this release has 2 tracks from dawn again & rothmans. rothmans ant runs vinyl only rothmans label from liverpool and dawn again who has releases on wonder stories and porn wax as well as ant’s rothmans imprint.
nazare is a balearic house which has been left on the slo cooker all day. with a nagging baseline and lush pads a plenty. max essa takes us on a moody balearic tropical ride for his remix.
walpole is another slice of balearic house with a throbbing bassline and trips arms. this time the remix picks up the pace a little for a more dance floor, norwegian disco-esque groove from edsc’s very own neil diablo.

sadness of being is a deep contemplative balearic groove evocative and reflective. max essa tunes it up with his trademark drum programming and synth patterns. an essential sunset shuffler

perfectionist comprehensive techno compilation - warmly recommended!

debossed black foil logo design box front
c56 logo de-embossed box rear, hand numbered
info credit sheet: 5 x vinyl pantone coloured spined sleeve

in this offering by the berlin-based and made in the middle east label disco halal, we bring you something fresh from tel aviv. naduve, after releases in rothmans, and cda, it s time for him to come back home accompanied by saturn memories (marius of coma) special tahini remix.

das duo essaie pas, jüngst untergekommen bei dfa records, veröffentlicht sein neues album -demain est une autre nuit-. die vinyl-lp erscheint inklusive downloadcode.

das duo essaie pas, jŸngst untergekommen bei dfa records, veršffentlicht sein neues album demain est une autre nuit. hinter essaie pas verbergen sich die in montreal lebende marie davidson und ihr musikalischer kompagnon pierre guerineau. die geschichte hinter dem neuen album ist geprŠgt durch einen neuanfang. als die band von ihrer ersten europa-tour zurŸck nach montreal kam, mussten die beiden erfahren, dass ihr proberaum und studio einer schnellen gentrifizierung zum opfer gefallen waren, auch ihre wohnung verloren sie nach einem streit mit dem vermieter. einen neuanfang konnten essaie pas in den industriehallen von le filles electriques wagen, einem veranstalter fŸr verschiedene kŸnstlerische events. this environment influenced our music, sagt pierre. the sounds are more clear and open, the production has more depth, on a full frequency range. die musik von essaie pas lŠsst sich schwer in ein genre zwŠngen, vielmehr ist es ein grenzŸbertritt zwischen verschiedenen sounds.

nice price deal !!! second black puddle! again not handnumbered, not limited, no bullshit, just quality music! supported & played by bla bla bla... 180g vinyl, shrinked with anti static sleeve.

luise presents one of her dearest friends: with lul#005, constantijn lange shares his impressions of the mystifying nature and culture of morocco. in orange atlas, your mind travels through the kingdom, as constantijn melts together field-recordings with his unique sense for acoustic expression. the uplifting *rote nacht* (a1) reveals the contrasting energy between the tumultuous city and the silent mountain, before gently giving way to the feelings of the exotic seascape in *essaouria* (a2). delicately, yet suprising as ever, acid pauli rearranges the warm drums in *essaouria* (b1) to let your spirit rest in an imagined, green oasis, before it is completely taken away by the lightness of the seabirds in *thagazout* (b2).

a welcome return for siesta records with an ep from desolat / tsuba favourite hector. remix from label boss joeski. b side features a collaboration with hector, guti and fosky....

sie kennen sich seit jahren, schätzen die persönlichkeit und die musikalischen fähigkeiten des anderen und haben beide ein faible für die deutsche sprache. die rede ist vom king of rap kool savas und dem deutschen soulkönig xavier naidoo. auf den ersten blick sicher eine ungewöhnliche kombination, wenn man die musikrichtungen der beiden künstler vergleicht, jedoch zeigt >gespaltene persönlichkeit< eine musikalische synthese der ganz besonderen art.
dreifach-vinyl im klappcover, inklusive cd-version des albums.

melodica recordings is one year old! to celebrate this momentous event we have sent some of our favourite releases to some of our favourite artists on the label and elsewhere, for a retake, a look back, a flash forward or a new vision of the original.
on the a-side, r&s / apollo artist synkro goes toe to toe with cocos >my desire<, accompanied by a tasty refix of deekies track >rush< by recent bicep cohort, ejecta. on the flip coco delivers a deep, deep take on the fluttering garage of didz and chicos >when i say< and max essa re-spins the dials on the no logo cover of eurythmics >this city never sleeps<.
code for free mp3 download included.

hence number ten comes in a nice 10inch format. and again a new artist is on board! essay is his name and hes from heidelberg. additionally the two exceptional artists nocow and desolate are contributing two fantastic remixes as a thank you for an awesome collaboration with fauxpas musik. vocals are coming from stunning norwegian singer ida dillan. vinyl tastes better

sven weisemann keeps exploring the depths of dub on the 4th release of his vinyl-only essays label.

in 2011 some berlin based recordshops try to reclaim the streets with the so called >record store day< for the first time in germany. also kann was asked for a limited vinyl to support their concern. on that specific occasion we bring a new two track ep except for the regular series. kann rsd breaks ranks with an extra beautiful edit of the awesome witchwaver sunglitters, composited by nuremburgs essay. b-side builts back the bridge to the label and gives finally >aperture< from sevensol & bender the appropriate space. the track was originally released on kann00 in 2008. for the artwork kann is pretty happy to won over famed – a chummy art collective – for doing an impressing independent work.

after a handful of smashing remixes and compilation features on nang records, lusty zanzibar returns to the fold with a cracking solo effort named the >the feeling ep.< title track is a spaced out exercise in immersive square-wave programming, reminiscent of the pre-internet computer gaming age when colours were 8-bit and vivid, and soundtracks were hyper-colour opuses. the complex synth work is underpinned by a driving beat with ethereal vocal wisps and crystalline pads. nice. the first of three remixes for >the feeling< comes from ilya santana, with his >celestial version<, and celestial it is indeed! a picturesque scene is set, the rhythm is wound back and a super laid back vibe allows the vocal line >remember how you are feeling< to sit more purposefully in the mix, alongside the tip-toeing bass line and often euphoric chords. up next comes the max essa dub version, introducing some arp-synth subtleties, replacing the main vocal hook to great effect. to finish we have a mix from fear of theydon who brings a touch of arpeggiated femininity and tasteful woodblock percussion to the table. its a fulfilling yet sultry up-beat journey.

ltd 2x 10 inch, not cheap but deep !

o.m.f.o. aka our man from odessa digs deep in arabian sounds and comes up with a funky 4-tracker.

sven weisemann comes with something quite removed from his usual oeuvre for the likes of styrax, mojuba or liebe*detail etc with a luxurious 7 inch, flexing his esoteric jazz and cinematic production skills for the newly minted essays imprint. theres no dancefloor ambitions here as weisemann allows himself some time to explore opulently textured downbeats and dubby ambience on two gorgeously crafted tracks for late night/early morning play. >rootless< is a delicious 5 minutes of melancholy detroit emotions with stunningly spacious sound design, while >garden of fantasy< on the flip sways with a slowhouse rhythm and brilliantly intangible synth pads that will transform the atmosphere of any space its played in. completely lush and utterly seductive, plus it plays backwards! limited copies - hurry.

brill minimal tribal on the a and a little 'question' feeling on the flipside !!

2lp gatefold, with essay by felipe maia.

ltd ed , colored vinyl

house / cosmic

the first bunch of remixes for kito jempere’s green monster. the album itself was a versatile journey thought all music styles and patterns you can imagine, remixes are keeping the same direction.

reissue

pressed on 180 g vinyl

nahrung für ein gehirn wie meines kann man in der tanzmusik nur selten finden... also habe ich mich mit diesen tracks selbst überrascht. (perill, vrijthof maastricht, 2020).

killer samba soul from ronie s last album. smooth songs that are reminscent to joao donatos work in the 70s. whole album is great!

essential remix ep by coyote

celebrating 10 years of leng records with a special compilation on double vinyl and bonus 10 inch, all housed in a gatefold sleeve.

a true brazilian soul gem from 1976 back on 180 gram vinyl.

ambient, dub and techno

killer samba soul from ronie s last album. smooth songs that are reminscent to joao donatos work in the 70s. whole album is great!

180 gram vinyl in gatefold sleeve with download code included.

limited rsd 2019 edition - pink 180 gram vinyl in gatefold sleeve with download code included.

clandestino head joe morris is next up on wonder stories, imparting the kind of sun-kissed discoid meditation the label and its listeners lap up. morris is sounding confident and cool on cloud nine, using vintage drum machine patterns and fuzzy synth lines to impart a sweet-natured groove that reaches skywards. contrasting the blissed out original, max essa brings a little more bite to the table with his shimmering electro-disco version, while coyote preaches his balearic vision on the b1 remix. label boss aimes keeps things smooth and steady with a deep house version of cloud nine for all dancefloor dreamers to get lost in.

sth. notional was a short-lived project that manifested in one album back in 1992, originally released on japanese label zero corporation. yawn yawn yawn focused primarily on various balearic-friendly mixes of the title track and some other scattered pieces, and now they ve received a much-needed spruce up from archeo recordings. the dream. another reality versions of yawn yawn yawn are laid back to the extreme, revolving around delicate instrumentation and occasional threads of speech and singing. there s a mellow beat behind the g-tar cannyon mix, and the thankful mix brings a weightier groove to the table. with the other tracks adding to this utterly smooth, early 90s shake, and spread across three discs, this is the holy grail reissue collectors have been waiting for.

london based disco outfit faze action team up with celebrated anglo/brazilian artist, nina miranda for proto house crossover. faze action have always managed to take different musical traditions and blend them to create sounds that are somehow familiar whilst simultaneously containing the unexpected. last year s mangwana, featured long time faze action collaborator, zeke manyika, singing in his native zimbabwean shona over faze action s infectious disco production. this time, british/brazilian singer, artist and all round creative force de majeur, nina miranda, takes things further with her invitation to vamos pintar or let s paint, in portuguese. on the surface there is the familiar faze action restyled proto house but it soon becomes apparent that the brothers have appropriated more than just a brazilian vocal. punchy 808 drums and fizzy synths are infused with brazilian caixa and pandaro as if they had always been designed to co-exist. the remixes come from the illustrious max essa, whose british born/tokyo resident background chimes well with the international nature of this latest offering. his slo-mo bubble dub simmers with mediterranean sun that reclines into romantic piano flourishes and dubbed out vocals, whilst the extended dub manages to draw out the original elements at their original tempo. faze action s own paradise 90 dub closes the package by keeping close to the original arrangement with added economy and plenty of dub delay of course.

zed bias is an electronic music pioneer, throughout his career he has traversed genres with ease whilst all the while retaining his signature sound. it was in 2016 that he debuted on exit records with a three tracker featuring zoe violet, the release was a sign of things to come. modern u.k. soul delivered in the 160bpm format, this aesthetic has now been developed with the different response album. it s the sound of zed bias in 2017, undeniable soul with one eye on the dancefloor. hes gathered a formidable feature list to voice the album artists from his native manchester and beyond all lend their talents to the album. label owner dbridge says of the release: an lp that fits perfectly in what i believe exit is about. artists creating music with soul and a sound uniquely their own. zed has shown again whats possible when you listen to your own voice

classy minimal house on sketches 4nd release.
vinyl only. 300 copies. sketches records presents some microhouse tracks, including a futurism daze maxim s remix on b side.

limited 198 copies , special edition
incl 6 x 7 inch vinyl:
kristofferson 001.5
kristofferson 002.5
kristofferson 005
kristofferson 006.5
kristofferson special 1
kristofferson special 2

after releasing around fifty 45 rpm singles and his first 33 rpm album (ethiopian modern instrumental hits aelp 10, re-released by heavenly sweetness hl092vl), amha esthete set about compiling his best 45s on a series of now legendary albums in 1972.

after the interruption ps is back. this time with the tropically-balearic ep by moscow debutant aleceo , who has changed his organised top-manager, live with a slow 808 tempo, juno chords and microphone in the studio on the beach of magic island of bali. with the magnetic remix, by tokyo based maestro max essa, this pacific jam becomes a perfect, vinyl only slice of endless summer.

lizards are lee forster (1/3 last waltz) and james hadfield (the mainstay of the elizabeth collective). taking over a full side, and clocking in at over 9 minutes, anthemic understatement is a very difficult trick to pull of, but the deepness of feel here, coupled with the restraint shown in rhythm and melody, allows the track space to ebb, flow and truly get under the skin of the listener. it s one of those rare tracks that are as equally beautiful as they are danceable international track lives up to it s name, seeing the north eastern english producers channel the japanese take on the balearic sound as heard in productions by artists such as cosmes.

brilliant tv and movie themes by francois de roubaix!!! on 20 november 1975 francois de roubaix disappeared while diving. before going towards this tragic death, francois had received an order for a television series theme tune commissaire moulin. as usual, the composed melody has been indelibly printed in the collective memory. francois de roubaix always put his fingers where it should be! between electronic tricks and acoustic works, this record brings the themes of this television series together with other musics composed for never released or still unknown projects... all unpublished music, never pressed on vinyl! it soon becomes clear that francois de roubaix feels confortable with this kind of exercises. the result is every time sublime. recommended!!