his signature style to furi angas >when our world jaded<, where twinkling hi-hats and dreamy pads drift into meticulously chopped breaks, spliced drum edits, and warm bass tones with enough low-end to rattle your chest. as the track progresses, a filtered reese surges in and out of the arrangement for added bite. on the flip, survival revisits slider & exposes jazzy >hooked< and rolls out a soulful remix with heavy, shuffling drums, deep sub treatment, and a techno midrange that complements the tracks more subtle melodic elements to deliver a refreshing and energetic tune for the summer.

0-visionen are kristofer ulfves and olof liliengren, two friends with a shared love of the organic sounds and the art of using analogue gear live. warm melodic electronica is blended with the harsher digital sound of murky techno into a something truely unique. 0-visionen have performed live numerous times at swedish electronica festivals and clubs ever since 2007 and now their new ep >noll< is here to set new standards. noll contains tracks that vary from analogue sequences to shuffled idm style beats with that special 0-visionen spice.

silicone souls darkroom dubs label has pulled off quite a coup with their latest release. taking a retrospective look through the labels archive, the duo approached some of their favourite producers, asking them to rework and give their own take some of the music from previous releases... and boy are we in for a treat! the coup in question was the securing of the talents of a certain mr robag wruhme. currently enjoying the acclaim generated from his exquisite long player, >thora vukk< (pampa), wruhme has kindly turned his attention to remixing extrawelts >neuland< for darkroom dubs. the lead track from their 2010 >neuland< marked a key moment for the label, as silicone soul celebrated the signing of an act that they had admired for many years. robag provides not one, but two reworks of the stunning original, each as impressive and moving as the other. the second rework sees john selway turning filippo mancinelli & allen mays >the hills< on its head. the deepness of the 2009 original, is still in evidence as the atmospheric sounds sweep within selways wonderfully driving tech reconstruction.

played and supported by: adam x, ben klock, samuli kemppi, dvs1, edit-select, norman nodge, oliver ho, perc, shifted, cio d or, max_m, lucy and more... m_rec ltd continues to ascend as one of the the most interesting labels in the techno scene. today s release sees giorgio gigli (prologue music, zooloft, electric deluxe, elettronica romana, etc.) sign two original tracks and a remix of one of the most important artists of the past few years: terence fixmer (electric deluxe, prologue music, etc.). together, their approach creates something special and unique. in its original track giorgio gigli delivers the best of its hypnotic and psychedelic techno. a great atmosphere, where the ambient pads meet the dark bass sound which made giorgio one of the most significant artists in the new techno scene. the side closes with an ambient session, a drone of pure electronic,dark synth, making the idea of the state of mind of his own individual unconscious.terence fixmers version is decidedly more rough, stripped of certain atmospheres, highlighting a more hypnotic and repetitive attitude. this rough sounds have for many years marked terence fixmer as an icon of the techno world. this is a great release of modern techno!

first vinyl release for sonora records. after a number of digital releases, arrives at this moment always interesting for a young label. the original track is signed by two artists making their debut on vinyl, matthew lima and alberto pellicioli. they show a very refined tech-house track, with something reminiscent of tribal rhythms, sound deep and mysterious. everything seems to run very slowly. but with something relaxing and visionary that leaves the listener wrapped or those who dance in a storm of love. the remix by francesco bonora (etichetta nera, frequenza limited, plastic city, etc.) creates even more peace of mind. done well both in rhythm and in the deep atmosphere. its a beautiful walk through a sea of positive energy. valeria karter gives a touch of eccentric and intriguing woman. with a voice sample and a bass line that seems to create a sexy momnet. sounds clean and just groove, to move all that women can enjoy... played and supported by marco carola, ralf, soukie & windish, larry peters, franco bianco and more. first vinyl release for sonora records. after a number of digital releases, arrives at this moment always interesting for a young label. the original track is signed by two artists making their debut on vinyl, matthew lima and alberto pellicioli. they show a very refined tech-house track, with something reminiscent of tribal rhythms, sound deep and mysterious. everything seems to run very slowly. but with something relaxing and visionary that leaves the listener wrapped or those who dance in a storm of love. the remix by francesco bonora (etichetta nera , frequenza limited, plastic city, etc.) creates even more peace of mind. done well both in rhythm and in the deep atmosphere. its a beautiful walk through a sea of positive energy. valeria karter gives a touch of eccentric and intriguing woman. with a voice sample and a bass line that seems to create a sexy momnet. sounds clean and just groove, to move all that women can enjoy..

already played by dj sneak, claude vonstroke, anthony collins, deetron, arnaud le texier, brothers vibe, m.a.n.d.y…. hello summer! the second release on arms & legs comes along with four jounty tracks. with >everybody everybody< and >my feeling< daniel steinberg brings us two powerful, pleasant primetime-tracks in his typical style on the a-site

limited edition triple version of classy ostertag / rrose head to head ! full sleeve art yes, the rumours were true - a full lp here of the latest tête-à-tête between secret artist rrose and experimental maestro bob ostertag. as usual, a very limited 1st run which features (as a bonus 10 inch) the original improvisations by bob ostertag on the classic buchla 200e modular synth.

gutis name has been on everyones lips of late. his collaboration with dubshape -every cow has a bird- was championed by pretty much every house jock on the planet and his recent debut album on loco dices desolat received widespread acclaim. now hes teamed up with luca bacchetti - who has built up a solid reputation with releases on imprints on labels such as ovum recordings, wagon repair, supernature and be as one - for their first collaborative release. the esa nena quiere ep contains two sizzling slices of latin-flavoured loveliness, both of which are instilled with an appropriately warm blaze of summer sunshine. both extremely creative and massively complimentary of one another, this is a collaboration that looks likely to blossom in the future, but for now we caught up with them both to discuss the eps origins, their studio time together, and where exactly where the record is best enjoyed

downwards sidestep expectations again with this glorious limited 10inch vinyl release from tropic of cancer. two beautifully dark compositions that remind slightly of angelo badalamenti in >twin peaks< mode, or maybe reservoir dogs, if it had been filmed with a huge cavern as the soundstage. processed guitar and drones wash swampily over a simple drumbox beat, as eerie snatches of melody float in and out. as badalamenti himself said of his own work, >my (musical) world is a little bit dark... a little bit off-center. i think of it as tragically beautiful. that is how i would describe what i love best: tragically beautiful.< seems to sum this release up quite nicely too...

heavyweight bassy and rollin techno from italian darksound-specialist mark morris, so it was just a question of time until his music appears on 43 reordings. its a kind of mystic thing how much energy can be released within 124 bpm only, and so you better take a deep breath before checking out these two more than 8 mins long monsters of basspower.

achtung, warning, balushi is out with two new techno bombs for the summer. on the a side let me be myself is a deep aquatic adventure with a huge basline chugging along. there are some deep dark underwater effects and vocal snippets which develop into a deep stabby groove that hypnotizes anyone listening to the track. there is then a break with a beautiful vocal derived from the snippets that refreshes the listener and takes them into another dimension before bringing them back into the heavy hipnotic groove. on the aa side we have the path one hell of a tecno crossover designed to electrify and rock summer crowds all globally...with a funky meaty bassline that rolls on and perfectly complements both rasta vocals and crazy electronic synths and squelches the path is a fat groove to look out for on the hottest dancefloors...

manila fine vinyls is the label project created by edo arengi (shadow sync) back in 2010 to bring out that soulful side of techno we all love. unlike some freaks you can hear around nowadays, the manila fine vinyls productions have their roots in the original detroit sound: no frills, no virtual mockeries, just the full and deep analog sound that goes straight to your heart. music is a matter of substance, not of decorations! this second release includes two brand new tunes produced at the barricade, edos studio located in the heart of berlin. more feelings, with its electric piano chords and the moog bass line, is a well balanced blend of a fat groove and sweet azmospheres. techno with a little touch romanticism! i want to believe, a deeper tune built around a powerful, hypnotising sh-101 line with a delightful slide, is opened by touching string chords and grows as the various percussive elements are added creating a thicker rhythmic texture. its unsophisticated music, its the original spirit of techno.

somewhere between center parcs in nottingham and the white sandy perfection of formentera reside two men dedicated to the art of horizontal dancing. their mums call them ampo and timm (funny names, those notts lads), though we know them by their collective name of coyote. in their minds eye, it is still 1986 and there are leathery looking germans with alarming posing pouches dancing to simply red records on the shimmering terrace at ku club while down the road alfredo is building his legendary reputation at amnesia. apart from the clued-up few, most of the brits are billeted in san antonio where the beers are cheap and the sunburn is plentiful. coyotes music, despite being produced in the east midlands conjures up a world of sun, sea and 80s glamour, while still sounding very much like today.

our japanese dear friend hidenobu ito is definitely overwhelming and it seems almost comically out of place. from alien hydraulics to percussive steel fractals he allows to take shape within the realm of impossibility. so, what follows next on numbolic records is a stunning lesson in subtle buildup of sound design. theres a feeling of constant movement and shaky energy that means his music never quite stands still. highly resonant and rapidly-panning drum hits act like flickering fluorescent lights. the result is a heavily abstracted layering and perhaps our most sonically release to date. every sound, no matter how tiny, is endlessly tweaked and picked apart. the 12 inch ep is rounded off with 2 prickly re-interpretations. dualism turns up the fog with a super-deep captivating and yet lovingly version. while ditch comes up with a characteristic throbbing dirty techno rework. another 4 smashing tracks by hidenobu ito are added digitally as well as two bonus remixes. kai provides a dance floor-approved version and the hungarian newcomer as we said made a cartoon spaceship to the moon. big pulsating bass kicks will drive you in that particular head-space, but before accidentally killing someone in love, we suggest go get this record instead and start dance! be numbolic!

große stabile transporttasche für cd oder mixer von z. b. pioneer (cdj-900/1000/2000) oder denon (dn-s3700/x1100/x1600/x1700) dimension inside: 32.5 x 38 x 12.5 cm * fits pioneer cdj-1000mk3/2000/djm-800/t1, a&h xone: 42/92/db4,denon dn-s3700/x1100/x1600/x1700 * front pocket for cables and accessories * detachable shoulder strap * two hold-all handles

2ter advent deal bis montag 12:00 uhr! stabile transporttasche für cd player oder mixer von z. b. pioneer (cdj-200/350/400, djm-350/400) dimension iside: 21.5 x 30.5 x 11.5* fits pioneer cdj-350/400/200/djm350/400 * front pocket for cables and accessories * detachable shoulder strap * two hold-all handles

here we have two slamming mixes from the cut and run crew and again they dont disappoint. two cheeky mixes, one of which is a hyped up mix of martin solveig and dragonettes >hello< and the other a breaks mix of deadmau5s >right this minute<

girl unit and funkineven roll out the lino and prepare for battle with two top-rocking 808 variations on bretons originals.
a. breton – rdi (girl unit remix) – first in the circle, >girl unit< cranks up the boom-box and makes it all look too easy with a straight-illin beats and bass bomb.
aa. breton – december (funkineven remix) – next up, funkineven falls in like a drunk bambaata with some brilliantly deranged electro boogie.

etruria beats latest release has been done by the new neapolitan talent duo viesse. there are two original mixes: >secrets< and >walk<. >secrets< is the journey track made of steel grooves, stabby chords and strings, everything moving on a restless bassline. >walk<, instead, is a perfect combination between airy chords and heavy drums, flowing in a killer groove crowned by the vocals ... walk!! c mon!
>secrets< has also been remixed by arnaud le texier, owner of safari electronique, who has his latest releases on cocoon and bass culture. the last track on the vinyl is >slowly<, that has been remixed from tennis, aka manfredi romano, owner of life and death, who has given a peculiar touch at 116 bpm to the release.

limited edition high quality re-release on blue vinyl of this classic 1983 album by the art of noise.

grab your white laboratory coat, pull out the radioshack science kit, stick on that vhs copy of dr strangelove and enjoy these two beautiful, quintessentially english minimal wave tracks from synth pop duo oppenheimer analysis. science & washington are two marvellous and catchy treats that you would only expect from the rediscovered talent of andy oppenheimer and martin lloyd. remastered and presented on glorious 10 black vinyl, 45 revolutions per minute of pure genius! a classic release!

the second release on oasi lab has a duo of artists already known for their collaborations with labels like: tuning spork, resopal, and amam. they are mr.bizz & matteo spedicati! second release have two original tracks >naitoku< and >kyoto<, full tech house style both, where bass riffs and vocals are very important. to embellish the ep is >naitoku< remix by mulder nl, producer present in highest quality labels like: bla bla, be real, suara, just to name a few, and collaborations with daniel sanchez. mulder remix have high quality deep and detroit sonorities that will almost certainly not disappointed lovers of the most exigent clubs.

just in time for the summer we give you our third release geography 003. the excellent 12 inch is the result of two interesting collaborations between some of amsterdams finest with one common denominator: dj extraordinaire esther duijn. on geo 003 she teams up with long time studio mate steady douglas and delivers two fantastic tracks. duijn & douglas has got a fine history with releases on such labels as nowar, studio soulrock, feelharmonic and exquisite music. the third track >just close your eyes and…< is produced by esther and new talent campati. it features berenice on smooth vocals and its their first ever release! the three track ep is spanning from deep slow-mo disco house to dubby techno. dont sleep on this one

now into their seventh year, horse meat disco have continued to lead the way with packed residencies at their hq at the eagle in london s vauxhall, lux in lisbon and tape in berlin. inspired by the music and inclusive ethos of new york’s club scene during the 70s and 80s, the collective have garnered a unique reputation for amazing parties and unmatchable sets, the quartet of djs each mixing their own quality blend of disco juice. during 2011, as well as playing their annual uk festival dates at glastonbury and lovebox, they will be spreading the love to some of the world s leading festivals including vivid in sydney, electric elephant, bestival and san francisco s pride.

part one of two, featuring remixes by plaid for various artists.

the second serving from schmorgasbord brings together two relatively disparate and unrelated artists, but who both share a uniquely twisted approach to making music. s-max has been doing his thing for some time, running legendary home all things bizarre in house and techno, boogizm, and releasing a special kind of groove on labels such as telegraph, 7th city and karloff. his original track, >ms. rosen dub<, swaggers and sways with the spirit of classic yorkshire bleeps and bass. the groove is house, but the spirit of adventure is most definitely techno. his remix of spatials >corti< takes a very different approach, taking a rolling, jungle-like approach to dubstep and nailing it to the groove with stabbing bass notes. spatial leapt onto the bass music radar late 2008 with his shadowy infrasonics imprint, and quickly snapped heads with his crisp, refined approach to 2-step rhythms. since then he’s done things on his own terms, only releasing for himself and mutating his sound over a series of 10 inches. >corti< perfectly demonstrates spatials unconventional tendencies, lurching and buckling around a perfectly honed splatter of beats, off-centre synths and delirious vocal snippets. meanwhile on his remix of s-max, spatial flips the script once again with a stomping, swung techno angle that hammers the original into an uptempo, fist-pumping banger.