the german saying *ist der ruf erst ruiniert, lebt man voellig ungeniert.*, meaning once your reputation is ruined, your life gets easy, sums up a lot about furfriend s artistic doing. *freedom of filth* lives tightly along those lines and throws its full force of lushness at you, growing into an empowering industrial monster that makes you want you to rip all clothes off your body. if jfk did it, so can you. if big room sound is too much for you and you miss the simplicity and pervy voice of dingo tush that made the duo famous, you will wanna follow their instructions for self appreciation and have a listen to *touch myself*, a trainlike fuckfest for the dancefloor. make sure to bring some lube! following is a short live recording from the *fuck olympics* ... we are just going to leave this uncommented here.
pressing on yellow translucent vinyl.

elephant moon continues its steady schedule of releases with a brand new ep from label owner john dimas and danish talent samuel andre madsen (aka s.a.m). on this fresh new release we re treated to two tracks from monsieur dimas and two from s.a.m. to open we have a quirky little space jam called moon patrol by john dimas. it has chunky percussion at its foundation with off-key chimes and cosmic pads giving it an interstellar feel. samuel s reshaped for moonwalk mix puts john s mix on a diet, making it far lighter and focusing on the ethereal elements turning it into a sweet galactic ditty. on the flip we get a sombre bossa nova ride from s.a.m., all jazzy with a grooving bassline and galloping beats. its a cool, laid back riddim from the dane and were sure youll love it. john dimas gives the track his own monday mix, bringing the tempo down even more and crafting a delicate heady rework.

ark & pit spector continue their inspired journey with an extended ep full of groovy jams and absorbing rhythms for hold youth. the frenchmen have formed a potent alliance with a series of expertly-crafted, high-quality releases dropping over the last couple of years. on this new ep they go deeper into their sound explorations with five original works and a remix from their parisian buddy and hold youth member, le loup. first up, we go into bumping jazzy territory with ‘chauffage central’, a mesmerising cut with swirling pads, soulful vocal clips and a jaunty b-line. straight up after that, hold youth rudeboy le loup gives ‘chauffage central’ a funky little rework, throwing live sounding percussion, nubian vocal clips, trumpet parps and a pumping bassline into the mix which gives a totally different identity. the final track on side a, is a cheeky teaser called ‘petite ondée’. rolling out for just under two minutes the track has a muffled, jazz-esque feel to it with a warm rolling bassline and bright, sparkling piano keys. on the flip we kick off with ‘air conditionelle’, a lush, retro feeling with those oh-so-familiar heavy-hitting eighties snare licks. the bassline takes you to a new york city street and the whole atmosphere is that of an old school nyc neighbourhood, while a spoken-word sample adds a human touch just before the track comes to an end. ‘sub tropical’ goes a little leftfield with an unusual combination of sounds in tandem with a pulsating low end, occasional sax licks and punchy percussion to give it plenty of energy. ‘averse et contre tous’ closes out the ep with a slothish ride into the sunset – ark and pit spector show their experimental side presenting an odd union between blues samples, gruff electronic sounds and piano keys. another triumphant effort from ark and pit spector, in fact, some of the finest work to date. make sure you check it out!

dj sounds presents moving, a 3 tracks record made for the dancers and the djs. track 1 -moving- is an elegant built around a filtered disco-ish sample, simple while very efficient. -casa suave- is a classic sounding house track, easy to spin and sure to please the crowd. closing the record, -fragments- is a bit slower and deeper with its roland pads and bass, still very danceable.

fox tooth was one of the big releases of 2015 on local talk. if you haven t heard it you probably dont remember 2015 at all! all we did was play fox tooth. now, a year later we re proud to present the fox tooth remixes. karizma aka kaytronik gets straight to the point, strips down the original and tensely builds the track slowly, keeping the groove on the bone. on the flip, peacy offers a remix with all the elements of the original, perfectly combined with a few tricks of his own, in a stunning new combination, it sure impresses.

limited edition lp vinyl + 7 inch, no digital release. an underground classic!
wrwtfww records is ecstatic to bring back the original motion picture soundtrack for john carpenter’s dark star (1974) with added bonuses that are sure to satisfy all cult sci-fi soundtrack completists of the galaxy (and further).
the most comprehensive vinyl edition of the original motion picture soundtrack for john carpenter’s first feature film, dark star (1974). includes the sought-after “when twilight falls on ngc 891&#8243,,,,,,, by martin segundo & the scintilla strings, for the first time ever on a john carpenter-related release.

this first compilation from copenhagen label pattern abuse is an eclectic collection of some of denmark’s finest artists from all around the musical spectrum. quirky electronica, retro techno, future garage, post punk and more: at first glance the nine tracks on this relase seem an odd blend. but played together, a common thread of dark and dusty sound appears, showcasing pattern abuse as a label that is sure to deliver unexpected and high quality sounds.

splendor & squalour number 3 sees brame & hamo return to their rising imprint. since the boys ep lamajs secrets on dirt crew we have seen them do a string of remixes for labels such as kolor ltd, heist & their very successful remix for harry wolfman and loz goddards uncle buck on dirt crew. all these releases have kept a steady momentum going for the sligo boys in the house scene. for this ep we have a full 3 tracker consisting of all original cuts. the ep kicks off with kebab dreams which takes us on a trip to the moon with greasy drums and saucy groove. up next is the mpc workout cert city paying homage to their hometown of sligo. closing the ep we have retch wretchedness which takes a darker turn showing us the spookier side of brame & hamo while still keeping the jazzy touch. a peak time track for sure.

lets keep this short and sweet. were talking about felix dickinson and jaime read, neither of whom need much in the way of introduction, after all. three monsters here. acid-flecked, spacey, loopy stuff thats bold, assertive yet melodious, playful. these two have released enough on their own and together as l.h.a.s. inc. to make you know this is a badass 12inch, so whatre you waiting for? get it already itll never leave your bag, were sure.

the btrax records label is back after few years off, and we are sure that new ep will not disappointed you. we are very proud to put out 2 stunning tracks made by one of the label founder : ben men from paris - france.french electronic music scene activist since the early 1990s, ben men is a multifaceted artist, both dj, records dealer, producer and party promoter. since 2001, ben men s btrax parties are hosted at legendary rex club. co-founder of the label -btrax records” with releases of the legendary 7 scan from detroit, vince watson, electric rescue, scan x, julian jeweil, mr c... he was co-founder and manager of record stores statik and basement trax records from 1996 to 2002.just a quick description of the tracks, “the journey” is… as you can imagine, a musical journey track clearly dedicated to the label influences. landscapes of twisting textures, brooding melodics which embarks upon a stunningly trippy journey of it s own.“morning glory” a straight-up slice detroit-infused melodic techno, adds a tough drum line and sweeping touches, as his signature style shines through

after a strong release by soul in the holes disco godfather sadar bahar, kalakuta soul records returns with a strong three tracker by the hands of west atlantis best kept secret cuttlefish & asparagus that celebrate their third release on the label. this time, the duo dedicates the a side of this three-tracker to never ending dances with a touching vocal that goes through body and soul. on the other hand, the b side is a sure shaker and a massive dancefloor oriented set of tracks that brings out the boogie in every single person in the club.

roman poncet returns to figure with another batch of deadly efficient tools featuring four productions in his stripped-back signature style. opener vicious sets the stage with a snappy and muscular breakbeat holding the rhythm down tightly until creeping synths reveal the track’s true, eery intentions. marguerite is more welcoming, with gentle percussion and dubbed out chords making for a loop that could go on forever. the b-side is another example of skillfully sculpting sounds both lean and powerful. on atome i ricocheting synth echoes and fine layers of percussion sway back and forth until they collapse into an extended atmospheric breakdown. starting out reduced to its very nucleus, the second version slowly lets an electrifying tension fill the blank spaces. comprising a set of bare-bone grooves as slick as they are powerfully moving, roman poncet delivers another ep in true figure fashion that is sure to stay in the bag for a long time.

after the debut release on do not sleep become a sure fire club hit, the ibiza party turned much loved house and tech label now has another weapon up its sleeve. the next release is from perel, is titled charles manson and features another standout remix from resident darius syrossian. perel is a berlin based dj, producer and vocalist who is quickly rising through the ranks. she has released both originals and remixes on o*rs before now, and has a robust house and techno infused sound that simply makes you want to dance. as a dj she is a regular at cool spots like farbfernseher and impresses here with what she serves up for do not sleep. the original is a chunky, no-nonsense house track with bouncy bass, subtle vocals and the sort of futuristic and soulful pads that help make it really stand out. it s a slick, well produced sound that is sure to make it into many top record bags in the coming weeks and months. the remix from darius is a subtle one that layers in some trance inducing vocals and extra breakdowns so as to really highlight the powerful effect of the drums each and every time they drop.

kings and queens marks the return of john brown s body with their finest album yet. featuring 12 songs by lead singer elliot martin and the usual amazing drum and bass anchor from tommy benedetti and nate edgar, along with intense horn work from the jbb horns, kings and queens is a deep record sure to please jbb fans new and old. the vinyl lp includes a download code.

french label d3 elements returns to chicago for its next ep, this time looking to the assured house talents of hakim murphy for three tracks of raw, dense grooves right from the heart of the windy city. opener boxbeat is a curious, freaky jam with bobbing percussive hits, wonky, pixel thin synth lines and free roaming pads that wrap the whole thing in a nice sense of spaced-out serenity. taste o rainbow has a much more firmly planted kick drum that pounds away uninterrupted below a free flowing brew of modulate synth sounds. it s expertly reduced and masterfully reserved and is sure to send dance floors wild as a result. the flipside cut freshness has pinging drums and a big, frazzled bass line as slithering chords rain down the face. musical yet jacking, cosmic yet propulsive, it is a perfectly contemporary chicago house sound that rounds out a fine ep from one of the best in the game.

and so, a little short of our third birthday here at selador, it feels like we ve finally made it. no longer pretenders to the throne, we are now like a proper, authentic, fully fledged record label as we reach the holy grail of our very first vinyl release. a momentous occasion for sure. you can speak to our people from now on

its a great pleasure to welcome back waze & odyssey to the label, since their first please dont dance ep on dirt crew wich was released in early 2013 and that featured an excellent detroit swindl remix botht duos have had a massive rise and impact on the underground house scene worldwide. waze & odyssey have also had killer releases on their own imprint w&o street tracks and with their latest on the downlow single they stormed the dancefloors and major radio playlists. waze & odyssey is best know for their straight up bangin’ house cutz and with these two tracks you get exactly that! go go go is a filterred house banger that takes us back to the early chicago and french house productions from the mid 90s. on the other side of this fine 10 the deeper and more electrofied we go home delivers some nasty breakdowns and with its manic pitched and ascending lead sound it should shake and stir your brain to get your feet moving for sure. pure dance floor action with these two new waze & odyssey tracks!

highly recommended. marieu is back on his own imprint enlightened wax after a couple of critically and acclaimed eps on hypercolour.
“ultra thin” is a sure hit dance floor filler manufactured with super catchy funky bites wrapped on heavy rhythms and crunchy 8bit percussion. on the same side, “way out” is a premium hi-energy filtered house anthem.
on the b side, the original mix of “manner” is a mellow deeper cut built on a long spoken word tale floating over hypnotic beats, while the remix of the young talented federico brasi is an acid jacking minimalistic reinterpretation featuring solid vintage flavored drums.

the abstrat matters duo is back after releasing the hottest title on the cynosure label in 2014! with regular play from legends like derrick may to danny tenaglia. that being said the follow up is sure to land in the similar crates and rock dancefloors from ibiza to detroit. this ep delivers a combination of raw and rock solid techno grooves that boarder on the familiar or dare i say old school but maintain the futurist sensibility that make a proper techno twevle inch.

who is the mysterious ketsueki sakuru? a lone warrior from the far east or an already established artist working under another name? we here at giallo disco cannot be sure, but are confident in their ability to detonate dancefloors and provide the correct ambience for walkman-missions everywhere. sounding as if muslimgauze was a confirmed new-beat devotee or if unit black flight was from dubai by way of tokyo and specialized in videogame soundtracks. the blood meridian ep is music for desert wastelands and murderjunkies.

nandu lands on off recordings with a spellbinding three-track debut. walk opens proceedings, merging a chugging low end with forlorn vocals, claves and clangs, setting a dark and trippy atmosphere. label head andre crom reworks the addictive original, twisting it into a swirling trip of layered synths and subtle, shuffling hi-hats. the exotic entitled limon sits somewhere in between. its off-the-wall drum programming and moody, arpeggiated synth line gives this one a late night feel that is sure to blow the roof off of any dance floor.

heres an ep with two songs that are sure to take you back. originally mixed by the legendary larry levan of the world famous paradise garage. these two tracks were both considered anthems when played by larry himself. officially released in 1986, but this demo mix of winners was never released. larry levan played this unreleased cut for many years. groove was never actually released and it was larrys secret weapon! in january of 2003, both songs will be available for the first time together and are sure to bring back the nostalgia that has tried to be recaptured ever since. written by brodie williams. mixed by larry levan

** repress 2016 ** two of the black madonnas most sought after early tracks return to circulation alongside one burning new jam on goodbye to all this, the latest release from stripped & chewed. drawn from the chicago labels 2012 compilation livin for the city ep, the piano dappled joy of *exodus* luxuriates across side a, spreading the good word with a pounding beat. *we dont need no music (thank you, rahaan)* from scrs004 takes another whirl around the dancefloor, its pinwheeling horns and infectious vocals pulling even wallflowers into the fray. and in case two remastered sure-shots arent enough, the brand new *who do you need* closes the record with a soulful thwack: half uplifting house, half blistering techno – all peak-time fodder. a fine addition to the black madonnas discography alongside records for argot, the nite owl diner, hometaping is killing music, and of course stripped & chewed.

banlieue return with their second release. this various artists ep is an eclectic mixture, drawing on different strands of the electronic spectrum. booming, funky and dark, these four tracks are sure to spark a fire.

for finitude music s 5th release, label owner marcel heese and alexander kowalski aka d_func. share their visions on thought control. both tracks on the ep harbour the same intent, but each of them approaches it in a different way. d_func. s take revolves around sahko-like bleeps, if you are into early mika vainio or sleeparchive, look no further! but instead of being loopy, it s definitely a builder. its original trance track-like structure is sure to rock many an underground dancefloor. marcel s vision is slower and less straight-forward but creates and maintains a high tension. based on dense a bassline and intricate soundscapes, it builds up slowly, only to explode halfway through. an extra payoff also comes at the very end of a track, its noise/ambient outro making a perfect way to wrap up an amazing party at 8am somewhere deep in the heart of berlin.

• incl andres remix
• * sabato in pineta* is a track written by these 3 guys (cosimo colella, fabio liuzzi, carmine mongelli) after a great party between the woods of their favorite club, sound department. they capture the feelings and the emotions and write this track in few hours. the emotional impact is really strong, with a great work on surreal pads and trippy synths. the listener can be projected into the atmosphere of the club, but this is sure not only a dancefloor oriented work. andres, with his version, give us a great remix, with his usual amazing use of drums and deep and reminiscent pads. fabio della torre finish the ep with an high quality dub version, more raw and intense on the grooves.

superb throwback electro sounds of the early noughties on offer here from swiss artist elektrobopacheck, debuting via his self affirming synthesizer music laboratory. this is quite reminiscent of stuff on vitalic s seminal citizen records imprint a while back. highlights being atlantic intertravel and kubusmann calculates which sound similar to the majestic modular tones of japanese telecom or the late night electro funk groove of ride on the waves. sure, he s not trying to re invent the wheel here, but it s all good!

it s with great excitement that we present luca affatatos very first opus dedicated entirely to chairs, one of humanity s most groundbreaking inventions. affatato, otherwise known as bop, has been mastering the art of sitting since 1976. while we have yet to truly understand the musical preferences of such notorious objects ourselves, luca seems to know. melding post-punk, minimal wave, melvins, mike patton and boards of canada all into one big hissy, distorted mess, music for chairs is sure to please sitting tools worldwide.

we are really proud to present you our 3rd hypergrooves vinyl v/a! we love each tracks from these artists that can be used in every set time! from warm up to the after party youll find for sure a useful groove from it!this 3rd v/a is signed by artslaves a super djs and producers duo that are doin really a great job bringing their grooves in a lot of european gigs and running their super label moan as well our second artist dont need presentation! miro pajic is a visionary artist and his creative sci-fi sound architecture shines in a variety of ...

after a first lp supported by various artist as rone, rodriguez jr, ark, electric rescue, morpheus or laurent garnier, timid records is proud to announce arno gonzalezs second album: *the delivery boy*. more personal (no featuring this time) and more direct into producing process, arno tells us pieces of his own story: a come back from a gig in brest (back from vauban), a crazy sunday afternoon (domingo dance), a trip to japan (kimura), a train ride to charles de gaule airport (angers/cdg). he also recalls with a dose of sorrow the cycles effects of buzz and modes into music (less was more) , the old time techno (the break), noisy and synthetic funk (the message) or the crazy run of a delivery boy (the delivery boy) which will be soon clipped by the motion designer smoh. the most surprising thing after a first listening is the work on textures and vibes which give consistency to the all album sailing between electronica, inspired techno and house grooves. finally, camille rodriguez and damien *timid boy* almira give us 2 stylish and efficient remixes which will find, for sure, the path to best djs turntables. enjoy your meal!

the detroit wizard gari romalis is on fire again, this time with a bit more techno approach then we got normally got used to. -comeback- is a powerful and hypnotic techno/house hybrid which is sure to fill up the dance floor s around the world. word is bond ladies and gentlemen!

as he keeps busy on d edge s new sub label olga with a brand new artist album, boss man renato ratier also manages to serve up a hot new ep on the main label with dynamic regard stimming. the pair cook up two fine tracks that showcase both of their styles in all their glory. philosophy goes first and is a playful, loose limbed dance floor groover with parping blasts of sub bass, richly soulful pads and slow burning sense of crescendo that will really lift dancers up and carry them away. it is perfectly detailed and expertly produced to really jump out of the speakers and is sure to be a massive hit this summer in brazil and beyond. conscious then flips the script and slows to a perfectly seductive crawl. lazy drums, slow blasts of white noise and a poignant bassline all get backed by glowing pads and the overall effect is soothing, seductive and sensual. this is a fine ep from two very talented producers and cements a long standing relationship in style.

limited edition white colored vinyl! for our 4th vinyl release we are thrilled to welcomethe scumfrog for the first, but for sure not last release on wonnemusik. the result is the next release on the black gold. - chemiquamour comes with a remix from our homebased label & booking act moe ferris. as a friend of wonnemusik the 2nd remix of this great vinyl comes from dj & producer team minotor and the 3rd comes from incredible amanic on this white colored vinyl!we think youll agree, that we delivered an absolutely fantastic release for this winter ...

bell towers edit shortinfo: special back issue of previously unreleased zanzibar chanel classic big bone bitch. with a wacked out edit by fellow ex-melbournite bell towers and a sure fire dancefloor hit for all djs in need of a tool killer

new label radiant records has enlisted roadside edits to deliver a couple of dance floor bombs. we get the ball rolling with a stomping harmonica driven delight, seems the boys like a bit of harmonica, and who could blame them, this one just keeps chugging on, building and building, with the occasional atmospheric breakdown, impossible to sit down to this one fact. on the flip we have a much more polished affair with crazy moog synth lines and trumpet solos galore, another crowd pleaser for sure

the first prodigal son release features a newcomer from france, known by the name exal. he is a resident dj for blocaus in paris often held at la machine du moulin rouge. his first ever record is sure to make an impact with two excellent originals already proven to do damage to dance floors with good results and they are backed up by two stunning remixers on the flip side. inigo kennedy and hector oaks both put their own uniquely epic spin on exals original tracks. the vinyl has been mastered by matt colton at alchemy studios here in london and the artwork story begins with our guy sariel keslasi from tel aviv.
already supported by: abstract division, bas mooy, dustin zahn, dvs1, etapp kyle, francois x, henning baer, j. tijn, jeroen search, johannes volk, len faki, marcel dettmann, oliver deutschmann, paul mac, peter van hoesen, sandrien, samuli kemppi, sigha, truncate, phase...

small quantity 1990’s promo from private collector! contains remixes from mk, maw & lost space disco! track list: lonnie gordon “bad mood”, ch project “all i want”, cosmic gal “space fever”, sponooch “laser dance” & lastly “the man from colours” by wanexa. pre-order now to make sure you get this!

copenhagens music for dreams continues its run of great releases with a tasteful 12 inch from label boss kenneth bager who presents four on-the-money remixes of his single *sunshine stereo* taken from forthcoming album *follow the beat*. currently enjoying heavy rotation on p3 (denmarks answer to radio one), this summery anthem gets makeovers from denmarks jazzbox, greek duo bonnie & klein and from mr bager himself who teams up with napoli-born producer extraordinaire tuccinelli to give us not only a superb extended vocal mix but also an on-fire dub version of the track that is sure to be a future classic both for the balearic brigade and all lovers of funky downtempo dubbed-out weirdness. treading the same territory as the fabulous frankie knuckles hallucinogenic mix of *aint nobody*, this dub is full of tricks, teasing and pleasing the dancefloor and already getting strong support of manchesters moonboots, amnesia legend leo mas and danish dj peter visti. elsewhere jazzbox deliver a great uptempo beach boogie version full of soul and groove making great use of the unmistakeable voice of damon scott, known for his work with storm queen, while bonnie & klein produce a very special percussive jazzy dub mix. the pair are on a roll at the moment and this remix with its warm marimba vibes creates that mediterranean vibe we all love. a real sun-soaked winter warmer, this 12 feels like a knitted sweater in the cold! limited vinyl.

music for dreams release their second 12 inch this year from danish duo visti & meyland. continuing their current passion for writing real songs, visti & meyland are back with a larger than life anthem of love, melancholy and thoughtfulness. ‘sharing the light’ has a dreamy vibe in the verses and hits back hard with a bobby womack-esque chorus with meyland s jekyll and hyde vocals. carried by a 70 s drumbeat, a hypnotic electric bass line, and an out-of-tune piano, this track has a strong emotional, warm and star-gazing feel to it, though still maintaining the heavy, rock-solid grooviness that the danish duo are known for. on remix duties payfone calls the shots and demonstrates his power turning the track into a modern paradise garage-inspired dj tool. ‘girls on camera’ is the second track and a sure fire balearic club monster combining -e2e4- style arpeggios with french kiss style stabs making this package essential for any collector of open minded balearic sounds.

after the big success of the reissue of “mbg ep one”, we are proud to introduce the release of optik “music harmony & rhythm”, another great ep originally released in 1991 under mbg international records. optik is the alias of giorgio canepa and ricky montanari, two of the most talented italian producers from the early 90s italian underground-house movement. in this ep we find two killer deep-house tracks, “music harmony and rhythm” and “illusions”, two great examples of the italo-house touch of the early 90s that we found in a lots of other productions by mbg, don carlos and key tronics ensemble, to name a few plus “illusion” which is also sure an epic track, it was the last disc played at vae victis (misano, italy) and the first disc played at novenove (gradara, italy), two of the most famous italian after hours of the 90 s era. fully re-mastered, dmm cutted, re-pressed & re-released for 2015 in it s original format from the original mastertapes, with the permission & participation of all rights holders with all original mbg label artwork intact.

twice and blend it! records are back with the 8th release of the black aroma edits. expect the trademark sounds that made this series in demand and sought after: side a is sure to hit the jazz - funk heads, whilst side b is a treat for 80’s boogie and soul lovers. grab hold of a copy quick, these don’t last long!

gregor tresher already liked mars bill s tracks on suara and intacto a lot but when he heard these demos he was immediately convinced to sign this new italian artist on his label break new soil. and when he received the basic channellesque remix from heiko laux from the kanzleramt, he was sure to have a true gem on his stick. do you agree

the highly anticipated full length by phill most chill & paul nice on black 2x12 inch vinyl.

going further into techno territory, orphan swords come back with a three tracks ep called -license to desire- on paris-based desire records. following the -risk in the new age- ep (2014), this new hypnotic release is probably their most powerful so far, concentrating ebm, minimal techno gristle and industrial electronics. this ep clearly relates to previous efforts such as -caim- that has been described by xlr8r as -the grinding sounds and whirling blasts of white noise position the track directly in the realm of acts like sandwell district and richie hawtin s digressive and hypnotizing plastikman moniker.- make sure to check out the massive epic of asmoday and the textural sophistication of hooker .

cristi cons and vlad caia are household names that really need no further introduction. their dj sets are techno stories well told and their live act is already making waves worldwide. amphia is first and foremost the platform they use to broadcast their finest works. such is the case of sideways, their latest lp, containing more than a dozen tracks coming your way trilogy style.
the first part reveals six tracks on two heavyweight discs. although most of the tracks fit the usual sit musical approach, the listener is greeted with a wide pallete of rhythms. assemble is an atmospheric dub infused with violins and orchestral echoes. permissive starts things up with a playful bass progression and continues with lush pads and cryptic voices. brooklyn’s deep moody synths and monster groove render it broken poetry at it’s best. for sure it will resemble those early danceable mornings. on a more joyful manner we are presented next with bootcamp s sturdy baseline and playful modulated vocals.
mandatory claims a whole side of the second disc and so does come around. while the first is almost experimental but danceable and warm due to the occasional driving percussions and 303 sounds the latter is the star of the show. come around is 15 minutes long and comes with a story too. a great collection of tracks, a great story that backs each one of them makes the first part of the sideways lp trilogy a treat to listen and dance to.

winter 2015 is here and drumcode continues to release the hottest new tracks that make waves within the techno community. releasing tracks from artists such as adam beyer, alan fitzpatrick, joseph capriati, maceo plex, luigi madonna, ida engberg, joel mull, sam paganini, harvey mckay and dubspeeka.
moving into the latter stage of 2015, drumcode are keeping up the refined techno that they have displayed and are making sure that they continue to keep up this form throughout heading into 2016. steve rachmad is a name familiar to everyone within the electronic music scene. he has been a big part of the scene for over two decades and boasts a whole host of records and shows.
he has been remixed by the likes of ricardo villalobos, joris voorn and more. rachmad is now hosting his own studio 80 based club night kis where he plays mesmerising extended sets. steve rachmad is welcomed to the vinyl-only offshoot drumcode limited. disturbance is a punchy little number that has a stuttering synth that rises over the top of the pounding kick drum. steps takes it up a notch with a simplistic bleep pattern that modulates throughout that is awash with a throbbing undercurrent.

after contributing a remix for our label in 2011 daniel stefanik now returns to raum with his first solo single under his new moniker dlsk.
the a side * sense of doubt* is a bit more stripped down and melodic, as the b side and also the title track of this release * subterraneans* is more of a jazzy house groove, that simply doesn’t stop rolling and keeps the tension with subtle variations and other nice little gimmicks. as always we truly hope that you enjoy these tracks as much as we do and we are happy to have daniel back on board as for sure he can be called one of germanys top notch producers.

who said that there is no techno in bavaria? not only the bavarian based label itself as a kind of lighthouse for the more energetic sounds deep in the bavarian heart is a proof, also the young and crazy dirty basscore is emerging from there with his very own, unique, freaked out, crazy, uncomprimising style. compared to his outlets so far this one might not be the craziest and freaked out stuff he did, but for sure this is a massive debut and introduction of his trademark and unlimited talent here on credo. perfectly timed and playable tunes with only one goal: working on the dancefloor! and as this wouldnt be enough we even top it with an excellent repaint by another bavarian techno-stallion. klaudia gawlas, who probably doesn t need any introduction, delivered a superb interpretation of the titletrack.

celebrating the seventh noon-records release, we are happy and proud to present you an ep with a name that speaks for itself. something strong is one of these high pressure peaktime cuts, that can turn any club or festival stage upside down. the slick combination of raw and dirty drum programming and twisted funky stabs & organ sounds, will take you on a ride. the head infecting vocals and synths during the break make sure, that no one will be left behind when the beat pounds in again and again. tommer is more on the bumpy house side. with it s massive bassline and percussive patterns, you can get any party started. a perfect track to round up an ep - truly dedicated to the dancfloor.