next in the series of classic aphrodite jungle/drum&bass put together by triple vision and aphrodite recordings. this release is the new 2024 classic jungle repress ep by aphrodite & amazon ii showcasing the original and highly influential tracks from between 1994 and 1996 produced by dj aphrodite.

a selection of 28 colombian cumbia bangers for the dance floor from the deep vaults of codiscos and associated labels costeño, zeida and famoso, all of them originally released between 1962 and 1983.

the collaboration between renowned drummer jim white and acclaimed guitarist marisa anderson is a natural union of two of the most intuitive players and listeners working in music.

3rd studio album (1988)

2018 remaster clear vinyl

deluxe dusty pink double vinyl reissue.

limited edition milky clear double vinyl.

left for dead is a live recording of a 1986 gig taped in holland by the uk punk rock band the uk subs. deluxe edition on clear double vinyl.

limited double vinyl plus cd

mrs. piss is a new collaboration between chelsea wolfe and jess gowrie.

complete anthology from margo guryan, recorded between 1956-1975. limited think-of-rain coloured triple vinyl in collectors box with 32-page booklet included.

complete anthology from margo guryan, recorded between 1956-1975. classic black triple vinyl in collectors box with 32-page booklet included.

first full release of the only album by bill fay group, recorded between 1978-1981. contains the album’s original 22 songs plus 6 bonus tracks.

first ever vinyl release of the 1998 debut album from mason jennings.

incl 2 unreleased bonus tracks

jazz

urban/soul/blues/r&b/gospel

the best of surf music in an exclusive 3 vinyl collection! between classics and rarities, be carried away by the wave of surf rock!

we are excited to announce the next collaborative release on the wsnwg label. lavande is the result of a one week long jam session between french producer and live performer ufo95 and label head rodhad in january this year.

italian newcomers e.t.h (italy) and palmiz go head to head on gestalt record for a techy 4-track exploration, surfing between big room utility and heady club shuffle.

junee (fhunyue gao and zoé sjollema) is an encounter between a violin, a theremin, two voices and two synthesizers. an intimate investigation into the formation of the duo, which mirrors the take-off into imaginary worlds, sometimes obscure, sometimes celestial.

marbled vinyl. amazing mixup between techno and dub. hypnotic grooving banger. part 2 of his museum series.

amazing mixup between techno and dub. hypnotic grooving banger. part 2 of his museum series.

decks tip!

dark entries flashes back to the grimy streets of new york city circa 1982 to bring us an unreleased album from cult outfit ike yard. comprised of stuart argabright, michael diekmann, kenneth compton, and fred szymanski, ike yard sits between the sinewy proto-body music of the neue deutsche welle and the shattered grooves of their no wave peers in new york.

welcome to ‘magic maze’ a guided meditation from oslo’s helene rickard. over two sides of a c60 cassette, the norwegian dj curates an immersive journey through imaginary landscapes and possible musics, marrying the organic and synthetic into a deep tissue massage of healing frequencies. showing infinite patience, the camp cosmic regular gradually oscillates between fourth world exotica and pastoral new age, at once opening our minds with the celestial splendour of crystalline chimes connecting us all with future primitive hymns. as we float along under helene’s benevolent gaze we encounter each of the elements, oceanic reverb, vaporous reeds, earthy drones and smouldering tones, each imparting its own ancient wisdom as we pass.
but enlightenment seldom comes without adversity and the mixtape’s most divine moments often appear in the wake of disorienting intensity. fortune favours the brave, and if you free your mind, open your heart and follow the twists and turns of the ‘magic maze’, your rewards with be both earthly and divine.

almost otherworldly in its vastness and serene beauty, many musicians have drawn from the well of inspiration that is arizona’s sonoran desert, but few are quite as accomplished or prolific as steve roach. an ambient pathfinder and electronic innovator, his back catalogue as vast as those breathtaking vistas – sonic renderings of arid landscapes littered with saguaro cacti are found in good company alongside didgeridoo-focused experiments and ethereal drifts that navigate the event horizon, between the brilliance of space and a black abyss.
reminiscent of philip glass’ minimalism and the kosmische stylings of tangerine dream, ‘skeleton keys’ seemed to fall somewhere between the two. conjuring expansive meditations amongst the impossible tangle of wires that dangle from his apparatus, roach opens portals from the grand canyon state into a cluster of newborn stars with intricate, intelligent sequencing and modular synthesis.
recorded between 2005 and 2015 from roach’s famed timeroom and timehouse studios, the album was fully realized through advancements in technology, specifically, synthesizers.com’s large format analog modular sequencer. organic, fluid and intuitively kneaded into his spooling soundscapes, it’s now to be committed to cassette for the first time, bridging the synaptic gap with a new ‘expanded’ version that elongates the original 74-minute duration.

new collaboration between ford foster and lansdowne making their debut on just left white

“homoheterogeneity”, originally released in january 2015, is the debut album from raccoglimento parziale, the duo formed by andrea giachetti and stefano meucci (the clover, silent people). in eight dense tracks, the album builds piece by piece an arcane language, made up of electromechanical beats, powerful basses, digitized guitars and broken samples, assembled in a liquid and fluctuating atmosphere. “homoheterogeneity” is a microscope’s view, a revealing blow-up over a cloud of microsounds, sometimes digital, sometimes organic. it’s a discovery of new life forms, homo/heterogeneous to our eyes - and to our ears. delivered on vinyl 33 rpm and mastered by frank merritt at the carvery in london, the album boasts on the cover the experimental photographic work of sandro crisafi, who visually recreated in the darkroom the chemistry that connects these fluctuating sounds.

limited 2017 repress !! first release from upcoming parisian label unlearn: chris mitchell (vanguard sound! - plan b recordings) was given total freedom for this ep. he delivers 3 massive tunes between house and techno while xdb takes care of remix duty. the ep was mastered at mb mastering. vinyl only.

asymmetry symptom presents his second release after orbis ep, dzar return on his own imprint with a darker and more experimental project across techno, edm and minimalism. b.o.w (behaviour of waves) ep is a subtil combinaison of ambient digital sound and analog element.

bxl003 is the third release of the artist-run brussels based label bxl. this third release by simon halsberghe features a collaboration with sagat (real name wiet lengeler), who previously released on the brussels’ label vlek and had his music included in the fabric mixes of both ben klock and joris voorn. the track is called the set-up and is a relentless sawtooth rave tune that finds it’s balance between the heydays of belgian techno and more contemporary ‘hi-fi’ attitudes towards functional yet idiosyncratic dance tracks. on the b-side space tom sounds is a deeper and more hypnotic trip with lush broad pads that provide a space for the mind as well as sonic pressure on the body. the last track, snared, takes things into breakbeat territory. with razor sharp snares and a pulsating baseline this track lives somewhere in the venn diagram overlap between rave, front 242 and an air raid siren going off.

death metal