orbital london is born. a concept from the big smoke, providing a platform for the natural and raw talent of jack michael and associates. the opposite visions ep consists of four uk influenced records, with a certain garage and breaks tip. the title track is somewhat sought after, after support from several heads in the london scene. a seductive vocal sample leading you to a bassline, asking to be played on a club system. dogmatik boss alex arnout provides his take on opposite vision with a dubbed side winding rhythm, full support from the experienced artist. carrying on the heads down affair on the b side is ghetto trooper and kult . heavy sounds for the two steppers, laced with flickering rap style vocals. will make you move.
an original outlet, staying true to its home. breathing character, and absorbing flavours and influences from the surroundings the project is based upon. promising for the young artist.
steffi und virginia kehren mit einer acht-track-doppel-ep zurueck zu ostgut ton und laden ein in neue dimensionen ihrer sonischen welt, die sie im laufe mehrerer jahre geschaffen haben.
true art is not only the product in itself, but more than that it is also the ephemeral moment in which the artist is possessed by a creative impulse that brings them back to their -nullpunkt-. ideas flow in a merging of creativity and emotion without the artist trying to think... when the artist manages to retain the -nullpunkt- as the frame of reference in his artwork, that is what mohammed understands as true art. the product becomes a hommage to that moment.
2019 repress - first recorded in 1983 under the name visual, boyd jarvis s cut the music got me is one of the first true house records. a staple on the 80s new york club scene, the visionary instrumental dub was played everywhere from the paradise garage to zanzibar, dance-floors packing to it s mix of throbbing bass and wooshes of analogue synth magic. at ransom note we ve long been obsessed with the record, so when house hunting s aiden d araujo interviewed boyd - and found out that we could license it - we jumped at the chance. now, we present the music got you sounding bigger and better than ever before. remastered from boyd s original tapes by keith tenniswood at curved studios, the music got me is pressed on limited edition, heavyweight vinyl for clarity and bass pressure. complimenting the original release come 2 completely new mixes the first is a dubbed out masterpiece from edit-king nick the record alongside dan tyler of the idjut boys. between them they take the essence of jarvis s original and tease it out into a cavernous disco killer. next up comes bawrut man behind ransom notes debut release, the nu-acid anthem ciquita. bawrut does what he does best, throwing in latin percussion, layers of screwball 303 burbles, and a sense of joy, all whilst keeping boyd s original bass groove rolling.
originally released in 1956, this amazing recording of ella fitzgerald singing songs by cole porter is finally back on double vinyl. housed in a gatefold sleeve, featuring the original artwork.
pijynman returns to the label with 2 statement originals infused with his signature deep, groovy sound thats complimented by just the right amount of hypnotic melodic hooks. the b-side has 2 remix versions of the title track >memories of a better tomorrow< from label boss paolo rocco. he unorthodoxly adds vocals in his remix where there are none in the original. this effort, inspired by the originals soul closes off the ep for a one of a kind record that will stay timeless in any dj bag.
one of the founding fathers of chicago house, himself a grandson to a dj and frequently alongside other greats such as ron hardy on the decks, gene hunt summons a 3-tracker for the midnight shift label. true house and techno direct from the source and in his own words, a rather ‘jungly’ take of it due to the tracks’ chaotic percussion. ‘feeling it’ takes you back to the original old school, with all the classic elements in place, it’s a house lover’s wet dream, 30 years after the fact. spector twists things up while keeping that pumping jacking groove a perfect intersection between then and now.scatter punches through the noise like a clarion call to arms - where are all our jacks and jackies at report to the dancefloor, please.
brewers musical output is true to purist sensibilities that favour economy of sonic components and studio prowess over unnecessary fanfare, but all the while forging new ground & refining a genuinely personal aesthetic.
dj nobu & katsunori sawa are nobusawa. a true auteur of hyper functional dance floor techno production trades blows with one of the genres most lauded djs
malik hendricks second solo ep features four club ready originals, merging influences from house, techno and jazz. black chakra is a warm, soulful collage of dance selections with driving percussion and a deep low end. malik hendricks is a rhythmically inclined aesthetic enthusiast born in the 80 s, and raised in the 90 s. a dj for over a decade, he has always approached music with a rigorous curiosity and views the dancefloor as the ideal arena for collective cultural appreciation, a place where the quest for knowledge meets the quest for experience. dance is the true language of the body, and a gateway to the recognition of our shared humanity. money cat records - round black records bringing good luck. linking motion with emotion, dance unites the body and soul of all who participate. music from brooklyn to the world. established in 2018.
THROUGH THE HOURS DELUXE EDITION (2X12 INCH + 2X10 INCH COLOUR)
2x12" + 2x10" 17.06.19
* seasoned shogun duo technimatic are proud to celebrate 10 years working together with the release of their 3rd studio lp ‘through the hours’. born of time spent behind the boards, on the decks and travelling the world honing their craft, this is their most profound work to date. their first single ‘sometimes’, ‘goodbye kiss’ and ‘all our yesterdays’ are loaded with floor filling nostalgia while the tempo changes of ‘recurring dream’ and stand out ‘resolution’ are thrilling explorations away from the pair’s trademark liquid sound. technimatic fans will rejoice at the sight of previous collaborators appearing. jono mccleery’s devastating ability shines on ‘the nightfall’, while ‘weightless’ ft lucy kitchen is vintage, sublime drum and bass. matt wilson also joins the project as ‘holding on’ finds its feet firmly on the dance floor revealing a fresh side to their production skills. just looking at the three vocal tracks highlights the passage of time in the technimatic sound, seamlessly manoeuvring from classic to current. the grit and swagger of ‘true believer’ matched with the hypnotic lull of ‘let it fall’ give the album a conscious edge to satisfy all tastes. ‘through the hours’ moves harmoniously through sonic timelines appealing to both new and old school heads simultaneously. lastly and most importantly, the music is fantastic. the technimatic sound is as rustic as it is contemporary and after some time away, it’s clearly well worth the wait.
one the true kings of obscure dancefloor records, loud-e, fires three raunchy disco edits out the discos capablanca cannon... watch how these land...bombs! big tip!
das dritte release des in madrid ansässigen labels ist frisch aus dem ofen gekommen. es enthält sechs stücke mit der kraft und intensität wie wir es gewöhnt sind.
vor zwei jahren hatte credit 00 das glück, inmitten der konkreten weite der stadt eine wohnung mit wintergarten zu finden. dort sein atelier einzurichten, umgeben von pflanzen, gegenüber der hinterhofoase mit ihren bäumen, büschen und vögeln, die den ganzen tag sangen, war das gegenteil von seiner üblichen arbeitsumgebung. der kontrast, in der natur zu sein und gleichzeitig von einem städtischen viertel umgeben zu sein, wird auf dem neuesten ausflug von credit 00 im uncanny valley untersucht.
the incredible san francisco area jazz funk spiritual imani-out of the blue original only 500 copies of this privately pressed record was manufactured in 1983. here is your rare opportunity to own a deluxe reissue of this impossible to find original. privately pressed by preston phillipps and pam byrd has been called the ultimate private press vocal anthem of bay area jazz. if you like john heartsman, aposento alto or minority band, don’t miss a true killer record.
charles duff and daniel fisher have known each other since well before their respective forays into dance music. they serendipitously crossed paths at some point in the early 2010s with mutual friends in the nyc club kid scene. shortly thereafter they realised they both were keen to ditch the vapid hipster bullshit that had fueled their early careers thus far in order to pursue something pure: techno. mind you, this was at a time when it was not terribly cool to be into underground dance music. if anything, they both were greeted with massive skepticism from their peers but that didn t ultimately deter them. both went from relative obscurity to regular slots at berghain. and for two american kids musing in a pathetic bedroom studio, this was nothing short of a dream come true. a prophecy had been fulfilled. the two tried their hands at numerous attempts at collaboration over a 5 year period but nothing seemed to stick. most of it sucked horrendously according to them. but not on this occasion. the stars finally came into alignment and they were able to execute a concise group of tracks that finally made sense together. which brings us to threads. threads, an homage to the uber-dystopian bbc docudrama from the 80s, sums up their dynamic approach to tracks. it s an alienating, sinister take on techno that somehow manages to not fully lose faith in dire times. much like life today.
a story that is told through music, of a japanese artist who travels to a foreign land and her true calling through the guidance of melody, rhythm, dance, mentorships and friendships. music by: mental remedy. produced by joaquin joe claussell for sacred rhythm music & cosmic arts
the subversive electronics duo is back at it again for the sixth release on planet euphorique. ambien baby brings you another slab of total sonic disorientation, the good kind the one that invites you to dance, but also questions the stifling boundaries of genre within electronic music. dreaming up a sound that welcomes confusion and experimentation over the tried and true. here we have a spectrum of colour and vibes electro, experimentalism, and primal sensibilities mash and clash in an odd harmony that begs the question, where are we now?
2 jungle by night tracks remixed by two heavyweights! illustrious electronic reworks by chicago s ron trent and japan s kuniyuki. after the release of their 5th album, livingstone, the 9 piece collective from amsterdam sent their tracks to two true house music legends for their interpretation. heavy stuff, check it out!
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