nice price deal !!! osakas koshiro hino steps up to the plate for the next journeys by nous disques with an oblique experiment in syncopated, gritty-textured, deep-hued techno with a heroic dash of industrial malevolence.

nice price deal !!! nice price deal !!! debuting on vosnos fifth release is edc with his cosmic explorations ep. alghough, edc is no debutant in its real meaning as he has been recording and dj:ing for some years now as endlec with his heavy industrial techno sound. as edc he wants to explore the deeper side of the techno realm and doing so, emerging with five prime techno cuts.

enter 513 is the first ep of the french duo uvb 76. four tracks of an abrasive and warlike techno. from the space race sg1 to the industrial thorn, through the warrior anthem uwe – the maxi combines analog blasts, metro smells and agressive steps influenced by noise and industrial music. enter 513 is a first cinematic essay where mechanisms and textures superimposed. both club and radical, the result is dark and visceral.

remarkable industrial techno killer ep.

straight prime time techno! industrial sounds with explosive percussions form the basis for the next teja ep called napalm. including 2 different interpreted and wicked remixes from diarmaid o meara & blaues licht.

resonances of a distant past or an apocalyptic industrial future, dark moods, gritty grim noises, violent mechanisms of rhythm pressed on vinyl.

ad rvina imperii is the first chapter of a series of various artists compilations co-produced by kapvt mvndi (blackwater) with love blast records and stirpe 999 anti label. heavy anologue and modular-based techno with industrial and drone flavors on this impressive debut ep featuring the work of fire at work, somatic responses and luciano lamanna.

hailing from brussels, maoupa mazzocchetti debuts on mannequin records with a killer 3 tracks proto electro / industrial single, anticipating his debut full length planned for the beginning of 2016. deep, dark, stripped-down, mazzocchettis tracks regurgitate the lesson of the 80s belgian ebm/minimal synth legends in a new and fresh nervous musical urgency. tip!

die neueste 50weapons entfleucht elegant dem techno-diktat ihrer vorgänger. dennoch bringt addison groove trotz seines hippeligen juke signature sounds mit allaby eine ganz schön gerade nummer. der präzise arrangierte track bringt ein leichtfüßiges gefühl und frischen wind auf den dancefloor, zwischendrin, als highlight oder um zu später stunde neue energie zu versprühen. auf der anderen seite packt errorsmith schon mal den airbag aus. der ist auch bitter nötig, um die sounds dieses klanggenies abzufedern und nicht von massiven basswellen überrollt zu werden. errorsmith macht keinen dubstep, keinen idm, keine bassmusik, keinen industrial-techno, er macht einfach nur sich selbst und zwar sowas von.

a seminal, bold and instantly nostalgic lp, midnight wave showcases imres immense ability to craft vivid landscapes of ethereal sound, infused with layers and years of emotional content. here is a body of crackling, warm ambient and techno with a vast, cinematic scope. a sonic portrait of an alienated moment in london, told using industrial visceral tools and visualised through the cutting figure of a lonely individual boarding the 5am night bus home.

adam x is back with his third album release under his industrial guise, admx-71. following releases with the legendary label hands and his own imprint, sonic groove experiments, adam paired up with l.i.e.s records in 2014 for redacted files, a 12 inch single of slowed-down and tense ebm wizardry. adam returns to the l.i.e.s. front with coherent abstractions, a brand new album of singular experiments that pull from every corner of electronic musics landscape into a comprehensive and propulsive full-length.

444/5/6 is the first four-track ep signed by unc on the very recently born techno label aiia recordings based in lyon, france. unc (also known as dubit) means « uncompromise » (unc0mpr0m153), even by laws and habits of techno, for a free production and a free interpretation of this music composed by this berlin based techno producer. 444/5/6 is blending different ways of sound creation, as if every element in life might be used in unc s music. some industrial samples are combined with dark techno basslines and ambient synths, attesting of the experimental side of the artist. in his work, unc is giving a true estheticism to sounds normally cold and impersonal in the context of daily life. 444 blends a kind of dark and deep samples which reverberate on an almost acid but hypnotic rythm.sloven s re-interpretation of 444 puts in this track, keeping the original samples, some digital sounds on a evolving rythm... like an heart, beating and racing along this track. 445 is the most electronic, rythmically speaking, track of this ep. still gathering techno, with adding industrial samples, which makes 445 the kind of experimental track by unc. 446 is the track which most refers to techno as it s known and produced nowadays. when soft and really high synths meets agressive and speedy rythms.

irresistible, loud & noisy cutting-edge techno incorporating ebm/industrial heritage.

dark spacious industrial-esque techno killers.

vent adds yet again new sonic influences to its palette, this time owing thanks to its main curator tolga baklacioglu. with this release, we are pleased to add more than just a sprinkle of industrial and ebm influences to the catalogue of records we are proud to say is the sound of vent. to make things even better, one of more interesting techno producers as of late, and also sweden’s favourite son - daniel andréasson - wanted to lend us a hand to really bring the point home with this record. laden heavy with distortion, this release goes further than one can call the lofi sound - instead the thought is taken to its logical conclusion: distortion is as much an element in its own right as time, space and velocity.

coming from a cultural landscape that is still yet to fully form can instil in a person an unusually strong force of will. autarkic is the latest representation of tel avivs cold wave scene. the leftfield movement through an eastern lens. holding up a mirror to the current state of his world, autarkic (assisted by red axes) has provided 4 tracks which manage to be thought provoking, compelling, and even anthemic, in equal measure. industrial techno tribal goth dub vibes for 2075 and beyond! produced by autarkic & red axes.

ontals work excites many conflicting emotions. exuberant, convoluted and theatrical plots define the watchwords attached to the serbian duo. they represent one of the most paradigmatic examples of how industrial/techno can still offer a wide range of pleasant surprises. a visceral understanding of the scenic rhythm space vs. void establishes a metamorphic composition in short of an almost baroque sensitivity. always moving around an unstable fringe of intuition-rules-over-eclecticism, together with an attitude of total irreverence against the old aphorism, but keeping at the same time an incredible discipline of sophistication, produce a situation where anything touched by them have to be immediately placed at the top of the evolution line of the electronic music. “pietà” simply shows this feeling at their best.

elegies-in-waiting to the monotonous dread of exploitative labour, dosed with elliptical distortion, industrial noise and ear-crushing bass. in the lineage of pan sonic, sun o))), and the more gruelling scott walker productions. vex d veteran roly porter drops by with a sci-fi reinvention of council flat, trading in if s mogadon footwork and megaton polyrhythms for a less apocalyptic, more introspective blend of modern classical, dark ambient and dirty stinking breakbeat. pressing on 180 gram vinyl.

500 only, tresor records is fortunate enough to be sitting on a catalogue of past releases that no other label in electronic music would turn down. three of the finest in this collection were albums contributed by surgeon, * basictonalvocabulary*, * balance* and * force + form* all originally came out on the berlin institution between 1997 and 1999. surgeons inimitable combination of detroit techno and post-industrial sounds emanating from his british homeland found its fullest expression in these masterful trio of releases on tresor. the balance remakes 12” accompanied surgeons second tresor album in 1998, with additional versions as well as a remix by long-time birmingham collaborator mick harris.

bnr präsentiert das debütalbum des venezuelanischen, in barcelona lebenden dj/produzenten cardopusher, absolvent der red bull music academy und mitbegründer des classicworks labels. inspiriert durch uk labels wie warp, rephlex, planet mu und schematic, zelebriert cardopusher einen erfrischenden blend aus frühem rave, 1990 er ebm/industrial und lofi-acid-house/techno, perfekt ausproduziert nach heutigem standard.

dutch powerhouse creme organization started a brand new label entitled jericho one. the man behind the first ep is berlin based brit bnjmn, who has released on label like delsin and rush hour and has a strangely melodic, lo-fi sound. opener skur is a hurried techno jam with frosty textures and bleak industrial vibes. it sets the vibe for the total feeling of the ep which is way more floor facing compared to bnjmn s earlier productions. this is a truly out there and wild ep that once again finds bnjmn experimenting on the outer fringes of the techno world in his own unique, distorted way.

deep dark industrial ambient. a slowly evolving soundscape with boiling buzzing sounds, resonating through the dark world.the berserk was perhaps one of the world s best fighters, which in old norse time sworn allegiance to the norse god odin. before a battle berserkers excited each other up and occurred in bearskin or wolf skin, hence the word berserk. in the beginning of the battle they performed exceptionally talented, indifferent battlers, but in close combat they fell into berserk. then they howled like wild beasts, probably to frighten the enemy and incite their comrades and themselves, and then get into rages. a berserk in battle were said not to bother about any injuries, and was therefore until the enemy, or they died.
pressing on translucent orange coloured & black splattered vinyl.

defined as an independent entity, drawing its inspiration from the deconstructed walls of an imaginary and utopian society where music is king and artist is servant, forsaken cell is a paris and lyon based structure composed of a small ravers community, aimed to show an indie, radical and experimental face of the french underground scene.after showing a raw and anarchic vision of techno with deikean s debut release, the forsaken cell keeps on exposing a radical and experimental face with, this time, a brighter and oniric aspect. this ep, debut of the&#30703,,&#28608,,solid system, presents itself as a fine mix of industrial and psychedelic textures inspired by the diversity and eclecticism ubiquitous in the rave culture. thus this character, as discreet as he is, shows up at the scene: naked, assuming from the outset to be as much influenced by the bass music sharp rhythmic and dusty textures of industrial dub techno, that warm colorings and transcendent sounds of psychedelic music

sonic ep is the second contribution of sawf to the modal analysis catalogue. the greek producer, and core member of the modal analysis roster, delivers a mind-blowing 4-tracker with a clear intention to interpret an industrial-noise aesthetic from a techno perspective. sonic#1 is a cut from the intro of sawf’s live set, offering a powerful combo of processed vocals and distorted soundscapes. sonic#2 comes as a long and stepping beast that creates the uncomfortable feeling of a horror movie soundtrack. on the b side, sonic#3 blends blurry vocals with rhythmic industrial elements on a breath-taking bass-line, while sonic#4 presents sawf’s charisma on impro-noise compositions. *sonic#4 was recorded at ‘sonic shelter studios’ in athens.

nova materia is a two-headed hydra: one tropical, the other industrial. a concentrate of energy & expe riments.

uk funk connoisseur duke slammer takes the driving seat on the 303-fueled ‘bangkok skytrain’, with remixes from moscow based simple symmetry and returning artist tony g. inspired by tropical heat, bangkok skytrain utilises 303s, analogue drum machines and mixes in field recordings taken from an excursion to thailand. the result is a heady concoction of warm basslines and humid atmospheres, with a groove reminiscent of early 90’s melodic techno and a cheeky drum track that wouldn’t be out of place on a larry heard record. simple symmetry, the lipski brothers from moscow, slowly rebuild layers of the track like a locomotive building up momentum, and in typical style simple symmetry style finding the perfect vocal sample and pan pipes that help propels you into the foreign lands. before you know it the track is pumping at full chug! tony g’s take goes a bit further afield than the original. a dub rhythm sets the picture in outer-space. hihats stutters like cosmic dust rickashading off the nosecone of the space ship while longing strings take us deep into a distant nebular before the 303 bring the thousands of new galaxies into view. definitely music to listen to in the dark! look out for the secret dancefloor weapon ‘just drums’, an industrial drum machine workout for the freaks!

das langerwartete debütalbum der hamburger produzentin und dj helena hauff wartet mit 10 tracks zwischen electro, nu wave, krautrock und techno auf! *discreet desires* ist die verkörperung von helena hauffs Überzeugung von der musik als fundamentale antriebskraft und vereinende bewegung. das album der künstlerin mit residency im golden pudel in hamburg gilt als beweis für hauffs wachsendes wesen als selektor und für ihre begeisterung für musikalische subkulturen – von punk bis nu wave, industrial, krautrock und avantgarde-elektro. das doppel-vinyl erscheint inklusive downloadcode.

this is a tape! eight dark n moody ebm-/industrial-like tracks between poltergeist-paranoia, straying in haunted houses and dreaming of ghosts n goblins. cassette, ltd. ed. of 50, b/w-printed 2-panel j-card, mastered by manes salz, cologne

its not that easy to define the sound of this berliner based italian artist, but he clearly merges different influences together. the opening cuts are quite fascinating for the way they’ve been meticulously built up. it takes off like a soundscape experiment revealing the ambient involvement of the artist, but moves towards heavier structures characterized by elements of dub, mystical chants and solid industrial components. the debut of this album is absolutely great. inner8 brings icy elements together with a kind of dubby rhythm, which on the next song becomes pretty industrial like. it all sounds like a delicious osmosis of sounds and different influences, antezza revealing himself as an inspired sound alchemist.

after the legendary dj stingray, greek imprint lower parts strikes again with a heavy hitter. for their 8th release japanse producer keita sano delivers four experimental rough cuts that will push dance floors to the limit. known for his releases on mr saturday night, 1080p and spring theory, 2015 is the year where sano really opens out. freaky minimalistic explorations with an industrial twist, four jams for every moment of the night.

zum 10-jährigen bestehen von boysnoize records und parallel zur #bnr10y tour kehrt boys noize mit diesen drei analogen jams, die schon teil der digitalen * strictly raw* maxi waren, zurück zu seinem rohen ursprungscharakter. die tracks kommen nun als erhabene dj cuts auf vinyl. * overstayer* ist ein langsames analoges techno-monster. auf * brain frequent* stellt alex ridha seine liebe für ebm und industrial unter beweis. und * dawnload* ist ein hi-tec-core-jam für die halbzeit.

theres a delightfully celebratory feel about this debut volume of cititrax tracks, a new 12inch series from minimal wave offshoot cititrax. as beautifully presented as we ve come to expect, tracks volume 1 boasts a quartet of dancefloor-ready smashers from a blend of new faces and label stalwarts. amato (aka the hacker) kicks things off with the glistening ebm funk of physique all restless synth refrains and pounding bottom end before lies affiliate tsuzing go all dark, psychedelic and twisted on the thrillingly intense, acid-flecked king of system. ani go all daf (with a touch of front 242) on the fuzzy and dystopian stomper mutter, before cititrax regulars broken english club delivers a storming chunk of industrial-tinged analogue funk (glass)

fernando gallego is not a music band which we can define as common, on the contrary. this group from uburriana, successor of funeraria vergara, started its history back in the early 1984, (after juan luis montoliu left), and it ended in 1986 with the emergence of the project *decúbito supino*. their usage of some synthesizers, amongst other gadgets, keyboards and large petrol cans, was the distinctive feature as regards to their predecessor band, such an echo defined a much more industrial and electronic sound, closer to early ebm.
limited edition of 300 copies. comes with din a3-sized poster printed double sided.

the vienna based imprint noiztank delivers the second statement of his design sound manifesto. label head zosima supplies three original tracks accompanied by a remix of industrial-esque pioneer kareem of zhark recordings. a lady from siberia moves around the cutting-edge agenda of current techno aesthetics. driven by an aura of melancholy and depression, only fragments of drama and uncontrolled violence break the stimulus of chaotic stubbornness.

helsinki based label friendship & decadence was setup to tap in to the helsinki electronic music scene and highlight those young and talented producers who inhabit the city. the first release comes via the collective known as joint minds, comprising of three artists autoexec, poly sone & miss kade. the 2 tracks are both live jams recorded using a host of outboard and analogue equipment. -commotion- fills the a-side of the vinyl with a throbbing acid bassline and pulsating industrial stabs, whilst the flip side takes a more stripped back approach. with -headstuck-, a delayed piano floats around rolling drum pattern, uk techno influences aplenty.

emotional rescue returns to the post war music of west germany and the work of dominik von senger and his cohorts based around the dunkelziffer project. this special -sampler- ep of recordings was produced as their part in cologne s stollwerck art complex, that acted as a home and inspiration to their musical experiments. based within the disused industrial warehouses spaces of stollwerck, a mix of post-hippies, punks and anarchists created a community within that fed off each other s artistic endeavours.

san franciscos very own pagan anarchist acid rave sons dj spun and jonah sharp team up with skate punk legend ray stevens ii and liquid liquid / fist of facts sal principato for their sophomore release on golf channel. a short sharp shot to the head, its hot is a fast & vibrant piece that evokes bygone, punk, no wave, genreless days - and at a fair clip at that. the bonus beats strip it down to the skeletal for some voodoo business while the columbus hotel mix is a version that sounds like nothing else you will hear this year. industrial techno tribal goth dub vibes for 2075 and beyond!

classy, dark, noisy, ebm/industrial leaning techno ep

jackson lee & ben jenkins return to their roots. equally influenced by detroit warehouse parties & metaphysics of middle-american industrial decay to advance basic channel/deepchord blueprint, morphing dub sound into baroque acid dreamscape.

arguably all but the most dedicated fans will have long forgotten most significant beat, a post industrial early 90s techno project from former clock dva man maurizio martinucci and esplendor geonetrico s saverio evangelista. this surprise vinyl compilation tells the story of their previously cd-only late 90s work, throwing in a previously unheard workout, the angular rhythms and sheffield bleeps of geometric state for good measure. for the most part, the material has aged remarkably well, and sits somewhere between the forthright madness of autechre, the spacey techno of detroit-via-frankfurt (see amy tekno) and the buzzing intensity of surgeon.

keita sano - the keita sano ep: discos capablanca is proud to present the definitive keita sano collection. after months of listening to demos, label and artist came up with a tight selection of tracks that represent at its best the keita sano sound and simultaneously have the potential to slay the bravest dancefloors. with a clear flair for industrial and raw sounds but not forgetting his house influences, this ep should be one that establishes this young japanese producer as a consolidated artist.

we are really honoured to present a 12 inch ep collaboration between the mexican band ford proco and the legendary uk electronic pioneers peter christopherson/john balance aka coil. ford proco were formed in 1986 in tijuana and they are considered the godfathers of the industrial electronic music in mexico.

we are proud to present our second release: a split ep between coldgeist & côme, mastered at dubplates. on the side a we have ‘nocturnal’ and its spatial atmosphere from côme, including a remix from in aeternam vale. the minimalism of the original track and the subtle evolution of the bells evoke a wandering through the abyss of a cold night until the final take off. a perfect opening act for this ep. in aeternam vale s remix sounds astonishingly powerful, cold and caustic with its uncompromising minimalism, but also provocative and capable to smash your ass on the dance-floor. on the flipside, ‘nommos’ original track from coldgeist and the remix from alexey volkov bring the power of industrial tones. coldgeist delivers a 7 minutes track which penetrates progressively into our intimacy. the deep atmosphere reinforced by the repetition of ternary patterns allow to approach a mesmeric state.

tresor is proud to welcome mønic to its catalogue.
head of osiris music, mønic is an accomplished producer based in the united kingdom. his style can be de&#64257,,ned as raw yet exceptionally re&#64257,,ned, allowing for a certain industrial inspiration to ooze from his productions and outstanding sound design. * parsons hill* opens with tumultuous percussions that continue to escalate throughout the track as an eerie looming synth dances above the kicks. alternatively, * morse* reveals another side of the artist with a more serene attitude. here, static passes through a magnetic &#64257,,eld with a constant palpitating bass. * hollow victory* opens with thunderous clangs and a &#64258,,urry of ominous chimes that echo through the darkness swirling above a pulsating heartbeat.

latest wicked bass instalment comes from lost 1990s tapes of an underground estonian production group, hupnosaurus. side a opens with muru, a simple ballad with its stripped kicks and funky string bass that gradually reach a lo-fi acidic house condition with psychedelic swirls appearing every now and then. bookworms provides a remix treatment with thick, multi-layered overdriven & looped madness that strips the original to a simple bassline and occasional industrial stabs. on side b, always in n out starts out as unorthodox blend of a classic techno kick and speed garage percussion, but after a long building spacey pad breaks into a classic filtered house tune with transposed chords and cut-up vocals that runs until the end of the track. the last title track demonstrates heavy stomping kicks, swinging hats, familiar psychedelic whirls and a trippy, crushed vocal sample appearing out of nowhere questioning where am i?

meanwhile returns having celebrated its 10 year anniversary, not by releasing a swanky box set, but by taking a year off. first release on the fully rejuvenated meanwhile is from sen aka john shern who forms part of the satellite religion collective along with g.r.i.t, future thought tapestries, channel 73 and space_ci. here he delivers 25 minutes of deepest machine music spread over 2 tracks. a side future thoughts jazz is a deep drifting detroit infused journey through the far reaches of outer space, while the b side wars of truth(reseen) is an epic slice of heavy clanking industrial rhythms and deep textures. the release is also the first to feature artwork commissioned by sometime meanwhile recording artist samuel van dijk aka mohlao, inward content, vc118a, multicast dynamics. so, both sonically and visually this release sits perfectly within the meanwhile catalogue of quality not quantity.

myk derill is one of the most interesting dub-techno artists. here he offers four great tracks of high quality and class. never hard but never soft. myk derill takes a turn for a more broken rhythm industrial looped with vocal.

where his previous effort, 2014s *the hollow organ*, dealt in dense, distressed sonics, *olympic mess* is younger responding to a period spent engaged with loop-based industrial music, dub techno, and balearic disco. these musical references, all of which can induce hypnotic states and feelings of euphoria, inform ten evocative aural landscapes which unfurl over the course of an hour and act almost as a counterpoint to the turmoil that spawned them.
mastered and cut by rashad becker at d&m, pressed on 140g 2x12 inch lp, download code included. features photography by kim thue and artwork by bill kouligas.