cd incl 12 page booklet

monophonics invite us to the Òsage motelÓ.

absolute killer new lp from the trilogy tapes / kashual plastik affiliate waswaas - strongly recommended (and limited)

the act of escaping that which is predestined. / a hustle. reto a ichi is a sonic tabula rasa for guillermo herren aka prefuse 73. there are identifiable elements of the artist you already know - an uncanny sense for rhythm, an ability to shape samples and frequenci- es like clay, an affinity for the subtle changes of repetition - yet this is first and foremost music born from the need for silence. there is no easy entrance point or index for the listener.

dear human survivors,Ê while the story of grounded in humanity is coming closer to its glorious end - there will be 3 more releases before the final showdown of humanity vs. human clones - the birth of our spin-off label human insurgents is taking shape. the first chapter, a 11-track album, is written and told by phat lord - who is also known as leader of the human resistance, trying to put an end to the brutal regency of the clones. phat lord is a true legend of the underground and his origin and location are totally unknown, even for the largest part of the resistance. some say he may even be a clone himselfÉ. the album is a sonic trip through various mental states and dystopic landscapes. it is a result of 8 years moving below the surface and often in the dark, to avoid discovery. he worked with simple, analog methods, focusing on the true essence of sound. we recommend a setting that allows for deep listening and proper bass support.Ê

third redshape album , with stunning detroit inspired techno

with ÈredsuperstructureÇ, robert lippok created a new foundation for his musical endeavors. now Ð 7 years later Ð this system properly comes to life on Èapplied autonomyÇ. the title of the new album is a clear indicator as to what the berlin-based producer has been up to during the last couple of years, both on a conceptual level as well as how he molds his ideas into tracks. Èapplied autonomyÇ orchestrates a certain state of frantic standstill, which occurs once a structure is set. has this state been reached, the artist is free to focus on other equally important aspects, balancing the various shades, pushing ideas even further to really make them shine and blossom in their self-declared autonomy. the more light one lets in, the more layers become visible. layers are key when it comes to understanding Èapplied autonomyÇ. big chunks of the material with which the album has been produced derive from sketches specifically made for a club performance. rather than meticulously devising each and every detail, lippok focussed instead on recording as many fragments as possible in a short period of time, elements which he could later combine and layer on stage. based on this material and his experience experimenting with it in a live environment, the album slowly began to shape. an album culminating in a collaboration with klara lewis, with whom lippok spent 2 days at the ems studios in stockholm, approaching the idea of autonomy from yet another angle. during the session, both musicians played and performed simultaneously, yet not explicitly together, lost in their own thoughts and ideas, only subconsciously taking in what the other one was coming up with. the result is ÈsamtalÇ, 14 minutes of a constantly evolving state of poise, magically connecting all the dots lippok had already defined as Èapplied autonomyÇ. the artwork for Èapplied autonomyÇ has been created by the berlin-based argentinian artist luca gutierrez. over the last couple of years, he has made a name for himself with his spectacular av performances.

to those familiar with the output of cologne-based imprint firm from back in the early Ô00s, the name of geiger, alias nass, shall undoubtedly ring a bell. herald of an hedonistic melange of funk- soaked electro pop and guitar-riddled synth music, sitting somewhere close to acts like ween and junior boys, alexander geiger is about to break a eight-year hiatus with the drop of his debut album under the newly-founded moniker of fahrland. a release that both encompasses a healthy dose of the discoid tropes from the firm era but also aspires to split with a segment of it, geared towards exploring further undisclosed fringes of his shape-shifting sound universe, Ômixtape vol.1Õ is the fruit of a decisive move from the sleepless berlin to the peaceful countryside landscapes of fahrland Ð a lushly forested area near potsdam which youÕll have understood played an essential role in geigerÕs longed-for return.

arquitectura del sueno 2 cd mixed by svreca

rezzs involvement in the toronto scene helped grow her gritty style. events like bassmentality and older shows at the legendary guverment helped shape not only rezz, but an era of electronic music producers who became inspired from early dj college tours. mass manipulation is a commentary on how easily our minds can become manipulated by the things we consume in society. we consume heavily through the media, which, in turn, tries to curate our thoughts and dictate how we as humans are supposed to live and behave. this album plays off this idea and invites people to become hypnotized, allowing their brains to be manipulated by my music in the hope they might see things through a new perspective (perhaps an outer world viewpoint) one where everyone is free from the unrealistic expectations planet earth has drawn for them. a world of acceptance and hypnosis.

benjamin wallfisch gilt als einer der renommiertesten filmkomponisten seiner generation. seine arbeiten fŸr filme von top-regisseuren wie steven spielberg, rupert wyatt, gore verbinski oder lars von trier erhielten zahlreiche auszeichnungen und nominierungen (oscar, golden globe, emmy, bafta, world soundtrack awards). jetzt liefert er den score zur neuverfilmung des stephen king-klassikers it (es) ab, der im original 1990 als fernseh-zweiteiler erschien. der film wird bereits seit monaten heftig angetrailert (sein offizieller deutscher youtube-trailer generierte bislang Ÿber 2 mio. klicks) und gilt als eines der highlights der kinosaison herbst 2017. der it soundtrack erscheint als doppel-cd (38 tracks) und einen monat spŠter als gatefold-doppel-lp (29 tracks) und limitierte picture-disc-lp (18 tracks

after recent releases on the save fabric album, alola & jack trax, mr.c has delved deep into his musical psyche to deliver an acid master-class that s influenced by ska, dub, electro, italo disco, acid house & tech house, bringing his roots up to date with this massive modern production. incidents is about things that can happen while clubbing. down-tempo tracks entry search, a civil dose & quick exit will dub you out. slightly quicker acid fever & stand up will completely groove you & dance tracks do it for me, disco rebellion, shape your dreams, raid, ripple effect & master of the universe will make you dance like no-ones watching. incidents is the complete electronic album that pulls all the punches, gives a nod to the past & yet has it s feet firmly embedded in the future. this is easily mr.cs best solo work to date & essential listening.

deluxe 2 cd digipack , inside out paper and embossed typo finish within electronic music sven vŠth represents more than a single style. sven embodies the music as a whole, he cherishes every facet of techno and house. vŠth has experienced the music as it emerged in the mid-eighties. from this moment on, he has helped to shape it year after year. vŠth produced seminal music, his labels created and create its very own unmistakable brand of music, he ran a club and several booking agencies. cocoon is a global identification mark for high quality parties and festivals. those are major achievements, but they are overshadowed by vŠth djing abilities. like no one else, vŠth manages to capture the current figuration of our beloved electronic dance music in its entirety and melds it into a single, stirring story

the third instalment of the stil vor talent berlin compilation series brings forth a new gang of carefully selected artists, gathered under the umbrella of another underground berlin hotspot. kottbusser tor is undoubtedly the beating heart of kreuzberg, unashamedly pulsating 24/7 with the good, the bad and the ugly. theres no place quite like it, thanks to its raw charme. as always, music is the common denominator and oliver koletzki delivers the perfect soundtrack with this new release, while chrisse kunst renders the visual.

a collaboration between aphex twin (richard d. james) and µÐziq (mike paradinas), mike & rich - Õexpert knob twiddlersÕ was made back in 1994. richard edited the tracks into shape later in 1996 with his new apple mac computer and it was released later that year on rephlex, the label he co-owned and which released the first two albums by µ-ziq. this new reissued version has been carefully cleaned up, re-edited and remastered from the original dat tapes, put into a more fitting order and, more excitingly, seven new bonus tracks and alternative versions have also been added. the album was recorded over a few days during the 1994 world cup, back when richard lived in a big shared flat in stoke newington. richard had tried to collaborate with a few other likeminded artists but something clicked when mike and rich worked together and the sessions have a unique feel, playful and at times actually drunk. these are fun experiments in the spirit of lighthearted moog pop and ripe 70s british tv themes, standing out from the po-faced electronica of the time with a garish glee. the record was made on what is now seen as pretty primitive gear - an atari, roland mks-80, memorymoog, roland r8 and a handful of samples on a casio fz-10m - but itÕs to their credit that it resonates well with the hardware workouts coming out today. there s a broadminded but sloppy funk to the record, even whistling, singing and harpsichord in reg and wonky beat pile-ons in jelly fish . there s latin piano and wheezy drunken techno in ÔvodkaÕ, or the sleepy spaced out ambience of Ôbu bu bu ba with its barely contained laughter which seems to reflect the absurdity. the new versions and bonus tracks are an absolute delight - from a trancier version of Ôvodka to the wonky bounce of Ôportamento gosh , the 3/4 dub of waltz, the banging door bass of brivert and muonds , the creepy seasick atmosphere of clissold bathroom and finishing with the strangely graceful and serious organ plodder . a generous and welcome return to the racks

here we see italian brother duo elia and niro perrone, release their debut long player in the shape of ÔpescaiolaÕ the name of the suburbs the pair grew up and paying homage to their musical roots growing up together. across the duration of the ÔpescaiolaÕ lp easy to remember serve up a amalgamation of raw and intriguing electronic, house and techno cuts. opener ÔhanckoraÕ lays down a lo-fi infused hip hop style to kick things off, while Ôcheckma demÕ lies in similar territory with the addition of some vocal stylings as wel

afterlife and tale of us are proud to announce realm of consciousness-, a 10-piece compilation expanding the afterlife totality into a label. the label and events will complement each other with one aim, to bring the crowd into another dimension of music perception with enthralling production to that ignite the senses.

love is a fridge, das zweite album des berliner duos me and my drummer. drei jahre nach der veršffentlichung ihres viel beachteten debŸts the hawk, the beak, the prey kann diese au§ergewšhnliche band auf eine ebenso schillernde wie rastlose geschichte blicken. mit love is a fridge setzt sie nun einen neuen hšhepunkt. als me and my drummer 2012 ihr debŸtalbum veršffentlichen, legen charlotte brandi und matze pršllochs einen mehr als traumhaften start hin, liefern mit you re a runner einen widerborstigen hit und spielen mehr als hundertfŸnfzig konzerte quer durch europa. wŠhrenddessen kollaborieren sie mit ebenso au§ergewšhnlichen kŸnstler/innen wie kat frankie, tale of us oder breton, bevor sie sich sich schlie§lich zusammen mit produzent olaf opal komplett auf die arbeiten am zweiten album konzentrieren. love is a fridge zeigt, welche urgewalt und innigkeit me and my drummers musikalische kompromisslosigkeit gebŠrt. eine einnehmende direktheit, die sie in ihrer musik zelebrieren

mit ihrem 1998 er debŸtalbum -wormhole- Šnderten ed rush & optical den drum & bass fŸr immer. das album gilt seitdem als zeitloser klassiker des genres, seine macher stiegen ohne umwege direkt in den drum & bass-olymp auf und inspirieren die szene bis heute. nun steht ihr fabric-mix an, mit dem sie wieder verdeutlichen, wer weiterhin das zepter in der hand hŠlt. fabric live 82 ist ein mammutmix aus 39(!) tracks mit vielen exclusives, unveršffentlichten tracks und mixes und kurztrips in die drum & bass-historie. ein schneller, furioser und hochenergetischer ritt durch ein genre, das gekommen ist, um zu bleiben.

his first release since 2012s *fear not*, the man behind some of d+bs biggest anthems returns with his brand new album. having spent the last two years collaborating with big brother dan nu:tone on the nu:logic project, logistics takes solo control of the studio set up once more to unleash his latest monsters. a return to the classic hospital sound which logistics has helped shape, uplifting piano chords, euphoric basslines and sublime vocal chops abound, alongside acoustic guitars and luscious strings. collaborators on this project include new talents hugh hardie and maduk, veteran producer sonic, vocalists will robert and lifford, and of course brother dan nu:tone. an album of organic, d+b soul, as hospital hits its 18th year in business logistics brings us a reminder of his well renowned talent with an added sense of maturity in his production.
club support from: danny byrd, fabio, high contrast, b traits, spectrasoul, brookes brothers, subfocus, s.p.y, drumsound & bassline smith, matrix, dj hype, tc, doc scott, john b and many more.

the histories of bbe music and the southport weekender have intertwined since day one. the first release on the label, stop & listen volume 1, was compiled by dr bob jones, the venerable uk selector who was for many years an integral part of southport s core of resident djs who helped shape the sound of the weekender scene.

tresor are pleased to announce kern: a showcase of old meets new, house meets techno, in the form of an exciting mix series aimed at delivering fresh narratives in electronic dance music.

if you find yourself taking for granted all the natural beauty that surrounds you, caught up in trivial occurrences that interfere with your daily happiness, letting social constructs shape your mood, then please do buy this cd, sit down, focus on what is right there in your hands, turn to your loved one, breathe deeply, enjoy the light in the room, savor your food perhaps, and simply appreciate all that is happening in this particular moment levitate in awe as you enter the land of light, a new work by jonny nash and kyle martin

mad decent is proud to announce our very own -mad decent volume 1- compilation, featuring 18 tracks hand selected by our leader diplo from his favorite overlooked remixes of past releases plus a variety of new music from our next crop of artists. the compilation presents a selection of mad decent artist who ve helped shape the labels unique personality since inception. featuring huge new remixes of classics such as bosco delreys -wild one- (reset! remix) and malucas -el tigeraso- (sticky k remix) to unreleased gems like boy 8-bit -house on the hill- and dillon francis -beautician 2.0-, to in your face bangers like ruskos -everyday- (netsky remix). mad decent vol. 1 is as much a showcase of the labels biggest names and tracks as it is an illustration of its incessant efforts to bring new genres and cultures to light. the label has come a long way from the underground philly scene where it all started, collecting a diversified group of artists along the way. from blaqstarr, to rusko, to savage skulls and po po, the sound and influences come from all over the world, and somehow work together to form a unified front of weirdos that make music outside the lines.

hectic times require adequate measures. shorten the text message, shorten any url, filter a newsfeed to make a broadband broader - in any way, take a shortcut wherever you intend to go. while the world is struggling for convenience, those who chose the road less travelled will soon become - or already are? - outsiders. in many ways this is the case of jacek sienkiewicz - with over 30 releases behind, and over a decade of running his own label, he persistently followed his very own path, creating music that very soon began to be impossible to define. friendly, but not fraternizing with everyone and his family, modest, but stubborn only in a positive way, jacek is an individual with clear, personal vision and an unorthodox approach to music - light years away from the hectic, utilitarian ethos of club-derived electronic beats. and this story finally took shape - at the same time rock solid and otherworldly ethereal - in the form of “on the road , without any doubt one of the few rare records, this complex and challenging, to be derived in recent years from the music formerly known as techno. this album successfully attempts to embrace virtually all aspects of modern electronic music - from rave-like club bangers, through detroitish passion and deep house-like style, towards ambient soundscapes that are mariana trench deep