comes with download code.

we are bringing together the creative might of our residents to bring the sound of renate on a double release ep. over the years renate has grown from a impetuous party to a glorious club. the people who came together under her roof and played beats that made bodies pulsate with ecstasy have become benchmarks in the music industry of today. we want to share with you that talent. the first ep hosts tracks from peak & swift the colourful techno duo that inadvertently become the face of renate today. sebastian voigt, the dark techno horse of the renate tribe, adds a little mystic depth. samanta fox & oliver klostermann bring their high styled brand of cosmic music to the wax in a epic track and lastly johannes albert the wunderkid who broke free of the berlinÆs shackles and taken over the global stage with influences from none other the wilde renate.

as with his previous offerings - that have found a home on the likes of red rack’ems smugglers inn, horn wax, ruff draft, plus his co-owned end of label boss imprint – cyclonix continues to explore the deeper and more leftfield spectrum of underground dance music with a futuristic vision. made up of two original tracks, ‘alien drug store’ ep draws on a host of electronic influences ranging from deep house to detroit beatdown, alongside subtle hints of acid house and dub techno, whilst both retain the producers trademark sci-fi aesthetic. the release is completed with a sterling remix of ‘you’d better not’ from a pioneering legend of the uk underground - 4hero’s marc mac, under his nu era guise. heading up the a side is ‘you’d better not’, a slow-grooving techno cut bolstered by punchy kicks and a rubbery bassline, where foreboding sci-fi vox samples are interspersed with dubbed out chords and crunchy offbeat snares, as the arrangement shifts from one mood to another. the sub-aquatic vibes of ‘two face’ follows, which is set to a hypnotic two chord pattern, 4/4 kicks and a lashing of moody synths that gradually entices you into deeper realms through the aid of rippling hi-hats and rhythmic percussion with a submersed quality. on the flip is marc mac’s nu era take on the 12”s lead cut ‘you’d better not’, who transforms the menacing original into a blast of uplifting broken techno, where the soulful musicality of sustained strings and piano chords complement snippets of the original’s vocal sample that drifts atop adept drum programming, bouncy synth bass and a flurry of glistening synth melodies.

dilla- von abstract orchestra ist eine hommage an die arbeit des hochgelobten und einflussreichen produzenten. der opener -welcome to detroit / the diary- nimmt die stimmprobe von isaac hayes -man s temptation- und platziert sie gegen üppige bläser und treibende beats, während -workinonit- die originalen 10cc gitarrensamples aus dem dilla-original auf beißende trompeten und aggressive saxophone transportiert, wie immer von joost hendrickx auf trommeln untermauert. auf -stop- singt die sängerin anna uhuru den dionne warwick-gesang mit viel gefühl, während die band eine anordnung hinterlegt, die an die arbeit von david axelrod und don sebeskey erinnert, beide große inspirationsquellen für das abstract orchestra. -dilla- wurde erst kürzlich von gilles peterson in seiner bbc6 musik-radio-show gefeiert.

bleeds second release of the year is a fourth solo outing for label head volte-face, following up last year s incendiary you bury me 12inch. in classic bleed fashion, the ep features three atmospheric peak-time techno tracks, an ambient piece and an artist-curated remix by rising japanese star wata igarashi, a name synonymous with some of the finest off-centre techno labels, including semantica, time to express and midgar.

gloria estefans neues album the standards enthält viele berühmte songs des american songbook und spricht fans weltweit an – hier finden sich englische, spanische, italienische, portugiesische und französische klassiker, einige davon mit von ihr selbst verfassten neuen texten. bei einigen nummern dieses albums arbeitete estefan mit preisgekrönten künstlern von weltrang zusammen, so mit der singer-songwriterin laura pausini, dem geiger joshua bell und dem saxophonisten dave koz.

didier allyne embodies a certain kind of underground already in the mid 90 s : a record store clerk, distributor, artist and dj, he cross-cuttingly approched the scene even back then, when -french touch- was massive. embracing the new trends from a sideways perspective, he emerged with his own blend of broken beat, soul jazz and warp style electro, always keeping the groove in sight, basicaly what techno is all about, as deep and singular as it gets he began the parisian shop traffic records in 1998. this compilation will be in several volumes that have been flagship pieces of this shop influenced by fat cat records, wally s groove world in others ...this first techno volume highlights the influence that didier received at fat cat by the introspective piece stasis -so-lar- on time in right in 1993 & ritchie inkle, one of the designers of nu loop & whose piece - happy face -represents the techno sound represented by traffic records

it’s split single time at studio barnhus as we come correct with two pieces of proper-not-proper house music for the daredevil deejay. jonathan fernandez is only 23 but has lived in glasgow forever - under his wheelman moniker and as head of label/party stereotone, our brilliant new friend has quickly become scotland’s worst kept secret. track comes overflowing with mind-expanding rave signal and ruff-ruff square bass for your face! hanky – secret new alias of one of stockholm’s most recent and most exciting dance music exports – delivers a chaotic yet steady “super-groove”, equally primed for the club floor and the anger management class. artwork by johan jonason, award-winning film director/artist and elusive lead singer of man tear. studio barnhus, 2017

europa picks up where nthng left off on transatlantic’s second outing. face to the angle grinder, destruction techno for the obliteration of the rave basement.

flesh world is a dream punk group formed in the summer of 2012 in san francisco. the quartet includes scott moore (guitar, synths) jess scott (vocals, guitar) andrew luttrell (bass, backing vocals) sam lefebvre (drums). jess and scott met while loitering around the panhandle district, listening to records, gossiping, and playing live shows around town with their bands (scott plays in hardcore group limp wrist and jess played in the indie pop band brilliant colors).

first ep of the label lowlife cartel. dissociative tones, texture of the sound and atmosphere sought here, more than melody. no boundary in genre but same sonic ethos. the two sides of the ep includes two tracks ambient/downtempo fitting with patient listening. three other, lofi tracks, and more efficient to play into clubs. face a starts with -nerve splicing- by telekommunist, also known as wpx7, face covered and steps muffled through a deadening blizzard of tape saturation and white noisey envelops that find a balance between deepening the sense of immersion and a retained groove. -kairu- by a. latif, affiliated to the experimental and elusive russian label john s kingdom. an arsenal of textures are employed, surrounded all the time by different kind of breeths carving out a growingly satisfying contrast between the shivery charm of its melodic line and the roughness of its elements. a rough diamond. face b, -kfs-, by vslds (present on the next cousin carl release, after kinway and voyd) is a delusional and abstract piece of lofi hip hop. setting skittish drums and heavily altered rapper vox sample, smothered against a grey-ish canvas of blurry, washed-out pads. this feels both playful and unhealthy. -gotta go fast-, by paul santangelo (venetian causeway), is marked with the very personal style of this artist who does his way across the ever effervescent lofi techno scene. the round, drag-shed bass, fits with an introspective melody and atmosphere. -every man has a woman who loves him-, by loophie (raw russians), surprises the listener at the end of the disc with a lofi house track sampled from john lennon, very effective in club. the czech lofi house videomaker moskalus edited a video of it on his youtube channel. 5 artists to follow.

moondance records present their second release with uk’s talented john heckle. john delivers brand new 3 track ep for croatian imprint. albums, numerous eps, singles and remixes for labels as mathematics, m>o>s, tabernacle, crime organization, lunar disko and so much delivers warm analog but yet powerful and raw techno ep with his in your face tr707 drums, lush juno pads, mean and distorted bass own sound signature to brand new record label of croatia’s finest, moondance festival where jon played his live pa, august 2016. after his (qwartz electronic music award) “life of titan lp”, john heckle became one of most wanted techno and house artists of the moment.

milan-based mobster ftp up joins the un.t.o. ranks dropping his first full lenght 12” after his two tracks on 777 recordings. four straight to your face ghetto house smashers which leave few chances for any crowd to survive. strictly vinyl biz. hot, limited and criminal - hard time, 20 2 lyf.

the 2nd solo album from wu-tang clan member gza aka the genius, originally released in 1995. one red, one blue vinyl.

on 7th august the godfather mike dunn presents an ep fuelled by a pumping heart of pure house, entitled ‘dj beat that shhh’ / ‘move it work it’. taken from his forthcoming album due for release in october 2017. both tracks capture mike’s essence, placing his trademark hip house booty style vocals and stripped-back, jacking drums centre stage. ‘dj beat that shit’ is classic, bumping 90s chi goodness updated with modern technology, whilst ‘move it, work it’ is a no-nonsence smoke and strobe throbber, that recalls the best of trax and dj international. for anyone who knows their shit, mike should need no introduction, but for those that don’t, he was highly influential in birthing the modern day dance music phenomenon, especially with tracks like ‘face the nation’, ‘god made me phunky’, ‘let it be house’ and ‘personal problem’. mike created hip house, dj’d with fellow legends ron hardy, larry heard and armando gallop, produced for house heroes armando, fast eddie and k-alexi shelby, and worked with the iconic voices of byron stingley and kym english. after a long absence from djing in europe, mike returned in 2015 to rock crowds at panorama bar, fabric, concrete, sub club and glastonbury, demonstrating why the chicago og is still very much in demand.

let s face it, summer in new york city is sweltering. even with all the windows open and fans on high, it is hard to find refuge in alliance upholstery s chinatown offices. today s sweat though, is due to the -dancer on the shore- ep, the latest release by the brooklyn based band, lemonade (cascine/true panther sounds). -dancer- is a subdued summertime collage of steel drums, buoyant electronic pads and windswept vocals. joined by dee dee from dum dum girls, it is a celebration of the space where humans and nature exist in harmony. originally released digitally as a single on cascine in 2015, the band created a dj friendly extended mix for this release. if you have been to the -air a dancer- party over the last few seasons, you have likely already heard it (sometimes twice in one night!).

das 2013er mixtape des west coast-rappers nispey hustle erscheint erstmalig als limitiertes 180g doppelvinyl in farbe. das album erlangte 2013 nicht zuletzt große aufmerksamkeit durch nispey hustles entscheidung 1.000 limitierte cds für je 100 usd zu verkaufen, wovon jay z durch roc nation direkt 100 stück kaufen ließ. als gäste sind rick ross, slim thug, dom kennedy, james fauntleroy und viele andere vertreten.

limited reissue on translucent green 180 gram viny with download code included.

myers returns, fresh off the back of a debut show at field day and with a two track 12- nodding to the past and the future. taps is a relentless drum machine driven, synth directed monster, that comes at you like it s about to punch you in the face, but actually picks you up and chucks you on its shoulders. rabona is a restrained, smooth but rugged roller, with subtle shifts that previews another layer to the myers palette. having taken steps out into the real world, expect a lot more to come over the next year

missy elliott’s 1997 debut album back on 2x12 inch vinyl.

forgotten idols lie smashed and scattered across the floor. dissonant undercurrents coerce a riptide of shattered beats as duran duran duran speeds into sight and docks directly into your neurological pathways. tracks swarm into your mind effortlessly dismantling the techno mainframe. refracted acid takes ‘sexus’ to a place where famished ghosts leer at each other across a mist-infused steam room. repeated listenings reveal new fissures, fresh layers emerge as we scrape away at the glacial enormity of this techno scree-face. redemption is in sight as we take a final pasting on ‘marathon man’, a track so banging as to provoke a wry smile on the face of any seasoned raver. at its climax it screeches under the weight of its intensity, flinging its subjects into a feral transcendence.

love light: this tune is a hard hitting atmospheric roller. it has a larger than life bassline backed by in your face amens. hints of mid 90’s metalheadz and good looking take you back to a happy place.
make it funky: this tune lives up to its name with jazz funk intro that eases you into the tune. then boom a funky reece bass and amens for days and some massive break downs oh gosh!. serious bizzness here.

cin cin is pleased to present its 8th instalment and itÆs a down under double header! first up is melbourneÆs statue who give us a pair of percussive workouts engineered for maximum hip wiggling. on the flip fellow melburnians ara koufax take us for a swim with two prime time cuts of pseudo-psychedelic acid nouveau.

following “conningham ep” reach return with another uncompromising 12” from duo thread. dropping it’s predecessors unashamedly raw bashfulness, “goldhawk ep” is a subtler, deeper affair yet it still maintains its bass heavy, electro leaning edge.
the first track “ellerslie” ets the tone for the ep, a trip through the cosmos, with shimmering synth lines taking you on a journey through the galaxy. subtle variations float effortlessly on the driving rhythm patterns, the bassline only a distant presence. the 2nd cut “sycamore” is another journey into the deep, a slightly more housey affair, a motorik drum patterns carrying an eerie, deep atmosphere that is punctuated by melodic patterns appearing unexpectedly.
on the flip “the grove” instantly works up a sweat - claps, dark synth riffs and a relentless drum pattern. ferocious, in your face dance floor work out. rounding-off the ep in style “goldhawk” is the sparsest of the tracks on offer. built on bare bones frame, there’s melodic flourishes, subtle production trickery, galloping along a 2 step-ish percussion pattern. thread further cementing their eclectic production style with this strong ep.

hot release from south african producer dj call me. digital, sunlit and soulful house for your heart. perfect to bang a club with love. all tracks were written and produced between 2009 and 2010, in mokopane, south africa.

absolutely essential record right here - the underground solution aka the s man aka the legendary roger sanchez is a name that you should all be familiar with by now, and his 1990 anthem luv dancin is an nyc deep house benchmark. that s right, this originally came out in 1990. that s a heck of a long time ago. thing is, this record, when played at the right time will still cause maximum damage in the club. riffing on disco classic is it all over my face and with elements of the bottle interspersed with a deep, rolling garage bassline and dreamy keys and pads sanchez crafted a solid gold cut, a timeless piece of dance music that still inspires today and is often imitated yet obviously never bettered! the flipside cuts deep in my mind and afterthought are also sublime exercises in the deepness, the s man s trademark eerie pads, bleeps and dope drum programming evident throughout, making these tracks huge hits from nyc to sheffield and beyond! this whole ep is flawless and if you dig the deeper side of this stuff then you re in for a treat - now s your chance to bag a bonafide, hands down classic record! luv dancin has been skilfully remastered from all original master sources and fully licensed and reissued officially for 2017.

a strong staple in the drum and bass scene for over a decade, gridlok is no stranger to whipping up heavy, power-fuelled tracks guaranteed to leave a lasting impression. ready to cause more chaos with a fresh spin on his trademark concoction of hard-hitting drums and driving basslines, gridlok now gears up to unleash 13 face-melting new tracks on his new z3r0 h0u2 lp.

nach einer ausverkauften europa-tour zu ihrem letzten album star climbing (2014) sowie festivalauftritten rund um den globus zogen zoot woman sich 2015 ins studio zurück, um mit der arbeit an neuen songs zu beginnen. und während die briten bisher nicht unbedingt zu den schnellsten bands der welt gehörten zwischen ihren alben lagen auch schon mal sechs jahre flutschte dieses mal scheinbar alles wie von selbst. wenn ein song nicht funktionierte, haben wir ihn sehr schnell fallen lassen, statt wie sonst ewig daran herumzufeilen, so johnny. dadurch ist die platte spontaner und intuitiver.

part 1/3! several shades of the same color is patricias first album for spectral sound, produced in conjunction with his own label active cultures.

this grouping of audio recordings is for aural use only. any emotional content perceived herein is borne of its listener, and is in no way intended by its author. any sounds resembling speech are not intended to convey meaning. several shades of the same color is patricia s first album for spectral sound — produced in conjunction with his own label active cultures. tips for listeners: consider the moment in which you exist, pay attention to how these sounds evoke physiological (rather than cognitive) responses. listeners may find themselves deriving immense physical pleasure from exposure to these sounds. inability to achieve such pleasure is likely attributable to over-analysis of the aforementioned audio content — or to improper amplification. each of shades three lps features suites of tracks that, considered alone, comprise their own distinct, unique worlds. disc one opens with -i know the face, but not the name,- an unabashedly plaintive trip through classic electro rhythms, flip it over for -the words are only sounds,- a haunting affair for synthesizer and voice. disc two s -the electric eye is upon me- swirls endlessly, while -shiba inu dub- is cut for the floor and coy as its namesake. disc three s jackin -feel your body- will cause you to do just that, -german friendship- sounds like d.a.f. on dissociatives. any emotional associations incurred while listening come at the listener s discretion. furthermore, the identity of the author and/or their passions regarding the recordings herein shall bear no weight on the listener s experience. this body of work is not intended to generate ideas, rather, its goal is to produce physical sensations in the listener.

never one to rest, our pal the revenge has been busy as always. his latest lp as 6th borough project find your rhythm recently dropped on roar groove, he created a beautifully delicate remix of auntie flos waiting for a (woman), had a change of scenery relocating from scotland to denmark and his collab ep with dirt crew, flush with nachtbraker remixes was one of our biggest records of 2016! amongst the action he’s taken the time and a more in yer face approach to write us his latest ep, a four-tracker of proper club tracks. every night brims with raucous disco energy. the french filter house reminiscent gems strings shimmer and funk horns hit heavy, a jam destined to wear holes in shoes. grit attends to the easy-going disco grooves we love so much from the revenge, plenty of shake and soul its overflowing with good-mood energy. b-side opener never learn gives us a glimpse of the darker end of the revenge’s spectrum. subby toms rumble, tweaked out synths bleep and slide and delayed key stabs shift the party into smoke hazed, underground rave mode. the closing track krokodille brings that bass n electro gritty booming sound! the acidic lead wraps around sturdy drums. straight forward with plenty of kick, what an ending to a high quality ep!

shiro is the samurai music offshoot created specifically for emerging artists first solo release on vinyl.
torn is a new face to the samurai camp and our first signing from russia. a st petersburg native, torn has been developing over recent years into one of the most interesting producers in the half step community with his tracks featuring heavily in the sets of many of the scenes most prominent dj’s including homemade weapons, loxy, clarity & presha.
the grethen ep is a gateway to the torn sound. ‘stagnation’ is the most traditional drum and bass of the ep with it’s bouncing, grunting lurch. ’grethen’ goes down low and deep, while ‘self reflection’ is the tune bound to populate many dj sets with it’s tribal percussion. ‘insomnia’ ups the intensity with frantic, restless energy to close the ep. more torn music to come on samurai later in 2017.

during the mid-1970s, the aggrovators could do no wrong. this ace team of session musicians that was forged as an off-shoot of the soul syndicate were responsible for some of the biggest hits of the decade, recorded with bunny lees rising stars, such as johnnie clarke and his rival, cornell campbell. following on from the great shalom dub set of 1975, rasta dub 76 is another truly magnificent dub set culled from aggrovators hits (by johnny clarke, cornell campbell and others), this time, the entire album was given a scintillating mix-down at king tubbys studio by the great prince jammy, and the sonic excellence has stood the test of time. another must-have for all connoisseurs of dub.

six face-melting tracks that range from woozy dark soundscapes to experimental acid and eerie drum sequences on the first release of brand new label x/oz. a label as an extension of the artist exos in his role as both a producer and curator. the six track ep includes tracks from some of his closest collaborators through the years, among others a song by his father, octal, who has been collaborating in music with exos since late 90s. octal industries ,aka ruxpin, a lifetime collaborator, family friend and an original member of thule records also contribute to the release. last but not least, the mystikal soschla, a russian upcoming artist who made some waves already and will be a part of some upcoming releases on x/oz. the unique, rugged environment of iceland is a fundamental element and platform for exos in his creation and selection and sets the atmosphere for the sound of his new x/oz imprint. limited supplies!

in your face techno, there is no way of hiding no filters used just raw pure stompy techno!

next up on the docket for acid camp records is a record created by duo john tejada and justin maxwell. the pair came together to make acr iii with two things in mind: creating sounds that put a smile on their face while possessing as much character as possible. the opening track, -i ve got acid (on my brain)- is a mind-bending wavetable freakout, the likes of which tejada and maxwell have been striving to do for years. using a vintage ems vocoder to create an original vocal sample, this track is bright, playful, & vivacious. -the name rolls in- is layered in an acid playground of sounds. a rhythmic track with a potent 303 bass line, prominent percussion, and that infamous vocoder back at it to create a distinctly groovy track. -field notes-, is a composition of celestial arrangements that is completely beatless. carried through by tiers of sounds, filters, and noisier elements, this track lulls the listener into an alluring sonic dreamscape.

4th release on nocturbulous records, back again with analog stomping sounds like in the 90 s.

brian kage returns on michigander with the, best kept secret ep. kage once again provides three deeply emotional dance tracks filled with his signature warmth that immediately draw connections between personal memories and michigan’s natural splendor. best kept secret starts the record off with tones of hypnotic bells that cascade down from within minor chords that hypnotize the listener until they are met with swelling strings to tie the infectious grooves to intelligent vintage percussion. lush vocals continue building into an atmosphere of nostalgia and eventually gives way to that moment of intimacy that can only be felt outdoors while exploring with a person they love. lost on old free-soil road features a detuned analog synth-line that winds up and down over a bed of spooky night-time forest field-recordings which are encompassed by a jackin’ 909 beat . suddenly, juno stabs straight from the 80’s pierce through sending the syncopated grooves back the direction they came from taking dancers along for the joyful ride. cruise control on us-31 rounds out the record with an infectious blend of pitched wooden toms, warm mid-range bass, deep 303 lines, and a smoky pad straight from a vintage rhodes. all these elements help keep the composition positive & relaxing, while expertly conjuring the feeling of sun on your face. this tune is the perfect tool for any dj interested in luring day-partiers to a space where they can’t resist bobbing their heads and enjoying their summer outside. related items

celebrating capitol record’s 75th anniversary with another fine classic - mc hammer’s 1990 album “please hammer don’t hurt ’em”.

nice price deal !!! with andrew frame we are happy to welcome a new face at level non zero. he became famous because of his releases on pv, planet vision, elektrolux and phono elements (azur taint). on lnz he demonstrates once more his longtime and versatile production experiences. the a –side >blue matrix< shows up with an experienced teamwork of a sequence and the atmosphere together with a ping pong baseline which drills into your head and finds its climax in a break with scifi sounds. more than just a good dj tool ! hands up ! >ambervision< on the flip side gets its face from a discreet melody which flyes over the baseline and the mood thru the room. a nice tune for early morning sessions

22 years ago saw the release of goldie’s debut album ‘timeless’ which truly changed the face of drum’n’bass, hardcore and jungle. the seminal record featured the iconic track ‘inner city life’ - the vocals for which were performed by the late diane charlemagne. in 2011, the guardian described the release of ‘timeless’ as one of the -50 key events in the history of dance music-. mobo award-winning songwriter, dj, producer, visual artist and actor goldie (mbe) will release a new double album ‘the journey man’ on june 16th, all written and produced by goldie. collaborators on ‘the journey man’ album include vocalist and songwriter natalie duncan, terri walker, tyler lee daly, natalie williams, jose james, naomi pryor as well as goldie’s wife, mika wassenaar price. goldie is also one of only a handful of artists ever to co-write with david bowie – on the track ‘truth’ from the drum‘n’bass pioneer’s second album, ‘saturnz return’ released in 1998. the album also featured distinguished collaborators such as noel gallagher and krs-one. goldie will be performing an exclusive, sold-out set of shows at london’s esteemed venue ronnie scott’s on 24th and 25th of february, where he will be performing with the heritage ensemble along with ‘the journey man’ vocalists terri walker, tyler lee daly and natalie duncan.
the triple vinyl release includes a download code for the full album plus 12 bonus instrumental cuts - “the instra suites”.

this classic minimal music album is now available again on vinyl for the first time since the 70s

‘race to zero’ is the new album by musician and composer john matthias and producer, musician and composer jay auborn.
the album’s starting point was a series of acoustic improvisations recorded in a variety oflocations, from a 700 year old chapel in the devon countryside to a basement studio in reykjavík, iceland. in an attempt to create a fractured sense of space reflective of the digital condition, the duo found themselves working within a place that could only exist in the digital landscape.
by crushing the recordings through a hundred different virtual rooms of reverb and other chaotic digital processes, they collided, soared and splintered into sweeping new rhythms, melodies and drones.
the outcome is a unique landscape that blurs the line between the virtual and physical worlds.
the vinyl release includes a download code.

after a long hiatus the fasaan recordings crew finally emerges from their basement to break out a second volume of their chalice imprint. functioning as a looser side vehicle to fasaan, chalice is a home for rawer and more uncompromising side projects of the fasaan crew and their extended family. honing in on a murky zone of cheap-sounding machine rhythms and punchy boogie-influenced proto-house sounds, the chalice style is in your face and then out the door just like that: take it or leave it.

artcub records is an new open-minded techno label created by marco gayo from france. the label will propose somes deep to raw techno in his futures releases. here the first work from the rising star of nederlands: qindek. darko esser was the man who pulled qindek and gave him a shot at his own wolfskuil-label to release music in vinyl. people like laurent garnier, rolando, norman nodge, ben sims, dvs1, pfirter, benny rodriguez (rod), sandrien and Âme incorporated qindek’s release in their sets.
trappist one ep is an attempt to create some of the emotions and state of minds while being on the ship towards our next destination within this multiverse. intergalactic light ensemble is traveling at lightspeed towards adventure, and midst of travel we discover something unexplained. waves and waves is the contemplation of that moment. alarma is a code red, losing our minds as we encounter a energyforce which has far greater powers than we ever imagined. how do we face such powers? eon gives answer to such quations, as we progress into our creative awareness, and gaining new insights on how to manipulate energy.

baltra embarks on the fourth expedition into the exotic lands of palm trees and blue skies with his ambient pad heavy ‘rendezvous ep’. expedition four features three jams packed full of moody vocals, crunchy drum sequences and face melting acid basslines, accompanied by a mesmerising remix from dj seinfeld.

dj koyote and too smooth christ introduce supergenius records with a split ep of raw analogue house tracks

special source operations est un collectif crée en 2015 composé de djs, producteurs, graphistes et performers video venant de l ensemble de la france (brest - lyon - paris ..).pour ce tout premier ep felix et bastoon 1000 se partagent la galette en variant entre house edit et une face plus expérimentale. ils ont pour but d apporter une nouvelle couleur au monde de la musique électronique en ayant un but commun: le groove !

everybody needs a destructive love story to blow up in their face and and shake their solid ground, its a must for every human to get to his core of understanding, the centre of the pain, the middle of his earth, we hate to say it, but sometime that s the best thing that could happen to a person. especially for a talent like nadav spiegel. drop the needle at the beginning and listen to 9 songs about rage and compassion. i love you, go away is a temporary hate feeling that changes into a permanent understanding, and as the story unfolds, so will your heart. it s over now, you know, everything is alright, everything is alright.